Here Are The ACE Eddie Nominations for 2016!


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The ACE awards are given out by the American Cinema Editors, in order to honor the best edited films of the year.  Since it’s rare that a film ever wins Best Picture without also getting, at the very least, a nomination for Best Editing, the Ace awards are kind of a big deal.

So, without any further ado, here are the ACE nominations!  Now, I’m only including the film nominations here.  If you want to see a full list of nominations (including the television nominations), check out this article at Awards Circuit.

BEST EDITED FEATURE FILM (DRAMATIC):

BEST EDITED FEATURE FILM (COMEDY):

BEST EDITED ANIMATED FEATURE FILM:

BEST EDITED DOCUMENTARY (FEATURE):

  • 13th
    Spencer Averick
  • Amanda Knox
    Matthew Hamachek
  • The Beatles: Eight Days a Week – The Touring Years
    Paul Crowder
  • O.J.: Made in America
    Bret Granato, Maya Mumma & Ben Sozanski
  • Weiner
    Eli B. Despres

Weiner_(film)

Here Are The Nominations For The 22nd Annual Critics’ Choice Awards!


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The Broadcast Film Critics Association have announced their nominees for the 22nd Annual Critics’ Choice Awards and here they are!  Once again, in a pattern that will probably see repeated several times of this next month, the nominations were dominated by Moonlight, La La Land, and Manchester By The Sea.

FILM NOMINATIONS FOR THE 22ND ANNUAL CRITICS’ CHOICE AWARDS

BEST PICTURE

BEST ACTOR

BEST ACTRESS

  • Amy Adams – Arrival
  • Annette Bening – 20th Century Women
  • Isabelle Huppert – Elle
  • Ruth Negga – Loving
  • Natalie Portman – Jackie
  • Emma Stone – La La Land

BEST SUPPORTING ACTOR

BEST SUPPORTING ACTRESS

  • Viola Davis – Fences
  • Greta Gerwig – 20th Century Women
  • Naomie Harris – Moonlight
  • Nicole Kidman – Lion
  • Janelle Monáe  – Hidden Figures
  • Michelle Williams – Manchester by the Sea

BEST YOUNG ACTOR/ACTRESS

  • Lucas Hedges – Manchester by the Sea
  • Alex R. Hibbert – Moonlight
  • Lewis MacDougall – A Monster Calls
  • Madina Nalwanga – Queen of Katwe
  • Sunny Pawar – Lion
  • Hailee Steinfeld – The Edge of Seventeen

BEST ACTING ENSEMBLE

BEST DIRECTOR

BEST ORIGINAL SCREENPLAY

  • Damien Chazelle – La La Land
  • Barry Jenkins – Moonlight
  • Yorgos Lanthimos/Efthimis Filippou – The Lobster
  • Kenneth Lonergan – Manchester by the Sea
  • Jeff Nichols – Loving
  • Taylor Sheridan – Hell or High Water

BEST ADAPTED SCREENPLAY

  • Luke Davies – Lion
  • Tom Ford – Nocturnal Animals
  • Eric Heisserer – Arrival
  • Todd Komarnicki – Sully
  • Allison Schroeder/Theodore Melfi – Hidden Figures
  • August Wilson – Fences

BEST CINEMATOGRAPHY

  • Stéphane Fontaine – Jackie
  • James Laxton – Moonlight
  • Seamus McGarvey – Nocturnal Animals
  • Linus Sandgren – La La Land
  • Bradford Young – Arrival

BEST PRODUCTION DESIGN

  • Arrival – Patrice Vermette, Paul Hotte/André Valade
  • Fantastic Beasts and Where to Find Them – Stuart Craig/James Hambidge, Anna Pinnock
  • Jackie – Jean Rabasse, Véronique Melery
  • La La Land – David Wasco, Sandy Reynolds-Wasco
  • Live by Night – Jess Gonchor, Nancy Haigh

BEST EDITING

BEST COSTUME DESIGN

  • Colleen Atwood – Fantastic Beasts and Where to Find Them
  • Consolata Boyle – Florence Foster Jenkins
  • Madeline Fontaine – Jackie
  • Joanna Johnston – Allied
  • Eimer Ni Mhaoldomhnaigh – Love & Friendship
  • Mary Zophres – La La Land

BEST HAIR & MAKEUP

BEST VISUAL EFFECTS

BEST ANIMATED FEATURE

BEST ACTION MOVIE

BEST ACTOR IN AN ACTION MOVIE

BEST ACTRESS IN AN ACTION MOVIE

BEST COMEDY

BEST ACTOR IN A COMEDY

  • Ryan Gosling – The Nice Guys
  • Hugh Grant – Florence Foster Jenkins
  • Dwayne Johnson – Central Intelligence
  • Viggo Mortensen – Captain Fantastic
  • Ryan Reynolds – Deadpool

BEST ACTRESS IN A COMEDY

  • Kate Beckinsale – Love & Friendship
  • Sally Field – Hello, My Name Is Doris
  • Kate McKinnon – Ghostbusters
  • Hailee Steinfeld – The Edge of Seventeen
  • Meryl Streep – Florence Foster Jenkins

BEST SCI-FI/HORROR MOVIE

BEST FOREIGN LANGUAGE FILM

  • Elle
  • The Handmaiden
  • Julieta
  • Neruda
  • The Salesman
  • Toni Erdmann

BEST SONG

  • Audition (The Fools Who Dream) – La La Land
  • Can’t Stop the Feeling – Trolls
  • City of Stars – La La Land
  • Drive It Like You Stole It – Sing Street
  • How Far I’ll Go – Moana
  • The Rules Don’t Apply – Rules Don’t Apply

BEST SCORE

  • Nicholas Britell – Moonlight
  • Jóhann Jóhannsson – Arrival
  • Justin Hurwitz – La La Land
  • Micachu – Jackie
  • Dustin O’Halloran, Hauschka – Lion

Deadpool

Here Are The Satellite Nominations!


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The International Press Academy — a.k.a. the Oscar precursor that nobody cares about — announced their nominees for the best of 2016 earlier today and it was a very good day for a film that I cannot wait to see, La La Land!

Here are the Satellite nominations!

Special Achievement Award Recipients

Mary Pickford Award- Edward James Olmos
Tesla Award- John Toll
Auteur Award- Tom Ford
Humanitarian Award- Patrick Stewart
Best First Feature- Russudan Glurjidze “House of Others”
Best Ensemble: Motion Picture- “Hidden Figures”
Best Ensemble: Television- “Outlander”

Actress in a Motion Picture

Annette Bening, “20th Century Woman”
Emma Stone, “La La Land”
Natalie Portman, “Jackie”
Ruth Negga, “Loving”
Taraji P. Henson, “Hidden Figures”
Meryl Streep, “Florence Foster Jenkins”
Isabelle Huppert, “Elle”
Amy Adams, “Nocturnal Animals”

Actor in a Motion Picture

Casey Affleck, “Manchester by the Sea”
Ryan Gosling, “La La Land”
Joseph Gordon-Levitt, “Snowden”
Viggo Mortensen, “Captain Fantastic”
Joel Edgerton, “Loving”
Andrew Garfield, “Hacksaw Ridge”
Tom Hanks, “Sully
Denzel Washington, “Fences”

Actress in a Supporting Role

Helen Mirren, “Eye in the Sky”
Michelle Williams, “Manchester by the Sea”
Nicole Kidman, “Lion”
Octavia Spencer, “Hidden Figures”
Naomi Harris, “Moonlight”
Viola Davis, “Fences”
 Actor in a Supporting Role

Jeff Bridges, “Hell or High Water”
Mahershala Ali, “Moonlight”
Dev Patel, “Lion”
Lucas Hedges, “Manchester by the Sea”
Eddie Murphy, “Mr. Church”
Hugh Grant, “Florence Foster Jenkins”

Motion Picture

“La La Land”
“Moonlight”
“Manchester by the Sea”
“Lion”
“Jackie”
“Hacksaw Ridge”
“Loving”
“Hell or High Water”
“Nocturnal Animals”
“Captain Fantastic”
“Hidden Figures”
“Fences”

 Motion Picture, International Film

“The Happiest Day in the Life of Olli Maki”- Finland
“Toni Erdmann”- Germany
“Julieta”- Spain
“A Man Called Ove”- Sweden
“The Salesman”- Iran
“The Ardennes”- Belgium
“Ma’ Rosa”- Philippines
“The Handmaiden”- South Korea
“Elle”- France
“Paradise”- Russia

Motion Picture, Animated or Mixed Media 
Title of Film
“Zootopia”
“Kubo and the Two Strings”
“Moana”
Finding Dory”
“My Life As a Zucchini”
“The Jungle Book”
“The Red Turtle”
“Miss Hokusai”
“Trolls”
“Your Name”

Motion Picture, Documentary

“Gleason”
“Life Animated”
“O.J.: Made in America”
“13th”
“The Ivory Game”
“The Eagle Huntress”
“Tower”
“Fire at Sea”
“Zero Days”
“The Beatles: Eight Days a Week”

Director

Barry Jenkins, “Moonlight”
Kenneth Lonergan, “Manchester by the Sea”
Mel Gibson, “Hacksaw Ridge”
Damien Chazelle, “La La Land”
Tom Ford, “Nocturnal Animals”
Pablo Larrain, “Jackie”
Denzel Washington, “Fences”

Screenplay, Original

Barry Jenkins, “Moonlight”
Damien Chazelle, “La La Land”
Kenneth Lonergan, “Manchester by the Sea”
Taylor Sheridan, “Hell or High Water”
Matt Ross, “Captain Fantastic”
Yorgos Lanthimos/Efthymis Filippou, “The Lobster”

Screenplay, Adapted

Andrew Knight/Robert Schenkkan, “Hacksaw Ridge”
Luke Davis, “Lion”
Kieran Fitzgerald/Oliver Stone, “Snowden”
Justin Marks, “The Jungle Book”
Allison Schroeder, “Hidden Figures”
Todd Komarnicki, “Sully”

Original Score

Rupert Gregson Williams, “Hacksaw Ridge”
Justin Hurwitz, “La La Land”
Lesley Barber, “Manchester by the Sea”
John Williams, “The BFG”
John Debney, “The Jungle Book”
Hans Zimmer, “Hidden Figures”

Original Song

“Audition”- ‘La La Land’
“City of Stars”- ‘La La Land’
“Dancing with Your Shadow”- ‘Po’
“Can’t Stop the Feeling”- ‘Trolls’
“I’m Still Here”- ‘Miss Sharon Jones’
“Running”- ‘Hidden Figures’

Cinematography

John Toll, “Billy Lynn’s Long Halftime Walk”
Linus Sandgren, “La La Land
James Laxton, “Moonlight”
Simon Duggan, “Hacksaw Ridge”
Jani-Petteri Passi, “The Happiest Day in the Life of Olli Maki”
Bill Pope, “The Jungle Book”

Visual Effects

“The Jungle Book”
“Billy Lynn’s Long Halftime Walk”
“Doctor Strange”
“The BFG”
“Sully”
“Deadpool”

Film Editing

Tom Cross, “La La Land
Joi McMillon/Nat Sanders, “Moonlight”
Tim Squyres, “Billy Lynn’s Long Halftime Walk”
Alexandre de Francheschi, “Lion”
John Gilbert, “Hacksaw Ridge”
Steven Rosenblum, “The Birth of a Nation”

Sound (Editing and Mixing)

La La Land
“Billy Lynn’s Long Halftime Walk”
“Hacksaw Ridge”
“The Jungle Book”
“Allied”
“13 Hours: The Secret Soldiers of Benghazi”

Art Direction and Production Design

David Wasco, “La La Land
Barry Robinson, “Hacksaw Ridge”
Jean Rabasse, “Jackie”
Christophe Glass, “The Jungle Book”
Gary Freeman, “Allied”
Dan Hennah, “Alice Through the Looking Glass”

Costume Design

Colleen Atwood, “Alice Through the Looking Glass”
Eimer Ní Mhaoldomhnaigh, “Love & Friendship”
Courtney Hoffman, “Captain Fantastic”
Madeline Fontaine, “Jackie”
Mary Zophres, “La La Land
Alexandra Byrne, “Doctor Strange”

Lisa Reviews An Oscar Nominee and It’s Damn Important: The Hollywood Revue of 1929 (dir by Charles Reisner)


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Last night, I really needed a break from thinking about this stupid, asinine presidential election that we have coming up here in the U.S.  Fortunately, TCM provided me with one by showing The Hollywood Revue of 1929!

The Hollywood Revue of 1929 is probably one of the most obscure film to ever be nominated for best picture.  It’s a plotless collection of songs and comedy bits, all performed by actors who were under contract to MGM.  In fact, the movie might be best described as a two-hour commercial for MGM.  The message of the film seems to be: “Now that movies have sound, look what MGM can do!”

With the exception of Greta Garbo and Lon Chaney, every MGM star makes an appearance in Hollywood Revue.  Everyone sings a song and does a dance, even if some of them are better singers and dancers than others.  The revue is hosted by Conrad Nagel (who looks very dapper in a tux but still seems to be strangely uncomfortable with his hosting duties) and Jack Benny (who plays his violin and gets annoyed every time he’s interrupted by an MGM stock player).  Joan Crawford (who Nagal describes as being “one of my favorites”) sings, “Got A Feeling For You,” and she may be off-key but you can’t help but appreciate the fact that she’s doing her best.  Buster Keaton does a dance.  Laurel and Hardy perform a magic act that doesn’t go very well.  Marion Davies does a tribute to the military and I’m sure that, somewhere, William Randolph Hearst was smiling.  Chorus girls sit in the background and smile at the camera and, as someone who knows what it’s like to be in the chorus, I enjoyed watching as a few of the smarter and braver ones attempted to steal the audience’s attention away from the headliners.

At one point, Jack Benny reached into his suit jacket and revealed that a miniature version of actress Bessie Love was apparently living in the pocket.  He held Bessie in the palm of his hand and proceeded to have a conversation with her and all I could think about was the end of Mulholland Drive, when that tiny old couple cornered Naomi Watts in her apartment.  When Benny placed Bessie on the ground, she grew to normal height and sang a song.

During the second half of the film, silent screen star John Gilbert plays the balcony scene from Romeo and Juliet, opposite Norma Shearer.  First he does it in Shakespeare’s words and then he does it again in 1929 language.  Lionel Barrymore directs them.  Interestingly enough, Shearer (who was married to The Hollywood Revue‘s producer, Irving Thalberg) would later play Juliet in 1936’s Romeo and Juliet.  Barrymore, though best remembered as Mr. Potter from It’s A Wonderful Life, actually was a prominent film director in 1929 and would even invent the boom mic.  As for Gilbert, legend has it that the Hollywood Revue was the first time that audiences actually heard him speak and they were so unimpressed with his voice that his career ended.  Having now seen Gilbert speak — well, he didn’t have the greatest or sexiest voice but he still sounded better than Jean Hagen did in Singin’ In The Rain.

Speaking of Singin’ In the Rain, that song was specifically written for Hollywood Revue!  The entire cast sings it at the end of the film.

Seen today, there’s something charming about how old-fashioned and corny The Hollywood Revue is.  I imagine that some people will laugh at it but, honestly, it’s still more entertaining than that stupid live version of The Sound of Music that they put on TV two years ago.  The Hollywood Revue is basically the classic film equivalent of a high school talent show, where everyone does their best and a good deal of the charm comes from seeing how silly it all is.  If you love TCM, you’ll enjoy seeing all the Golden Age performers trying to do their best.  If you don’t love TCM, then go to Hell.

The Hollywood Revue is usually listed as being a nominee for best picture.  Actually, the truth is a little bit more complicated.  For the 2nd annual Academy Awards, there were no nominees.  Instead, the awards were determined by a select committee and only the winners were announced.  Much like the Cannes Film Festival, no film received more than one award.  Broadway Melody (which starred Hollywood Revue‘s Bessie Love) was named best picture.

However, notes were kept of the committee’s meeting and those notes indicate that Hollywood Revue was considered as a possible pick for best picture.  Hence, Hollywood Revue is considered to be a best picture nominee even though there were no official nominees that year.

Anyway, if you’re a classic film lover, keep an eye out for Hollywood Revue the next time that it shows up on TCM!

CLEANING OUT THE DVR Pt1: Five Films from Five Decades


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I record a LOT of movies. Probably around ten per week, more or less. And since I also have to do little things like work, exercise, cook, clean, breathe,  etc etc, I don’t always have time to watch  them all (never mind write full reviews), so I’ve decided to begin a series of short, capsule reviews for the decades covered here at Cracked Rear Viewer. This will be whenever I find my DVR getting cluttered, which is frequent! I’ll try to make CLEANING OUT THE DVR a bi-weekly series, but there are no guarantees. Monthly is more realistic. Anyway, here are five films from the 1930s to the 1970s for your reading pleasure.

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