Lisa Marie’s Week In Television: 8/22/21 — 8/29/21, Part One (American Justice to Dragnet)


And so another week comes to a close.  You may remember that, last week, I announced that I was taking a break from watching the news this week.  Well, that didn’t happen.  Instead, I spent most of this week worrying about everyone stranded in Afghanistan and getting increasingly more and more angry with the government that appears to have abandoned them.  That the attacks on Thursday were expected by anyone who had been actually paying attention to the situation did not make them any less horrific.  I watched a lot of news this week.

Here’s some thoughts on the non-news related programming that I watched:

American Justice (Tuesday Night, A&E)

A&E has apparently decided to revive the old true crime mainstay, American Justice.  I watched an episode of Tuesday and while it was well-put together and it highlighted an interesting crime, it just wasn’t the same without Bill Kurtis introducing the story while standing behind police tape and wearing a trench coat.  Dennis Haybsert does a serviceable job as narrator but no one can replace Bill.

Bachelor in Paradise (Monday and Tuesday Night, ABC)

David Spade’s time as guest host came to an end with this Monday’s episode and I was sorry to see him leave.  He had exactly the right “who cares?” attitude for this silly show.  As for the rest of the episode — well, I’m glad Demi is there because she brings the drama and she doesn’t pretend to be impressed by anyone.  And I have to applaud the show for taking a lesson from Paradise Hotel and intentionally embracing just how silly and stupid it all is.  Unfortunately, a lot of the people on the show are kind of boring when left to their own devices so let’s hope that the rotating hosts can keep things lively.

On Tuesday, Lance Bass took over as host.  Also, Thomas — one of the more controversial bachelors from the previous season of The Bachelorette — joined the cast.  As soon as he showed up, Aaron — who was also on the previous season of The Bachelorette — started to complain that Thomas wasn’t on Bachelor in Paradise “for the right reasons.”  Like, seriously, Aaron — take a Midol and shut up.  There are no right reasons for being on Bachelor in Paradise.

Bar Rescue (Weekday Mornings, Paramount)

I watched Road House on Wednesday night so I had to watch Bar Rescue on Thursday morning.  I don’t remember much about the two episodes that I watched because they do tend to all blend together.  Mostly, I just remember Jon Taffer yelling a lot and the guest bartenders saying stuff like, “We’re going to keep the cocktails basic because all of you suck.”

Big Brother (All the time, CBS and Paramount Plus)

This season is turning out to be fairly dull but I’m still watching the show and writing about it over at the Big Brother Blog!

Dragnet (Weekday Morning, MeTV)

Because I’ve been sick and dealing with some other things, I started this week with a month’s worth of Dragnet on the DVR!  On Sunday, I started watching.

The first two episodes that I watched were recorded on August 2nd, a Monday.  These episodes also started the third season of the show, which was rechristened Dragnet 1969.  The third season is the season that focuses on what the 60s version of Dragnet was best-known for, Joe Friday and Bill Gannon lecturing hippies.  The first of Monday’s two episodes was one of my favorites.  Joe and Gannon are assigned to appear on a public affairs talk show where they debate a hippie newspaper editor and an sanctimonious professor.  Joe and Gannon win the debate but the hippie (played by Howard Hesseman) gets all of the best lines.  The host of the show wears a good deal of love beads, just to make sure that the audience knows he’s a commie.  The 2nd episode featured Joe and Gannon working the night shift in the Juvenile Department, which meant dealing with a suspected shoplifter, an abandoned baby, and a stoned hippie who insisted on being called Prince George.  Joe was tough but fair and probably didn’t convince a single person to change their ways.

On August 3rd, a Tuesday, the first episode of Dragnet featured Joe and Gannon trying to convince a group of black high school students to consider a career in law enforcement.  Not surprisingly, many of the students were not particularly enthused about joining the LAPD.  Gannon and Joe decided to recruit a black cop who was a former football player to make their case for them.  The cop was reluctant but Joe told him, “If you talk to these students now, you might not have to put handcuffs on them later on.”  The episode got even more cringey once it became obvious that a young O.J. Simpson was playing one of the high school students who was debating whether or not to become a cop.  This was followed by yet another cringey episode, in which Joe and Gannon headed up the Command Room to coordinate the LAPD’s response to the “civil disturbance” that followed the assassination of Martin Luther King, Jr.  Again, the show meant well (i.e., “Look at how professional the police were, even at a moment of great unrest.”) but it was hard not to cringe at the sight of the command center — staffed by several dozen white officers and one black patrolman whose only function in the story was to ask Joe and Gannon to explain things to him — smiling as they bragged about how the LAPD was doing a better job of keeping the peace than other police departments that night.  There was little thought given as to why people across the country were rioting. 

On August 4th, a Wednesday, the first episode of Dragnet featured Joe and Gannon pursuing dishonest tow truck drivers.  Get ’em, Joe!  As opposed to the previous four episodes, there was little moralizing or preaching to be found in this episode.  Instead, Joe and Gannon just did their jobs.  I liked it because, as a result of watching too many episodes of Parking Wars, I don’t particularly like tow truck operators.  This was followed by an episode where Gannon and his wife went to Joe’s apartment for dinner.  Joe dealt with some noisy neighbors.  I always enjoy episodes where Gannon and Joe are off-duty because they act exactly the same as when they’re on duty.  They don’t even loosen their ties.  During the course of the dinner party, someone tried to burglarize the building’s laundry room so, of course, Joe and Gannon drew their guns and ran out of the apartment.  Arrests were made and the laundry room was safer.

OJ On Dragnet

On August 5th, a Thursday, the first episode found Joe and Gannon working in the Robbery Division. They weren’t investigating crimes. Instead, they sat in an office and dispatched other officers. They did interrogate one quasi-hippie who tried to hold up a convenience store. He was shocked to discover he was going to jail! Take that, you ungrateful hippie! This was followed by an episode in which President Johnson came to town and Gannon and Joe coordinated with the Secret Service to keep him safe from all of the L.A. hippies. Though it should have been fun, it was actually a pretty boring episode.

On August 6th, a Friday, the first episode featured Gannon and Joe escorting “one of those lady authors” as she did research on a story about women at the police academy. The writer made the mistake of telling Joe, “I’ve never been high on cops” so it soon become Joe’s mission to educate her on why the police are important and also why she should totally be high on the cops. The writer wanted to do a profile on recruit Anderson. Unfortunately, Anderson’s fiancĂ© didn’t want to her to become a cop. It was a bit of a mess but everything worked out in the end. Anderson decided she wanted to be a cop. Joe replied, “Well, I’m glad to hear that. A lot of time and money has been spent on your training.” Awwwww! This was followed by an episode in which Joe and Gannon met with business owners and encouraged them to start a neighborhood watch. “Get involved!” Joe commanded them. It was a bit dull.

On Monday, August 9th, Dragnet returned with two episodes. The first one was one of those unfortunate Dragnet episodes in which Joe, Gannon, and a private busybody citizen attempted to reach the kids. This time, they recruited a bunch of anti-drug teens to come up with posters and slogans that could be used to keep other teens from smoking marijuana and dropping acid. The anti-drug teens were so incredibly earnest and square that it was hard not to feel that they probably drove more kids to drugs than away from them. The 2nd episode featured Joe and Gannon investigating a case of police brutality. It turns out that the detective did go overboard but it was just because he was frustrated by not being appreciated by all the hippies on the streets.

On Tuesday, August 10th, the DVR did not record Dragnet. Maybe I forgot to set it. Maybe the cable was temporarily down in the middle of the night. It happens but, because Dragnet is an extremely episodic show (with every storyline resolved within 30 minutes), missing an episode is not as big a deal as missing an episode of modern show would be.

On Wednesday, August 11th, the DVR did record. The first episode found Joe and Gannon working the telephones at the police station, dealing with various situations that occurred as a tidal wave rolled towards California. Two hippies showed up at the station, demanding their right to hang out with their hippie protest signs. Joe kicked them out. This was all observed by a priest who was taking notes for an article. Fortunately, the priest learned that the police should never be doubted. This episode ended not with the usual details about whether or not anyone was convicted of a crime but instead with the narrator ordering the audience to appreciate the cops who work the front desk. This was followed by an episode where Joe and Gannon helped to train dogs to sniff out narcotics at the airport. Apparently, this was a new thing in 1969. The highlight of this episode was a lengthy dog training montage in which Joe and Gannon watched as dog-after-dog failed to track down the marijuana. Fortunately, the dogs got their act together by the end of the show.

On Thursday, August 12th, the first episode featured Joe working undercover to take down a crooked vice cop. As I’ve said before, I love it when Joe and Gannon go undercover because neither one of them is ever the least bit convincing as people interested in breaking the law but no one ever seems to notice. Joe pretending to be on the take and awkwardly reacting to a flirtatious waitress made this a classic episode. The second episode featured Joe and Gannon dealing with spoiled middle-class teenagers who thought it was no big deal to steal cars. Interestingly enough, I instantly recognized that one of the teenagers was played by the same actor who appeared as a LSD-loving hippie in the first episode of the third season. I looked up Lou Wagner on the imdb and discovered that he played four different characters — all of them out-of-control teens — on Dragnet. Wagner is also one of the two last-surviving cast members of the original Planet of the Apes. (The other is Linda Harrison.) Wagner played Lucius, the young chimpanzee who helped Taylor to escape. “Never trust anyone over thirty, Lucius,” Taylor told him at the end of the film.

Lou Wagner on Dragnet

Friday, August 13th, got started with an episode in which Joe and Gannon used a gigantic, bulky, multi-part computer to track down a gang that was stealing disability checks. This was one of those fun episodes where everyone was amazed by technology that was top-of-the-line in 1969 but which looks like an antique to modern viewers. There’s a certain amount of elitism that goes with laughing at an episode like this because it’s not like anyone in 1969 could have imagined what the world would be like in 2021. But that’s okay because, seriously, watching Joe and Gannon stare in amazement at that huge computer with its dot matrix printer was just too much fun. This was followed by a rather effective episode in which Gannon and Joe investigated a case of child abuse.

Monday, August 16th, started off with an episode in which Joe and Gannon investigates a series of burglaries being committed by someone calling himself The Crimson Crusader. He only stole comic books and movie posters but still, theft is theft and no one gets away with breaking the law when Joe Friday’s on the case! The second episode featured — YES!!!! — Joe and Gannon going undercover to investigate a prostitution ring. This time, they pretended to be farm equipment salesmen who were in L.A. for a convention. Once again, they didn’t even bother to loosen their ties before going undercover. Everything about them screamed, “Cop!” but no one seemed to notice. The undercover episodes are some of my favorites.

Tuesday, August 17th, got started with an episode in which Joe and Gannon investigated a gang of check forgers. Did I mention they were hippie check forgers? Joe and Gannon had to decide whether or not to trust an informant. Did I mention that he was a hippie informant? This was a fun episode, as most episodes where Joe and Gannon have to deal with hippies are. Whereas past episodes at least humored the idea that hippies were idealistic but misdirected, this episode left no doubt that they were all crooks sponging off of decent society. This was followed by an episode in which a child was bitten by two dogs that might have been rabid and Joe and Gannon had to track down the dogs. AGCK! Rabid dogs are actually one of my big fears so this episode actually effected far more than you might otherwise expect.

Wednesday. August 18th, started off with an episode in which Joe, during his opening narration, explained that “Hippies see the world as being square. They want to change the world but, like all of us, they get overanxious. That’s when I go to work.” The actual case, though, had nothing to do with hippies. It involved Joe and Gannon trying to discover who had abandoned a 4-day old infant in a garbage can. It turned out that the culprit was Donna, who was knocked up by her boyfriend Tony right before he left for Vietnam. This was actually a pretty serious episode and it was pretty well-done. Joe and Gannon’s fury that someone would be so irresponsible as to abandon a baby was palpable. “You’ll never make mother of the year, lady,” Joe snarled as he arrested Donna. This was followed by an episode in which Joe and Gannon investigated a case of embezzlement at a department store.

Thursday, August 19th, started off with the final episode of season 3 and yes, once again, Joe went undercover! A militia leader approached Joe about getting a licence to sell machine guns. Joe pretended to be willing to help but it was just so he could arrest the guy for illegally selling guns. Interestingly, for a season that loved to scold hippies, the third season ended with Joe arresting someone who disliked the counterculture even more than Joe did!

The second episode to air on August 19th was also the first of the show’s fourth (and final) season, during which the show was called Dragnet 1970. It featured Joe and Gannon investigating the shooting of two police officers during a liquor store robbery and it was actually a very serious episode, one that featured none of the preachiness that dominated season 3. This was a straight police procedural and it was well-done, if a bit dry. To be honest, it was so serious that I kind of found myself hoping a hippie would show up, just so Joe could yell at him.

Friday, August 20th, started off with an episode in which Joe and Gannon investigated a double murder. The killer turned out to be a nerdy college student who wrote “gloomy poetry” and who claimed to be an exisentialist. “What’s an existentalist?” Gannon asked the student’s English teacher. “No one knows,” the teacher replied. This was followed by an episode with Joe went undercover — YAY! — to arrest a jewel thief. Helping him in his undercover operation was a policewoman. “Don’t worry,” the captain assured Joe and Gannon, “she’s capable and she looks good out of uniform.” Yes, welcome to 1970.

That brings us to this week!

On Monday, the first episode featured Gannon and Joe, waiting for a missing man to show up at a hospital. As they waited, they also investigated a series of other cases. One man brought in a dead woman who he claimed has just passed out in his car. It turned out that she was actually living with the man when she died but, because the man was on probation, he didn’t want anyone to find out the true circumstances of her death. Still, it was determined that she died of natural causes so the man was “released into the custody of his probation officer.” It was a bit of a dry episode, to be honest. It needed some hippies. This was followed by another dry episode, in which Joe and Gannon tracked down a burglar who was also a con artist and a bigamist. The criminal insisted on being called “mister.” Joe informed him that, from now on, he’d only be known by his prisoner number.

Tuesday returned us to the deadly world of hippies! This time, Gannon and Joe were investigating the case of a 12 year-old who overdosed on seconal. It turned out that he got the pills from the local hippie commune. While this episode featured some pretty Manson-like hippies and a scene where Gannon and Joe lectured a bunch of new teachers on the dangers of drugs, it actually wasn’t as campy as the anti-drug episodes that aired during the show’s third season. Still, I did have to smile a little when Joe and Gannon made a point of warning people about taking the meds that I take every day for my ADD. This was followed by an entertaining little episode where Joe and Gannon had to determine whether the man who had confessed to a murder was actually guilty. In typical Dragnet fashion, this episode featured a length explanation of how finger printing worked.

Wednesday featured two excellent episodes. The first featured Joe and Gannon investigating the disappearance of a high school student who turned out to be not quite who she was believed to be. An actress named Jill Banner gave a great performance as the missing girl. The second episode featured Joe and Gannon going to court and helplessly watching as three burglars they arrested were allowed to go free because a material witness was not able to make it to the trial in time. It was a well-acted episode and it was interesting that the point of the episode seemed to be that it was better that the three burglars go free than that they be convicted in an unfair trial.

Jill Banner on Dragnet

The first of Thursday’s episode was an interesting if somewhat dry one. A prisoner in Colorado was up for parole but he still had a 14 year-old arrest warrant in Los Angeles so Joe and Gannon had to investigate the old crime and see if there was still enough evidence to justify charging the man. It turned out there wasn’t. Interestingly, after season 3 was all about criticizing the Left for being too easy on criminals, the first few episodes of Season 4 seemed to emphasize that the importance of protecting the rights of even the most obvious of criminals, even to the extent of letting a guilty man walk rather than violate proper procedure. This was followed by an amusing episode in which Joe and Gannon investigated a series of burglaries that had been masterminded by a diabolical and clever 12 year-old.

Friday started off with Gannon and Joe arresting a con artist and sending him to jail. It was typical Dragnet stuff. This was followed by another Dragnet drug episode, in which Joe and Gannon searched for a missing addict who, having completed rehab, had fallen back into his old habits. This episode was actually handled fairly well, largely because the addict was hooked on heroin, an actual dangerous drug. (Previous Dragnet drug episodes often portrayed marijuana as being the most dangerous drug on the planet, which made them easy to laugh at.) Still, it wouldn’t have been an episode of Dragnet without at least one scene of Joe telling off a snooty pro-drug academic and that’s what happened during this episode. Then again, snooty academics are kind of annoying so it’s always fun to watch them get put in their place.

Wow, I watched a lot of Dragnet last week. In fact, I watched so much that, for space considerations, I’m going to have to divide this post into two separate parts. So, look for part two of my week in television to post in about ten minutes!

Elwes Unbound: American Crime (2004, directed by Dan Mintz)


Smalltown reporter Jessie St. Clair (Rachael Leigh Cook) has stumbled across the story of her career.  A stripper and a prostitute have been murdered.  Before committing the murders, the killer sent each victim a video tape of him stalking her.  With the help of her producer, Jane (Annabella Sciorra), and her cameraman, Rob (Kip Pardue), Jessie sets out to try to solve the case but when she receives a videotape that indicates that she might be the next victim, she quits her job and vanishes.

Then, Albert Bodine (Cary Elwes) shows up in town.  Albert says that he’s the anchor of the UK’s top true crime show, American Crime, and that he wants to investigate not only the two murders but also Jessie’s disappearance.  When both Rob and Jane are suddenly fired by their station, they reluctantly agree to work with Albert.  Albert soon proves himself to be so incompetent that his new colleagues start to wonder if he’s actually who he says he is.  Meanwhile, another videotape turns up, this one starring Jane.

The tone of American Crime is all over the place and it never seems to be sure if it wants to scare us or if it wants to make us laugh but there are some tense scenes and a good twist ending.  American Crime tries to strike a balance between being a horror/thriller and a satire of media sensationalism.  It doesn’t always succeed but you really haven’t lived until you’ve seen Cary Elwes play a sleazy tabloid reporter.  Imagine an even more hyperactive version of Robert Downey, Jr’s performance in Natural Born Killers and you’ll have some idea of what Cary Elwes does in this movie.  Elwes sweats profusely, bulges his eyes, speaks with an extremely affected English accent, and plays with his hair every time he passes a mirror.  Everything sets him off, from his camera falling off of its tripod to people questioning his journalistic credibility.  Though the movie does feature good roles for underappreciated actresses like Rachael Leigh Cooke and Annabella Sciorra, Elwes is definitely the best thing about and the main reason to watch American Crime.

Here’s What Won At The Emmys Last Night!


Last night, Lisa Marie did not watch the Emmys because she says that, “I’m just not feeling TV this year.”  If Twin Peaks had been eligible to be nominated, I bet it would have been a different story!

Instead, she asked me to watch the ceremony and let everyone know what I thought.  It needed less politics and more cats.

Here’s the list of winners:

COMEDY

BEST COMEDY SERIES
“Atlanta”
“Black-ish”
“Masters of None”
“Modern Family”
“Silicon Valley”
“Unbreakable Kimmy Schmidt”
X — “Veep”

BEST COMEDY ACTRESS
Pamela Adlon, “Better Things”
Jane Fonda, “Grace and Frankie”
Allison Janney, “Mom”
Ellie Kemper, “Unbreakable Kimmy Schmidt”
X — Julia Louis-Dreyfus, “Veep”
Tracee Ellis Ross, “Black-ish”
Lily Tomlin, “Grace and Frankie”

BEST COMEDY ACTOR
Anthony Anderson, “Black-ish”
Aziz Ansari, “Master of None”
Zach Galifianaks, “Baskets”
X — Donald Glover, “Atlanta”
William H. Macy, “Shameless”
Jeffrey Tambor, “Transparent”

BEST COMEDY SUPPORTING ACTRESS
Vanessa Bayer, “Saturday Night Live”
Anna Chlumsky, “Veep”
Kathryn Hahn, “Transparent”
Leslie Jones, “Saturday Night Live”
Judith Light, “Transparent”
X — Kate McKinnon, “Saturday Night Live”

BEST COMEDY SUPPORTING ACTOR
Louie Anderson, “Baskets”
X — Alec Baldwin, “Saturday Night Live”
Tituss Burgess, “Unbreakable Kimmy Schmidt”
Ty Burrell, “Modern Family”
Tony Hale, “Veep”
Matt Walsh, “Veep”

BEST COMEDY DIRECTING
X — “Atlanta” (“B.A.N.”)
“Silicon Valley” (“Intellectual Property”)
“Silicon Valley” (“Server Error”)
“Veep” (“Justice”)
“Veep” (“Blurb”)
“Veep” (“Groundbreaking”)

BEST COMEDY WRITING
“Atlanta” (“B.A.N.”)
“Atlanta” (“Streets on Lock”)
X — “Master of None” (“Thanksgiving”)
“Silicon Valley” (“Success Failure”)
“Veep” (“Groundbreaking”)
“Veep” (“Georgia”)

DRAMA

BEST DRAMA SERIES
“Better Call Saul”
“The Crown”
X — “The Handmaid’s Tale”
“House of Cards”
“Stranger Things”
“This is Us”
“Westworld”

BEST DRAMA ACTRESS
Viola Davis, “How to Get Away with Murder”
Claire Foy, “The Crown”
X — Elisabeth Moss, “The Handmaid’s Tale”
Keri Russell, “The Americans”
Evan Rachel Wood, “Westworld”
Robin Wright, “House of Cards”

BEST DRAMA ACTOR
X — Sterling K. Brown, “This is Us”
Anthony Hopkins, “Westworld”
Bob Odenkirk, “Better Call Saul”
Matthew Rhys, “The Americans”
Liev Schreiber, “Ray Donovan”
Kevin Spacey, “House of Cards”
Milo Ventimiglia, “This is Us”

BEST DRAMA SUPPORTING ACTRESS
Uzo Aduba, “Orange is the New Black”
Millie Bobby Brown, “Stranger Things”
X — Ann Dowd, “The Handmaid’s Tale”
Chrissy Metz, “This is Us”
Thandie Newton, “Westworld”
Samira Wiley, “The Handmaid’s Tale”

BEST DRAMA SUPPORTING ACTOR
Jonathan Banks, “Better Call Saul”
David Harbour, “Stranger Things”
Ron Cephas Jones, “This is Us”
Michael Kelly, “House of Cards”
X — John Lithgow, “The Crown”
Mandy Patinkin, “Homeland”
Jeffrey Wright, “Westworld”

BEST DRAMA DIRECTING
“Better Call Saul” (“Witness”)
“The Crown” (“Hyde Park Corner”)
“The Handmaid’s Tale” (“The Bridge”)
X — “The Handmaid’s Tale” (“Offred”)
“Homeland” (“America First”)
“Stranger Things” (“Chapter One: The Vanishing of Will Byers”)
“Westworld” (“The Bicameral Mind”)

BEST DRAMA WRITING
“The Americans” (“The Soviet Division”)
“Better Call Saul” (“Chicanery”)
“The Crown” (“Assassins”)
X — “The Handmaid’s Tale” (“Offred”)
“Stranger Things” (“Chapter One: The Vanishing of Will Byers”)
“Westworld” (“The Bicameral Mind”)

MOVIE/LIMITED SERIES

BEST LIMITED SERIES
X — “Big Little Lies”
“Fargo”
“Feud: Bette and Joan”
“Genius”
“The Night Of”

BEST TV MOVIE
X — “Black Mirror: San Junipero”
“Christmas of Many Colors”
“The Immortal Life of Henrietta Lacks”
“Sherlock: The Lying Detective”
“The Wizard of Lies”

BEST MOVIE/MINI ACTRESS
Carrie Coon, “Fargo”
Felicity Huffman, “American Crime”
X — Nicole Kidman, “Big Little Lies”
Jessica Lange, “Feud: Bette and Joan”
Susan Sarandon, “Feud: Bette and Joan”
Reese Witherspoon, “Big Little Lies”

BEST MOVIE/MINI ACTOR
X — Riz Ahmed, “The Night Of”
Benedict Cumberbatch, “Sherlock: The Lying Detective”
Robert De Niro, “The Wizard of Lies”
Ewan McGregor, “Fargo”
Geoffrey Rush, “Genius”
John Turturro, “The Night Of”

BEST MOVIE/MINI SUPPORTING ACTRESS
Judy Davis, “Feud: Bette and Joan”
X — Laura Dern, “Big Little Lies”
Jackie Hoffman, “Feud: Bette and Joan”
Regina King, “American Crime”
Michelle Pfeiffer, “The Wizard of Lies”
Shailene Woodley, “Big Little Lies”

BEST MOVIE/MINI SUPPORTING ACTOR
Bill Camp, “The Night Of”
Alfred Molina, “Feud: Bette and Joan”
X — Alexander Skarsgard, “Big Little Lies”
David Thewlis, “Fargo”
Stanley Tucci, “Feud: Bette and Joan”
Michael Kenneth Williams, “The Night Of”

BEST MOVIE/MINI DIRECTING
X — “Big Little Lies”
“Fargo” (“The Law of Vacant Places”)
“Feud: Bette and Joan” (“And the Winner Is”)
“Genius” (“Einstein: Chapter One”)
“The Night Of” (“The Art of War”)
“The Night Of” (“The Beach”)

BEST MOVIE/MINI WRITING
“Big Little Lies”
X — “Black Mirror: San Junipero”
“Fargo” (“The Law of Vacant Places”)
“Feud: Bette and Joan” (“And the Winner Is”)
“Feud: Bette and Joan” (“Pilot”)
“The Night Of” (“Call of the Wild”)

VARIETY/REALITY

BEST REALITY COMPETITION PROGRAM
“The Amazing Race”
“Amercan Ninja Warrior”
“Project Runway”
“RuPaul’s Drag Race”
“Top Chef”
X — “The Voice”

BEST VARIETY TALK SERIES
“Full Frontal with Samantha Bee”
“Jimmy Kimmel Live”
X — “Last Week Tonight with John Oliver”
“Late Late Show with James Corden”
“Late Show with Stephen Colbert”
“Real Time with Bill Maher”

BEST VARIETY SKETCH SERIES
“Billy on the Street”
“Documentary Now”
“Drunk History”
“Portlandia”
X — “Saturday Night Live”
“Tracey Ullman’s Show”

BEST VARIETY SERIES DIRECTING
“Drunk History”
“Jimmy Kimmel Live”
“Last Week Tonight with John Oliver”
“Late Show with Stephen Colbert”
X — “Saturday Night Live”

BEST VARIETY SERIES WRITING
“Full Frontal with Samantha Bee”
X — “Last Week Tonight with John Oliver”
“Late Night with Seth Meyers”
“Late Show with Stephen Colbert

The SAG Nominations are here and … Hello there, Captain Fantastic!


captain-fantasticEarlier the year, I choose not to see Captain Fantastic.  Every bit of advertising that I saw for it led me to believe that Captain Fantastic was basically just Wes Anderson-lite and, as we all know, only Wes Anderson can successfully duplicate Wes Anderson.

Well, I think I may have made a mistake because Viggo Mortensen is definitely in the hunt for best actor.  Though most of the precursor awards (so far) have gone to Casey Affleck for Manchester By The Sea, Mortensen still seems like a likely nominee.

Just consider this: he got a SAG nomination!  And so did Captain Fantastic, itself!  It was nominated for best ensemble, which is the SAG equivalent of best picture…

Actually, maybe you shouldn’t spend too much time fixating on that.  People like me always talk about how the SAG awards are an obvious precursor for the Oscars.  Our logic is that the Actor’s Branch is the largest voting bloc in the Academy and the members of the Actor’s Branch are among those who also vote for the SAG awards.

Of course, we always forget that the majority of SAG members are themselves not a part of the Academy.  So, while enough members of SAG may have liked Captain Fantastic for it to get an unexpected ensemble nomination, that doesn’t necessarily mean that those voters are also members of the Academy.

I mean, let’s consider what happened last year.  Beasts of No Nation picked up an ensemble nomination.   So did Straight Outta Compton.  So did Trumbo.  None of those films proved to be an Oscar powerhouse.  In fact, Beasts of No Nation received a grand total of zero Oscar nominations.

So, let’s put it like this — it’s a good sign for a film or a performer to get a SAG nomination.  But there’s still no guarantee that it will translate into Oscar recognition. Captain Fantastic may have been nominated and La La Land was snubbed (for ensemble).  But I imagine that the reverse will happen when the Oscar noms are announced in January.

With all that in mind, here are the SAG nominations!

FILM

Best Film Ensemble
“Captain Fantastic”
“Fences”
“Hidden Figures”
“Manchester by the Sea”
“Moonlight”

Best Actor
Casey Affleck, “Manchester by the Sea”
Andrew Garfield, “Hacksaw Ridge”
Ryan Gosling, “La La Land”
Viggo Mortensen, “Captain Fantastic”
Denzel Washington, “Fences”

Best Actress
Amy Adams, “Arrival”
Emily Blunt, “The Girl on the Train”
Natalie Portman, “Jackie”
Emma Stone, “La La Land”
Meryl Streep, “Florence Foster Jenkins”

Best Supporting Actor
Mahershala Ali, “Moonlight”
Jeff Bridges, “Hell or High Water”
Hugh Grant, “Florence Foster Jenkins”
Lucas Hedges, “Manchester by the Sea”
Dev Patel, “Lion”

Best Supporting Actress
Viola Davis, “Fences”
Naomie Harris, “Moonlight”
Nicole Kidman, “Lion”
Octavia Spencer, “Hidden Figures
Michelle Williams, “Manchester by the Sea”

Best Stunt Ensemble
“Captain America: Civil War”
“Doctor Strange”
“Hacksaw Ridge”
“Jason Bourne”
“Nocturnal Animals”

TV

Best Comedy Ensemble
“The Big Bang Theory”
“Black-ish”
“Modern Family”
“Orange is the New Black”
“Veep”

Best Comedy Actor
Anthony Anderson, “Black-ish”
Titus Burgess, “Unbreakable Kimmy Schmidt”
Ty Burrell, “Modern Family”
William H. Macy, “Shameless”
Jeffrey Tambor, “Transparent”

Best Comedy Actress
Uzo Aduba, “Orange is the New Black”
Jane Fonda, “Grace & Frankie”
Ellie Kemper, “Unbreakable Kimmy Schmidt”
Julia Louis-Dreyfus, “Veep”
Lily Tomlin, “Grace & Frankie”

Best Drama Ensemble
“The Crown”
“Downton Abbey”
“Game of Thrones”
“Stranger Things”
“Westworld”

Best Drama Actor
Sterling K. Brown, “This Is Us”
Peter Dinklage, “Game of Thrones”
John Lithgow, “The Crown”
Rami Malek, “Mr. Robot”
Kevin Spacey, “House of Cards”

Best Drama Actress
Millie Bobby Brown, “Stranger Things”
Claire Foy, “The Crown”
Thandie Newton, “Westworld”
Winona Ryder, “Stranger Things”
Robin Wright, “House of Cards”

Best Movie/Miniseries Actor
Riz Ahmed, “The Night Of”
Sterling K. Brown, “The People v. O.J. Simpson”
Bryan Cranston, “All The Way”
John Turturro, “The Night Of”
Courtney B Vance, “The People v. O.J. Simpson”

Best Movie/Miniseries Actress
Bryce Dallas Howard, “Black Mirror”
Felicity Huffman, “American Crime”
Audra McDonald, “Lady Day at Emerson’s Bar & Grill”
Sarah Paulson, “The People v. O.J. Simpson”
Kerry Washington, “Confirmation”

Best Stunt Ensemble
“Game of Thrones”
“Daredevil”
“Luke Cage”
“The Walking Dead”
“Westworld”