Stranger Things, S3, Ep 5,6,7,8, Spoiler Review by Case Wright


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I am reviewing these four episodes as a block because only 25 minutes mattered combined.  In fact, the show rapidly devolved into gross out scenes, cartoonish hijinks, cartoonish Russians, and a terrible song and dance number duo….really.  The only way this season could get rave reviews is if the reviewer binged the show and was too tired to analyze it.  I get it- you’re around your friend(s), your girlfriend is virtual, and you can barely afford your Brooklyn apartment on your blogger salary; however, that doesn’t mean you shouldn’t be critical of a show that really should just go away.

I’m adding on to my review here to discuss what makes Stranger Things so terrible now.  This series was heavily influenced by Stephen King and likely Salem’s Lot because of the repeated Vampire monsters.  More importantly, season 1 was great for the same reason that Stephen King’s stories are great- It’s not about the monster in the house; it’s about how the people are living in house with a monster.  These are your neighbors and now have to deal with something beyond reality and that was exactly what Stranger Things Season 1 was about.  There is one other theme that make Stephen King’s stories terrifying: it’s not Randall Flagg, the Werewolves, The Clowns; it’s about people who are supposed to be caring for you, but in fact do not.  This theme is in nearly every Stephen King book and it was present in Stranger Things Season 1.  El called Evil Modine “Papa” even though he was an abusive kidnapper who didn’t think anything more about El than a piece of lab equipment.  The series now has left all those themes behind to become a husk.

The last four episodes broke discretely into three distinct and equally boring and poorly executed quests: 1) Joyce, Hop, Alexi, and Weirdo try to destroy the machine opening the gate. 2) Dustin, Erica, Steve, and Robin try to escape the bunker and annoy everyone. 3) The original gang drag El around so she can get her ass beat.

Episodes 4 – 7:  Joyce and Hop go through town looking for answers and end up kidnapping a Russian engineer – Alexi.  They take him to the creepy weird guy from last season and without any story arc Alexi is all in to help.  He gives them schematics to infiltrate the Starcourt Mall underground bunker and how to destroy the machine.  Why does Alexi do all this? Who knows?  It’s a good thing Alexi is so detailed because he dies later and it doesn’t matter.  But, we do get A LOT of corny banter and goofy car scenes:

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Hop steals this car in the most corny and unrealistic way possible.  It’s corny, but it makes up for it by being cartoonish and boring.  There are A LOT of scenes where they are driving around and mostly Joyce yells a lot at Hop and Hop yells at Joyce for roughly 38 times.  It’s really dull.  They manage to infiltrate the base eventually try to destroy the machine.  Do they make it?  We have to get through many many pratfalls to find out .. wakka wakka wakka.

Dustin, Erica, Steve, and Robin infiltrate the base…..and Steve and Robin get caught right away.  This could have been a great suspenseful plot point, but instead we get hijinks!!! A goofy Russian General who makes this face a lot:

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This “torture” sequence goes on for a long long long while and really goes nowhere, which is especially disappointing because there were a couple of episodes that had real suspense.  Instead now, we get this comic book torture guy:

It’s really goofy.  It’s like the Duffer Brothers couldn’t figure out if this show was horror, comedy, or just paint by numbers garbage.  Dustin manages to bust Robin and Steve out because that’s super believable after making Dustin the LEAST physical of the bunch for 2.8 seasons.

El and the gang start to battle with the least effective monster ever.  For a Big Bad Vampire monster, it can’t see very well, it has a vague agenda, and it’s unclear what can actually kill it until the penultimate episode, which sets up Hop’s likely death.  Yes, it looks gross:

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BUT it’s REALLY REALLY bad at finding and killing things that matter.

They, of course, manage to kill off the big bad, but that was never really in doubt.  What was amazing is how the writers derailed the story in favor of WACKINESS!

The “scary” general goofs around A LOT:

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So funny how it derails the suspense. Sigh.

There is car driving wackiness: Screenshot (54).png

Above: a not funny joke was made. They laughed for a very long time.  The person on the right is Alexis.  He dies and it doesn’t matter.

The big fight with the big bad where Hop gets sacrificed: the show ruined itself.  It didn’t just go for wackiness; it stalled the epic last monster fight scene where everyone is about to die for a no kidding Song and Dance sequence- REALLY!

I remember when this song sequence started because I was young man with two newborns.  When it ended, I was sending my girls off to college.  The third picture? Yep, that’s a split screen singing moment.  It …. just….kept… going.  I was really rooting for the Monster.

Did the first four episodes give me hope? Yes, but that hope and good will was squandered by plain old corny scenes and cartoonish sequences.  Maybe, we all entered  the upside down because there is no way a third season like this should have made it to daylight without all laws of physics and reason being reversed.

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Stranger Things, S03,Ep4, Review By Case Wright


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Episode 4 had a lot going on.  It’s like the show doesn’t know how to maintain suspense from one episode to the next.  The previous episode had nothin goin on and this one was like 10 pound sausage in a 5 pound bag.  This is actually a pretty good season and the creators know that they peaked in the first season because of the incessant flashback clips to season 1.

We open with Heather and Mullet-Renfield setting up her parents to be disgustingly consumed/converted by the Monster Vampire- It’s Gross!  Of course, after following the NXIVM case, maybe we should let the Vampire Monster win?  Are we really that great that ya know we DESERVE to live.

This season is all about breaking up, reuniting, and moving on.  Dustin is breaking away and making older friends.  I’m pretty sure that Will is about to come out- Good for Him and good for the show!

Speaking of Dustin, he, Robin, and Steve are trying really hard to infiltrate the Russian mall area and they recruit Erica (Sister of Lucas) to do it.  I gotta write that she was a scene stealer.  It’s clear to me that she could be a huge star.  Erica fits through the air vents, which are actually normal sized- Good work set department.  When they enter the secret room, they hit a BAD button and they accidentally go DEEP underground.

Hop and Joyce are on the hunt for information and they get it by beating the snot out of a very smarmy Mayor (Carey Elwes) we learn that he was on the take with the Russians, the Russians own the mall, and they are buying up most of the town.  Evil Mall, Evil Russians, Evil Food Court!

The kids get back together to do battle with Mullet-Renfield.  They surmise that because the creature likes cold, they will lock Mullet-Renfield in the pool sauna.  And…. it kinda works?  They manage to activate Mullet-Guy into a vampire drone, but El, unlike previous seasons, gets her ass beat.  It’s brutal.  She does throw Mullet-guy through a wall, but why do this anyway?  Did they really need to prove his guilt?  They could’ve just followed him back to his evil lair and he wouldn’t have known they were on them.  The problem they all took their stupid pills off camera. Kids yesterday?

It would seem that we have reached a major Arc Spin-around.  It would make sense for all the heroes to lose a lot soon.  Hop will probably lose his job, Mullet-Renfield has amassed an army for the Sticky Vampire Monster, The Russians are evilling, and Dustin, Robin, Erica and Steve are going down a mineshaft.

Side plot: Creeper and Nancy get fired from the paper by the converted Editor, but she will keep pursuing the story …. for some reason.  Nancy, why not just go to community college? What are wasting your time for?  Is this Barb guilt?

It’s looking grim, BUT this is a good thing.  This season is actually keeping my interest and has real suspense even if the episodes themselves are uneven.  I’m not sure the series deserves another season yet; so, I’m hoping they give some closure this season.

 

Stranger Things S3 Ep2, The Mall Rats, Review by Case Wright


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I was right again!!! Stranger Things is a VAMPIRE show!!! No one else got that! Season 1- I proved that the show was a Vampire show. This season continues that theme with a Renfield! See my old review HERE!!!

Vampires especially Dracula uses a Renfield as a familiar.  These are people who are quasi-vampires who do the bidding of the Vampire and bring them victims and assist them in their lives.  This is seen in Dracula, Salem’s Lot, What We Do in The Shadows, and Stranger Things Season 3.

This episode is all about change and entropy.  In the previous episode, Mullet-Guy was pulled down into the steel mill.  In this episode, we learn that this was to make Mullet-guy into a familiar to the New Nosferatu!

If you’re not convinced that the new big bad is a Vampire:

  1. Lives in a dark crypt. ✔
  2. Kills small animals to live. ✔
  3. Takes a familiar. ✔
  4. Has familiar bring it a pretty victim. ✔
  5. Familiar is hypnotized. ✔
  6. Vampire moves from small animals to human victims. ✔

What we got here is a case of a Sci-Fi Nosferatu!!!

The big bad is feeding on rats and later has Mullet-Guy bring him a pretty victim to feed upon and likely enslave just like Lucy was enslaved by Dracula in Bram Stokers.  The vampire story also explains the Winona Ryder casting because she was in the Bram Stoker Dracula film. Also, Mullet-guy is now dizzy and sick when he’s exposed to sunlight! HEARD IT HERE FIRST!!!! *Spikes Ball* *Touchdown Dance*

Mike takes Hops lecture seriously and he starts lying to El.  Then, El and Mike break up.  Big Whoop.  Don’t Care.  Lucas and his girlfriend are much more interesting characters anyway.  They have wit and drama.  Mike and El’s relationship is basically a one-note in dullsville.

Steve, Robin, and Dustin have decoded the Russian message sort of.  I’m actually coming to the belief that neck breaking Russian guy is in the upside down and they are trying to get back to the real world.  Also, that the melted Russians from the first episode are actually the Big Bad from Season 2 and Season 3.  The experiment fused them and now they are a combined angry monster vampire.

The episode ends as said before with Mullet-Renfield bringing the Monster a pretty victim. Just like in Dracula!

 

Stranger Things, S3, Ep1, Suzie, Do you copy?, Review By Case Wright, (Dir. Matt and Ross Duffer)


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And…..We’re Back!

This series is special to me. It’s the first I ever reviewed for this site.  It was awesome- Read Here

I have watched every episode of this series.  The first season was epic and even engendered a ride at Universal Studios.  Season 2 was a show that was aired on Netflix with Sean Astin.  This season has a new big bad who looks a lot like last years big bad. So….I hope it’s better than last year’s terribleness.  This episode opened with a bit of meh, but better than Season Two’s sophomore slump.  I’m guessing that it will be kinda of fun to watch.  In any case, I write for an entertainment blog, so this is happening!

Cold Open: The Russians are trying to open the gate and they are EVIL!  One guy goes full on Ivan Drago (Rocky IV) and lifts a guy by the neck and chokes hims to death! Their experiment apparently releases the smoke monster again and he’s pissed at Hawkins!

Our older heroes are really not doing well.  Nancy is a gopher at a sexist newspaper.  Jake Busey is one of the reporters.  I’m not sure if Jake knew this was a role or if he thought, “I’ve always wanted to work at a newspaper in a dying town!” and just ran with it.  Creeper has found his niche working as a creepy photographer for a creepy newspaper.  We’re better off without elitist journalists anyway.  All Hail The Bloggers!!!!

Steve is working at the mall at a terrible ice cream shop and striking out with every girl in Indiana.  I suppose this is possible.  He wears a dorky outfit, but he’s still Steve.  I kinda doubted this whole constant rejection he’s getting.  I think it’s the writers were  thinking that the moment good looking people leave high school, they are nobody.  This doesn’t make sense because IRL beautiful people make tons of money as actors and generally do pretty well getting dates.  It takes me out of it a little.

The gang is all about their hormones.  Mike and El are constantly making out and disrespecting Hop, which I really can’t stand.  Hop is troubled by and turns to his unrequited love Joyce who tells him to get to get all kumbaya and I just can’t watch.  This comes to a head at the end of the episode where Hop loses it and I’m hoping he smacks Mike around- in a nice way.

Dustin returned from science camp and he built a Radio Tower to speak with his girlfriend in Utah.  Everyone keeps acting totally shocked that Dustin could have a girlfriend.  This came across as mean and dickish to me.  I mean Dustin isn’t Brad Pitt, but he’s smart and nice.  Anywho, they erect the radio tower and Dustin can’t reach her, giving his girlfriend claim a “My girlfriend is in Canada” feel to it. To my Canadian readers, we down south have been claiming that you were our girlfriends for generations.  I know this sounds weird, but here we are.   He does pick up a signal from the Russians and they are trying to open their own gate to evil town.

Ok, Cara Buono is at the pool as is Mullet-guy.  Mullet-guy is now the lifeguard and they going to have an affair.  This all seems to be ready to go, but the smoke monster is taking up space in the abandoned Steel Mill and eats him or something.  Why a Steel Mill?  Well, the Smoke Monster is really into depressed real estate and factories can be converted into lofts for the hipster set.  It’s really forward thinking on Smokey’s part.

I would say this episode is a bit clunky, but good.  Is it the thrill ride of the first season? NO NO NO, but honestly what is?!  Stranger Things season 1 was a television event up there with The Stand, Shogun, or It.  In fact, it was never meant to be a recurring series until the last minute, but hey it’s better than watching re-runs of Parks and Rec.

See you soon for ep 2!!!

 

 

 

Playing Catch-Up: Autumn in New York, Griffin & Phoenix, Harry & Son, The Life of David Gale


So, this year I am making a sincere effort to review every film that I see.  I know I say that every year but this time, I really mean it.

So, in an effort to catch up, here are four quick reviews of some of the movies that I watched over the past few weeks!

  • Autumn in New York
  • Released: 2000
  • Directed by Joan Chen
  • Starring Richard Gere, Winona Ryder, Anthony LaPaglia, Elaine Stritch, Vera Farmiga, Sherry Stringfield, Jill Hennessy, J.K. Simmons, Sam Trammell, Mary Beth Hurt

Richard Gere is Will, a fabulously wealthy New Yorker, who has had many girlfriends but who has never been able to find the one.  He owns a restaurant and appears on the cover of New York Magazine.  He loves food because, according to him, “Food is the only beautiful thing that truly nourishes.”

Winona Ryder is Charlotte, a hat designer who is always happy and cheerful and full of life.  She’s the type who dresses up like Emily Dickinson for Christmas and recites poetry to children, though you get the feeling that, if they ever somehow met in real life, Emily would probably get annoyed with Charlotte fairly quickly.  Actually, Charlotte might soon get to meet  Emily because she has one of those rare diseases that kills you in a year while still allowing you to look healthy and beautiful.

One night, Will and Charlotte meet and, together, they solve crimes!

No, actually, they fall in love.  This is one of those films where a young woman teaches an old man how to live again but then promptly dies so it’s not like he actually has to make a huge commitment or anything.  The film does, at least, acknowledge that Will is a lot older than Charlotte but it still doesn’t make it any less weird that Charlotte would want to spend her last year on Earth dealing with a self-centered, emotionally remote man who is old enough to be her father.  (To be honest, when it was revealed that Charlotte was the daughter of a woman who Will had previously dated, I was briefly worried that Autumn in New York was going to take an even stranger turn….)

On the positive side, the films features some pretty shots of New York and there is actually a pretty nice subplot, in which Will tries to connect with the daughter (Vera Farmiga) that he never knew he had.  Maybe if Farmiga and Ryder had switched roles, Autumn in New York would have worked out better.

  • Griffin & Phoenix
  • Released: 2006
  • Directed by Ed Stone
  • Starring Dermot Mulroney, Amanda Peet, Blair Brown, and Sarah Paulson

His name is Henry Griffin (Dermot Mulroney).

Her name is Sarah Phoenix (Amanda Peet).

Because they both have highly symbolic last names, we know that they’re meant to be together.

They both have cancer.  They’ve both been given a year to live.  Of course, they don’t realize that when they first meet and fall in love.  In fact, when Phoenix comes across several books that Griffin has purchased about dealing with being terminally ill, she assumes that Griffin bought them to try to fool her into falling in love with him.  Once they realize that they only have a year to be together, Griffin and Phoenix set out to make every moment count…

It’s a sweet-natured and unabashedly sentimental movie but, unfortunately, Dermot Mulroney and Amanda Peet have little romantic chemistry and the film is never quite as successful at inspiring tears as it should be.  When Mulroney finally allows himself to get mad and deals with his anger by vandalizing a bunch of cars, it’s not a cathartic moment.  Instead, you just find yourself wondering how Mulroney could so easily get away with destroying a stranger’s windshield in broad daylight.

  • Harry & Son
  • Released: 1986
  • Directed by Paul Newman
  • Starring Paul Newman, Robby Benson, Ellen Barkin, Wilford Brimley, Judith Ivey, Ossie Davis, Morgan Freeman, Katherine Borowitz, Maury Chaykin, Joanne Woodward

Morgan Freeman makes an early film appearance in Harry & Son, though his role is a tiny one.  He plays a factory foreman named Siemanowski who, in quick order, gets angry with and then fires a new employee named Howard Keach (Robby Benson).  Howard is the son in Harry & Son and he’s such an annoying character that you’re happy when Freeman shows up and starts yelling at the little twit.  As I said, Freeman’s role is a small one.  Freeman’s only on screen for a few minutes.  But, in that time, he calls Howard an idiot and it’s hard not to feel that he has a point.

Of course, the problem is that we’re not supposed to view Howard as being an idiot.  Instead, we’re supposed to be on Howard’s side.  Howard has ambitions to be the next Ernest Hemingway.  However, his blue-collar father, Harry (Paul Newman, who also directed), demands that Howard get a job.  Maybe, like us, he realizes how silly Howard looks whenever he gets hunched over his typewriter.  (Robby Benson tries to pull off these “deep thought” facial expressions that simply have to be seen to be believed.)  There’s actually two problems with Howard.  First off, we never believe that he could possibly come up with anything worth reading.  Secondly, it’s impossible to believe that Paul Newman could ever be the father of such an annoying little creep.

Harry, of course, has problems of his own.  He’s just lost his construction job.  He’s having to deal with the fact that he’s getting older.  Fortunately, his son introduces him to a nymphomaniac (Judith Ivey).  Eventually, it all ends with moments of triumph and tragedy, as these things often do.

As always, Newman is believable as a blue-collar guy who believes in hard work and cold beer.  The film actually gets off to a good start, with Newman using a wrecking ball to take down an old building.  But then Robby Benson shows up, hunched over that typewriter, and the film just becomes unbearable.  At least Morgan Freeman’s around to yell at the annoying little jerk.

  • The Life of David Gale
  • Released: 2003
  • Directed by Alan Parker
  • Starring Kevin Spacey, Kate Winslet, Laura Linney, Gabriel Mann, Rhona Mitra, Leon Rippy, Matt Craven, Jim Beaver, Melissa McCarthy

For the record, while I won’t shed any tears whenever Dzhokahr Tsarnaev is finally executed, I’m against the death penalty.  I think that once we accept the idea that the state has the right to execute people, it becomes a lot easier to accept the idea that the state has the right to do a lot of other things.  Plus, there’s always the danger of innocent people being sent to die.  The Life of David Gale also claims to be against the death penalty but it’s so obnoxious and self-righteous that I doubt it changed anyone’s mind.

David Gale (Kevin Spacey) used to the head of the philosophy department at the University of Texas.  He used to be a nationally renowned activist against the death penalty.  But then he was arrested for and convicted of the murder of another activist, Constance Harraway (Laura Linney) and now David Gale is sitting on death row himself.  With his execution approaching, journalist Bitsey Bloom (Kate Winslet) is convinced that Gale was framed and she finds herself racing against time to prevent Texas from executing an innocent man…

There’s a lot of things wrong with The Life of David Gale.  First off, it was made during the Bush administration, so the whole film is basically just a hate letter to the state of Texas.  Never have I heard so many inauthentic accents in one film.  Secondly, only in a truly bad movie, can someone have a name like Bitsey Bloom.  Third, the whole film ends with this big twist that makes absolutely no sense and which nearly inspired me to throw a shoe at the TV.

Of course, the main problem with the film is that we’re asked to sympathize with a character played by Kevin Spacey.  Even before Kevin Spacey was revealed to be a sleazy perv, he was never a particularly sympathetic or really even that versatile of an actor.  (Both American Beauty and House of Cards tried to disguise this fact by surrounding him with cartoonish caricatures.)  Spacey’s so snarky and condescending as Gale that, even if he is innocent of murder, it’s hard not to feel that maybe David Gale should be executed for crimes against likability.

A Movie A Day #173: Great Balls of Fire! (1989, directed by Jim McBride)


In the 1950s, Jerry Lee Lewis (Dennis Quaid) plays what his cousin, Jimmy Swaggart (Alec Baldwin), calls the devil’s music.  After signing a contract with Sam Phillips (Trey Wilson), Jerry becomes a star with his wild man persona and crazed piano playing.  When Elvis is drafted, it appears that Jerry is destined to take over as the new King of Rock and Roll.  But, then, while touring England, the press discovers that Jerry is married to his 13 year-old cousin, Myra (Winona Ryder).  When Jerry refuses to apologize for his private life, his career falls apart.

The real Jerry Lew Lewis has stated many times that he hates this musical biopic and that it has very little in common with his actual life.  Jerry has a point.  Great Balls of Fire is a highly stylized film, one that greatly sanitizes both the life of Jerry Lee Lewis and the early days of rock and roll.  In the film, there’s no struggle or even hard work on the road to becoming a star.  Jerry just drops off a recording of himself playing piano and viola! He’s a star!  Soon, teenagers are dancing around his convertible, both civil rights protestors and white Southern cops start dancing whenever they see him driving down the street, the local radio DJ waves whenever he sees them, and Jerry’s sneaking into Mississippi so that he can marry his thirteen year-old cousin.

Great Balls of Fire! takes a superficially mater of fact approach to Jerry’s marriage to Myra, neither condemning nor excusing, though it does cheat by casting the 18 year-old Winona Ryder as the 13 year-old Myra.  (If the film had cast an actress who was closer to Myra’s actual age, Great Balls of Fire! would never have been released.)  Fortunately, history helped the movie out by making Jimmy Swaggart into Jerry’s main critic.  Alec Baldwin’s performance as Jimmy Swaggart makes his interpretation of Donald Trump look subtle, nuanced, and award-worthy.

Dennis Quaid, at the height of his 80s stardom, is ideally cast as Jerry Lee Lewis, giving a good if broad performance and doing a convincing job lip-syncing to the music.  Quaid has said that he was struggling with an addiction to cocaine while filming Great Balls of Fire! and that might have made him the perfect actor to play the always conflicted and always wild Jerry Lee Lewis.  The best thing about the film is that Jerry Lee Lewis provided the music, re-recording his best known songs.  While the movie may not tell the true story of Jerry Lee Lewis, it does feature enough of his music that it is obvious why Jerry Lee Lewis nearly became the king of rock and roll.

 

The SAG Nominations are here and … Hello there, Captain Fantastic!


captain-fantasticEarlier the year, I choose not to see Captain Fantastic.  Every bit of advertising that I saw for it led me to believe that Captain Fantastic was basically just Wes Anderson-lite and, as we all know, only Wes Anderson can successfully duplicate Wes Anderson.

Well, I think I may have made a mistake because Viggo Mortensen is definitely in the hunt for best actor.  Though most of the precursor awards (so far) have gone to Casey Affleck for Manchester By The Sea, Mortensen still seems like a likely nominee.

Just consider this: he got a SAG nomination!  And so did Captain Fantastic, itself!  It was nominated for best ensemble, which is the SAG equivalent of best picture…

Actually, maybe you shouldn’t spend too much time fixating on that.  People like me always talk about how the SAG awards are an obvious precursor for the Oscars.  Our logic is that the Actor’s Branch is the largest voting bloc in the Academy and the members of the Actor’s Branch are among those who also vote for the SAG awards.

Of course, we always forget that the majority of SAG members are themselves not a part of the Academy.  So, while enough members of SAG may have liked Captain Fantastic for it to get an unexpected ensemble nomination, that doesn’t necessarily mean that those voters are also members of the Academy.

I mean, let’s consider what happened last year.  Beasts of No Nation picked up an ensemble nomination.   So did Straight Outta Compton.  So did Trumbo.  None of those films proved to be an Oscar powerhouse.  In fact, Beasts of No Nation received a grand total of zero Oscar nominations.

So, let’s put it like this — it’s a good sign for a film or a performer to get a SAG nomination.  But there’s still no guarantee that it will translate into Oscar recognition. Captain Fantastic may have been nominated and La La Land was snubbed (for ensemble).  But I imagine that the reverse will happen when the Oscar noms are announced in January.

With all that in mind, here are the SAG nominations!

FILM

Best Film Ensemble
“Captain Fantastic”
“Fences”
“Hidden Figures”
“Manchester by the Sea”
“Moonlight”

Best Actor
Casey Affleck, “Manchester by the Sea”
Andrew Garfield, “Hacksaw Ridge”
Ryan Gosling, “La La Land”
Viggo Mortensen, “Captain Fantastic”
Denzel Washington, “Fences”

Best Actress
Amy Adams, “Arrival”
Emily Blunt, “The Girl on the Train”
Natalie Portman, “Jackie”
Emma Stone, “La La Land”
Meryl Streep, “Florence Foster Jenkins”

Best Supporting Actor
Mahershala Ali, “Moonlight”
Jeff Bridges, “Hell or High Water”
Hugh Grant, “Florence Foster Jenkins”
Lucas Hedges, “Manchester by the Sea”
Dev Patel, “Lion”

Best Supporting Actress
Viola Davis, “Fences”
Naomie Harris, “Moonlight”
Nicole Kidman, “Lion”
Octavia Spencer, “Hidden Figures
Michelle Williams, “Manchester by the Sea”

Best Stunt Ensemble
“Captain America: Civil War”
“Doctor Strange”
“Hacksaw Ridge”
“Jason Bourne”
“Nocturnal Animals”

TV

Best Comedy Ensemble
“The Big Bang Theory”
“Black-ish”
“Modern Family”
“Orange is the New Black”
“Veep”

Best Comedy Actor
Anthony Anderson, “Black-ish”
Titus Burgess, “Unbreakable Kimmy Schmidt”
Ty Burrell, “Modern Family”
William H. Macy, “Shameless”
Jeffrey Tambor, “Transparent”

Best Comedy Actress
Uzo Aduba, “Orange is the New Black”
Jane Fonda, “Grace & Frankie”
Ellie Kemper, “Unbreakable Kimmy Schmidt”
Julia Louis-Dreyfus, “Veep”
Lily Tomlin, “Grace & Frankie”

Best Drama Ensemble
“The Crown”
“Downton Abbey”
“Game of Thrones”
“Stranger Things”
“Westworld”

Best Drama Actor
Sterling K. Brown, “This Is Us”
Peter Dinklage, “Game of Thrones”
John Lithgow, “The Crown”
Rami Malek, “Mr. Robot”
Kevin Spacey, “House of Cards”

Best Drama Actress
Millie Bobby Brown, “Stranger Things”
Claire Foy, “The Crown”
Thandie Newton, “Westworld”
Winona Ryder, “Stranger Things”
Robin Wright, “House of Cards”

Best Movie/Miniseries Actor
Riz Ahmed, “The Night Of”
Sterling K. Brown, “The People v. O.J. Simpson”
Bryan Cranston, “All The Way”
John Turturro, “The Night Of”
Courtney B Vance, “The People v. O.J. Simpson”

Best Movie/Miniseries Actress
Bryce Dallas Howard, “Black Mirror”
Felicity Huffman, “American Crime”
Audra McDonald, “Lady Day at Emerson’s Bar & Grill”
Sarah Paulson, “The People v. O.J. Simpson”
Kerry Washington, “Confirmation”

Best Stunt Ensemble
“Game of Thrones”
“Daredevil”
“Luke Cage”
“The Walking Dead”
“Westworld”