Film Review: Speed (dir by Jan De Bont)


“Awwwww, Keanu and Sandra are so cute together!”

That was my main thought when I recently rewatched the 1994 film, Speed.  There’s a lot of reasons why Speed remains popular 28 years after it was initially released but I think a huge (if underrated) factor is that it’s just a good love story.  At this point, everyone knows that the film is about a bus that has been wired to explode if it goes under 50 miles per hour.  Most people know that Dennis Hopper plays Howard, the mad bomber, Keanu Reeves plays Jack, the cop who jumps on the bus and tries to figure out how to defuse the bomb, and Sandra Bullock plays Annie, the passenger who takes over driving the bus after the driver is incapacitated.  (If you’re fan of the work of John Hughes, you might also know that Speed was the film where Ferris Bueller‘s Alan Ruck broke free of his Cameron typecasting and established himself as a dependable character actor.)  Most people remember what the cops do in an attempt to trick Dennis Hopper and, for that matter, they also remember the one mistake that led to Hopper figuring out their ruse.

And yet, even though most viewers will know exactly what is going to happen, the film remains a fun watch because of the chemistry between Keanu Reeves and Sandra Bullock.  This was one of Sandra’s first major roles.  This was also one of Keanu’s earliest attempts to helm a big budget, major studio action picture.  (Director Jan de Bont insisted on casting him after seeing him in the film Point Break.  The studio preferred Tom Cruise.)  In Speed, both Keanu and Sandra are young, likable, attractive, enthusiastic, and they have smiles that light up the screen.  As soon as Sandra takes over driving and Keanu tells her that she cannot allow the bus to slow down under any circumstances, the two of them just seem to belong together.  The film’s enduring popularity is about more than just watching a bus try not to go under a certain speed.  The popularity of Speed is also about watching the characters played by Keanu and Sandra fall in love.

Who would have guessed it?  Well, certainly not whoever put together the film’s original theatrical trailer.  Check this out:

As you can see, the original trailer doesn’t feature much of Sandra Bullock.  For that matter, it’s not quite as Keanu-centric as you might expect it to be.  Instead, the trailer is dominated by things exploding and Dennis Hopper’s over-the-top performance as the bomber.  And make no doubt about it, Dennis Hopper is definitely an entertaining part of the film.  There’s not a subtle moment to be found in his performance and that makes him the perfect for the role of a man whose response to a cheap retirement present is to go on a bombing spree.  That said, the film belongs to Keanu and Sandra.

That said, it would be a mistake to ignore the other people on the bus.  One of the things that I like about Speed is that the other passengers on the bus come together to survive their ordeal.  They may start out as weary commuters but, by the end of the film, they’ve become a family.  They may get annoyed with each other but, when it comes time to climb from one bus to another, they hold on to each other and they hug one another on the other side.  The bomber, like all terrorists, thought that he could turn people against each other through his threats and his violence.  Instead, the people came together provided one another with comfort and protection.  There’s an important lesson there, one that’s even more important in 2022 than it probably was in 1994.

(On a personal note, I’m not usually a public transportation person.  However, in high school, I would occasionally catch the DART bus — that’s Dallas Area Rapid Transportation — if it was raining.  The buses were often not in particularly good shape.  One that I boarded actually had a hole in the floor and, since it was raining, the passengers would have to hold up their feet whenever the bus splashed through a puddle.  Personally, I was kind of amused by the weirdness of it all but I think I was the only one.  Would the passengers of that bus bonded together to defeat a mad bomber?  One can only hope.)

Speed may be a film about a bomb on a bus but, ultimately, it’s also a film about humanity at its best.  And that’s why, after all this time, it remains a classic.

Adventures in Cleaning Out The DVR: Cleveland Abduction (dir by Alex Kalymnios)


clevelandabduction

After I finished up Ominous, it was time to deal with Cleveland Abduction.  Why was it something that I had to “deal with?”  Well, I originally watched Cleveland Abduction when it was broadcast on Lifetime way back in May.  I meant to review it when I originally watched it but, every time I sat down to write about this movie, I just couldn’t.  Just thinking about the movie and the true story that inspired it was too overwhelming and upsetting.  Cleveland Abduction is one of the most disturbing and depressing (and yet also inspiring) movies that I’ve ever seen.  It’s certainly the most emotionally intense film to ever be made for Lifetime.

A friend of mine actually told me that she could only watch 15 minutes of Cleveland Abduction and then had to stop because she didn’t want the film’s ugliness to get inside her head.  And I don’t blame her.  Cleveland Abduction is an ugly film about three young women who were kidnapped, held prisoner, and repeatedly raped by an evil man.  The film does not flinch from showing the details of their ordeal and it is all the more disturbing for being based on a true story.

I don’t know if I believe in demons or possession or anything like that but I do know that Ariel Castro was an evil man.  Castro, a school bus driver and wannabe musician, abducted Michelle Knight, Gina DeJesus, and Amanda Berry off the streets of Cleveland.  For 11 years, he held them prisoner in his filthy house.  (Disturbingly, some of Castro’s neighbors actually saw the girls in the house but refused to get involved.)  Rather than face a jury and spend the rest of his life as imprisoned as the three women he held captive in his house, Castro committed suicide in his jail cell.

The film centers on Castro’s first known victim, single mother Michelle Knight (a poignant performance from Taryn Manning, who perfectly captures Michelle’s quiet strength).  Castro (played, in properly brutal fashion, by Raymond Cruz) runs into Michelle while she’s walking to court to try to win custody of her son.  Castro offers her a ride and Michelle agrees.  Castro takes her back to his house and her 11-year nightmare begins.

And it’s not easy to watch, nor should it be.  The film doesn’t shy away from showing what Michelle and, eventually, the other two victims went through.  Spending her days either handcuffed or in a locked bedroom, Michelle’s only escape comes from thinking about her son.  When the other two girls are abducted, Michelle comforts them and help them to remain strong.  Meanwhile, on the outside, the police assume that Michelle has just run away from her old life and they refuse to even look for her.

It’s ugly and disturbing and difficult and infuriating to watch.  As I watched, I continually asked myself if I would be able to survive if I ever found myself in the same situation.  I always like to assume that, since I always have pepper spray and I’m a fairly god runner, nobody would ever be able to abduct me but, as I sit here couch-bound with a sprained foot, I know that it’s never that simple.  I also like to assume that I could be as strong as Michelle Knight.  Hopefully, I’ll never have to find out.

But here’s the thing — as disturbing and nightmarish as this film has to be — it’s ultimately a very inspiring film.  For all the ugliness, Cleveland Abduction is ultimately a film about survival and tribute to the strength, courage, and sisterhood of Michelle Knight, Gina DeJesus, and Amanda Berry.  Based on Michelle’s book and featuring a compelling lead performance from Taryn Manning, Cleveland Abduction is not an easy film to watch but it is one that should be watched.

And here are the NAACP Image Award Nominations!


Dear White People

And continuing our awards wrap-up, here are the 2014 NAACP Image Award nominations!

(h/t to awardswatch)

MOTION PICTURE
Outstanding Motion Picture
• “Belle” (Fox Searchlight Pictures/ DJ Films)
• “Beyond The Lights” (Relativity Media)
• “Dear White People” (Lionsgate and Roadside Attractions)
• “Get On Up” (Universal Pictures)
• “Selma” (Paramount Pictures)

Outstanding Actor in a Motion Picture
• Chadwick Boseman – “Get On Up” (Universal Pictures)
• David Oyelowo – “Selma” (Paramount Pictures)
• Denzel Washington – “The Equalizer” (Columbia Pictures)
• Idris Elba – “No Good Deed” (Screen Gems)
• Nate Parker – “Beyond The Lights” (Relativity Media)

Outstanding Actress in a Motion Picture
• Gugu Mbatha-Raw – “Belle” (Fox Searchlight Pictures/ DJ Films)
• Quvenzhané Wallis – “Annie” (Columbia Pictures)
• Taraji P. Henson – “No Good Deed” (Screen Gems)
• Tessa Thompson – “Dear White People” (Lionsgate and Roadside Attractions)
• Viola Davis – “The Disappearance of Eleanor Rigby” (The Weinstein Company)

Outstanding Supporting Actor in a Motion Picture
• André Holland – “Selma” (Paramount Pictures)
• Cedric the Entertainer – “Top Five” (Paramount Pictures)
• Common – “Selma” (Paramount Pictures)
• Danny Glover – “Beyond The Lights” (Relativity Media)
• Wendell Pierce – “Selma” (Paramount Pictures)

Outstanding Supporting Actress in a Motion Picture
• Carmen Ejogo – “Selma” (Paramount Pictures)
• Jill Scott – “Get On Up” (Universal Pictures)
• Octavia Spencer – “Get On Up” (Universal Pictures)
• Oprah Winfrey – “Selma” (Paramount Pictures)
• Viola Davis – “Get On Up” (Universal Pictures)

Outstanding Independent Motion Picture
• “Belle” (Fox Searchlight Pictures/ DJ Films)
• “Dear White People” (Lionsgate and Roadside Attractions)
• “Half of a Yellow Sun” (monterey media inc.)
• “JIMI: All Is By My Side” (XLrator Media)
• “Life of a King” (Animus Films/Serena Films)

Outstanding Writing in a Motion Picture
• Chris Rock – “Top Five” (Paramount Pictures)
• Justin Simien – “Dear White People” (Roadside Attractions and Lionsgate)
• Margaret Nagle – “The Good Lie” (Alcon Entertainment)
• Misan Sagay – “Belle” (Fox Searchlight Pictures/ DJ Films)
• Richard Wenk – “The Equalizer” (Columbia Pictures)

Outstanding Directing in a Motion Picture
• Amma Asante – “Belle” (Fox Searchlight Pictures/ DJ Films)
• Antoine Fuqua – “The Equalizer” (Columbia Pictures)
• Ava DuVernay – “Selma” (Paramount Pictures)
• Gina Prince-Bythewood – “Beyond The Lights” (Relativity Media)
• John Ridley – “JIMI: All Is By My Side” (XLrator Media)

TELEVISION
Outstanding Comedy Series
• “Black-ish” (ABC)
• “House of Lies” (Showtime)
• “Key & Peele” (Comedy Central)
• “Orange is the New Black” (Netflix)
• “Real Husbands of Hollywood” (BET)

Outstanding Actor in a Comedy Series
• Andre Braugher – “Brooklyn Nine-Nine” (FOX)
• Anthony Anderson – “‘Black-ish” (ABC)
• Don Cheadle – “House of Lies” (Showtime)
• Keegan-Michael Key – “Key & Peele” (Comedy Central)
• Kevin Hart – “Real Husbands of Hollywood” (BET)

Outstanding Actress in a Comedy Series
• Mindy Kaling – “The Mindy Project” (FOX)
• Niecy Nash – “The Soul Man” (TV Land)
• Tracee Ellis Ross – “Black-ish” (ABC)
• Uzo Aduba – “Orange is the New Black” (Netflix)
• Wendy Raquel Robinson – “The Game” (BET)

Outstanding Supporting Actor in a Comedy Series
• Boris Kodjoe – “Real Husbands of Hollywood” (BET)
• Glynn Turman – “House of Lies” (Showtime)
• Laurence Fishburne – “Black-ish” (ABC)
• Marcus Scribner – “Black-ish” (ABC)
• Terry Crews – “Brooklyn Nine-Nine” (FOX)

Outstanding Supporting Actress in a Comedy Series
• Adrienne C. Moore – “Orange is the New Black” (Netflix)
• Laverne Cox – “Orange is the New Black” (Netflix)
• Lorraine Toussaint – “Orange is the New Black” (Netflix)
• Sofia Vergara – “Modern Family” (ABC)
• Yara Shahidi – “black-ish” (ABC)

Outstanding Drama Series
• “Being Mary Jane” (BET)
• “Grey’s Anatomy” (ABC)
• “House of Cards” (Netflix)
• “How to Get Away with Murder” (ABC)
• “Scandal” (ABC)

Outstanding Actor in a Drama Series
• LL Cool J – “NCIS: LA” (CBS)
• Omar Epps – “Resurrection” (ABC)
• Omari Hardwick – “Being Mary Jane” (BET)
• Shemar Moore – “Criminal Minds” (CBS)
• Taye Diggs – “Murder in the First” (TNT)

Outstanding Actress in a Drama Series
• Gabrielle Union – “Being Mary Jane” (BET)
• Kerry Washington – “Scandal” (ABC)
• Nicole Beharie – “Sleepy Hollow” (FOX)
• Octavia Spencer – “Red Band Society” (FOX)
• Viola Davis – “How to Get Away with Murder” (ABC)

Outstanding Supporting Actor in a Drama Series
• Alfred Enoch – “How to Get Away with Murder” (ABC)
• Courtney B. Vance – “Masters of Sex” (Showtime)
• Guillermo Diaz – “Scandal” (ABC)
• Jeffrey Wright – “Boardwalk Empire” (HBO)
• Joe Morton – “Scandal” (ABC)

Outstanding Supporting Actress in a Drama Series
• Aja Naomi King – “How to Get Away with Murder” (ABC)
• Alfre Woodard – “State of Affairs” (NBC)
• Chandra Wilson – “Grey’s Anatomy” (ABC)
• Jada Pinkett Smith – “Gotham” (FOX)
• Khandi Alexander – “Scandal” (ABC)

Outstanding Writing in a Comedy Series
• Aisha Muharrar – “Parks and Recreation” – Ann & Chris (NBC)
• Brigette Munoz-Liebowitz – “Brooklyn Nine-Nine” – Road Trip (FOX)
• Mindy Kaling – “The Mindy Project” – Danny and Mindy (FOX)
• Regina Hicks – “Instant Mom” – A Kids’s Choice (Nickelodeon and Nick@Nite)
• Sara Hess – “Orange is the New Black” – It Was the Change (Netflix)

Outstanding Writing in a Drama Series
• Erika Green Swafford – “How to Get Away with Murder” – Let’s Get To Scooping
(ABC)
• Mara Brock Akil – “Being Mary Jane” – Uber Love (BET)
• Warren Leight, Julie Martin – “Law & Order: SVU” – American Disgrace (NBC)
• Zahir McGhee – “Scandal” – Mama Said Knock You Out (ABC)
• Zoanne Clack – “Grey’s Anatomy” – You Be Illin’ (ABC)

Outstanding Television Movie, Mini-Series or Dramatic Special
• “A Day Late and a Dollar Short” (Lifetime Networks)
• “American Horror Story: Freak Show” (FX)
• “Drumline: A New Beat” (VH1)
• “The Gabby Douglas Story” (Lifetime Networks)
• “The Trip to Bountiful” (Lifetime Networks)

Outstanding Actor in a Television Movie, Mini-Series or Dramatic Special
• Blair Underwood – “The Trip to Bountiful” (Lifetime Networks)
• Charles S. Dutton – “Comeback Dad” (UP Entertainment)
• Larenz Tate – “Gun Hill” (BET)
• Mekhi Phifer – “A Day Late and a Dollar Short” (Lifetime Networks)
• Ving Rhames – “A Day Late and a Dollar Short” (Lifetime Networks)

Outstanding Actress in a Television Movie, Mini-Series or Dramatic Special
• Angela Bassett – “American Horror Story: Freak Show” (FX)
• Cicely Tyson – “The Trip to Bountiful” (Lifetime Networks)
• Keke Palmer – “The Trip to Bountiful” (Lifetime Networks)
• Regina King – “The Gabby Douglas Story” (Lifetime Networks)
• Vanessa Williams – “The Trip to Bountiful” (Lifetime Networks)

Key & Peele