LeBron James steps onto the Court in the Space Jam: A New Legacy trailer!


I’ll admit to being a little excited for this newest generation of 1996’s Space Jam. I love cartoon / live action mashups, and Space Jam: A New Legacy looks like it’s all that and then some. Director Malcolm D. Lee (Roll Bounce, Night School) leads the update with LeBron James taking center stage. In this version, LeBron’s son is trapped in a different dimension. To save him, LeBron has to play against the Monstars, much like Michael Jordan did in the previous film. He won’t be playing alone, however, as he has various Looney Tunes characters to assist him.

Space Jam: A New Legacy also stars Sonequa Martin-Green (Star Trek: Discovery), Don Cheadle (Avengers: Endgame), along with a series of cameos from some of the NBA’s finest. The film, produced by Ryan Coogler (Black Panther) is set to release in theatres and on HBO Max on July 16.

Here Are The 78th Annual Golden Globe Nominations!


I’m totally turned off by the self-importance of the Golden Globes and I resent every time that I have to write about them.

That said, despite the fact that no one is quite sure who actually votes for the damn things and stories of corruption in the Hollywood Foreign Press Association have been rampant for years, the Golden Globes have still emerged as one of the main Oscar precursors.  So, you kind of have to pay attention to them.  Bleh.

There really aren’t any huge shocks in the list of nominees below, with the exception of maybe Jared Leto for Best Supporting Actor and James Corden’s Prom nomination.  I mean, if you’re that determined to nominate someone for The Prom, why would you go for James Corden as opposed to Meryl Streep?  That’s just odd.

Anyway, here are the nominations:

Best Motion Picture, Drama
“The Father”
“Mank”
“Nomadland”
“Promising Young Woman”
“The Trial of the Chicago 7”

Best Motion Picture, Musical or Comedy
“Borat Subsequent Moviefilm”
“Hamilton”
“Music”
“Palm Springs”
“The Prom”

Best Director, Motion Picture
Emerald Fennell, “Promising Young Woman”
David Fincher, “Mank”
Regina King, “One Night In Miami”
Aaron Sorkin, “The Trial of the Chicago 7”
Chloé Zhao, “Nomadland”

Best Performance by an Actress in a Motion Picture, Drama
Viola Davis, “Ma Rainey’s Black Bottom”
Andra Day, “The United States vs. Billie Holiday”
Vanessa Kirby, “Pieces of a Woman”
Frances McDormand, “Nomadland”
Carey Mulligan, “Promising Young Woman”

Best Performance by an Actress in a Motion Picture, Musical or Comedy
Maria Bakalova, “Borat Subsequent Moviefilm”
Kate Hudson, “Music”
Michelle Pfeiffer, “French Exit”
Rosamund Pike, “I Care a Lot”
Anya Taylor-Joy, “Emma”

Best Performance by an Actress in a Supporting Role in any Motion Picture
Glenn Close, “Hillbilly Elegy”
Olivia Colman, “The Father”
Jodie Foster, “The Mauritanian”
Amanda Seyfried, “Mank”
Helena Zengel, “News of the World”

Best Performance by an Actor in a Motion Picture, Drama
Riz Ahmed, “Sound of Metal”
Chadwick Boseman, “Ma Rainey’s Black Bottom”
Anthony Hopkins, “The Father”
Gary Oldman, “Mank”
Tahar Rahim, “The Mauritanian”

Best Performance by an Actor in a Motion Picture, Musical or Comedy
Sacha Baron Cohen, “Borat Subsequent Moviefilm”
James Corden, “The Prom”
Lin-Manuel Miranda, “Hamilton”
Dev Patel, “The Personal History of David Copperfield”
Andy Samberg, “Palm Springs”

Best Performance by an Actor in a Supporting Role in any Motion Picture
Sacha Baron Cohen, “The Trial of the Chicago 7”
Daniel Kaluuya, “Judas and the Black Messiah”
Jared Leto, “The Little Things”
Billy Murray, “On the Rocks”
Leslie Odom Jr., “One Night In Miami”

Best Screenplay, Motion Picture
Emerald Fennell, “Promising Young Woman”
Jack Fincher, “Mank”
Aaron Sorkin, “The Trial of the Chicago 7”
Florian Zeller and Christopher Hampton, “The Father”
Chloé Zhao, “Nomadland”

Best Original Score, Motion Picture
Alexandre Desplat, “The Midnight Sky”
Ludwig Göransson, “Tenet”
James Newton Howard, “News of the World”
Trent Reznor and Atticus Ross, “Mank”
Trent Reznor, Atticus Ross and Jon Batiste, “Soul”

Best Original Song, Motion Picture
“Fight For You,” Judas and the Black Messiah”
“Hear My Voice,” The Trial of the Chicago 7”
“Io Sì (Seen),” The Life Ahead”
“Speak Now,” One Night In Miami”
“Tigress & Tweed,” The United States Vs. Billie Holiday”

Best Motion Picture, Animated
“The Croods: A New Age”
“Onward”
“Over the Moon”
“Soul”
“Wolfwalkers”

Best Motion Picture, Foreign Language
“Another Round”
“La Llorona”
“The Life Ahead”
“Minari”
“Two Of Us”

Best Television Series, Drama
“The Crown”
“Lovecraft Country”
“The Mandalorian”
“Ozark”
“Ratched”

Best Television Series, Musical or Comedy
“Emily in Paris”
“The Flight Attendant”
“The Great”
“Schitt’s Creek”
“Ted Lasso”

Best Limited Series, Anthology Series or a Motion Picture made for Television
“Normal People”
“The Queen’s Gambit”
“Small Axe”
“The Undoing”
“Unorthodox”

Best Performance by an Actress in a Television Series, Drama
Olivia Colman, “The Crown”
Jodie Comer, “Killing Eve”
Emma Corrin, “The Crown”
Laura Linney, “Ozark”
Sarah Paulson, “Ratched”

Best Performance by an Actress in a Television Series, Musical or Comedy
Lily Collins, “Emily In Paris”
Kaley Cuoco, “The Flight Attendant”
Elle Fanning, “The Great”
Jane Levy, “Zoey’s Extraordinary Playlist”
Catherine O’Hara, “Schitt’s Creek”

Best Performance by an Actress in a Limited Series, Anthology Series or a Motion Picture Made for Television
Cate Blanchett, “Mrs. America”
Daisy Edgar Jones, “Normal People”
Shira Haas, “Unorthodox”
Nicole Kidman, “The Undoing”
Anya Taylor-Joy, “The Queen’s Gambit”

Best Performance by an Actress in a Television Supporting Role
Gillian Anderson, “The Crown”
Helena Bonham Carter, “The Crown”
Julia Garner, “Ozark”
Annie Murphy, “Schitt’s Creek”
Cynthia Nixon, “Ratched”

Best Performance by an Actor in a Television Series, Drama
Jason Bateman, “Ozark”
Josh O’Connor, “The Crown”
Bob Odenkirk, “Better Call Saul”
Al Pacino, “Hunters”
Matthew Rhys, “Perry Mason”

Best Performance by an Actor in a Television Series, Musical or Comedy
Don Cheadle, “Black Monday”
Nicholas Hoult, “The Great”
Eugene Levy, “Schitt’s Creek”
Jason Sudeikis, “Ted Lasso”
Ramy Youssef, “Ramy”

Best Performance by an Actor in a Limited Series or a Motion Picture Made for Television
Bryan Cranston, “Your Honor”
Jeff Daniels, “The Comey Rule”
Hugh Grant, “The Undoing”
Ethan Hawke, “The Good Lord Bird”
Mark Ruffalo, “I Know This Much is True”

Best Performance by an Actor in a Television Supporting Role
John Boyega, “Small Axe”
Brendan Gleeson, “The Comey Rule”
Daniel Levy, “Schitt’s Creek”
Jim Parsons, “Hollywood”
Donald Sutherland, “The Undoing”

Here Are The Major 72nd Emmy Nominations!


Usually, when it’s time for the Emmy nominations to be announced, I’ll post what I personally would have nominated.  I didn’t do it this year because, for whatever reason, I didn’t watch as much TV last season as I have in the past so I felt like, if I had done a Lisa Has All The Power post for the Emmy nominations, I would have ended up just nominating a bunch of shows that I hadn’t actually watched and that would just be wrong.

I will say that I was hoping to see nominations for Bad Education and Unbelievable.  Both did receive nominations, though not as much as they should have.  Bad Education was nominated for Best TV Movie and Hugh Jackman received a nomination but it deserved so much more.  (It’s the best film that I’ve seen so far this year and it bugs the Hell out of me that it was sold to HBO and not Netflix because Bad Education is the type of movie that should get Oscar recognition.)  Unbelievable was nominated for Best Limited Series but Kaitlyn Dever and Merritt Weaver deserved nominations as well.  I was also disappointed that neither Aaron Paul nor Robert Forster were nominated for El Camino.  I’m also upset that my favorite comedy series — Medical Police — was totally snubbed but I’m not really surprised.  Medical Police is hilarious but it’s not self-important enough for the Emmys.  Still, considering that Curb Your Enthusiasm was kind of terrible this year, it’s a shame that Medical Police couldn’t sneak in there.

(This year still isn’t as bad as the year that Twin Peaks: The Return was snubbed in all the major categories.)

Anyway, here are the major nominees.  At least The Mandalorian got some recognition.  GO BABY YODA!

Drama Series

“Better Call Saul” (AMC)
“The Crown” (Netflix)
“The Handmaid’s Tale” (Hulu)
“Killing Eve” (BBC America/AMC)
“The Mandalorian” (Disney Plus)
“Ozark” (Netflix)
“Stranger Things” (Netflix)
“Succession” (HBO)

Comedy Series

“Curb Your Enthusiasm” (HBO)
“Dead to Me” (Netflix)
“The Good Place” (NBC)
“Insecure” (HBO)
“The Kominsky Method” (Netflix)
“The Marvelous Mrs. Maisel” (Amazon Prime Video)
“Schitt’s Creek” (Pop TV)
“What We Do in the Shadows” (FX)

Limited Series

“Little Fires Everywhere” (Hulu)
“Mrs. America” (Hulu)
“Unbelievable” (Netflix)
“Unorthodox” (Netflix)
“Watchmen” (HBO)

Televison Movie

“American Son” (Netflix)

“Bad Education” (HBO)

“Dolly Parton’s Heartstrings: These Old Bones” (Netflix)

“El Camino: A Breaking Bad Movie” (Netflix)

Unbreakable Kimmy Schmidt: Kimmy vs. The Reverend (Netflix)

Lead Actor in a Drama Series

Jason Bateman (“Ozark”)
Sterling K. Brown (“This Is Us”)
Steve Carell (“The Morning Show”)
Brian Cox (“Succession”)
Billy Porter (“Pose”)
Jeremy Strong (“Succession”)

Lead Actress in a Drama Series

Jennifer Aniston (“The Morning Show”)
Olivia Colman (“The Crown”)
Jodie Comer (“Killing Eve”)
Laura Linney (“Ozark”)
Sandra Oh (“Killing Eve”)
Zendaya (“Euphoria”)

Lead Actor in a Comedy Series

Anthony Anderson (“Black-ish”)
Don Cheadle (“Black Monday”)
Ted Danson (“The Good Place”)
Michael Douglas (“The Kominsky Method”)
Eugene Levy (“Schitt’s Creek”)
Ramy Youssef (“Ramy”)

Lead Actress in a Comedy Series

Christina Applegate (“Dead to Me”)
Rachel Brosnahan (“The Marvelous Mrs. Maisel”)
Linda Cardellini (“Dead to Me”)
Catherine O’Hara (“Schitt’s Creek”)
Issa Rae (“Insecure”)
Tracee Ellis Ross (“Black-ish”)

Lead Actor in a Limited Series or Movie

Jeremy Irons (“Watchmen”)
Hugh Jackman (“Bad Education”)
Paul Mescal (“Normal People”)
Jeremy Pope (“Hollywood”)
Mark Ruffalo (“I Know This Much Is True”)

Lead Actress in a Limited Series or Movie

Cate Blanchett (“Mrs. America”)
Shira Haas (“Unorthodox”)
Regina King (“Watchmen”)
Octavia Spencer (“Self Made”)
Kerry Washington (“Little Fires Everywhere”)

Supporting Actor in a Drama Series

Giancarlo Esposito (“Better Call Saul”)
Bradley Whitford (“The Handmaid’s Tale”)
Billy Crudup (“The Morning Show”)
Mark Duplass (“The Morning Show”)
Nicholas Braun (“Succession”)
Kieran Culkin (“Succession”)
Matthew Macfadyen (“Succession”)
Jeffrey Wright (“Westworld”)

Supporting Actress in a Drama Series

Laura Dern (“Big Little Lies”)
Meryl Streep (“Big Little Lies”)
Helena Bonham Carter (“The Crown”)
Samira Wiley (“The Handmaid’s Tale”)
Fiona Shaw (“Killing Eve”)
Julia Garner (“Ozark”)
Sarah Snook (“Succession”)
Thandie Newton (“Westworld”)

Supporting Actor in a Comedy Series

Andre Braugher (“Brooklyn Nine-Nine”)
William Jackson Harper (“The Good Place”)
Alan Arkin (“The Kominsky Method”)
Sterling K. Brown (“The Marvelous Mrs. Maisel”)
Tony Shalhoub (“The Marvelous Mrs. Maisel”)
Mahershala Ali (“Ramy”)
Kenan Thompson (“Saturday Night Live”)
Dan Levy (“Schitt’s Creek”)

Supporting Actress in a Comedy Series

Betty Gilpin (“GLOW”)
D’Arcy Carden (“The Good Place”)
Yvonne Orji (“Insecure”)
Alex Borstein (“The Marvelous Mrs. Maisel”)
Marin Hinkle (“The Marvelous Mrs. Maisel”)
Kate McKinnon (“Saturday Night Live”)
Cecily Strong (“Saturday Night Live”)
Annie Murphy (“Schitt’s Creek”)

Supporting Actor in a Limited Series or Movie

Dylan McDermott (“Hollywood”)
Jim Parsons (“Hollywood”)
Tituss Burgess (“Unbreakable Kimmy Schmidt: Kimmy vs. the Reverend”)
Yahya Abdul-Mateen II (“Watchmen”)
Jovan Adepo (“Watchmen”)
Louis Gossett Jr. (“Watchmen”)

Supporting Actress in a Limited Series or Movie

Holland Taylor (“Hollywood”)
Uzo Aduba (“Mrs. America”)
Margo Martindale (“Mrs. America”)
Tracey Ullman (“Mrs. America”)
Toni Collette (“Unbelievable”)
Jean Smart (“Watchmen”)

Reality Competition

“The Masked Singer” (FOX)
“Nailed It” (Netflix)
“RuPaul’s Drag Race” (VH1)
“Top Chef” (Bravo)
“The Voice” (NBC)

Variety Sketch Series

“A Black Lady Sketch Show” (HBO)
“Drunk History” (Comedy Central)
“Saturday Night Live” (NBC)

Variety Talk Series

“Daily Show with Trevor Noah” (Comedy Central)
“Full Frontal with Samantha Bee” (TBS)
“Jimmy Kimmel Live” (ABC)
“Last Week Tonight with John Oliver” (HBO)
“Late Show with Stephen Colbert” (CBS)

Film Review: Avengers: Endgame (dir by the Russo Brothers)


(Minor Spoilers Below!  Read at your own risk.)

So, how long does the no spoiler rule for Avengers: Endgame apply?  There’s so much that I want to say about this film but I know that I shouldn’t because, even though it had a monstrous opening weekend, there are still people out there who have not had a chance to see the film.  And while this review will have minor spoilers because, otherwise, it would be impossible to write, I’m not going to share any of the major twists or turns.

I will say this.  I saw Avengers: Endgame last night and it left me exhausted, angry, sad, exhilarated, and entertained.  It’s a gigantic film, with a plot that’s as messy and incident-filled as the cinematic universe in which it takes place.  More than just being a sequel or just the latest installment in one of the biggest franchises in cinematic history, Avengers: Endgame is a monument to the limitless depths of the human imagination.  It’s a pop cultural masterpiece, one that will make you laugh and make you cheer and, in the end, make you cry.  It’s a comic book film with unexpected emotional depth and an ending that will bring a tear to the eye of even the toughest cynic.  By all logic, Avengers: Endgame is the type of film that should collapse under its own weight but instead, it’s a film that thrives on its own epic scope.  It’s a three-hour film that’s never less than enthralling.  Even more importantly, it’s a gift to all of us who have spent the last ten years exploring the Marvel Cinematic Universe.

The film itself starts almost immediately after the “Snap” that ended Avengers: Infinity War and we watch as Clint Barton (Jeremy Renner, returning to the franchise after being absent in the previous film) finds himself powerless to keep his family from disintegrating.  After often being dismissed as the Avengers’s weak link, both Clint Barton and Jeremy Renner come into their own in the film.  As one of two members of the Avengers who does not have super powers, Clint serves as a everyperson character.  He’s a reminder that there’s more at stake in Endgame than just the wounded pride of a few super heroes.  When Thanos wiped out half the universe, he didn’t just wipe out Spider-Man, Doctor Strange, and Groot.  He also left very real wounds that will never be healed.

When the film jumps forward by five yeas, we discover that the world is now a much darker place.  When we see New York, the once vibrant city is now gray and deserted.  Our surviving heroes have all dealt with the Snap in their own way.  Clint is now a vigilante, killing anyone who he feels should have been wiped out by Thanos but wasn’t.  Thor (Chris Hemsworth) drinks and eats and feels sorry for himself.  Captain America (Chris Evans) attends support groups and, in one nicely done scene, listens as a man talks about his fear of entering into his first real relationship in the years since “the Snap.”  Tony Stark (Robert Downey, Jr.) is living as a recluse and is still blaming himself.  Hulk (Mark Ruffalo) is now an avuncular, huge, and very green scientist.  Only Natasha (Scarlett Johansson) remains convinced that the Snap can somehow be undone.  She’s right, of course.  But doing so will involve some unexpected sacrifices and a lot of time travel….

And that’s as much as I can tell you, other than to say that the film takes full advantage of both the time travel aspects (yes, there are plenty of Back to the Future jokes) and its high-powered cast.  With our heroes — which, along with the usual Avengers, also include Ant-Man (Paul Rudd) and Rocket Racoon (Bradley Cooper) — hopping through time and space, we get a chance to revisit several of the films that led up to Endgame and it’s a thousand times more effective than it has any right to be.  Yes, one could argue that the cameos from Robert Redford, Tom Hiddleston, Hayley Atwell, and others were essentially fan service but so what?  The fans have certainly earned it and the MCU has earned the chance to take a look back at what it once was and what it has since become.

Indeed, Avengers: Endgame would not work as well as it does if it hadn’t been preceded by 21 entertaining and memorable movies.  It’s not just that the MCU feels like a universe that it as alive as our own, one that is full of wonder, mystery, sadness, and love.  It’s also that we’ve spent ten years getting to know these characters and, as a result, many of them are much more than just “super heroes” to us.  When Tony Stark and Captain America argue over whether it’s even worth trying to undo the Snap, it’s an effective scene because we know the long and complicated history of their relationship.  When the Avengers mourn, we mourn with them because we know their pain.  We’ve shared their triumphs and their failures.  Tony Stark may be a guy in an iron suit but he’s also a man struggling with his own demons and guilt.  Steve Rogers may be a nearly 100 year-old super solider but he’s also every single person who has struggled to make the world a better place.  As strange as it may be to say about characters known as Iron Man, Captain America, and the Black Widow, we feel like we know each and every one of them.  We care about them.

Needless to say, the cast is huge and one of the great things about the film is that previously underused or underestimated performers — like Jeremy Renner, Scarlett Johansson, Paul Rudd, Don Cheadle, and Karen Gillan — all finally get a chance to shine.  As always, the heart of the film belongs to Chris Evans while Robert Downey, Jr. provides just enough cynicism to keep things from getting to superficially idealistic.  Chris Hemsworth and Mark Ruffalo get most of the film’s big laughs, each playing their borderline ludicrous characters with just the right combination of sincerity and humor.  Of course, Josh Brolin is back as well and he’s still perfectly evil and arrogant as Thanos.  But whereas Thanos was the focus of Infinity War, Endgame focuses on the heroes.  If Infinity War acknowledged that evil can triumph, Endgame celebrates the fact that good never surrenders.

As Endgame came to an end, I did find myself wondering what the future is going to hold for the MCU.  A part of me wonders how they’re going to top the past ten years or if it’s even possible to do so.  Several mainstays of the MCU say goodbye during Endgame and it’s hard to imagine the future films without their presence.  It’s been hinted that Captain Marvel is going to be one of the characters holding the next phase of the  MCU together and, fortunately, Brie Larson is a quite a bit better in Endgame than she was in her previous MCU film.  Hopefully, regardless of what happens in the future, Marvel and Disney will continue to entrust their characters to good directors, like the Russo Brothers, James Gunn, and Taika Waititi.  (Wisely, Disney reversed themselves and rehired James Gunn for the next Guardians of the Galaxy film.  Of course, Gunn never should have been fired in the first place….)

And that’s really all I can say about Avengers: Endgame right now, other than to recommend that you see it.  In fact, everyone in the world needs to hurry up and see it so we can finally start talking about the film without having to post spoiler warnings!

For now, I’ll just say that Avengers: Endgame is a powerful, emotional, and entertaining conclusion to one of the greatest cinematic sagas ever.

Scenes That I Love: The Awards Ceremony From Boogie Nights


I would like to think that when the Palme d’Or is awards in Cannes, it’ll be half as exciting as when Dirk Diggler (Mark Wahlberg) picked up his second Best Actor trophy in Paul Thomas Anderson’s Boogie Nights.

Now, the scene below is actually the extended version of the scene that actually appeared in the movie.  In the movie, you just see Jack Horner (Burt Reynolds) watching his latest film and then cut to Dirk picking up his award.  In the extended version, we get to see everyone’s reaction to Dirk winning.  They’re all there — Burt Reynolds, William H. Macy, Nina Hartley, John C. Reilly, Melora Waters, Luis Guzman, Julianne Moore, Heather Graham, Don Cheadle, Robert Ridgely (as the memorably corrupt Colonel), and, of course, the dearly missed Philip Seymour Hoffman.

I can understand why Anderson chose to go with a shortened version of this scene.  Boogie Nights is a long film and obviously, it wasn’t totally necessary to see how everyone reacted to Diggler’s victory.  (By that point, in the film, we already knew how everyone felt about him.)  That said, I do prefer the extended version.  If nothing else, it’s a reminder that Boogie Nights was more than just the story of Dirk Diggler.  Instead, it was the story of a group of outcasts who became a family.

Anyway, let’s hope that whoever wins the Palme d’Or will be a bit more enthusiastic about it than Dirk.

Lisa Reviews Avengers: Infinity War (dir by Joe and Anthony Russo)


(Warning: There are spoilers in this review.  They’re not necessarily huge spoilers but they’re there.  Read at your own risk.)

Avengers: Infinity War is a lot of things.  It’s big, it’s thrilling, it’s emotional, it’s colorful, it’s loud, it’s flamboyant, and, clocking in at two and a half hours, it’s occasionally a bit exhausting.  It’s overwhelming but it’s never boring.  It’s a nearly perfect example of pure cinema, where the story is less about what happens and more how it’s told. It’s a tribute to not just the Marvel Cinematic Universe but also to the audiences who have been flocking to each movie since Iron Man was first released way back in 2008.  Avengers: Infinity War is a pop art masterpiece, one that provides the first part of a climax to a saga that’s been unfolding for ten years.

In the days leading up to the release of Avengers: Infinity War, the main selling point was the assumption that this movie would feature every single character that’s been introduced as a citizen of the MCU so far.  Though the film comes close to including everyone, there are still a few characters who are notable for their absence.  Ant-Man and the Wasp are nowhere to be seen.  None of the Marvel Television characters show up, which is a shame because I’m sure Jessica Jones would have had some choice words about the potential end of the universe.  Two familiar SHIELD agents make a brief appearance, though you have to wonder where they were when New York and Wakanda were being invaded.

That said, all of the big heroes show up.  Tony Stark (Robert Downey, Jr.) flies into space with Dr. Strange (Benedict Cumberbatch) and Spider-Man (Tom Holland).  Thor (Chris Hemsworth) teams up with Rocket Racoon and Groot (voiced by Bradley Cooper and Vin Diesel, respectively).  When Wakanda is attacked, Black Panther (Chadwick Boseman), Captain America (Chris Evans), The Falcon (Anthony Mackie), White Wolf (Sebastian Stan), the Hulk (Mark Ruffalo), Rhodey (Don Cheadle), and Natasha (Scarlett Johansson) are all present to defend it.  Meanwhile, Vision (Paul Bettany) and Wanda (Elizabeth Olsen) continue to pursue their odd relationship while Peter Quill (Chris Pratt) and Gamora (Zoe Saldana) search for Gamora’s father, Thanos (Josh Brolin).

It’s a packed film and the fact that it works as well as it does is a testament to the power of perfect casting and movie star charisma.  At this point, we feel as if we know these characters.  We know that Tony Stark is going to be haunted by what happened the last time Thanos’s minions involved New York.  We know that Spider-Man is going to be desperate to prove that he belongs with the adults, just as we know that Dr. Strange isn’t going to be particularly impressed with anyone he meets.  Needless to say, some characters get more screen time than others.  Despite a good deal of the film taking place in Wakanda, Black Panther largely stays in the background.  I personally wish that both Natasha and Captain America had been given a bit more to do.  Considering just how talented both Anthony Mackie and Don Cheadle are, it’s a shame that neither one of them ever gets to do much in these films.  At the same time, Infinity Wars allows both Elizabeth Olsen and Paul Bettany to come into their own and Chris Hemsworth again shows that he may be the most underrated star in the MCU.  I’ve read a lot of criticism of certain actions taken by Peter Quill towards the end of the film but actually, it’s exactly what you would expect his character to do in the situation and, up until that moment, Chris Pratt is a welcome presence.  It’s important to have someone around who appreciates good music and who can make you laugh, especially considering that Thanos is planning to wipe out 50% of the universe’s population…

Oh yes, Thanos.  After spending years lurking in the background, Thanos finally steps forward in Infinity War.  In fact, it can be argued that Avengers: Infinity War is actually much more of a Thanos film than an Avengers film.  While our heroes are continually spending the film trying to catch up to Thanos and reacting to his latest action, Thanos is always one step ahead.  Thanos is the one who steers the narrative and, for once, you really do believe that an MCU villain views the heroes as being mere distractions.  Thanos is the one on a quest and the film follows him through every step of his search.  In fact, the film’s most emotional moments belong to Thanos.  For all the death and destruction to be found in the film’s surprisingly dark narrative, Thanos is the only character to ever shed a tear.  Like all great villains, Thanos doesn’t view himself as being evil.  Instead, Thanos speaks very sincerely of his desire to bring balance to the universe.  The scary thing about Thanos isn’t that he claims that he’s being merciful when he slaughters millions of beings.  The scary thing about Thanos is that believes it.

Thanos, you see, is a bit of an intergalactic environmentalist.  As he explains it, the universe only has a finite number of resources.  By killing half of the universe’s population, he is ensuring that the other half will be able to survive in peace and harmony.  Most people would call Thanos’s actions genocidal but Thanos would probably say that he’s merely making the difficult decisions that others don’t have the courage or intelligence to make.  It may all sound rather far-fetched and melodramatic until you consider that, just last week, bureaucrats and doctors in the UK decided it would be better to starve a sick infant to death rather than allow his parents to take him to be treated in another country.  With his mix of narcissism and absolutely belief in his own moral certitude, Thanos is a far more familiar villain than a lot of viewers might want to admit.  As opposed to the forgettable villains who have appeared in so many MCU films, Thanos is a compelling and complicated figure.  It’s interesting to note that two of the best performances of the year so far were given by actors appearing as villains in MCU films, Michael B. Jordan in Black Panther and Josh Brolin in this one.

As befits the film’s subject matter, Infinity War is a sprawling film, one that skips from world to world.  The visuals are frequently spectacular, as are the many battles.  From the opening attack on New York to the final battles in Wakanda and in space, the action is non-stop and thrilling.  (It helps that, as opposed to some of the previous MCU films, it’s always clear who is fighting who and why they’re fighting.)  For me, though, the most memorable scenes are the scenes where Thanos looks and considers the worlds that he’s destroyed.  There’s a scene where an exhausted Thanos rests on a placid planet and it’s one of the strongest images in the history of the MCU.

I’ve been told that I shouldn’t worry too much about all of the characters who are killed over the course of Infinity War.  From what I’ve been told, it’s apparently something of a tradition in Marvel comics to kill off a bunch of recognizable characters and then have them come back to life an issue or two later.  And the fact that the sequel to Infinity War has already been filmed and is set to released next year leads me to suspect that nothing’s permanent.  I mean, if all of these people are really dead, there aren’t going to be many heroes left to make any more movies about.  That said, I still got far more emotional than I probably should have at some of the unexpected demises.  Especially … well, no.  I won’t say the name.  But seriously, it was upsetting.

2018 is shaping up to be the year of Marvel.  So far, Marvel has released two of the best films of the year.  To be honest, a film as huge as Infinity War shouldn’t have worked and yet, it does.  It’s a masterpiece of pop art.*

* For a totally different response to Avengers: Infinity War, check out Ryan’s review by clicking here!

Check Out These Avengers: Infinity War Character Posters!


With the release of Avengers: Infinity War right around the corner, Marvel has released a whole new collection of character posters!  Just in case you were wondering who, from the MCU, is going to show up in Infinity War, here’s a partial reminder!

(By the way, the answer  would appear to be just about everyone who has ever appeared in an MCU film!)

Iron Man (Robert Downey, Jr)

Hulk (Mark Ruffalo)

Thor (Chris Hemsworth)

War Machine (Don Cheadle)

Black Widow (Scarlett Johansson)

Captain America (Chris Evans)

White Wolf (Sebastian Stan)

Falcon (Anthony Mackie)

Star-Lord (Chris Pratt)

Rocket and Groot (Bradley Cooper and Vin Diesel)

Gamora (Zoe Saldana)

Nebula (Karen Gillan)

Drax (Dave Bautista)

Scarlet Witch (Elizabeth Olsen)

Vision (Paul Bettany)

Black Panther (Chadwick Boseman)

Spider-Man (Tom Holland)

Doctor Strange (Benedict Cumberbatch)

Wong (Benedict Wong)

Mantis (Pom Klementieff)

Okoye (Danai Gurira)

Shuri (Letitia Wright)

 

 

A Movie A Day #337: Colors (1988, directed by Dennis Hopper)


Los Angeles in the 80s.  Beneath the California glamour that the rest of America thinks about when they think about L.A., a war is brewing.  Bloods vs Crips vs the 21st Street Gang.  For those living in the poorest sections of the city, gangs provide everything that mainstream society refuses to provide: money, a chance to belong, a chance to advance.  The only drawback is that you’ll probably die before you turn thirty.  Two cops — veteran Hodges (Robert Duvall) and rookie McGavin (Sean Penn) — spend their days patrolling a potential war zone.  Hodges tries to maintain the peace, encouraging the gangs to stay in their own territory and treat each other with respect.  McGavin is aggressive and cocky, the type of cop who seems to be destined to end up on the evening news.  With only a year to go before his retirement, Hodges tries to teach McGavin how to be a better cop while the gangs continue to target and kill each other.  The cycle continues.

Colors was one of the first and best-known of the “modern gang” films.  It was also Dennis Hopper’s return to directing, 17 years after the notorious, drug-fueled disaster of The Last Movie.  Hopper took an almost documentary approach to Colors, eschewing, for the most part, melodrama and instead focusing on the day-to-day monotony of life in a war zone.  There are parts of Colors that are almost deliberately boring, with Hodges and McGavin driving through L.A. and trying to stop trouble before it happens.  Hopper portrays Hodges and McGavin as being soldiers in a war that can’t be won, combatants in a concrete Vietnam.  Colors is nearly 20 years old but it holds up.  It’s a tough and gritty film that works because of the strong performances of Duvall and Penn.  The legendary cinematographer Haskell Wexler vividly captures the harshness of life in the inner city.  Actual gang members served as extras, adding to the film’s authentic, documentary feel.  Among the actors playing gang members, Don Cheadle, Trinidad Silva, Glenn Plummer, and Courtney Gains all make a definite impression.  In a small but important role, Maria Conchita Alonso stands in for everyone who is not a cop and who is not a gang member but who is still trapped by their endless conflict.

One person who was not impressed by Colors was future director John Singleton.  Boyz ‘n The Hood was largely written as a response to Colors‘s portrait of life in South Central Los Angeles.

The North Texas Critics Association Names La La Land The Best of 2016!


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I have to admit that I’m starting to reach the point that I always reach during Oscar season.  This is the point where I say, “How many different groups of critics are there!?”

Anyway, the North Texas Critics Association have announced their picks for the best of 2016!  There are my people (in that we all live in North Texas and probably make a lot of jokes about pasty yankee tourists coming down from the North and sweating like pigs) and they picked La La Land as the best of the year.  I’ll be seeing La La Land this weekend so I’ll let you know if they were right.

Best Film
1. La La Land
2. Manchester by the Sea
3. Moonlight
4. Hacksaw Ridge
5. Loving
6. Arrival
7. Captain Fantastic
8. Nocturnal Animals
9. Jackie
10. The Birth of a Nation

Best Director
1. Damien Chazelle (La La Land)
2. Barry Jenkins (Moonlight)
3. Mel Gibson (Hacksaw Ridge)
4. Denis Villeneuve (Arrival)
5. Kenneth Lonergan (Manchester by the Sea)

Best Actress
1. Natalie Portman (Jackie)
2. Emma Stone (La La Land)
3. Amy Adams (Arrival)
4. Emily Blunt (The Girl on the Train)
5. Ruth Negga (Loving)

Best Actor
1. Casey Affleck (Manchester by the Sea)
2. Ryan Gosling (La La Land)
3. Denzel Washington (Fences)
4. Andrew Garfield (Hacksaw Ridge)
5. Don Cheadle (Miles Ahead)

Best Supporting Actress
1. Michelle Williams (Manchester by the Sea)
2. Viola Davis (Fences)
3. Naomie Harris (Moonlight)
4. Octavia Spencer (Hidden Figures)
5. Janelle Monae (Hidden Figures)

Best Supporting Actor
1. Michael Shannon (Nocturnal Animals)
2. Mahershala Ali (Moonlight)
3. Dev Patel (Lion)
4. Jeff Bridges (Hell or High Water)
5. Lucas Hedges (Manchester by the Sea)

Best Cinematography
1. Linus Sandgren (La La Land)
2. James Laxton (Moonlight)
3. Simon Duggan (Hacksaw Ridge)
4.  Bradford Young (Arrival)
5. Stephane Fontaine (Jackie)

Best Animated Film
1. Zootopia
2. Kubo and the Two Strings
3. Sing

Best Documentary
1. Gleason
2. 13th
3. Tower
4. Wiener
5. The Eagle Huntress

Best Foreign Language Film
1. Elle
2. The Handmaiden
3. Hunt for the Wilderpeople
4. The Salesman

5.  Toni Erdmann

Here Are the 48th Annual NAACP Image Award Nominations!


moonlight

You can see the film nomination below.  For a full list of all the Image nominations, including the television nominees, click here.

Outstanding Motion Picture
•    “Fences” (Paramount Pictures)
•    “Hidden Figures” (20th Century Fox)
•    “Loving” (Focus Features/Big Beach)
•    “Moonlight” (A24)
•    “The Birth of a Nation” (Fox Searchlight Pictures)

Outstanding Directing in a Motion Picture – (Film)
•    Anthony Russo, Joe Russo – “Captain America: Civil War” (Marvel Studios)
•    Barry Jenkins – “Moonlight” (A24)
•    Garth Davis – “Lion” (See-Saw Films)
•    Mira Nair – “Queen of Katwe” (Walt Disney Studios)
•    Nate Parker – “The Birth of a Nation” (Fox Searchlight Pictures)

Outstanding Writing in a Motion Picture (Film)
•    Adam Mansbach “Barry” (Black Bear Pictures and Cinetic Media)
•    Barry Jenkins “Moonlight” (A24)
•    Jeff Nichols “Loving” (Focus Features/Big Beach)
•    Nate Parker “The Birth of a Nation” (Fox Searchlight Pictures)
•    Richard Tanne “Southside With You” (Roadside Attractions)

Outstanding Actor in a Motion Picture
•    Denzel Washington – “Fences” (Paramount Pictures)
•    Don Cheadle – “Miles Ahead” (Sony Pictures Classics)
•    Nate Parker – “The Birth of a Nation” (Fox Searchlight Pictures)
•    Stephan James – “Race” (Focus Features/The Luminary Group A Solofilms/Trinidad/Trinity/Trinity Race Production)
•    Will Smith – “Collateral Beauty” (Warner Bros. Pictures/New Line Cinema)

Outstanding Actress in a Motion Picture
•    Angela Bassett – “London Has Fallen” (Focus Features/Millennium Films/G-Base Production)
•    Madina Nalwanga – “Queen of Katwe” (Walt Disney Studios)
•    Ruth Negga – “Loving” (Focus Features/Big Beach)
•    Taraji P. Henson – “Hidden Figures” (20th Century Fox)
•    Tika Sumpter – “Southside With You” (Roadside Attractions)

Outstanding Supporting Actor in a Motion Picture
•    Alano Miller – “Loving” (Focus Features/Big Beach)
•    Chadwick Boseman – “Captain America: Civil War” (Marvel Studios)
•    David Oyelowo – “Queen of Katwe” (Walt Disney Studios)
•    Mahershala Ali – “Moonlight” (A24)
•    Trevante Rhodes – “Moonlight” (A24)

Outstanding Supporting Actress in a Motion Picture
•    Aja Naomi King – “The Birth of a Nation” (Fox Searchlight Pictures)
•    Lupita Nyong’o – “Queen of Katwe” (Walt Disney Studios)
•    Mo’ Nique – “Almost Christmas” (Universal Pictures)
•    Octavia Spencer – “Hidden Figures” (20th Century Fox)
•    Viola Davis – “Fences” (Paramount Pictures)

Outstanding Independent Motion Picture
•    “Lion” (See-Saw Films)
•    “Loving” (Focus Features/Big Beach)
•    “Miles Ahead” (Sony Pictures Classics)
•    “Moonlight” (A24)
•    “The Birth of a Nation” (Fox Searchlight Pictures)

Outstanding Documentary – (Film)
•    “13th” (Netflix)
•    “I Am Not Your Negro” (Velvet Film)
•    “Maya Angelou: And Still I Rise” (The People’s Poet LLC)
•    “Miss Sharon Jones!” (Cabin Creek Films)
•    “Olympic Pride, American Prejudice” (Coffee Bluff Pictures)