Lisa Marie’s Early Oscar Predictions For July


It’s that time of the month again!  It’s time for me to make my early Oscar predictions.

This year, the Cannes Film Festival really didn’t clear much up.  The French Dispatch was acclaimed but, in every review, there was an admission that, for everyone who absolutely loved it, there would probably be someone else who would absolutely hate it.  I did decided to include Red Rocket on my list of predictions, based on the Cannes reaction.  I’m still not a 100% convinced that it’s going to be a contender, of course.  But the idea of a Simon Rex movie being nominated for best picture was just too wonderfully strange for me to ignore.  That’s the same logic that led to me including Pig as a best picture nominee, by the way.

On the Ridely Scott front, the overacting in the trailer for House of Gucci really turned me off so I dropped it from all of my predictions.  The Last Duel looks like it might have a chance, however.

Anyway, the main thing to remember when looking at these predictions is that the majority of them are just random guesses, based on hunches and past Academy behavior.  So, as always, take them with several grains of salt.

If you’re curious to see how my thinking has developed, check out my predictions for March and April and May and June!

Best Picture

Belfast

A Journal For Jordan

The Last Duel

Nightmare Alley

Pig

The Power of the Dog

Red Rocket

Soggy Bottom

The Tragedy of MacBeth

West Side Story

 

Best Director

Pedro Almodovar for Parallel Mothers

Paul Thomas Anderson for Soggy Bottom

Jane Campion for The Power of the Dog

Guillermo Del Toro for Nightmare Alley

Denzel Washington for A Journal For Jordan

Best Actor

Nicolas Cage in Pig

Clifton Collins, Jr. in Jockey

Michael B. Jordan in A Journal For Jordan

Will Smith in King Richard

Denzel Washington in The Tragedy of MacBeth

Best Actress

Jessica Chastain in The Eyes of Tammy Faye

Penelope Cruz in Parallel Mothers

Jennifer Hudson in Respect

Nicole Kidman in Being The Ricardos

Tessa Thomspon in Passing

Best Supporting Actor

David Alvarez in West Side Story

Bradley Cooper in Soggy Bottom

Adam Driver in The Last Duel

Simon Helberg in Annette

Jesse Plemons in The Power of the Dog

Best Supporting Actress

Chante Adams in A Journal For Jordan

Ariana DeBose in West Side Story

Ann Dowd in Mass

Marlee Matlin in CODA

Ruth Negga in Passing

Lisa Marie’s Early Oscar Predictions for June


2013 oscars

It’s the end of the month and that means that it’s time for me to post my monthly predictions!

What has chanced since I last made my predictions in May?  Though it was acclaimed by critics, the box office failure of In The Heights has probably ended that film’s time as an Oscar contender.  For all the musicals that are coming out this year, only Spielberg’s West Side Story really seems like a good bet to emerge as a major contender.  Dear Evan Hansen was pretty much eliminated from consideration as soon as its trailer dropped.  Tick, Tick …. Boom seems to be destined to be loved by theater kids while being dismissed by everyone else.  I’d love to see Joe Wright and Peter Dinklage nominated but my instincts are telling me that Cyrano will probably not be a huge contender.  In the end, West Side Story seems like the most likely musical nominee.

I’ve been reading up on Jane Campion’s The Power of the Dog, which is set to premiere at Venice and then be released via Netflix.  Based on a novel by Thomas Savage, this sounds like the type of film that could potentially be a strong contender, depending on what approach Campion takes the story.  The main character of Phil Burbank is the type of bigger-than-life role that could lead to Oscar glory.  (The closest recent equivalent to Phil would probably be Daniel Day-Lewis in There Will Be Blood.)  Phil is a sharply intelligent but cruelly manipulative Montana rancher, the type who brags about castrating cattle while quoting Ovid and who goes out of his way to bully anyone who he considers to be effeminate.  Of course, there’s a secret behind all of Phil’s cruelty and how the film handles that secret will have a lot to do with how strongly the film comes on during awards season.  Phil is being played by Benedict Cumberbatch, which is …. interesting casting.  (Personally, I probably would have begged Michael Fassbender to take the role.)  Still, it seems like Phil could be the type of change-of-pace role that, should Cumberbatch’s casting pay off, could lead to Oscar glory.

Coming up in July, we’ve got Cannes and we’ll be getting our first look at contenders like Wes Anderson’s The French Dispatch.  Though Cannes is hardly a reliable precursor, the Oscar race should start to become a bit clearer as the festival start up and the contenders — many of which we’ve been waiting to see for over two years — will finally start to be released.  Until then, take all predictions with a grain of salt!

If you’re curious to see how my thinking has developed, check out my predictions for March and April and May.

Best Picture

The French Dispatch

House of Gucci

A Journal for Jordan

Nightmare Alley

Parallel Mothers

Passing

The Power of the Dog

Soggy Bottom

The Tragedy of MacBeth

West Side Story

Best Director

Pedro Almodovar for Parallel Mothers

Paul Thomas Anderson for Soggy Bottom

Jane Campion for The Power of the Dog

Ridley Scott for House of Gucci

Denzel Washington for A Journal For Jordan

Best Actor

Clifton Collins, Jr. in Jockey

Benedict Cumberbatch in The Power of the Dog

Michael B. Jordan in A Journal for Jordan

Will Smith in King Richard

Denzel Washington in The Tragedy of MacBeth

Best Actress

Jessica Chastain in The Eyes of Tammy Faye

Penelope Cruz in Parallel Mothers

Jennifer Hudson in Respect

Nicole Kidman in Being the Ricardos

Tessa Thompson in Passing

Best Supporting Actor

Adam Driver in The Last Duel

Bradley Cooper in Soggy Bottom

Willem DaFoe in Nightmare Alley

Bill Murray in The French Dispatch

Jesse Plemons in The Power of the Dog

Best Supporting Actress

Kirsten Dunst in The Power of the Dog

Vera Farmiga in The Many Saints of Newark

Marlee Matlin in CODA

Frances McDormand in The Tragedy of MacBeth

Ruth Negga in Passing

 

Lisa Marie’s Early Oscar Predictions For May


It’s that time of the month again! It’s time for me to go out on a limb and attempt to predict what will be nominated for the Oscars. Of course, trying to do this early in the year is a fool’s errand. We all know that. That’s actually part of the fun.

As of right now, the list below is full of familiar names, a few films that were acclaimed at Sundance, and a few random guesses. A lot of the predicted nominees are films that were expected to be Oscar contenders last year but which were delayed due to the pandemic. (Looking at you, West Side Story.) Some of them are contenders that I personally would just like to see nominated, even though it probably won’t happen. (I’m not going to jinx anything by pointing out which nomination about which I’m specifically thinking. You’ll probably be able to guess for yourself.) Over the next few months, the Oscar picture will become a bit clearer. Many of the contenders listed below will be forgotten about. Meanwhile, new contenders will emerge. My point is, take it all with a grain of salt and don’t put down any money just yet.

Two big developments to keep in mind:

First off, the Academy is officially going back to having a set a number of nominees. Next year, ten films will be nominated for best picture. Not seven. Not nine. Ten. Personally, I’m thrilled by this development. Nothing irritated me more than when they used to announce those weird, seven-picture lineups. (As I’ve mentioned before, I don’t like odd numbers.)

Secondly, the Academy is going back to the old eligibility dates. Yay! What that means is that only films that are released between March and the end of this year will be eligible to compete for the Oscars. More importantly, it means that the best film of 2021 will not be released in 2022.

Anyway, here are my predictions for this month! Don’t take them too seriously. If you want to see how my thinking has evolved, check out my predictions for March and April.

Best Picture

CODA

The Duke

The French Dispatch

House of Gucci

A Journal for Jordan

Nightmare Alley

Passing

Soggy Bottom

The Tragedy of Macbeth

West Side Story

Best Director

Paul Thomas Anderson for Soggy Bottom

Guillermo Del Toro for Nightmare Alley

Ridley Scott for House of Gucci

Steven Spielberg for West Side Story

Denzel Washington for A Journal For Jordan

Best Actor

Jim Broadbent in The Duke

Clifton Collins, Jr. in Jockey

Peter Dinklage in Cyrano

Michael B. Jordan in A Journal For Jordan

Will Smith in King Richard

Best Actress

Jessica Chastain in The Eyes of Tammy Faye

Ana de Armas in Blonde

Jennifer Hudson in Respect

Nicole Kidman in Being the Ricardos

Tessa Thompson in Passing

Best Supporting Actor

David Alvarez in West Side Story

Bradley Cooper in Soggy Bottom

Adam Driver in The Last Duel

Al Pacino in House of Gucci

Forest Whitaker in Respect

Best Supporting Actress

Ariana DeBose in West Side Story

Vera Farmiga in The Many Saints of Newark

Marlee Matlin in CODA

Frances McDormand in The Tragedy of MacBeth

Ruth Negga in Passing

Lisa’s Way Too Early 2022 Oscar Predictions for March!


Yes, it’s time to start this again.

The Oscar nominations for 2020-2021 were finally revealed earlier this month. They weren’t particularly surprising. To be honest, they were kind of boring. But, with those nominations now revealed and the Oscars sets to be awarded at the end of April, that means it’s time to start looking forward to next year!

Of course, it’s hard to say what’s going to happen next year. Most of the films that are scheduled to come out later in 2021 were originally scheduled to come out in 2020. (And they were made in 2018 and 2019, which means the first big releases of 2021 are already dated.) Right now, most of the probable nominees are films that I originally expected to be contenders last year, like Spielberg’s West Side Story and Dune. Needless to say, new contenders will emerge over the next few months. Quite frankly, I’m skeptical of West Side Story because it sounds like the type of project that will bring out all of Spielberg’s worst instincts as a filmmaker. But, until it’s released, it’ll be a contender because he’s Spielberg.

As of right now, we don’t even know what the eligibility window is going to be for the next set of Oscar contenders. Is the Academy going to go back to a December cut-off or are they going to continue to extend the eligibility window. Are we predicting the 2021 Oscars or are we predicting the 2021-2022 Oscars? Again, as of now, we just don’t know. Personally, I’m hoping they return to a December cut-off but I have a feeling that the Academy will disagree.

About the only thing we do know for sure, right now, is that the Academy is going to go back to a set number of nominees. 10 films will be nominated. No more of this maybe 7 or maybe 8 nominees. It’s about time.

Anyway, the list below is based on the assumption that the Academy’s going to go back to the old eligibility window, which means that only films released between the start of March and the end of December will be eligible for Oscar consideration.

It’s also based on the presumption that the Oscars can be predicted this far out. They can’t. But I enjoy making lists and I love the Oscars. Doing these predictions has become a part of my monthly ritual. You know how much I love a good ritual.

So, here are my potentially worthless predictions for what will be nominated next year!

Best Picture

CODA

Dune

The French Dispatch

House of Gucci

In the Heights

The Last Duel

Nightmare Alley

Passing

Respect

West Side Story

Best Director

Guillermo Del Toro for Nightmare Alley

Rebecca Hall for Passing

Ridley Scott for House of Gucci

Steven Spielberg for West Side Story

Denis Villeneuve for Dune

Best Actor

Clifton Collins, Jr. in Jockey

Bradley Cooper in Nightmare Alley

Matt Damon in The Last Duel

Adam Driver in The Last Duel

Will Smith in King Richard

Best Actress

Jessica Chastain in The Eyes of Tammy Faye

Lady Gaga in House of Gucci

Jennifer Hudson in Respect

Tessa Thompson in Passing

Rachel Zegler in West Side Story

Best Supporting Actor

David Alvarez in West Side Story

Daniel Durant in CODA

Jeremy Irons in House of Gucci

Al Pacino in House of Gucci

Forest Whitaker in Respect

Best Supporting Actress

Cate Blanchett in Nightmare Alley

Ariana DeBose in West Side Story

Vera Farmiga in The Many Saints of Newark

Marlee Matlin in CODA

Ruth Negga in Passing

Here Are The Oscar Nominations!


oscar trailer kitties

Here are the Oscar nominations.  La La Land tied Titanic’s record with 14 nominations and I’m going to predict right now that it’ll win nearly everything that it’s been nominated for.  Amy Adams was totally snubbed.  Meryl Streep was technically nominated for Florence Foster Jenkins but we all know it was actually for her Golden Globes speech.

I may have more to say about this later but until then, here are the noms:

Best Picture

  • “Arrival”
  • “Fences”
  • “Hacksaw Ridge”
  • “Hell or High Water”
  • “Hidden Figures”
  • “La La Land”
  • “Lion”
  • “Manchester by the Sea”
  • “Moonlight”

Best Director

  • Mel Gibson – “Hacksaw Ridge”
  • Kenneth Lonergan – “Manchester by the Sea”
  • Barry Jenkins – “Moonlight”
  • Denis Villeneuve – “Arrival”
  • Damien Chazelle – “La La Land”

Best Actor

  • Casey Affleck – “Manchester by the Sea”
  • Andrew Garfield – “Hacksaw Ridge”
  • Ryan Gosling – “La La Land”
  • Viggo Mortensen – “Captain Fantastic”
  • Denzel Washington – “Fences”

Best Actress

  • Isabelle Huppert – “Elle”
  • Ruth Negga – “Loving”
  • Natalie Portman – “Jackie”
  • Emma Stone – “La La Land”
  • Meryl Streep – “Florence Foster Jenkins”

Best Supporting Actor

  • Mahershala Ali – “Moonlight”
  • Jeff Bridges – “Hell or High Water”
  • Lucas Hedges – “Manchester by the Sea”
  • Dev Patel – “Lion”
  • Michael Shannon – “Nocturnal Animals”

Best Supporting Actress

  • Viola Davis – “Fences”
  • Naomie Harris – “Moonlight”
  • Nicole Kidman – “Lion”
  • Octavia Spencer – “Hidden Figures”
  • Michelle William – “Manchester by the Sea”

Best Original Screenplay

  • “20th Century Women”
  • “Hell or High Water”
  • “La La Land”
  • “The Lobster”
  • “Manchester by the Sea”

Best Adapted Screenplay

  • “Arrival”
  • “Fences”
  • “Hidden Figures”
  • “Lion”
  • “Moonlight”

Best Animated Feature

  • “Kubo and the Two Strings”
  • “Moana”
  • “My Life as a Zucchini”
  • “The Red Turtle”
  • “Zootopia”

Best Production Design

  • “Arrival”
  • “Fantastic Beasts and Where to Find Them”
  • “Hail, Caesar!”
  • “La La Land”
  • “Passengers”

Best Cinematography

  • “Arrival”
  • “La La Land”
  • “Lion”
  • “Moonlight”
  • “Silence”

Best Costume Design

  • “Allied”
  • “Fantastic Beasts and Where to Find Them”
  • “Florence Foster Jenkins”
  • “Jackie”
  • “La La Land”

Best Film Editing

  • “Arrival”
  • “Hacksaw Ridge”
  • “Hell or High Water”
  • “La La Land”
  • “Moonlight”

Best Makeup and Hairstyling

  • “A Man Called Ove”
  • “Star Trek Beyond”
  • “Suicide Squad”

Best Sound Mixing

  • “Arrival”
  • “Hacksaw Ridge”
  • “La La Land”
  • “Rogue One: A Star Wars Story”
  • “13 Hours: The Secret Soldiers of Benghazi”

Best Sound Editing

  • “Arrival”
  • “Deepwater Horizon”
  • “Hacksaw Ridge”
  • “La La Land”
  • “Sully”

Best Visual Effects

  • “Deepwater Horizon”
  • “Doctor Strange”
  • “The Jungle Book”
  • “Kubo and the Two Strings”
  • “Rogue One: A Star Wars Story”

Best Original Score

  • “Jackie”
  • “La La Land”
  • “Lion”
  • “Moonlight”
  • “Passengers”

Best Original Song

  • “Audition (The Fools Who Dream)” from “La La Land”
  • “Can’t Stop the Feeling” from “Trolls”
  • “City of Stars” from “La La Land”
  • “The Empty Chair” from “Jim: The James Foley Story”
  • “How Far I’ll Go” from “Moana”

Best Documentary Feature

  • “Fire at Sea”
  • “I Am Not Your Negro”
  • “Life, Animated”
  • “OJ: Made in America”
  • “13th”

Best Foreign Language Film

  • “Land of Mine”
  • “A Man Called Ove”
  • “The Salesman”
  • “Tanna”
  • “Toni Erdmann”

Best Live Action Short

  • “Ennemis Interieurs”
  • “La Femme et le TGV”
  • “Silent Nights”
  • “Sing”
  • “Timecode”

Best Documentary Short

  • “Extremis”
  • “4.1 Miles”
  • “Joe’s Violin”
  • “Watani: My Homeland”
  • “The White Helmets”

Best Animated Short Film

  • “Blind Vaysha”
  • “Borrowed Time”
  • “Pear Cider and Cigarettes”
  • “Pearl”
  • “Piper”

The North Texas Critics Association Names La La Land The Best of 2016!


la-la-land-full-poster-image-691x1024

I have to admit that I’m starting to reach the point that I always reach during Oscar season.  This is the point where I say, “How many different groups of critics are there!?”

Anyway, the North Texas Critics Association have announced their picks for the best of 2016!  There are my people (in that we all live in North Texas and probably make a lot of jokes about pasty yankee tourists coming down from the North and sweating like pigs) and they picked La La Land as the best of the year.  I’ll be seeing La La Land this weekend so I’ll let you know if they were right.

Best Film
1. La La Land
2. Manchester by the Sea
3. Moonlight
4. Hacksaw Ridge
5. Loving
6. Arrival
7. Captain Fantastic
8. Nocturnal Animals
9. Jackie
10. The Birth of a Nation

Best Director
1. Damien Chazelle (La La Land)
2. Barry Jenkins (Moonlight)
3. Mel Gibson (Hacksaw Ridge)
4. Denis Villeneuve (Arrival)
5. Kenneth Lonergan (Manchester by the Sea)

Best Actress
1. Natalie Portman (Jackie)
2. Emma Stone (La La Land)
3. Amy Adams (Arrival)
4. Emily Blunt (The Girl on the Train)
5. Ruth Negga (Loving)

Best Actor
1. Casey Affleck (Manchester by the Sea)
2. Ryan Gosling (La La Land)
3. Denzel Washington (Fences)
4. Andrew Garfield (Hacksaw Ridge)
5. Don Cheadle (Miles Ahead)

Best Supporting Actress
1. Michelle Williams (Manchester by the Sea)
2. Viola Davis (Fences)
3. Naomie Harris (Moonlight)
4. Octavia Spencer (Hidden Figures)
5. Janelle Monae (Hidden Figures)

Best Supporting Actor
1. Michael Shannon (Nocturnal Animals)
2. Mahershala Ali (Moonlight)
3. Dev Patel (Lion)
4. Jeff Bridges (Hell or High Water)
5. Lucas Hedges (Manchester by the Sea)

Best Cinematography
1. Linus Sandgren (La La Land)
2. James Laxton (Moonlight)
3. Simon Duggan (Hacksaw Ridge)
4.  Bradford Young (Arrival)
5. Stephane Fontaine (Jackie)

Best Animated Film
1. Zootopia
2. Kubo and the Two Strings
3. Sing

Best Documentary
1. Gleason
2. 13th
3. Tower
4. Wiener
5. The Eagle Huntress

Best Foreign Language Film
1. Elle
2. The Handmaiden
3. Hunt for the Wilderpeople
4. The Salesman

5.  Toni Erdmann

Here Are The Nominations Of The Online Film Critics Society!


oj

The Online Film Critics Society announced their nominations today.  Along with the usual suspects, the 7 and a half hour documentary OJ: Made in America also picked up a nomination for best picture.

Best Picture

Arrival
The Handmaiden
Hell or High Water
Jackie
La La Land
Manchester By the Sea
Moonlight
O.J.: Made in America
Paterson
The Witch

Best Animated Feature

Finding Dory
Kubo and the Two Strings
Moana
The Red Turtle
Zootopia

Best Director

Damien Chazelle – La La Land
Barry Jenkins – Moonlight
Pablo Larraín – Jackie
Kenneth Lonergan – Manchester By the Sea
Denis Villeneuve – Arrival

Best Actor

Casey Affleck – Manchester By the Sea
Adam Driver – Paterson
Ryan Gosling – La La Land
Viggo Mortensen – Captain Fantastic
Denzel Washington – Fences

Best Actress

Amy Adams – Arrival
Isabelle Huppert – Elle
Ruth Negga – Loving
Natalie Portman – Jackie
Emma Stone – La La Land

Best Supporting Actor

Mahershala Ali – Moonlight
Tom Bennett – Love & Friendship
Jeff Bridges – Hell or High Water
Lucas Hedges – Manchester By the Sea
Michael Shannon – Nocturnal Animals

Best Supporting Actress

Viola Davis – Fences
Lily Gladstone – Certain Women
Naomie Harris – Moonlight
Octavia Spencer – Hidden Figures
Michelle Williams – Manchester By the Sea

Best Original Screenplay

Hell or High Water – Taylor Sheridan
Jackie – Noah Oppenheim
La La Land – Damien Chazelle
The Lobster – Yorgos Lanthimos, Efthymis Filippou
Manchester By the Sea – Kenneth Lonergan

Best Adapted Screenplay

Arrival – Eric Heisserer, Ted Chiang
Elle – David Birke, Philippe Djian
Love & Friendship – Whit Stillman
Moonlight – Barry Jenkins, Tarell Alvin McCraney
Nocturnal Animals – Tom Ford

Best Editing

Arrival – Joe Walker
Cameraperson – Nels Bangerter
Jackie – Sebastian Sepulveda
La La Land – Tom Cross
Moonlight – Joi McMillon, Nat Sanders

Best Cinematography

Arrival – Bradford Young
Jackie – Stéphane Fontaine
La La Land – Linus Sandgren
Moonlight – James Laxton
The Neon Demon – Natasha Braier

Best Film Not in the English Language

Elle – France
The Handmaiden – South Korea
Neruda – Chile
The Salesman – Iran
Toni Erdmann – Germany

Best Documentary

13th
Cameraperson
I Am Not Your Negro
O.J.: Made in America
Weiner

Best Non-U.S. Release

After the Storm
The Death of Louis XIV
The Girl With All the Gifts
Graduation
Nocturma
Personal Shopper
A Quiet Passion
Staying Vertical
The Unknown Girl
Yourself and Yours

Here Are The North Carolina Film Critics Association Nominations!


For Christmas, there was a temporary pause in the flood of precursor awards.  Now that Christmas has passed, Oscar season is back in full swing.

Today, the North Carolina Film Critics Association announced their nominations for the best of 2016!

And here they are:

BEST NARRATIVE FILM
Arrival
Hell or High Water
La La Land
Manchester by the Sea
Moonlight

BEST DOCUMENTARY FILM
13th
I Am Not Your Negro
Life, Animated
O.J.: Made in America
Weiner

BEST ANIMATED FILM
Finding Dory
Kubo and the Two Strings
Moana
Sausage Party
Zootopia

BEST FOREIGN LANGUAGE FILM
Elle
The Handmaiden
A Man Called Ove
Toni Erdmann
Things to Come

BEST DIRECTOR
Damien Chazelle — La La Land
Barry Jenkins — Moonlight
Kenneth Lonergan — Manchester by the Sea
David Mackenzie — Hell or High Water
Chan-woo Park — The Handmaiden

BEST CINEMATOGRAPHY
Chung-hoo Chung — The Handmaiden
James Laxton — Moonlight
Giles Nuttgens — Hell or High Water
Linus Sandgren — La La Land
Bradford Young — Arrival

BEST SPECIAL EFFECTS
Arrival
Captain America: Civil War
Doctor Strange
Jungle Book
Rogue One: A Star Wars Story

BEST ACTOR
Casey Affleck — Manchester by the Sea
Joel Edgerton — Loving
Ryan Gosling — La La Land
Viggo Mortensen — Captain Fantastic
Denzel Washington — Fences

BEST SUPPORTING ACTOR
Mahershala Ali — Moonlight
Jeff Bridges — Hell or High Water
Ben Foster — Hell or High Water
Lucas Hedges — Manchester by the Sea
Sam Neill — Hunt for the Wilderpeople

BEST ACTRESS
Annette Bening — 20th Century Women
Kate Beckinsale — Love & Friendship
Ruth Negga — Loving
Natalie Portman — Jackie
Emma Stone — La La Land

BEST SUPPORTING ACTRESS
Viola Davis — Fences
Greta Gerwig — 20th Century Women
Naomie Harris — Moonlight
Nicole Kidman — Lion
Michelle Williams — Manchester by the Sea

BEST ORIGINAL SCREENPLAY
Damien Chazelle — La La Land
Barry Jenkins — Moonlight
Kenneth Lonergan — Manchester by the Sea
Mike Mills — 20th Century Women
Taylor Sheridan — Hell or High Water

BEST ADAPTED SCREENPLAY
Tom Ford — Nocturnal Animals
Eric Heisserer — Arrival
Seo-kyeong Jeong and Chan-wook Park — The Handmaiden
Whit Stillman — Love & Friendship
Taika Waititi — Hunt for the Wilderpeople

KEN HANKE MEMORIAL TAR HEEL AWARD
(To an artist or film with a special connection to North Carolina.)
Anthony Mackie
Jeff Nichols
Starving the Beast

Playing Catch-Up With The Films of 2016: Warcraft (dir by Duncan Jones)


Last night, my cousin and I watched Warcraft, which is a film that has been called “the worst of 2016” by several critics.

Personally, I don’t think it’s the worst film of 2016.  It didn’t make me physically ill, like Hardcore Henry did.  My cousin — who, unlike me, has actually played all of the Warcraft games and therefore came into the film already knowing who and what everything was — says that he enjoyed it.  On the basis of both Moon and The Source Code, I think Duncan Jones is a genius who will eventually emerge as one of the most important directors working right now.  Dominic Cooper is in Warcraft and so is Ben Foster.  They’re both fairly unrecognizable (thought not as unrecognizable as Clancy Brown!) but they’re also two excellent actors and I’m always happy to see them listed in the credits.  Visually, the film was well-designed though it was impossible for me not to think about the Make Love, Not Warcraft episode of South Park.

But I have to say that no film has ever left as totally confused as Warcraft.  I got that the film was about a war between Orcs and humans.  And I appreciated the fact that the film attempted to give all of the Orcs their own individual personalities and culture.   If I wanted to, I could probably spend a few 100 words talking about how the war in Warcraft can serve as a metaphor for every war currently being fought in the real world.

But seriously, I spent nearly the entire film trying to keep straight who was who.  The cast was huge and the dialogue was full of people and creatures talking about magic and honor and history and tradition and sacrifice and why so-and-so had to do this to such-and-such because of something that happened to someone else centuries ago and it made my head hurt trying to keep up with it all.  I eventually gave up.  My cousin was enjoying the film and, in the end, that’s all that mattered.

Plus, there was a cute little orc baby!  I liked him and his story reminded me of the story of Moses floating away in that basket.

Anyway, Warcraft was slaughtered by critics and, because it cost a ton of money to make, it didn’t make any money back.  So, the film probably won’t get the sequel that the ending was obviously designed to set up.  However, I get the feeling that, next year, Warcraft will be a popular film to live tweet whenever it shows up on SyFy.

It may have been the most incoherent film of 2016 but it wasn’t necessarily the worst.

Here Are The Florida Film Critics Circle Nominations!


la-la-land-full-poster-image-691x1024

The winners will be announced on December 23rd.

BEST PICTURE
Hell or High Water
La La Land
The Lobster
Manchester by the Sea
Moonlight

BEST DIRECTOR
Damien Chazelle – La La Land
Barry Jenkins – Moonlight
Yorgos Lanthimos – The Lobster
Kenneth Lonergan – Manchester by the Sea

BEST ACTOR
Casey Affleck – Manchester by the Sea
Joel Edgerton – Loving
Ryan Gosling – La La Land
Viggo Mortensen – Captain Fantastic
Denzel Washington – Fences

BEST ACTRESS
Annette Bening – 20th Century Women
Isabelle Huppert – Elle
Ruth Negga – Loving
Natalie Portman – Jackie
Emma Stone – La La Land

BEST SUPPORTING ACTOR
Mahershala Ali – Moonlight
Jeff Bridges – Hell or High Water
Ralph Fiennes – A Bigger Splash
André Holland – Moonlight
Michael Shannon – Nocturnal Animals

BEST SUPPORTING ACTRESS
Viola Davis – Fences
Greta Gerwig – 20th Century Women
Lily Gladstone – Certain Women
Naomie Harris – Moonlight
Octavia Spencer – Hidden Figures
Michelle Williams – Manchester by the Sea

BEST ENSEMBLE
20th Century Women
American Honey
Hidden Figures
Manchester by the Sea
Moonlight

BEST ORIGINAL SCREENPLAY
20th Century Women
Hell or High Water
La La Land
The Lobster
Manchester by the Sea

BEST ADAPTED SCREENPLAY
Arrival
Fences
Love & Friendship
Moonlight
Nocturnal Animals

BEST CINEMATOGRAPHY
Arrival
The Handmaiden
Jackie
La La Land
Moonlight

BEST VISUAL EFFECTS
Arrival
Doctor Strange
Fantastic Beasts and Where to Find Them
The Jungle Book
Rogue One: A Star Wars Story

BEST ART DIRECTION/PRODUCTION DESIGN
Arrival
Fantastic Beasts and Where to Find Them
Jackie
La La Land
Love & Friendship

BEST SCORE
Arrival
Jackie
La La Land
Moonlight

BEST DOCUMENTARY
Cameraperson
I Am Not Your Negro
Life, Animated
O.J.: Made In America
Weiner

BEST FOREIGN LANGUAGE FILM
Elle
Embrace of the Serpent
The Handmaiden
The Salesman
Toni Erdmann

BEST ANIMATED FILM
Kubo and the Two Strings
Moana
Sausage Party
Zootopia

BEST FIRST FILM
The Childhood of a Leader
The Edge of Seventeen
Moonlight
Spa Night
Swiss Army Man
The Witch

BREAKOUT AWARD
Barry Jenkins – Moonlight
Lucas Hedges – Manchester by the Sea

the_witch-3