Here Are The Oscar Nominations!


oscar trailer kitties

Here are the Oscar nominations.  La La Land tied Titanic’s record with 14 nominations and I’m going to predict right now that it’ll win nearly everything that it’s been nominated for.  Amy Adams was totally snubbed.  Meryl Streep was technically nominated for Florence Foster Jenkins but we all know it was actually for her Golden Globes speech.

I may have more to say about this later but until then, here are the noms:

Best Picture

  • “Arrival”
  • “Fences”
  • “Hacksaw Ridge”
  • “Hell or High Water”
  • “Hidden Figures”
  • “La La Land”
  • “Lion”
  • “Manchester by the Sea”
  • “Moonlight”

Best Director

  • Mel Gibson – “Hacksaw Ridge”
  • Kenneth Lonergan – “Manchester by the Sea”
  • Barry Jenkins – “Moonlight”
  • Denis Villeneuve – “Arrival”
  • Damien Chazelle – “La La Land”

Best Actor

  • Casey Affleck – “Manchester by the Sea”
  • Andrew Garfield – “Hacksaw Ridge”
  • Ryan Gosling – “La La Land”
  • Viggo Mortensen – “Captain Fantastic”
  • Denzel Washington – “Fences”

Best Actress

  • Isabelle Huppert – “Elle”
  • Ruth Negga – “Loving”
  • Natalie Portman – “Jackie”
  • Emma Stone – “La La Land”
  • Meryl Streep – “Florence Foster Jenkins”

Best Supporting Actor

  • Mahershala Ali – “Moonlight”
  • Jeff Bridges – “Hell or High Water”
  • Lucas Hedges – “Manchester by the Sea”
  • Dev Patel – “Lion”
  • Michael Shannon – “Nocturnal Animals”

Best Supporting Actress

  • Viola Davis – “Fences”
  • Naomie Harris – “Moonlight”
  • Nicole Kidman – “Lion”
  • Octavia Spencer – “Hidden Figures”
  • Michelle William – “Manchester by the Sea”

Best Original Screenplay

  • “20th Century Women”
  • “Hell or High Water”
  • “La La Land”
  • “The Lobster”
  • “Manchester by the Sea”

Best Adapted Screenplay

  • “Arrival”
  • “Fences”
  • “Hidden Figures”
  • “Lion”
  • “Moonlight”

Best Animated Feature

  • “Kubo and the Two Strings”
  • “Moana”
  • “My Life as a Zucchini”
  • “The Red Turtle”
  • “Zootopia”

Best Production Design

  • “Arrival”
  • “Fantastic Beasts and Where to Find Them”
  • “Hail, Caesar!”
  • “La La Land”
  • “Passengers”

Best Cinematography

  • “Arrival”
  • “La La Land”
  • “Lion”
  • “Moonlight”
  • “Silence”

Best Costume Design

  • “Allied”
  • “Fantastic Beasts and Where to Find Them”
  • “Florence Foster Jenkins”
  • “Jackie”
  • “La La Land”

Best Film Editing

  • “Arrival”
  • “Hacksaw Ridge”
  • “Hell or High Water”
  • “La La Land”
  • “Moonlight”

Best Makeup and Hairstyling

  • “A Man Called Ove”
  • “Star Trek Beyond”
  • “Suicide Squad”

Best Sound Mixing

  • “Arrival”
  • “Hacksaw Ridge”
  • “La La Land”
  • “Rogue One: A Star Wars Story”
  • “13 Hours: The Secret Soldiers of Benghazi”

Best Sound Editing

  • “Arrival”
  • “Deepwater Horizon”
  • “Hacksaw Ridge”
  • “La La Land”
  • “Sully”

Best Visual Effects

  • “Deepwater Horizon”
  • “Doctor Strange”
  • “The Jungle Book”
  • “Kubo and the Two Strings”
  • “Rogue One: A Star Wars Story”

Best Original Score

  • “Jackie”
  • “La La Land”
  • “Lion”
  • “Moonlight”
  • “Passengers”

Best Original Song

  • “Audition (The Fools Who Dream)” from “La La Land”
  • “Can’t Stop the Feeling” from “Trolls”
  • “City of Stars” from “La La Land”
  • “The Empty Chair” from “Jim: The James Foley Story”
  • “How Far I’ll Go” from “Moana”

Best Documentary Feature

  • “Fire at Sea”
  • “I Am Not Your Negro”
  • “Life, Animated”
  • “OJ: Made in America”
  • “13th”

Best Foreign Language Film

  • “Land of Mine”
  • “A Man Called Ove”
  • “The Salesman”
  • “Tanna”
  • “Toni Erdmann”

Best Live Action Short

  • “Ennemis Interieurs”
  • “La Femme et le TGV”
  • “Silent Nights”
  • “Sing”
  • “Timecode”

Best Documentary Short

  • “Extremis”
  • “4.1 Miles”
  • “Joe’s Violin”
  • “Watani: My Homeland”
  • “The White Helmets”

Best Animated Short Film

  • “Blind Vaysha”
  • “Borrowed Time”
  • “Pear Cider and Cigarettes”
  • “Pearl”
  • “Piper”

Lisa’s Way Too Early Oscar Predictions For January


2013 oscars

Why are these Oscar predictions “way too early?”

Well, unlike every other movie blogger right now, I am not attempting to predict who and what will be nominated on January 24th.  Instead, with this post, I am attempting to predict which 2017 releases will be nominated next year!  In short, I am attempting to predict what movies and which performers will emerge as Oscar contenders over the next 12 months.

Needless to say, this is more than a little bit foolish on my part.  I haven’t seen any of the films listed below.  Some of these films don’t have release dates and others are coming out so early in the year that, in order to be contenders, they’ll have to be so spectacular that neither the Academy nor the critics end up forgetting about them.  For the most part, the true picture of the Oscar race usually doesn’t start to emerge until the summer.

For now, these predictions are, for the most part, wild guesses and they should be taken with more than just a grain of salt.  Each month, I will revise my predictions.  At the very least, next year, we’ll probably be able to look back at this post and laugh.

(Whenever trying to make early Oscar predictions, one should remember all of the award bloggers who predicted Nicole Kidman would win an Oscar for Grace of Monaco, just to then see the movie make its long-delayed premiere on Lifetime.)

With all that in mind, here are my way too early Oscar predictions for January!

Best Picture

All Eyez on Me

Battle of the Sexes

The Beguiled

Blade Runner 2047

Crown Heights

Darkest Hour

Downsizing

Dunkirk

T2: Trainspotting

War Machine

Again, for the most part, these predictions are a combination of wild guesses, instinct, and wishful thinking.  It’s entirely possible that none of these films will actually be nominated for best picture.  (Some might even end up premiering on Lifetime, you never know.)  Here’s why I think that some of them might be remembered next year at this time:

All Eyez On Me is a biopic of Tupac Shakur.  Assuming the film is done correctly, Shakur’s life would seem to have all the elements that usually go into an Oscar-winning film.

Battle of the Sexes is a film based on a true incident, a 1970s tennis match between a feminist and a self-declared male chauvinist.  It’s directed by the team behind the Oscar-nominated Little Miss Sunshine and it stars two former nominees, Emma Stone and Steve Carell.

The Beguiled might be wishful thinking on my part but, at this point, wishful thinking is all I have to go on for most of these predictions.  The Beguiled is a remake of a Clint Eastwood film and it’s directed by one of my favorite directors, Sofia Coppola!  Much like Battle of the Sexes, its misogynist-gets-what’s-coming-to-him storyline might make it the perfect film for the first year of the Trump presidency.

Blade Runner 2047 is one of the most eagerly anticipated films of 2017 and it’s directed by Denis Villeneuve, who is hot off of Arrival.  The Oscar success of Mad Max: Fury Road proved that a sequel can be a contender.

Every year, at least one contender emerges out of Sundance and this year, it could very well be Crown Heights.  It tells a fact-based story, about a man trying to win his best friend’s release from prison after the latter is wrongly convicted.  That all sounds very Oscar baity.

Speaking of Oscar bait, Darkest Hour stars Gary Oldman as Winston Churchill.  If that doesn’t sound like Oscar bait, I don’t know what does.

Downsizing is Alexander Payne’s latest film.  It’s about a man (Matt Damon), who shrinks himself.  It may not sound like typical Oscar bait but Payne is definitely a favorite of the Academy’s.

Dunkirk is Christopher Nolan’s big epic for 2017.  Will it be another huge success or will it just be bombastic?  We’ll see.  The Academy has a weakness for World War II films and it could be argued that the very successful yet never nominated Nolan is overdue for some Academy recognition.  (It is true that Inception received a nomination for best picture but Nolan himself was snubbed.)

T2: Trainspotting is probably coming out too early in the year to be a legitimate contender but who knows?  The trailer was great.  Danny Boyle is directing it.  And, much as with Blade Runner 2047, Mad Max: Fury Road proved that a well-made and intelligent sequel can find favor with the Academy.

War Machine is described as being a satire about the war in Afghanistan.  Could it be another Big Short?  With Obama out of office, the Academy might be more open to political satire than they’ve been in the past.

Best Director

Danny Boyle for T2: Trainspotting

Sofia Coppola for The Beguiled

Christopher Nolan for Dunkirk

Alexander Payne for Downsizing

Denis Villeneuve for Blade Runner 2047

Again, there’s a lot of random guessing here.  Personally, I’d love to see Sofia Coppola receive a second nomination for best director.  Payne and Boyle are always possibilities and, if Villeneuve’s work on Arrival is ignored this year, nominating him for Blade Runner would be a good way to make up for it.  As for Nolan, he’s going to get nominated some day.   Why not for Dunkirk?

Best Actor

Tom Cruise in American Made

Sam Elliott in The Hero

Hugh Jackman in The Greatest Showman

Logan Lerman in Sidney Hall

Gary Oldman in Darkest Hour

In American Made, Tom Cruise plays a real-life drug runner.  It sounds like one of those change-of-pace roles that often results in an Oscar nomination.  Gary Oldman has never won an Oscar and has only been nominated once.  The Academy might want to rectify that situation by nominating him for playing Winston Churchill.  And finally, Hugh Jackman as P.T. Barnum in a big budget musical that’s scheduled to open on Christmas Day?  It sounds like either a total disaster or the formula for Oscar gold!

Logan Lerman is one of those actors who appears to be destined to eventually be nominated for an Oscar and, in Sidney Hall, he ages over thirty years.  Finally, Sam Elliott is a beloved veteran who has never been nominated.  If The Hero is a hit at Sundance, it’s easy to imagine the Oscar campaign that will follow.

Best Actress

Jessica Chastain in The Zookeeper’s Wife

Judi Dench in Victoria and Abdul

Nicole Kidman in The Beguiled

Emma Stone in Battle of the Sexes

Naomi Watts in The Book of Henry

As of this writing, Meryl Streep does not have a movie scheduled to be released in 2017, which means that another actress will get the sport usually reserved for her.  But who?  Jessica Chastain could be nominated because she’s Jessica Chastain and the Academy loves her.  Judi Dench plays Queen Victoria for a second time in Victoria and Abdul.  The Academy loves movies about British royalty and Dench has already been nominated once for bringing Victoria to life.  Naomi Watts plays a loving but possibly crazy mother in The Book of Henry, which again sounds like a very Oscar baity role.  If Emma Stone doesn’t win for La La Land, the Academy could make it up to her by nominating her for Battle of the Sexes.

As for Nicole Kidman in The Beguiled — well, let’s call that wishful thinking.  My hope is that Sofia Coppola will do great things with The Beguiled and she will get another great performance out of Nicole Kidman.  We’ll see if I’m right.

 

Best Supporting Actor

Robert Carlyle in T2: Trainspotting

Johnny Depp in Murder on The Orient Experss

James Franco in The Masterpiece

Bill Skarsgard in It

Kevin Spacey in Billionaire Boys Club

Admittedly, the guesses here are fairly random but there is a logic behind each nominee.  Robert Carlyle was great in Trainspotting so he might be just as great in T2.  In Billionaire Boys Club, Kevin Spacey plays a sleazy con artist and that sounds like the type of role with which he could do wonders.  If It is to be a success, Bill Skarsgard is going to have to be a terrifying Pennywise.  If Heath Ledger could win for playing the Joker, surely Skarsgard could be nominated for playing Pennywise.

As for James Franco in The Masterpiece … yes, it’s more wishful thinking on my part.  Franco will be playing Tommy Wiseau, the director of the notorious The Room.  Wiseau is, needless to say, an eccentric figure.  Not only do I think James Franco could give an award-worthy performance in the role but I also just like the idea of someone getting an Oscar for playing Tommy Wiseau.

Finally, we have Johnny Depp in Murder on The Orient Express.  Why not?  It seems like someone from that film’s huge cast is destined to be nominated so why not Johnny Depp?

 

Best Supporting Actress

Jennifer Aniston in The Yellow Birds

Danai Guirra in All Eyez On Me

Kelly MacDonald in T2: Trainspotting

Kristin Scott Thomas in Darkest Hour

Tilda Swinton in War Machine

These guesses are even more random than my guesses for supporting actor.  Jennifer Aniston and Danai Guirra will both be playing mothers who lose their sons.  A lot of people were surprised when Aniston was not nominated for Cake so here’s a chance for the Academy to make it up to her.  As for Kristin Scott Thomas, she’ll be playing Winston Churchill’s wife and the Academy loves historical wives (i.e., Helena Bonham Carter in The King’s Speech and Felicity Jones in The Theory of Everything).

As for the last two predictions, Tilda Swinton is listed because she’s Tilda Swinton.  Kelly MacDonald is listed for the same reason that I put Robert Carlyle down for supporting actor.  She was just so good in the first film.

So, there you go!  Those are my too early Oscar predictions for January!  Will they prove to be accurate?  Probably not.

But we’ll see how things change over the next couple of months.  At the very least, you’ll be able to look back at this post and laugh at me for thinking that … oh, let’s say Battle of the Sexes … would ever be nominated for an Academy Award.

As for me, I’ll be revising my predictions in February.  At least by that point, maybe the Sundance Film Festival will have provided some guidance…

Tommy_Wiseau_in_The_Room

Here Are The North Carolina Film Critics Association Nominations!


For Christmas, there was a temporary pause in the flood of precursor awards.  Now that Christmas has passed, Oscar season is back in full swing.

Today, the North Carolina Film Critics Association announced their nominations for the best of 2016!

And here they are:

BEST NARRATIVE FILM
Arrival
Hell or High Water
La La Land
Manchester by the Sea
Moonlight

BEST DOCUMENTARY FILM
13th
I Am Not Your Negro
Life, Animated
O.J.: Made in America
Weiner

BEST ANIMATED FILM
Finding Dory
Kubo and the Two Strings
Moana
Sausage Party
Zootopia

BEST FOREIGN LANGUAGE FILM
Elle
The Handmaiden
A Man Called Ove
Toni Erdmann
Things to Come

BEST DIRECTOR
Damien Chazelle — La La Land
Barry Jenkins — Moonlight
Kenneth Lonergan — Manchester by the Sea
David Mackenzie — Hell or High Water
Chan-woo Park — The Handmaiden

BEST CINEMATOGRAPHY
Chung-hoo Chung — The Handmaiden
James Laxton — Moonlight
Giles Nuttgens — Hell or High Water
Linus Sandgren — La La Land
Bradford Young — Arrival

BEST SPECIAL EFFECTS
Arrival
Captain America: Civil War
Doctor Strange
Jungle Book
Rogue One: A Star Wars Story

BEST ACTOR
Casey Affleck — Manchester by the Sea
Joel Edgerton — Loving
Ryan Gosling — La La Land
Viggo Mortensen — Captain Fantastic
Denzel Washington — Fences

BEST SUPPORTING ACTOR
Mahershala Ali — Moonlight
Jeff Bridges — Hell or High Water
Ben Foster — Hell or High Water
Lucas Hedges — Manchester by the Sea
Sam Neill — Hunt for the Wilderpeople

BEST ACTRESS
Annette Bening — 20th Century Women
Kate Beckinsale — Love & Friendship
Ruth Negga — Loving
Natalie Portman — Jackie
Emma Stone — La La Land

BEST SUPPORTING ACTRESS
Viola Davis — Fences
Greta Gerwig — 20th Century Women
Naomie Harris — Moonlight
Nicole Kidman — Lion
Michelle Williams — Manchester by the Sea

BEST ORIGINAL SCREENPLAY
Damien Chazelle — La La Land
Barry Jenkins — Moonlight
Kenneth Lonergan — Manchester by the Sea
Mike Mills — 20th Century Women
Taylor Sheridan — Hell or High Water

BEST ADAPTED SCREENPLAY
Tom Ford — Nocturnal Animals
Eric Heisserer — Arrival
Seo-kyeong Jeong and Chan-wook Park — The Handmaiden
Whit Stillman — Love & Friendship
Taika Waititi — Hunt for the Wilderpeople

KEN HANKE MEMORIAL TAR HEEL AWARD
(To an artist or film with a special connection to North Carolina.)
Anthony Mackie
Jeff Nichols
Starving the Beast

The SAG Nominations are here and … Hello there, Captain Fantastic!


captain-fantasticEarlier the year, I choose not to see Captain Fantastic.  Every bit of advertising that I saw for it led me to believe that Captain Fantastic was basically just Wes Anderson-lite and, as we all know, only Wes Anderson can successfully duplicate Wes Anderson.

Well, I think I may have made a mistake because Viggo Mortensen is definitely in the hunt for best actor.  Though most of the precursor awards (so far) have gone to Casey Affleck for Manchester By The Sea, Mortensen still seems like a likely nominee.

Just consider this: he got a SAG nomination!  And so did Captain Fantastic, itself!  It was nominated for best ensemble, which is the SAG equivalent of best picture…

Actually, maybe you shouldn’t spend too much time fixating on that.  People like me always talk about how the SAG awards are an obvious precursor for the Oscars.  Our logic is that the Actor’s Branch is the largest voting bloc in the Academy and the members of the Actor’s Branch are among those who also vote for the SAG awards.

Of course, we always forget that the majority of SAG members are themselves not a part of the Academy.  So, while enough members of SAG may have liked Captain Fantastic for it to get an unexpected ensemble nomination, that doesn’t necessarily mean that those voters are also members of the Academy.

I mean, let’s consider what happened last year.  Beasts of No Nation picked up an ensemble nomination.   So did Straight Outta Compton.  So did Trumbo.  None of those films proved to be an Oscar powerhouse.  In fact, Beasts of No Nation received a grand total of zero Oscar nominations.

So, let’s put it like this — it’s a good sign for a film or a performer to get a SAG nomination.  But there’s still no guarantee that it will translate into Oscar recognition. Captain Fantastic may have been nominated and La La Land was snubbed (for ensemble).  But I imagine that the reverse will happen when the Oscar noms are announced in January.

With all that in mind, here are the SAG nominations!

FILM

Best Film Ensemble
“Captain Fantastic”
“Fences”
“Hidden Figures”
“Manchester by the Sea”
“Moonlight”

Best Actor
Casey Affleck, “Manchester by the Sea”
Andrew Garfield, “Hacksaw Ridge”
Ryan Gosling, “La La Land”
Viggo Mortensen, “Captain Fantastic”
Denzel Washington, “Fences”

Best Actress
Amy Adams, “Arrival”
Emily Blunt, “The Girl on the Train”
Natalie Portman, “Jackie”
Emma Stone, “La La Land”
Meryl Streep, “Florence Foster Jenkins”

Best Supporting Actor
Mahershala Ali, “Moonlight”
Jeff Bridges, “Hell or High Water”
Hugh Grant, “Florence Foster Jenkins”
Lucas Hedges, “Manchester by the Sea”
Dev Patel, “Lion”

Best Supporting Actress
Viola Davis, “Fences”
Naomie Harris, “Moonlight”
Nicole Kidman, “Lion”
Octavia Spencer, “Hidden Figures
Michelle Williams, “Manchester by the Sea”

Best Stunt Ensemble
“Captain America: Civil War”
“Doctor Strange”
“Hacksaw Ridge”
“Jason Bourne”
“Nocturnal Animals”

TV

Best Comedy Ensemble
“The Big Bang Theory”
“Black-ish”
“Modern Family”
“Orange is the New Black”
“Veep”

Best Comedy Actor
Anthony Anderson, “Black-ish”
Titus Burgess, “Unbreakable Kimmy Schmidt”
Ty Burrell, “Modern Family”
William H. Macy, “Shameless”
Jeffrey Tambor, “Transparent”

Best Comedy Actress
Uzo Aduba, “Orange is the New Black”
Jane Fonda, “Grace & Frankie”
Ellie Kemper, “Unbreakable Kimmy Schmidt”
Julia Louis-Dreyfus, “Veep”
Lily Tomlin, “Grace & Frankie”

Best Drama Ensemble
“The Crown”
“Downton Abbey”
“Game of Thrones”
“Stranger Things”
“Westworld”

Best Drama Actor
Sterling K. Brown, “This Is Us”
Peter Dinklage, “Game of Thrones”
John Lithgow, “The Crown”
Rami Malek, “Mr. Robot”
Kevin Spacey, “House of Cards”

Best Drama Actress
Millie Bobby Brown, “Stranger Things”
Claire Foy, “The Crown”
Thandie Newton, “Westworld”
Winona Ryder, “Stranger Things”
Robin Wright, “House of Cards”

Best Movie/Miniseries Actor
Riz Ahmed, “The Night Of”
Sterling K. Brown, “The People v. O.J. Simpson”
Bryan Cranston, “All The Way”
John Turturro, “The Night Of”
Courtney B Vance, “The People v. O.J. Simpson”

Best Movie/Miniseries Actress
Bryce Dallas Howard, “Black Mirror”
Felicity Huffman, “American Crime”
Audra McDonald, “Lady Day at Emerson’s Bar & Grill”
Sarah Paulson, “The People v. O.J. Simpson”
Kerry Washington, “Confirmation”

Best Stunt Ensemble
“Game of Thrones”
“Daredevil”
“Luke Cage”
“The Walking Dead”
“Westworld”

Here Are The 74th Annual Golden Globe Nominations!


Oscar season continued today with even more precursors announcing their picks for the best of 2016!  Perhaps most importantly, the 74th Annual Golden Globe nominations were announced today!  Even though they rarely match up 100%, the Golden Globe nominations are considered to be one of the best precursors for what will be nominated for an Oscar in January.

So, should Silence be worried?  Martin Scorsese’s latest acclaimed film was totally snubbed by the Golden Globes.  That could be an ominous sign for a film that everyone seems to respect but which is still going to be a far harder sell at the box office than either The Wolf of Wall Street or Hugo.

But again, it’s never an exact match between the Globes and the Oscars and the Academy can nominate up to ten films for best picture.  Though it would certainly be interesting (and kinda neat) if it happened, I somehow doubt that the Academy is going nominate Deadpool over Silence.

(For that matter, I doubt Simon Helberg is going to pick up an Oscar nomination for Florence Foster Jenkins.  Just a feeling…)

Below are the Golden Globe film nominations!

(For the TV nominations, why not check out the list over at Awards Watch?)

MOTION PICTURES

Best Motion Picture – Drama
Hacksaw Ridge
Hell or High Water
Lion
Manchester by the Sea
Moonlight

Best Motion Picture – Musical or Comedy
20th Century Women
Deadpool
Florence Foster Jenkins
La La Land
Sing Street

Best Motion Picture – Animated
Kubo and the Two Strings
Moana
My Life as a Zucchini
Sing
Zootopia

Best Motion Picture – Foreign Language
Divines (France)
Elle (France)
Neruda (Chile)
The Salesman (Iran)
Toni Erdmann (Germany)

Best Performance by an Actress in a Motion Picture – Drama
Amy Adams, Arrival
Jessica Chastain, Miss Sloane
Isabelle Huppert, Elle
Ruth Negga, Loving
Natalie Portman, Jackie

Best Performance by an Actor in a Motion Picture – Drama
Casey Affleck, Manchester by the Sea
Joel Edgerton, Loving
Andrew Garfield, Hacksaw Ridge
Viggo Mortensen, Captain Fantastic
Denzel Washington, Fences

Best Performance by an Actress in a Motion Picture – Musical or Comedy
Annette Bening, 20th Century Women
Lily Collins, Rules Don’t Apply
Hailee Steinfeld, The Edge of Seventeen
Emma Stone, La La Land
Meryl Streep, Florence Foster Jenkins

Best Performance by an Actor in a Motion Picture – Musical or Comedy
Colin Farrell, The Lobster
Ryan Gosling, La La Land
Hugh Grant, Florence Foster Jenkins
Jonah Hill, War Dogs
Ryan Reynolds, Deadpool

Best Performance by an Actress in a Supporting Role in any Motion Picture
Viola Davis, Fences
Naomie Harris, Moonlight
Nicole Kidman, Lion
Octavia Spencer, Hidden Figures
Michelle Williams, Manchester by the Sea

Best Performance by an Actor in a Supporting Role in any Motion Picture
Mahershala Ali, Moonlight
Jeff Bridges, Hell or High Water
Simon Helberg, Florence Foster Jenkins
Dev Patel, Lion
Aaron Taylor-Johnson, Nocturnal Animals

Best Director – Motion Picture
Damien Chazelle, La La Land
Tom Ford, Nocturnal Animals
Mel Gibson, Hacksaw Ridge
Barry Jenkins, Moonlight
Kenneth Lonergan, Manchester by the Sea

Best Screenplay – Motion Picture
Hell or High Water
La La Land
Manchester by the Sea
Moonlight
Nocturnal Animals

Best Original Score – Motion Picture
Arrival
Hidden Figures
La La Land
Lion
Moonlight

Best Original Song – Motion Picture
“Gold,” Gold
“City of Stars,” La La Land
“How Far I’ll Go,” Moana
“Faith,” Sing
“Can’t Stop the Feeling,” Trolls

Moana

Here Are The Nominations For The 22nd Annual Critics’ Choice Awards!


manchester-by-the-sea-sundance-2016

The Broadcast Film Critics Association have announced their nominees for the 22nd Annual Critics’ Choice Awards and here they are!  Once again, in a pattern that will probably see repeated several times of this next month, the nominations were dominated by Moonlight, La La Land, and Manchester By The Sea.

FILM NOMINATIONS FOR THE 22ND ANNUAL CRITICS’ CHOICE AWARDS

BEST PICTURE

BEST ACTOR

BEST ACTRESS

  • Amy Adams – Arrival
  • Annette Bening – 20th Century Women
  • Isabelle Huppert – Elle
  • Ruth Negga – Loving
  • Natalie Portman – Jackie
  • Emma Stone – La La Land

BEST SUPPORTING ACTOR

BEST SUPPORTING ACTRESS

  • Viola Davis – Fences
  • Greta Gerwig – 20th Century Women
  • Naomie Harris – Moonlight
  • Nicole Kidman – Lion
  • Janelle Monáe  – Hidden Figures
  • Michelle Williams – Manchester by the Sea

BEST YOUNG ACTOR/ACTRESS

  • Lucas Hedges – Manchester by the Sea
  • Alex R. Hibbert – Moonlight
  • Lewis MacDougall – A Monster Calls
  • Madina Nalwanga – Queen of Katwe
  • Sunny Pawar – Lion
  • Hailee Steinfeld – The Edge of Seventeen

BEST ACTING ENSEMBLE

BEST DIRECTOR

BEST ORIGINAL SCREENPLAY

  • Damien Chazelle – La La Land
  • Barry Jenkins – Moonlight
  • Yorgos Lanthimos/Efthimis Filippou – The Lobster
  • Kenneth Lonergan – Manchester by the Sea
  • Jeff Nichols – Loving
  • Taylor Sheridan – Hell or High Water

BEST ADAPTED SCREENPLAY

  • Luke Davies – Lion
  • Tom Ford – Nocturnal Animals
  • Eric Heisserer – Arrival
  • Todd Komarnicki – Sully
  • Allison Schroeder/Theodore Melfi – Hidden Figures
  • August Wilson – Fences

BEST CINEMATOGRAPHY

  • Stéphane Fontaine – Jackie
  • James Laxton – Moonlight
  • Seamus McGarvey – Nocturnal Animals
  • Linus Sandgren – La La Land
  • Bradford Young – Arrival

BEST PRODUCTION DESIGN

  • Arrival – Patrice Vermette, Paul Hotte/André Valade
  • Fantastic Beasts and Where to Find Them – Stuart Craig/James Hambidge, Anna Pinnock
  • Jackie – Jean Rabasse, Véronique Melery
  • La La Land – David Wasco, Sandy Reynolds-Wasco
  • Live by Night – Jess Gonchor, Nancy Haigh

BEST EDITING

BEST COSTUME DESIGN

  • Colleen Atwood – Fantastic Beasts and Where to Find Them
  • Consolata Boyle – Florence Foster Jenkins
  • Madeline Fontaine – Jackie
  • Joanna Johnston – Allied
  • Eimer Ni Mhaoldomhnaigh – Love & Friendship
  • Mary Zophres – La La Land

BEST HAIR & MAKEUP

BEST VISUAL EFFECTS

BEST ANIMATED FEATURE

BEST ACTION MOVIE

BEST ACTOR IN AN ACTION MOVIE

BEST ACTRESS IN AN ACTION MOVIE

BEST COMEDY

BEST ACTOR IN A COMEDY

  • Ryan Gosling – The Nice Guys
  • Hugh Grant – Florence Foster Jenkins
  • Dwayne Johnson – Central Intelligence
  • Viggo Mortensen – Captain Fantastic
  • Ryan Reynolds – Deadpool

BEST ACTRESS IN A COMEDY

  • Kate Beckinsale – Love & Friendship
  • Sally Field – Hello, My Name Is Doris
  • Kate McKinnon – Ghostbusters
  • Hailee Steinfeld – The Edge of Seventeen
  • Meryl Streep – Florence Foster Jenkins

BEST SCI-FI/HORROR MOVIE

BEST FOREIGN LANGUAGE FILM

  • Elle
  • The Handmaiden
  • Julieta
  • Neruda
  • The Salesman
  • Toni Erdmann

BEST SONG

  • Audition (The Fools Who Dream) – La La Land
  • Can’t Stop the Feeling – Trolls
  • City of Stars – La La Land
  • Drive It Like You Stole It – Sing Street
  • How Far I’ll Go – Moana
  • The Rules Don’t Apply – Rules Don’t Apply

BEST SCORE

  • Nicholas Britell – Moonlight
  • Jóhann Jóhannsson – Arrival
  • Justin Hurwitz – La La Land
  • Micachu – Jackie
  • Dustin O’Halloran, Hauschka – Lion

Deadpool

Here Are The Satellite Nominations!


la-la-land

The International Press Academy — a.k.a. the Oscar precursor that nobody cares about — announced their nominees for the best of 2016 earlier today and it was a very good day for a film that I cannot wait to see, La La Land!

Here are the Satellite nominations!

Special Achievement Award Recipients

Mary Pickford Award- Edward James Olmos
Tesla Award- John Toll
Auteur Award- Tom Ford
Humanitarian Award- Patrick Stewart
Best First Feature- Russudan Glurjidze “House of Others”
Best Ensemble: Motion Picture- “Hidden Figures”
Best Ensemble: Television- “Outlander”

Actress in a Motion Picture

Annette Bening, “20th Century Woman”
Emma Stone, “La La Land”
Natalie Portman, “Jackie”
Ruth Negga, “Loving”
Taraji P. Henson, “Hidden Figures”
Meryl Streep, “Florence Foster Jenkins”
Isabelle Huppert, “Elle”
Amy Adams, “Nocturnal Animals”

Actor in a Motion Picture

Casey Affleck, “Manchester by the Sea”
Ryan Gosling, “La La Land”
Joseph Gordon-Levitt, “Snowden”
Viggo Mortensen, “Captain Fantastic”
Joel Edgerton, “Loving”
Andrew Garfield, “Hacksaw Ridge”
Tom Hanks, “Sully
Denzel Washington, “Fences”

Actress in a Supporting Role

Helen Mirren, “Eye in the Sky”
Michelle Williams, “Manchester by the Sea”
Nicole Kidman, “Lion”
Octavia Spencer, “Hidden Figures”
Naomi Harris, “Moonlight”
Viola Davis, “Fences”
 Actor in a Supporting Role

Jeff Bridges, “Hell or High Water”
Mahershala Ali, “Moonlight”
Dev Patel, “Lion”
Lucas Hedges, “Manchester by the Sea”
Eddie Murphy, “Mr. Church”
Hugh Grant, “Florence Foster Jenkins”

Motion Picture

“La La Land”
“Moonlight”
“Manchester by the Sea”
“Lion”
“Jackie”
“Hacksaw Ridge”
“Loving”
“Hell or High Water”
“Nocturnal Animals”
“Captain Fantastic”
“Hidden Figures”
“Fences”

 Motion Picture, International Film

“The Happiest Day in the Life of Olli Maki”- Finland
“Toni Erdmann”- Germany
“Julieta”- Spain
“A Man Called Ove”- Sweden
“The Salesman”- Iran
“The Ardennes”- Belgium
“Ma’ Rosa”- Philippines
“The Handmaiden”- South Korea
“Elle”- France
“Paradise”- Russia

Motion Picture, Animated or Mixed Media 
Title of Film
“Zootopia”
“Kubo and the Two Strings”
“Moana”
Finding Dory”
“My Life As a Zucchini”
“The Jungle Book”
“The Red Turtle”
“Miss Hokusai”
“Trolls”
“Your Name”

Motion Picture, Documentary

“Gleason”
“Life Animated”
“O.J.: Made in America”
“13th”
“The Ivory Game”
“The Eagle Huntress”
“Tower”
“Fire at Sea”
“Zero Days”
“The Beatles: Eight Days a Week”

Director

Barry Jenkins, “Moonlight”
Kenneth Lonergan, “Manchester by the Sea”
Mel Gibson, “Hacksaw Ridge”
Damien Chazelle, “La La Land”
Tom Ford, “Nocturnal Animals”
Pablo Larrain, “Jackie”
Denzel Washington, “Fences”

Screenplay, Original

Barry Jenkins, “Moonlight”
Damien Chazelle, “La La Land”
Kenneth Lonergan, “Manchester by the Sea”
Taylor Sheridan, “Hell or High Water”
Matt Ross, “Captain Fantastic”
Yorgos Lanthimos/Efthymis Filippou, “The Lobster”

Screenplay, Adapted

Andrew Knight/Robert Schenkkan, “Hacksaw Ridge”
Luke Davis, “Lion”
Kieran Fitzgerald/Oliver Stone, “Snowden”
Justin Marks, “The Jungle Book”
Allison Schroeder, “Hidden Figures”
Todd Komarnicki, “Sully”

Original Score

Rupert Gregson Williams, “Hacksaw Ridge”
Justin Hurwitz, “La La Land”
Lesley Barber, “Manchester by the Sea”
John Williams, “The BFG”
John Debney, “The Jungle Book”
Hans Zimmer, “Hidden Figures”

Original Song

“Audition”- ‘La La Land’
“City of Stars”- ‘La La Land’
“Dancing with Your Shadow”- ‘Po’
“Can’t Stop the Feeling”- ‘Trolls’
“I’m Still Here”- ‘Miss Sharon Jones’
“Running”- ‘Hidden Figures’

Cinematography

John Toll, “Billy Lynn’s Long Halftime Walk”
Linus Sandgren, “La La Land
James Laxton, “Moonlight”
Simon Duggan, “Hacksaw Ridge”
Jani-Petteri Passi, “The Happiest Day in the Life of Olli Maki”
Bill Pope, “The Jungle Book”

Visual Effects

“The Jungle Book”
“Billy Lynn’s Long Halftime Walk”
“Doctor Strange”
“The BFG”
“Sully”
“Deadpool”

Film Editing

Tom Cross, “La La Land
Joi McMillon/Nat Sanders, “Moonlight”
Tim Squyres, “Billy Lynn’s Long Halftime Walk”
Alexandre de Francheschi, “Lion”
John Gilbert, “Hacksaw Ridge”
Steven Rosenblum, “The Birth of a Nation”

Sound (Editing and Mixing)

La La Land
“Billy Lynn’s Long Halftime Walk”
“Hacksaw Ridge”
“The Jungle Book”
“Allied”
“13 Hours: The Secret Soldiers of Benghazi”

Art Direction and Production Design

David Wasco, “La La Land
Barry Robinson, “Hacksaw Ridge”
Jean Rabasse, “Jackie”
Christophe Glass, “The Jungle Book”
Gary Freeman, “Allied”
Dan Hennah, “Alice Through the Looking Glass”

Costume Design

Colleen Atwood, “Alice Through the Looking Glass”
Eimer Ní Mhaoldomhnaigh, “Love & Friendship”
Courtney Hoffman, “Captain Fantastic”
Madeline Fontaine, “Jackie”
Mary Zophres, “La La Land
Alexandra Byrne, “Doctor Strange”

Here Are The Very Confusing SAG Nominations!


Spotlight

The nominees for the SAG Awards were announced earlier today!  The SAG Awards are usually one of the more accurate of the various Oscar precursors.  Because so many members of the Academy are also members of the Screen Actors Guild, the SAG Awards are usually a pretty good indication of what films are on the Academy’s radar and which ones aren’t.  Occasionally, an actor will be nominated by SAG and then snubbed by the Academy.  Last year, for instance, SAG nominated Jake Gyllenhall for Nightcrawler, Jennifer Aniston for Cake, and Naomi Watts for St. Vincent.  None of those three received any love from the Academy.  But, for the most part, SAG is one of the most reliable precursors out there.

And that’s why so many of us are in shock today!  The SAG Awards in no way resembled what many of us were expecting.  Other than Spotlight, none of the film’s that many of us expected to be nominated for best ensemble (the SAG’s equivalent of the Academy’s best picture) were nominated (and even Spotlight only received one other nomination, for Rachel McAdams who, up to this point, hasn’t really figured into the Oscar discussion).  The Martian was not nominated for best ensemble or anything else for that matter.  Creed was totally snubbed.  Brooklyn was nominated for actress but not ensemble.  Mad Mad: Fury Road was nominated for its stunt work and nothing else.  Helen Mirren received two nominations, for films that hardly anyone (outside of the SAG, obviously) was really paying any attention to.  Sarah Silverman received a best actress nomination for I Smile Back, which I hadn’t even heard of until about a week ago.  It’s an unexpected and strange group of nominees.

Keep in mind, it’s not necessarily a bad thing that the nominees are unexpected.  Beasts of No Nation and Straight Outta Compton will both receive deserved boosts in their hunt for Oscar gold.  At the same time, I have to admit that I wasn’t happy to see either The Big Short or Trumbo nominated for best ensemble because I know I’m going to feel obligated to see them and they both look so freaking tedious and blandly political!  But consider this: if The Big Short and Trumbo are both huge Oscar contenders, we may face a situation where both Jay Roach and Adam McKay are nominated for best director in the same year.  I think that’s one of the signs of the apocalypse and, at this point, I’m kind of ready to welcome the end of the world.

Anyway, here are the SAG nominations!  Look them over and, after the Golden Globe nominations are announced tomorrow, update your Oscar predictions accordingly.

Best Performance by a Cast Ensemble in a Motion Picture

Best Performance by a Male Actor in a Leading Role

Best Performance by a Female Actor in a Leading Role

  • Cate Blanchett – Carol
  • Brie Larson – Room
  • Helen Mirren – Woman in Gold
  • Saoirse Ronan – Brooklyn
  • Sarah Silverman – I Smile Back

Best Performance by a Male Actor in a Supporting Role

Best Performance by a Female Actor in a Supporting Role

  • Rooney Mara – Carol
  • Rachel McAdams – Spotlight
  • Helen Mirren – Trumbo
  • Alicia Vikander – The Danish Girl
  • Kate Winslet – Steve Jobs

Best Performance by a Stunt Ensemble in a Motion Picture

Best Performance by an Ensemble in a Drama Series

  • Downton Abbey
  • Game of Thrones
  • Homeland
  • House of Cards
  • Mad Men

Best Performance by a Male Actor in a Drama Series

  • Peter Dinklage – Game of Thrones
  • Jon Hamm – Mad Men
  • Rami Malek – Mr. Robot
  • Bob Odenkirk – Better Call Saul
  • Kevin Spacey – House of Cards

Best Performance by a Female Actor in a Drama Series

  • Claire Danes – Homeland
  • Viola Davis – How to Get Away with Murder
  • Julianna Marguilles – The Good Wife
  • Maggie Smith – Downton Abbey
  • Robin Wright – House of Cards

Best Performance by an Ensemble in a Comedy Series

  • The Big Bang Theory
  • Key and Peele
  • Modern Family
  • Orange is the New Black
  • Transparent
  • Veep

Best Performance by a Male Actor in a Comedy Series

  • Ty Burrell – Modern Family
  • Louis CK – Louie
  • William H. Macy – Shameless
  • Jim Parsons – The Big Bang Theory
  • Jeffrey Tambor – Transparent

Best Performance by a Female Actor in a Comedy Series

  • Uzo Aduba – Orange is the New Black
  • Edie Falco – Nurse Jackie
  • Ellie Kemper – Unbreakable Kimmy Schmidt
  • Julia Louis-Dreyfus – Veep
  • Amy Poehler – Parks and Recreation

Best Performance by a Male Actor in a TV Movie or Mini-Series

  • Idris Elba – Luther
  • Ben Kingsley – Tut
  • Ray Liotta — Texas Rising
  • Bill Murray – A Very Murray Christmas
  • Mark Rylance – Wolf Hall

Best Performance by a Female Actor in a TV Movie or Mini-Series

Best Performance by a Stunt Ensemble in a Comedy or Drama Series

  • Blacklist
  • Game of Thrones
  • Homeland
  • Marvel’s Daredevil
  • The Walking Dead

So, I Finally Watched Grace of Monaco…


Grace_of_Monaco_PosterWell, I finally saw Grace of Monaco and…

Oh God.

Seriously, I am sitting here right now and I am just thinking to myself, “Oh God, do I really have to try to think up something interesting to say about this movie?”  Grace of Monaco is not a good movie but, at the same time, it’s bad in the worst way possible.  It’s not so bad-that-its-entertaining.  Instead, it’s just a dull misfire.

In fact, probably the only really interesting thing about Grace of Monaco is that it is the first film to go from opening Cannes to premiering on Lifetime.  Though it may seem impossible to believe now, there was a time in 2013 when everyone was expecting Grace of Monaco to be a major Oscar contender.  It seemed like everyone was saying that Nicole Kidman was a lock for a best actress nomination and maybe more!

Then the film’s American release date was moved from November of 2013 to June of 2014.  Rumor had it that the infamous Harvey Weinstein was chopping up the film and destroying the vision of director Olivier Dahan.  “Bad Harvey!” we all said.  (Of course, having now seen the film, I can understand why Harvey may have had some concerns…)

Okay, we told ourselves, Grace of Monaco probably won’t be a best picture contender.  But surely Nicole Kidman can get a nomination.  Surely the costumes and the production design will be honored…

And then the film played opening night at the Cannes Film Festival and it was greeted with less than appreciate reviews.  In fact, the reaction to the film was so negative that it has since become somewhat legendary.

And so, the American premiere was canceled.  The film opened in Europe, where it made little money and received scathing reviews.  But it was destined to never play in an American theater.  Instead, Grace of Monaco was sold to the Lifetime network.

And, after all of the drama and the waiting, I finally got to see Grace of Monaco tonight and … well, bleh.

Don’t get me wrong.  It’s a pretty movie.  I loved looking at what everyone was wearing.  I enjoyed looking at the ornate settings.  Whenever Grace Kelly stopped to look out at the view from the palace, I appreciated it because it was a beautiful view.  If I had hit mute and simply enjoyed the film as a look at beautiful people wearing beautiful clothes and living in beautiful houses, I probably would have enjoyed it a lot more.

But, unfortunately, Grace of Monaco has a plot that gets in the way.  The evil French, led by Charles De Gualle (played by Andre Penvern, who gives a performance that would probably be more appropriate for a James Bond film), want to take over Monaco because the citizens of Monaco don’t pay any income tax.  (I was totally Team Monaco as far as this was concerned.  Everyone should stop paying their taxes.  If we all do it, we’ll be fine.  They can’t prosecute all of us!)  Only Princess Grace Kelly can stop them but first, she has to convince her headstrong husband, Prince Rainier (Tim Roth), to listen to her opinions.  She has to convince her subjects that she’s more than just an opinionated American.

But Grace doesn’t just want to keep the French out of Monaco!  She also wants to return to her film career.  Alfred Hitchcock (Roger Ashton-Griffiths) wants her to star in Marnie.  (Hitchcock is always filmed as being slightly out-of-focus.)  Rainier doesn’t want her to return to acting.  And neither does a priest played by Frank Langella…

What was Frank Langella doing in this movie?  I have no idea.  He was some sort of advisor.  I understand that he’s based on a historical figure but honestly, the film was so boring that I can’t even bring myself to go on Wikipedia to find out who exactly he was.

But really, the main issue with Grace of Monaco is that it tells us absolutely nothing about Grace Kelly.  The film doesn’t seem to know who she was or what it wants to say about her.  And Nicole Kidman is a good actress and I hope that I look as good as she does when I’m 47 and after I’ve given birth to two children but seriously, she seems to be totally lost in this film.  Olivier Dahan fills the film with close-ups of Kidman’s face but for what reason?  Never for a minute do we believe we’re looking at the face of the star of High Noon, Rear Window, or To Catch A Thief.  Instead, we’re always aware that we’re looking at Nicole Kidman and she doesn’t seem to be sure just what exactly she’s supposed to be doing.  We learn nothing about Grace, Monaco, France, royalty, or movies.

And it’s a shame really.  Because the story of Grace Kelly would make a great film.  But Grace of Monaco doesn’t really tell you anything about her life.

It’s just boring and a film about an actress like Grace Kelly has absolutely no right to be boring.