44 Days Of Paranoia #20: Seven Days In May (dir by John Frankenheimer)


For today’s entry in the 44 Days of Paranoia, let’s take a look at the 1964 political thriller, Seven Days In May.

Directed by John Frankenheimer (who also directed the conspiracy classic, The Manchurian Candidate), Seven Days In May opens with unpopular President Jordan Lyman (Fredric March) on the verge of signing a treaty with the Russians.  The chairman of the joint chiefs-of-staff, Gen. James Scott (Burt Lancaster), is opposed to the treaty and feels that Lyman’s actions will lead to the collapse of the U.S.  When Scott’s aide, Jiggs Casey (Kirk Douglas), thinks that he’s come across evidence that Scott is planning a military coup, he takes his suspicions to the White House.  Working with an alcoholic Senator (Edmond O’Brien) and a cynical political aide (Martin Balsam), the President launches his own investigation into Scott’s activities.

When it was first released, Seven Days In May was very successful with both critics and audiences.  Edmond O’Brien even received an Oscar nomination for best supporting actor.  When viewed today, however, Seven Days In May feels rather quaint.  A good deal of the film’s suspense was meant to be generated by the question of whether or not Gen. Scott is actually planning a coup.  However, for the modern viewer, it’s really not a question worth asking.  For us, it’s easy to watch this film and shout, “Of course he’s planning on overthrowing the government!  He’s the most obviously villainous character in the entire film!”  The idea of a military conspiracy to overthrow the U.S. government was perhaps shocking back in 1964 but today, we take the existence of such conspiracies for granted.

Seven Days In May is definitely a product of its time.  Unlike John Frankenheimer’s other well-known conspiracy film, The Manchurian Candidate, there’s no sly undercurrent of satire or subversion running through Seven Days In May.  Instead, Seven Days In May epitomizes everything that we think of when we think about the early 60s.  The film’s politics are liberal but not radically so.  The President is such an honorable leader that he won’t resort to the politics of personal destruction and reveal that Scott has a mistress.  Casey explains that he disagrees with the President’s politics but that he is bound by duty to reveal Gen. Scott’s subversion.  Indeed, by the end of the film, it’s obvious that we’re meant to condemn Scott not because he might overthrow the President but because he would subvert the democratic process to do so.  Seven Days In May is a film that tells viewers to support and respect their elected leaders, whether they be good or evil and whether they’re played by Fredric March or Burt Lancaster.

When I listened to Casey explain why he was informing on a man who he claimed to admire and agree with, I was reminded of some of the recent political debates that we’ve had deal with her in America.  All of those debates can pretty much be summed up by whether we, as citizens, are obligated to support a law even if we personally don’t agree with it or to respect a leader even if we do not agree with him.  The answer, according to Seven Days In May, would appear to be yes.

While Seven Days In May is often a bit too ponderous for its own good, it’s still a well-made and watchable film.  If you’re a history nerd like me, you’ll enjoy the film as a portrait of its time.  John Frankenheimer directs as if the movie is a film noir and the film’s shadowy black-and-white cinematography looks great.  Finally, if you’re a fan of the old school movie stars, how can you not enjoy a film that features Kirk Douglas, Fredric March, and Burt Lancaster?

Other Entries In The 44 Days of Paranoia 

  1. Clonus
  2. Executive Action
  3. Winter Kills
  4. Interview With The Assassin
  5. The Trial of Lee Harvey Oswald
  6. JFK
  7. Beyond The Doors
  8. Three Days of the Condor
  9. They Saved Hitler’s Brain
  10. The Intruder
  11. Police, Adjective
  12. Burn After Reading
  13. Quiz Show
  14. Flying Blind
  15. God Told Me To
  16. Wag the Dog
  17. Cheaters
  18. Scream and Scream Again
  19. Capricorn One

3 responses to “44 Days Of Paranoia #20: Seven Days In May (dir by John Frankenheimer)

  1. This film almost comes off now in this day and age of cynicism and conspiracies as a sort of quaint parable.

    While at times it does sound dated the character of Gen. Scott probably still has supporters in today’s audience who thinks civilian leaders have become part of the problem instead of part of the solution.

    I like how Frankenheimer made the civilian leadership roles come off as caricatures of how military people see them. The weak and ineffectual President on one end and cynical Senator who may or may not be corrupt.

    The military roles, from Scott to Casey come off as disciplined and following a certain code of honorable conduct (even Scott’s treasonous general thinks he’s doing the honorable thing in order to save the Republic).

    Yet, Frankenheimer flips the script right at the end and shows how the two opposing sides have more in common than they thought. I always saw Casey as the stand-in for the audience. During the 60’s, we still saw the military as heroes and doing the public the ultimate service (Tet Offensive was still 4 years away) but with Casey we also saw hints of the boiling undercurrent that spoke of a public’s finite patience when it comes to the trust given to the very people protecting the people.

    I think it was to the film’s benefit that Kirk Douglas was all rock-sculpted chin and the epitome of what the audience then thought of as a man’s man.

    I think if Seven Days in May was remade now the cynicism would be laid on so thick that the film would come off as some sort of WikiLeaks and Anonymous diatribe that hammers the point of conspiracies and shadow governments trying to make cattle of everyone.

    Like

  2. Pingback: 44 Days of Paranoia #36: The Fugitive (dir by Andrew Davis) | Through the Shattered Lens

  3. Pingback: Never Nominated: 16 Directors Who Have Never Received An Oscar Nomination | Through the Shattered Lens

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