Chevy Chase as Indiana Jones?


Was Chevy Chase considered for the role of Indiana Jones in Raiders of the Lost Ark?

According to the internet, he was. While I was doing research into the casting process that led to Harrison Ford being cast as the iconic archaeologist, I came across several trivia sites that claimed that Chase was one of the many actors considered for the role of Indiana Jones. This struck me as being rather odd. Even though Raiders of the Lost Ark was produced at a time when Chase was still a legitimate film star, it was hard to imagine anything about his screen persona that would make producer George Lucas or director Steven Spielberg view him as being a potential Indiana Jones. The idea of Chase as Indiana Jones struck me as being so strange that I started to search for the source of the rumor. I read post after post about the lost roles of Chevy Chase. I clicked on link after link. And what I discovered is that the main source for Chase being considered for Indiana Jones was an anonymous, unsourced piece of trivia on the IMDb. In fact, according to the IMDb, Steve Martin and Bill Murray were also considered for the role.

I’m just going to say it. I don’t buy it. I don’t think any of those people were considered for Indiana Jones. For that matter, I don’t think John Belushi was considered for the role of Dr. Loomis in Halloween, and I also don’t think Chase was seriously considered for the role of Han Solo.

With that in mind, the idea of Chevy Chase playing Han Solo reminded me of just how important Harrison Ford was to the success of the first three Indiana Jones films. Even if Chase wasn’t one of them, a lot of actors not named Harrison Ford were considered for the role of Jones. Jeff Bridges has said that he was considered for the role, but he also denies having ever gotten a firm offer. According to Spielberg, Peter Coyote’s audition for the role led to Spielberg later casting him in E.T. the Extra-Terrestrial. Tim Matheson, Nick Mancuso, and John Shea have all been confirmed as having been, at the very least, officially considered. Sam Neill said that he auditioned for the role. Was David Hasselhoff a contender for Indiana Jones? I’ve seen Hasselhoff’s name mentioned on several sites, but it seems that this is another case where the ultimate source is the same anonymous piece of trivia that included Chase, Martin, and Murray as contenders. But the idea of the Hoff as Indiana Jones amuses me to no end, so I’m going to go ahead and say that he actually was considered. Yeah, I’m a hypocrite. So what?

George Lucas has said that he was initially hesitant about casting Harrison Ford because he (1) felt the star should be a relative unknown and (2) didn’t want the critics to say that he wasn’t capable of making a movie without Ford in the cast. Marcia Lucas famously felt that Tom Selleck would have been the perfect Indiana, and George agreed with her. It appeared, at the time, that CBS was going to pass on producing Magnum, P.I., a show for which Selleck had been signed to star. When Lucas and Spielberg asked CBS to release Selleck from his contract so that he could do Raiders, CBS instead put the show into production because Selleck was now “in demand.” With Selleck out of the running, Harrison Ford was finally cast in the role that he was born to play.

I’ve always loved Harrison Ford as Indiana Jones but, to be honest, who doesn’t? What always enchanted me about Ford’s performance is that he wasn’t afraid to be intelligent. No matter what adventures Indiana Jones found himself in, Ford always played him as an academic first and an adventurer second. In the first three films, Indiana seemed just as excited as the audience to see what he would discover in his travels. As for the final two films, they failed because they both tried to bring in a replacement. Audiences didn’t want to see Harrison Ford replaced by Shia LaBeouf. They sure as hell didn’t want to see him being put in his place by Phoebe Waller-Bridge. It doesn’t matter how old he gets or how grouchy he may be. Audiences love Harrison Ford, and they love it when he says that it belongs in a museum.

As for who was considered for the rest of the Raiders ensemble, here are the names that I’ve seen mentioned as having been considered. As always, take these names with a grain of salt.

Marion: Debra Winger was not available. Neither was Spielberg’s girlfriend, Amy Irving. (By most accounts, Irving didn’t think much of any of her future husband’s films.) Sean Young screen-tested with Tom Selleck. Wendie Malick has talked about auditioning for the role while hungover. Jane Seymour, Mary Steenburgen, Michelle Pfeiffer, Stephanie Zimbalist, and Barbara Hershey were reportedly also considered, but the role was offered to Karen Allen.

Brody: Apparently, only Denholm Elliott was considered for Brody, and it is impossible to imagine anyone else in the role.

Sallah: Danny DeVito was actually offered the role, but he was appearing in a television show and couldn’t get out of his contract. John Rhys-Davies was cast instead.

Belloq: Jonathan Pryce, who would have been a great choice, read for the role. Giancarlo Giannini and French singer Jacques Dutronc are frequently mentioned as being other possibilities. The role went to Paul Freeman.

Toht: In his autobiography, Klaus Kinski wrote about turning down the role because it didn’t pay enough. Some sites say that Roman Polanski was offered the role. (If that’s true, one imagines that Spielberg is probably happy in retrospect that Polanski turned him down.) Ronald Lacey was cast in the role, and personally, I think he was perfect for it. As intriguing as the idea of Harrison Ford vs. Klaus Kinski might be, the role of Toht didn’t need a familiar face. It just needed someone who could be menacing.

(Actually, the idea of Chevy Chase vs. Klaus Kinski is even more intriguing! That would have been an interesting set to visit.)

In the end, Raiders of the Lost Ark is one of the few films that one can say is perfectly cast, from Harrison Ford to Karen Allen to John Rhys-Davies and Denholm Elliott. And we’re all the luckier for it!

 

 

Lisa Marie Review A Best Picture Nominee: Raiders of the Lost Ark (dir by Steven Spielberg)


I can hear you right now.

“Really? You’re reviewing Raiders of the Lost Ark for Horrorthon? That’s not a horror movie!”

Well, you’re right, it’s not. That said, it’s definitely a film that borrows from the genre even if it doesn’t embrace it. If you’ve got a thing about spiders, you’ll cringe when Indiana Jones (Harrison Ford) has to wipe all of those tarantulas off of that guy’s shirt while they’re exploring the Peruvian temple. If you’ve got a thing about snakes, you’ll share Indiana’s reaction when the cobra hisses at him. And don’t even get me started on the justifiably famous finale. “It’s beautiful!” Belloq (Paul Freeman) shouts right before the angels turn into skeletons. A man’s eyes pop out of his head. Another one melts. Another explodes. There are plenty of scary moments in Raiders of the Lost Ark, but it’s such a thrill ride that the fear doesn’t necessarily linger the way that it would need to for Raiders to actually be considered a horror film. We’re too busy cheering on Indy and Marion Ravenwood (Karen Allen) to duck behind the couch. That said, I think Raiders of the Lost Ark is still a perfect film for the Halloween month. Though it was released a little before my time, I imagine that Indiana Jones, with his hat and his bullwhip, was a popular figure when Halloween rolled around in 1981.

I rewatched Raiders of the Lost Ark on Tuesday and, as always, I found myself more than a little amazed at how well it holds up. There’s not a single wasted moment. The action scenes are still exciting. The moments of humor — that poor swordsman! — still make me laugh. There’s not a single weak performance to be found in the film’s large cast. Denholm Elliott is instantly lovable as Prof. Brody and John Rhys-Davies plays Sallah with just the right amount of gusto. Ronald Lacey and Wolf Kahler are thoroughly hissable as the Nazi villains and Paul Freeman brings just enough wit to the role of the duplicitous Belloq that you can understand why he and Indiana were once friends. Of course, the film truly belongs to Karen Allen and Harrison Ford. Karen Allen projects a toughness and an inner strength that keeps Marion from being just another damsel-in-distress. Harrison Ford was the perfect choice for Indiana Jones and he’s equally believable whether he’s running through the jungle, falling into a crypt, or teaching a class. (Indiana is so cute when he puts on his glasses!) My mom always used to say that she liked the way Indiana would smile in a semi-confused way before taking decisive action. For all the arguments about why the last two Indiana Jones movies failed, the answer is pretty simple. They forgot that an Indiana Jones movie is supposed to be about Indiana Jones, not Shia LaBeouf and certainly not some condescending Brit. Harrison Ford is Indiana Jones. He’s the reason we watch.

Raiders of the Lost Ark is a film that is so good that I think there’s a tendency to take it for granted. That’s why, much like with the best of the James Bond films, I think it’s important to rewatch it and re-experience just how good it is. Producer George Lucas and director Steven Spielberg sought to recreate the experience of watching the serials and the adventure films of their youth and they succeeded. Spielberg directs like a man in love with the movies and, as a result, it’s hard not to fall in love with this movie.

Raiders of the Lost Ark was, of course, a huge box office success. It was nominated for several Oscars, including Best Picture and Best Director. Harrison Ford was (unforgivably, in my opinion) not nominated for Best Actor. In the end, the Academy selected Warren Beatty over Steven Spielberg and Chariots of Fire over Raiders of the Lost Ark.

4 Shots From 4 Films: Special Harrison Ford Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the TSL wishes a happy birthday to Harrison Ford.  It’s time for….

4 Shots From 4 Harrison Ford Films

Star Wars: A New Hope (1977, dir by George Lucas)

Apocalypse Now (1979, dir by Francis Ford Coppola)

Raiders of the Lost Ark (1981, dir by Steven Spielberg)

Witness (1985, dir by Peter Weir)

 

 

4 Shots From 4 Films: Special Peter Cushing Edition


4 Shots from 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots from 4 Films lets the visuals do the talking!

Today is Peter Cushing’s birthday!  This edition of 4 Shots From 4 Films is dedicated to him, his memory, and his career!

4 Shots From 4 Peter Cushing Films

Hamlet (1948, dir by Laurence Olivier)

Doctor Who and the Daleks (1965, dir by Gordon Flemyng)

Frankenstein Must Be Destroyed (1969, dir by Terence Fisher)

Star Wars (1977, dir by George Lucas)

 

4 Shots From 4 Films: Special Star Wars Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we wish all of our readers a happy May The Fourth Be With You Day!  It’s time for….

4 Shots From 4 Star Wars Films

Star Wars Episode VI: A New Hope (dir. by George Lucas)

The Empire Strike Back (1980, dir by Irvin Kershner, DP: Peter Suschitzky)

Return of the Jedi (1983, dir by Richard Marquand, DP: Alan Hume and Alec Mills)

Rogue One (2016, dir by Gareth Edwards, DP: Greig Fraser)

4 Shots From 4 Films: Special Intergalactic Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today’s let celebrate life in space!

4 Shots From 4 Intergalactic Films

Close Encounters of the Third Kind (1977, dir by Steven Spielberg, DP: Vilmos Zsigmond)

Star Wars: A New Hope (1977, Dir. by George Lucas, DP: Gilbert Taylor)

Starcrash (1978, dir by Luigi Cozzi, DP: Paul Beeson and Roberto D’Ettorre Piazzoli)

Dune (1984, dir by David Lynch, DP: Freddie Francis)

4 Shots From 4 Desert Films


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

It’s the summer and it’s hot!  Here are 4 shots from 4 films that represent just how hot it feels outside right now.

4 Shots From 4 Desert Films

The Searchers (1956, Dir. by John Ford)

Lawrence of Arabia (1962, Dir. by David Lean)

Star Wars: A New Hope (1977, Dir. by George Lucas)

Mad Max: Fury Road (2015, Dir. by George Miller)

 

May The Fourth Be With You: Looking Back At Star Wars


Today is Star Wars Day.  (It’s May 4th.  May the Fourth Be With You!  I’ll stop now.)  Five years ago, I ranked all of the Star Wars feature films that had been released up until that point from best to worst.  Here’s how I ranked them:

  1. The Empire Strikes Back
  2. Rogue One
  3. New Hope
  4. The Force Awakens
  5. Revenge of the Sith
  6. Return of the Jedi
  7. Solo
  8. The Rise of Skywalker
  9. The Last Jedi
  10. Attack of the Clones
  11. The Phantom Menace

Since that was a while ago, I decided to take a look back and see if I still felt the same way.  Here are my brief thoughts on each film, in order of release.

Star Wars: Episode IV — A New Hope (1977, directed by George Lucas) — A New Hope may not be the best Star Wars film but it’s still the most entertaining, even if George Lucas doesn’t seem to realize that.  A tribute to the serials and space operas that Lucas grew up with, A New Hope features great action scenes, special effects that hold up well despite not being as slick as modern CGI, and great performances from Alec Guinness and Harrison Ford.  Mark Hamill would eventually become a much better actor, though you might not guess just from his performance here.  Watching New Hope today, I really appreciate that the movie doesn’t get bogged down in overexplaining things.  We don’t need to know what the Clone Wars were specifically about or what the Kessel Run actually was.  They sound cool and that’s all that was really required.  Despite what some claim, there is absolutely no evidence that Darth Vader was meant to be Luke’s father in this move.

Star Wars Holiday Special (1978, directed by Steve Binder) — Only aired once, I debated whether to include it here or not.  I eventually did just because it features the debut of Boba Fett.  It’s as bad as you’ve heard but the special’s real since is that it’s incredibly boring.  Harrison Ford still looks happier here than he did in Return of the Jedi.

Star Wars: Episode V — The Empire Strikes Back (1980, directed by Irvin Kershner) — The best of the original trilogy, this installment was surprisingly dark, downbeat, and violent.  Mark Hamill finally started to show some signs of growth as an actor while Harrison Ford’s Han Solo continued to be the coolest rebel in the universe.  Combining the more thoughtful scenes with Yoda with the action-orientated scenes on Cloud City made this the most intelligent of the Star Wars films.  The battle on Hoth remains one of the best action scenes ever.  I think every kid who saw this movie wanted an AT-AT Walker.  I know I did.

Star Wars: Episode VI — Return of the Jedi (1983, directed by Richard Marquand) — It’s not quite as bad as its reputation, largely due to the opening with Jabba the Hutt’s court.  Jabba is so grotesque and evil in this movie that it’s hard not to regret that the subsequent films made him into more of buffoon than a crime lord.  Brining back the Death Star made this film feel like a retread.  The Ewoks were created to sell toys but so was everything else in this movie.  Harrison Ford looks particularly grouchy at the end.

The Ewok Adventure (1984, directed by John Korty) and Ewoks: The Battle For Endor (1985, directed by Jim and Ken Wheat) — I guess if these had been successful, there would have been an Ewok television show.  The Ewok Adventure feels childish and features a narrator.  Battle for Endor is surprisingly violent for a movie about teddy bears.  Both films are more bland than truly bad.

Star Wars: Episode I — The Phantom Menace (1999, directed by George Lucas) — There’s been some revisionism about this film.  Some people actually defend it now.  Not me.  It’s still pointless.  This movie started the trend of every popular film having to have an in-depth “mythology” behind it.  It turns out that the Evil Empire was all about trade routes and tariffs.  Jake Lloyd gets more blame than he deserves.  Overexplaining the Force was a sign of things to come.  This movie would feature Natalie Portman’s worst performance if not for…

Star Wars: Episode II — Attack of the Clones (2o02, directed by George Lucas) — As painfully generic as its title, this movie was responsible for Hayden Christensen having an undeserved reputation for being a bad actor.  I doubt any actor, no matter how talented, could make Lucas’s dialogue feel natural.

Star Wars: Episode III — Revenge of the Sith (2005, directed by George Lucas) — The only one of the prequels that actually added anything to what we already knew, Revenge of the Sith is dark, violent, and it doesn’t have as many slow spots as the other prequels.  Ewan McGregor finally gets a chance to act and Hayden Christensen and Natalie Portman are finally given actual characters to play.  Today, some people say it’s the best of the Star Wars films.  They’re wrong but it’s still pretty good.

The Clone Wars (2008, directed by Dave Filoni) — The only animated Star Wars film doesn’t get much attention and it does get bogged down in the mythology of the of the prequels.  No one really cares about the specifics of the Clone Wars.  The fact that it’s animated and clearly marketed at kids makes the dialogue easier to tolerate.

Star Wars: Episode VII — The Force Awakens (2015, directed by J.J. Abrams) — When this first came out, a lot of people (including myself) were so happy to have a new Star Wars film that we overrated it.  It’s hard to watch today without thinking about how bad things got after it was released but it does still hold up well as a space adventure, though Daisy Ridley’s blandness is more apparent on subsequent viewings.  The performances of Adam Driver and John Boyega still hold up.  The main attraction, though, is Harrison Ford returning as Han Solo.

Rogue One: A Star Wars Story (2016, directed by Gareth Edwards) — The first stand-alone live action Star Wars feature film is a thrilling space adventures that holds up on subsequent viewings and works because the stakes actually feel real.  For the first time since New Hope, the Death Star is actually frightening.  This remains one of the best films in the franchise and it’s not surprising that it led to the best of the Star Wars television shows.

Star Wars: Episode VIII — The Last Jedi (2017, directed by Rian Johnson) — The haters are right about much of this film.  For all the complaints about Disney not allowing their Marvel directors much freedom, the Star Wars sequels shows what happens when a franchise isn’t sure where it wants to go.  Rian Johnson tries to bring Star Wars down to Earth but that’s not where we want Star Wars.  Rose Tico was an annoying character and her line about saving what we love deserves all of the mockery it received but Kelly Marie Tran still didn’t deserve to be run off of social media.  Turning Luke into a bitter old man was this film’s greatest sin.

Solo: A Star Wars Story (2018, directed by Ron Howard) — That this wasn’t a box office hit was the a clear warning sign that audiences were getting bored with Star Wars.  This Han Solo origin story isn’t bad.  Ron Howard could direct a film like this in his sleep.  It just feels unnecessary.  Alden Ehrenreich does his best but no one can replace Harrison Ford as Han Solo.

Star Wars: Episode IX — The Rise of Skywalker (2019, directed by J.J. Abrams) — J.J. Abrams tries to undo everything that Rian Johnson did in his film.  I don’t blame Abrams because Johnson’s film wasn’t great but just shrugging it all off doesn’t really work either.  The sequel trilogy, which started with such high hopes, ends with a whimper.  Daisy Ridley’s boring performance doesn’t help.

My rankings, as of 2025, are below:

  1. The Empire Strikes Back
  2. Rogue One
  3. New Hope
  4. Revenge of the Sith
  5. Return of the Jedi
  6. Force Awakens
  7. Solo
  8. Rise of Skywalker
  9. The Last Jedi
  10. Ewoks: Battle for Endor
  11. The Clone Wars
  12. The Ewok Adventure
  13. Holiday Special
  14. Phantom Menace
  15. Attack of the Clones

4 Shots From 4 Films: Special Star Wars Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we wish all of our readers a happy May The Fourth Be With You Day!  It’s time for….

4 Shots From 4 Star Wars Films

Star Wars Episode IV: A New Hope (1977, dir by George Lucas, DP: Gilbert Talyor)

The Empire Strike Back (1980, dir by Irvin Kershner, DP: Peter Suschitzky)

Return of the Jedi (1983, dir by Richard Marquand, DP: Alan Hume and Alec Mills)

Rogue One (2016, dir by Gareth Edwards, DP: Greig Fraser)

4 Shots From 4 Films: Special Science Fiction Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

Today, in honor of National Science Fiction Day, it’s time for….

4 Shots From 4 Science Fiction Films

2001: A Space Odyssey (1968, dir by Stanley Kubrick, DP: Geoffrey Unsworth)

Star Wars Episode IV: A New Hope (1977, dir by George Lucas, DP: Gilbert Talyor)

Starcrash (1978, dir by Luigi Cozzi, DP: Paul Beeson and Roberto D’Ettorre Piazzoli)

Blade Runner 2049 (2017, dir by Denis Villeneuve, DP: Roger Deakins)