Lisa Marie’s Week In Television — 5/8/22 — 5/14/22


Let’s get to it.

Atlanta (Thursday Night, FX)

Atlanta has been pretty evenly split, this season, between “anthology” episodes and the episodes that follow Earn and Al in Europe.  It’s an interesting format but, as I watched this week’s anthology episode, I really found myself thinking about much more interested I am in what’s going on in Europe.  This week’s episode was filmed in gorgeous black-and-white but the story of a biracial teen passing as white was nowhere near as interesting as what happened to Al in Amsterdam last week.

Barry (Sunday Night, HBO)

This week, Barry attempted to make things up to Gene by getting him a role on a plausibly terrible television show.  Unfortunately, for Barry, it turned out that Gene isn’t just going to forget about Barry murdering his girlfriend in return for a role.  Meanwhile, Sally was forced to take part in a series of vacuous interviews in order to promote her new television series.  Everyone wants to know: “Who should be the next Spider-Man?”

Better Call Saul (Monday Night, AMC)

This week, we got to see what Saul’s office was like before he redecorated it.  It was kind of a slow episode.  Better Call Saul is always watchable because of the performers but its status as a prequel also means that there’s a certain lack of suspense as to what’s going to happen to everyone.  Still, this week’s episode was worth it for the boxing scene.

Beyond the Edge (Wednesday Night, CBS)

The remaining celebrities continued to try to survive living in the jungle.  Jodie Sweetin finally ran the bell and removed herself from the show, just leaving a bunch of former pro athletes to continue the competition.  I don’t blame her.  Jodie lasted longer than I would have.

The Brady Bunch (Sunday Morning, MeTV)

I don’t remember anything that happened during last Sunday’s Brady Bunch episodes so I guess I should count myself lucky.

Candy (Hulu)

I reviewed Hulu’s latest true crime miniseries here!

Dynasty (Friday Night, The CW)

Having missed most of the latest season, I finally got caught up on Dynasty this week and I was reminded of why I enjoy this wonderfully over-the-top and self-aware show.  Unfortunately, no sooner was I caught up than the CW announced that they were canceling the show.  Booooo!

Fantasy Island (Hulu)

Several months after watching the pilot, I finally watched the rest of Fantasy Island’s 1st season this week.  It’s an extremely silly but fun show.  Roselyn Sanchez plays her role with just the right mix of gravitas and mockery.  The show’s a bit heavy-handed at times but I think that’s to be expected.  The island looks lovely and the fantasies themselves are ultimately harmless and good-natured and that’s all the really matters.

Full House (Sunday Afternoon, MeTV)

If I remember correctly, Jesse was worried that he was losing his cool and Joey said, “Cut it out.”

Ghosts (Paramount Plus)

I finished binging the first season of Ghosts on Monday and Tuesday.  What a sweet show!  I’m kind of amazed that it took me so long to give this show a chance.  I’ll be curious to see what happens with the second season.  Hopefully, the show can keep up its momentum.

Law & Order (Thursday Night, NBC)

“This story is fictional….”

Yeah, whatever.  This week’s episode started out as an homage to Inventing Anna and then it ended as an homage to Dopesick.  Price decided to make a deal with a murderer so that he could then prosecute the owner of a pharmaceutical company.  It was all because Price’s brother died of a drug overdose.  To be honest, Price didn’t really make his case and he should have been fired for wasting tax payer money on a personal crusade.  But the jury disagreed.  It may sound like I’m trashing this episode but it was actually pretty well-acted and I actually appreciated that it totally turned into a different story during the second half.  That said, I don’t think the Law & Order revival will ever be known for having a particularly nuanced political outlook.

The Love Boat (Sunday Evening, MeTV)

Vicki discovered that one of the passengers was hooked on speed.  Luckily, everything worked out in the end.

Survivor (Wednesday Night, CBS)

I reviewed the latest twist-filled episode of Survivor here!

We Own This City (Monday Night, HBO)

It was a pretty boring episode this week.  The cast is convincing and Baltimore continues to be a fascinating portrait of the American Dream gone bad but David Simon doesn’t really seem to have much to say, beyond pointing out that cops are bad and federal investigators are underfunded.

Lisa Marie’s Week In Television: 5/1/22 — 5/7/22


Why didn’t anyone tell me that Ghosts was so good!?  Over the past few days, I’ve been watching it and loving it.

Anyway, here’s some more thoughts on my week in television!

Atlanta (Thursday Night, FX)

During this week’s funny but unsettling episode, Al got stoned in Amsterdam.  It’s possible that he met a mysterious women named Lorraine who warned him about the people around him and who took him to a club where he met Liam Neeson.  It’s also possible that Al hallucinated the whole thing while passed out in a doorway.

Barry (Sunday Night, HBO)

The latest episode of Barry really, really freaked me out.  Basically, Barry found himself with two options.  He could either get Gene a role on a TV show in order to make up for killing Gene’s girlfriend or he could just kill Gene.  Barry was determined to give Gene a second chance and, by extension, himself a second chance.  Barry was trying to do the right thing.  The problem is that Barry is a sociopath who is trying to be the good person that he is incapable of being.

This episode was all about abusive relationships.  Sally is trying to produce her dramedy about her own abusive relationship but she doesn’t seem to understand that her current relationship with Barry is just as abusive as the one she escaped.  (The scene where Barry yelled at her for not casting Gene was legitimately scary.)  Barry is trying to recover from his abusive relationship with Fuches, little realizing that he’s repeating Fuches’s behavior with the way that he’s manipulating Gene.  Is Gene going to end up becoming a hit man by the end of this season?  It could happen.  Meanwhile, the only vaguely healthy relationship on the show, between Noho Hank and Cristobal, came to an end due to them being members of rival criminal gangs.

Bill Hader continues to astound as Barry.  He’s both sincere and terrifying.  Barry truly believes that he’s capable of doing the right thing even though we know he isn’t.  This week’s episode reminded us that Barry can be a scary guy.  When he indicated that he would kill Gene’s grandson if Gene didn’t accept the role that Barry had gotten for him, it was a chilling moment.  I’ll never look at Barry the same way again.

Better Call Saul (Monday Night, AMC)

Rhea Seehorn directed this week’s episode of Better Call Saul, which featured both Jimmy’s continuing efforts to destroy Howard’s career and also his move into his new office.  Meanwhile, Gus and Mike continued to search for evidence of Lalo still being alive.  This was a well-done episode, one that did a good job of showing how Jimmy McGill transformed into the Saul Goodman who would later be hired by Walter White.

The Brady Bunch (Sunday Morning, MeTV)

Oh no!  Marcia lost her diary!  However, this somehow led to her meeting Davy Jones so I guess everything worked out.  This was followed by an episode in which the kids were worried that Mike and Carol were going to sell the house so they pretended to be ghosts.  Then, Carol and Mike had tickets to a show and Alice had a date so Greg and Marcia were left in charge of the house.  Disaster followed.  Then, during Sunday’s fourth episode, Marcia was accused of pulling a prank by her school’s principal.  The principal was played by the distinguished character actor, E.G. Marshall.  One can only guess how Marshall felt about going from Broadway and Oscar-nominated films like 12 Angry Men to appearing on The Brady Bunch.  Actually, he was probably happy for the money.  I hope Marshall was paid well because he definitely classed up the joint.

Full House (Sunday Afternoon, MeTV)

MeTV aired 4 episodes of Full House on Sunday and I’m struggling to remember much about any of them.  In the first episode, Jesse was worried that he wasn’t smart enough for Rebecca and he proved that he wasn’t by acting stupid.  Rebecca, however, forgave him.  Then, Michelle and Kimmy ended up babysitting some bratty kid who got his head stuck in a bannister.  This was followed by an episode in which Danny started dating again and managed to forgive his date for having a messy apartment.  And then, in our final episode, Michelle started preschool and accidentally set the class’s pet bird free.  So, Danny bought a new bird and demanded that everyone be nice to his daughter, despite the fact that she was kind of a self-centered brat.

Ghosts (Thursday Night, CBS)

What a charming show!  For some reason, I was under the impression that Ghosts was just another gimmicky show but I finally sat down and binged the first eleven episodes on Paramount Plus and I discovered that I was totally wrong.  This is really a sweet, witty, intelligent, and well-acted show and one of my favorites of the season.  I loved the episode where Sam went to see her mom.  That made me tear up.  As for my favorite ghost …. Trevor.  Yep, it has to be Trevor.

The Girl From Plainville (Hulu)

This frustratingly uneven miniseries came to a close this week.  The final episode dealt with the day that Conrad committed suicide and also Michelle’s final days before heading to prison.  Considering just how inconsistent this show has been, the finale was actually pretty effective.  The lengthy fantasy sequence, in which Michelle imagined running into Conrad at a bar while home from the college that, in reality, she’ll never get to attend, worked far better than it had any right to.  In the end, this miniseries didn’t have much to tell us about the suicide of Conrad Roy that we didn’t already know but it did work as a showcase for the talents of Elle Fanning and Colton Ryan.

Law & Order (Thursday Night, NBC)

I have to admit that, when this week’s episode of Law & Order started, I rolled my eyes when it appeared that the main villain was going to be a barely disguised version of Elon Musk.  But then it turned out that guy was just a red herring and the accused instead turned out to be a former State Department employee who claimed that he couldn’t control his actions because of Havana Syndrome.  To my great surprise, this turned out to be the the best episode of the season so far, largely because the prosecution finally lost a case and Price was left to wonder if it was largely due to his own self-righteous approach to the law.  Sam Waterston finally got a few good scenes too.  The Law & Order revival has, for the most part, been uneven but I do think that it’s been getting better.

The Love Boat (Sunday Afternoon, MeTV)

A famous actress took a cruise and fell for Captain Stubing.  Unfortunately, not even the promise of being wealthy and secure could convince the captain to give up the sea.

M*A*S*H* (Weekday Evenings, MeTV)

On Sunday, I watched two episodes of this old sitcom.  The first one featured an obnoxious surgeon from Arkansas, who got in trouble for trying to steal Col. Potter’s horse.  The second was a bit more dramatic, as a friend of Hawkeye’s died on the operating table and a teenage Ron Howard appeared as a soldier who lied about his age in order to enlist.  In the past, I’ve found M*A*S*H to be a bit too preachy for my tastes but this was actually a pretty effective and well-acted episode.

Survivor (Wednesday Night, CBS)

I wrote about the latest episode of Survivor here!

We Own The City (Monday Night, HBO)

The second episode of David Simon’s latest miniseries about Baltimore was as compelling and as packed with detail as the first.  While setting in his jail cell, Jon Bernthal’s Wayne Jenkins remembered the process by which he went from being a relatively honest cop to being the poster child for police corruption.  Nicole Steele continued her investigation of Daniel Hersl.  In the role of Hersl, Josh Charles only appeared during the final few minutes of the episode but he still made a huge impression as the epitome of everything that people tend to dislike about the cops.  I look forward to seeing where this series is heading.

Lisa Marie’s Week In Television: 4/24/22 — 4/30/22


I saw some pretty good things this week.  Barry is back.  We Own This City looks like it’s going to be a worthy follow-up to The Wire.  I finally binged the first season of Abbott Elementary.  Here’s some thoughts on what I watched:

61st Street (Sunday Night, AMC)

As of this point, I really don’t see 61st Street becoming anything more than a second-rate version of The Wire so I think I’m done with it.  As I said last week, I think the show would be fine if it was just about Courtney B. Vance and his family but the show is trying to tackle too much in its first season.  The best shows develop naturally whereas 61st Street has been overstuffed since the beginning.

Abbott Elementary (Hulu)

Throughout this week, I binged the first season of ABC’s Abbot Elementary on Hulu.  A comedic mockumentary about the teachers at a Philadelphia public school, Abbott Elementary owes a bit of a debt to The Office but, at the same time, it also quickly established an identity of its own.  It was a good, heartfelt comedy, one that made a point about the importance of supporting teachers without ever committing the Parks and Rec sin of getting preachy or self-satisfied.  Of the ensemble cast, Sheryl Lee Ralph and Janelle James were the stand-outs but really, everyone did a good job of bringing their characters to wonderful life.  I look forward to season 2!

Allo Allo (Sunday Night, PBS)

How to get the British airmen out of France?  How about sending them up in a Helium balloon?  But how to keep the Germans from noticing the balloon?  How about moving up the wedding of Fanny and Ernest LeClerc?  Sure, why not?  It didn’t necessarily make any sense but I’m used to that by now.  The episode ended with the wedding and the release of what Officer Crabtree called a “carrier podgeon.”  I suppose that next Sunday, I’ll learn why this latest attempt to rescue the airmen failed.

Atlanta (Thursday, FX)

This week’s episode of Atlanta was another stand-alone episode dealing with white people struggling to understand black culture.  This time, the story dealt with a wealthy New York couple who, while attending the funeral of their Trinidadian nanny, discover that not only was she more of a parental figure to their son than they were but that she was also so busy raising the children of wealthy white people that she missed out on raising her own children.  Chet Hanks had an odd but somehow appropriate cameo as one of the people who the nanny had raised.

It was an okay episode and, unlike the other stand-alone episodes, it was clearly not a dream.  (For the same of continuity, posters advertising Paper Boi’s tour are visible during one scene.)  The humor and the satire was still sharp but also notably gentler this week than it’s been all season. That said, this episode felt like a clear follow-up to White Fashion, with its portrayal of neglectful white parents who use people of color to raise their children but who, at the same time, can’t even be bothered to learn anything about their nanny’s life or culture.

Barry (Sunday Night, HBO)

Barry’s back!  After all the excitement of last season’s finale, the new season Barry opened with everyone stuck in the same rut.  Barry is auditioning for roles and still killing people for money.  Sally is working on her television series.  NoHo Hank is struggling to be a gangster.  Gene is in mourning and looking for revenge.  (I loved the fact that his gun was a gift from Rip Torn.)  Fuches is in Chechnya, eating cereal.  The first episode served its purpose.  It reintroduced us to the characters (due to the Pandemic, there was a long delay between the 2nd and 3rd seasons) and reminded us of why we watch them in the first place.  Bill Hader both directed and starred and showed once again that he is a talent to be reckoned with.

Better Call Saul (Monday Night, AMC)

Better Call Saul is an enthralling show, even if I’m often left a little bit confused as to what exactly is going on.  Bob Odenkirk is brilliant, though this week’s episode was dominated by Michael Mando in the role of the intimidating but ultimately tragic Nacho.  Perhaps because we know what’s going to happen to the majority of the characters once Walter White shows up, the shadow of death hangs even heavier over Better Call Saul than it did over Breaking Bad.

The Brady Bunch (Sunday Morning, MeTV)

Upset that his children were tying up the phone, Mike Brady came up with the brilliant idea of installing a pay phone in the house.  How did that even work?  Who installed the phone?  Who collected the money?  Seriously, this was one of Mike’s worst ideas and he was never held responsible for it.

This was followed by an episode in which Bobby got it into his head that Carol was going to kill him so he tried to run away.  Would anyone have missed Bobby in that crowded house?  This was followed by an episode in which Marcia got braces and the world world stopped while everyone tried to make her feel better.  (Good for them!  I never needed braces, by the way.)  The fourth episode of MeTV’s bloc of Brady programming featured Peter saving a little girl from being crushed by a collapsing wall.  Peter was a hero but he let it go to his head.  Mike had to remind Peter that he was still only the middle child and, as such, had no right to feel good about anything.

Full House (Sunday Afternoon, MeTV)

I missed last week’s bloc of Full House but I get the feeling that once you’ve seen one episode of this show, you’ve seen them all.  The first episode of Sunday’s bloc was yet another one where Jesse was worried that he was no longer as cool as he had once been.  After being ridiculed by his old friend Scott Baio, Jesse hopped on his motorcycle and drove up to the roof of a building.  Apparently, he planned to jump from one roof to another.  Rebecca, however, talked him down.  The funniest thing about this episode was the discovery that Jesse’s nickname was once “Dr. Dare.”  Like, seriously, I get the feeling that Jesse’s fiends were probably making fun of him when they gave him that nickname.

This was followed by an episode in which Michelle’s third birthday party was ruined by the combined stupidity of Jesse and Stephanie.  Michelle may have said she was happy celebrating her birthday in that dirty gas station but she was lying big time.  The next episode featured Stephanie panicking due to an earthquake and Danny eventually taking her to a therapist so that she could discuss her feelings.  Luckily, it only took five minutes to cure Stephanie of her anxiety.  The day’s final episode found Joey and Jesse once again struggling to write a jingle together.  Meanwhile, the family’s new dog, destroyed Stephanie’s childhood toy but no one cared because Stephanie’s the middle child.

The Girl From Plainville (Hulu)

Much last week, this week’s episode of The Girl From Plainville got bogged down with a lot of boring courtroom dramatics.  Still, the final scene, with Michelle Carter fantasizing about her sister singing Teenage Dirtbag, was nicely done.  The Girl From Plainville seems like it would be a fine miniseries if it was only four episodes long but, at eight episodes, it just feels a bit too overextended.

Happy Days (Weekday Evening, MeTV)

I watched Happy Days on Monday, Tuesday, and Wednesday, despite the fact that the continuing popularity of this show has always escaped me.  The reason I watched is because it was the three-part episode in which the Cunninghams and Fonzie went to California and Fonzie ended up proving his courage by putting on water skis and jumping over a shark.  It was an important moment in pop cultural history so I felt it was important that I watch.  Fortunately, Fonzie made it over the shark and Richie realized that he would rather be a journalist than an actor.

King of the Hill (Weekday Afternoons, FXX)

On Tuesday, I watched the episode where Jimmy Carter tried to heal Hank and Cotton’s relationship.  It’s a classic episode, if just for Hank and Cotton’s disdainful comments as Jimmy and his secret service detail fled the scene.  “Why, that’s was just a one-term peanut farmer.”  “The man wore a sweater.”  Take that, Carter!

On Wednesday, I watched four episodes.  Hank carried the Olympic torch and learned that it was okay to be happy.  Peggy overthrew the tyrannical king of a Renaissance Faire.  (Alan Rickman voiced the king, which was pretty neat.)  Connie and the Dale Gribble Bluegrass Experience went to Branson, where Bobby sold a joke to comedian Yakov Smirnoff.  Peggy was conned out of her retirement savings but she got the money back.  Yay!

Law & Order (Thursday Night, NBC)

The headmaster of an exclusive private school has been shot!  Was it because he was too woke?  Nope, it turns out that he was shot by a troubled student.  The D.A.’s office decided to charge both the student and the student’s father. Personally, I found their actions to be legally dubious but the jury disagreed.  D.A. Jack McCoy was okay with manipulating legal statutes but I don’t think Adam Schiff nor Arthur Branch would have been happy with what his office ended up doing.

Open All Hours (Sunday Night, PBS)

Granville’s broom fell apart and Nurse Gladys Emmanuel needed a new washing machine.  In the end, no one got what they needed.  That’s what happens when you’re open all hours.

Survivor (Wednesday Night, CBS)

I wrote about the latest episode of Survivor here!

T.J. Hooker (Saturday, Decades TV)

William Shatner is a tough cop who speaks in a very dramatic fashion.  I was doing some work in my office on Saturday so I had this old 80s cop show playing in the background.  (Decades TV was apparently celebrating the 80s with a TJ Hooker marathon.)  The episodes kind of blended together but watching Shatner back when he was still taking himself seriously is always fun.

We Own This City (Monday Night, HBO)

The latest Baltimore-set miniseries from David Simon and The Wire crew, We Own This City premiered this week and the first episode proved to be, in typical Simon fashion, both frustrating and fascinating.  The show’s political asides were heavy-handed but it’s depiction of a troubled American city was heart-breaking.  Simon has never flinched from showing how political corruption, racism, poverty, and crime all come together to create a destructive cycle that’s impossible to escape.  Because happy endings are nearly nonexistent, Simon’s show can be difficult to watch but each one is something that should be watched.  As for We Own The City, this miniseries deals with police corruption in the wake of the death of Freddie Gray and the subsequent uprising.  Out of the large ensemble cast, Jon Bernthal and Josh Charles are early stand-outs.

Lisa Marie’s Week In Television: 4/17/22 — 4/23/22


I’m still in the process of trying to get caught up with everything.  I still need to watch the mid-season finale of The Walking Dead and the latest episode of Fear the Walking Dead.  I also look forward to checking out CNN+ next month.

61st Street (Sunday Night, AMC)

The second episode of 61st Street was only a slight improvement over the first.  I liked the scenes involving Courtney B. Vance and his son and I actually kind of wish that the entire show was just about those two characters.  The rest of the episode was painfully heavy-handed and, most importantly, it still had no sense of place.  For all the show’s attempts to be a Chicago show (and, perhaps even more importantly, a 61st Street show), the setting still felt generic.  For a show like this to reach the lofty heights to which it aspires, Chicago would have to become a character in much the same way that Baltimore was a character in The Wire or New York City was a character in a few of the better episodes of Law & Order.  61st Street isn’t there yet.

Allo Allo (Sunday Night, PBS)

I had two episodes of this British sitcom on the DVR.  In the aftermath of the attempted rescue of the British airmen from the Chateau, Herr Flick was briefly arrested, Rene continued to be annoyed by the demands put upon him, and Michelle continued to say things only once.  The airmen were eventually rescued, which led to another round of trying to find and sell the stolen painting.  In the end, Rene has to disguise himself as a priest.  It was all a bit confusing.

Atlanta (Thursday Night, FX)

After four years, Donald Glover’s surreal comedy-drama is back.  Actually, it’s been back since March but it was only this week that I was able to catch up with it.  I watched the first three episodes on Tuesday.  The first episode was a disturbing horror story, about a black child who is forced into the foster system and who is nearly murdered by his white foster parents.  This episode turned out to all be a dream but, at the same time, it was also based on a very real murder case and it stuck closely to what actually happened.  This was followed by episodes that followed Earn, Al, Darius, and Van as they explored first Amsterdam and then London.  The third episode, which dealt with rich white guilt and the white savior complex , was particularly well-done.

I watched the fourth and the fifth episodes on Thursday afternoon.  The fourth episode featured none of the regular characters and told the surreal story of a white man (Justin Bartha) who was being sued by the descendant of a slave who was owned by his ancestors.  A character from the first episode made an appearance, still talking about what it meant to be white.  I assume this was meant to indicate that this episode may have been another dream but, as opposed to the first episode, it didn’t end with Earn waking up so …. who knows?  The fifth episode featured the search for Al’s missing phone and, though it was a bit more obviously comedic than the previous episode, it was also a bit unsettling.  It was obvious that the phone was meant to represent much more than just a phone, that it was instead a symbol of both Al’s talent and his individuality.

This bring us to the most recent episode, “White Fashion.”  “White Fashion” opens with a London fashion house making a huge mistake when they sell a terrifying but all too plausible “Central Park 5” jersey.  Looking to do damage control, they bring in Al and a host of other social justice influencers.  “Racism will be over by 2024!” one of them shouts during the press conference.  Al’s attempt to get the company to make a commitment to investing in black communities leads to a terrifying but, again, all too plausible black-and-white commercial in which a collection of people, ranging from a gender fluid cowboy to a posh old lady, announce that this is “our hood.”  Meanwhile, Darius took a white woman to a Nigerian restaurant and, within our hours, the woman had bought the restaurant and transformed it into her own take on Nigerian food.  Earn and Van danced together in a nice hotel room but then Earn woke up alone, leaving us all to wonder if perhaps this entire season has just been a collection of dreams.

Better Call Saul (Monday Night, AMC)

Better Call Saul is back, in all of its twisty and grimly funny glory.  Knowing that Bob Odenkirk nearly died during shooting does add an extra poignancy to the show’s final season. This Monday, AMC aired the first two episodes of Season 6.  The characters, with their complete and total amorality, remains fascinating.

The Doctors (Tuesday morning, Syndication)

I drove my Dad to a doctor’s appointment on Tuesday.  An episode of this amazingly vacuous talk show was playing in the front lobby.  I have to admit that I didn’t pay much attention to it.  I mean, I was already in a doctor’s office.  Why would I want to watch a show that would only remind me of that?

The Girl From Plainville (Hulu)

This week’s episode of The Girl From Plainville really overestimated the excitement that can be generated by watching people read text messages aloud.  The show has moved on to the trial portion of Michelle Carter’s story, which is a bit dull since the actual trial was already televised so it’s not as if The Girl From Plainville is showing us something new.  The episode also featured scenes of Michelle and Conrad dealing with their own mental health and the main theme seemed to be that, even if Michelle hadn’t met him, Conrad would have been doomed by growing up in his dysfunctional family.  Seriously, there is not a single character on this show who is the least bit likable.

Only Murders In The Building (Hulu)

I binged the first season of Only Murders In The Building on Friday and Saturday.  Steve Martin, Martin Short, and Selena Gomez play three mismatched true crime aficionados who end up solving a murder in their building, along with starting a true crime podcast.  I could have done without the dead cat but, for the most part, I really liked this show.  Maybe it’s because I’ve always wanted to solve a mystery myself.  Amy Ryan, Steve Martin, Selena Gomez, and especially Martin Short all gave wonderful performances in the lead roles.  As well, Nathan Lane was wonderfully (and surprisingly) menacing in the episodes in which he appeared.  And, of course, Sting played himself and was basically the guy that you would never want to live next to.  This show wonderfully captured the current morbidity of our national cuture.

Open All Hours (Sunday Night, PBS)

I actually had two episodes of Open All Hours on my DVR.  I watch them both.  It was a depressing hour.  I found myself wondering why Granville never tried to run away.  What power did Arkwright have over him?

Rachael Ray (Tuesday morning, Syndication)

When I took my Dad to a doctor’s appointment on Tuesday, I watched two shows in the front lobby.  The first was The Doctors.  The second was Rachael Ray.  Personally, I like Rachael Ray but I think she would get mad at me if she ever saw me trying to cook.

Survivor (Wednesday Night, CBS)

I wrote about the latest episode of Survivor here!

Here Are The SAG Nominations!


Here are the SAG nominations!  I’ll be post my thoughts under the noms because — let’s be honest, the noms are what you’re here for:

BEST ENSEMBLE
Da 5 Bloods
Ma Rainey’s Black Bottom
Minari
One Night In Miami
The Trial Of The Chicago 7

BEST LEAD ACTOR (FEMALE)
Amy Adams – Hillbilly Elegy
Viola Davis – Ma Rainey’s Black Bottom
Vanessa Kirby – Pieces Of A Woman
Frances McDormand – Nomadland
Carey Mulligan – Promising Young Woman

BEST LEAD ACTOR (MALE)
Riz Ahmed – Sound Of Metal
Chadwick Boseman – Ma Rainey’s Black Bottom
Anthony Hopkins – The Father
Gary Oldman – Mank
Steven Yeun – Minari

BEST SUPPORTING ACTOR (FEMALE)
Maria Bakalova – Borat Subsequent Moviefilm
Glenn Close – Hillbilly Elegy
Olivia Colman – The Father
Youn Yuh-Jung – Minari
Helena Zengel – News Of The World

BEST SUPPORTING ACTOR (MALE)
Sacha Baron Cohen – The Trial Of The Chicago 7
Chadwick Boseman – Da 5 Bloods
Daniel Kaluuya – Judas And The Black Messiah
Jared Leto – The Little Things
Leslie Odom Jr. – One Night In Miami

BEST STUNT ENSEMBLE
Da 5 Bloods
Mulan
News of the World
The Trial of the Chicago 7
Wonder Woman 1984

BEST ENSEMBLE IN A DRAMA SERIES
Better Call Saul
Bridgerton
The Crown
Lovecraft Country
Ozark

BEST ACTRESS IN A DRAMA SERIES
Gillian Anderson – The Crown
Olivia Colman – The Crown
Emma Corrin – The Crown
Julia Garner – Ozark
Laura Linney – Ozark

BEST ACTOR IN A DRAMA SERIES
Jason Bateman – Ozark
Sterling K. Brown – This Is Us
Josh O’Connor – The Crown
Bob Odenkirk – Better Call Saul
Regé-Jean Page – Bridgerton

BEST ENSEMBLE IN A COMEDY SERIES
Dead To Me
The Flight Attendant
The Great
Schitt’s Creek
Ted Lasso

BEST ACTOR IN A COMEDY SERIES
Nicholas Hoult – The Great
Daniel Levy – Schitt’s Creek
Eugene Levy – Schitt’s Creek
Jason Sudekis – Ted Lasso
Ramy Youseff – Ramy

BEST ACTRESS IN A COMEDY SERIES
Christina Applegate – Dead To Me
Linda Cardellini – Dead To Me
Kaley Cuoco – The Flight Attendant
Annie Murphy – Schitt’s Creek
Catherine O’Hara – Schitt’s Creek

BEST ACTOR IN A TV MOVIE/LIMITED SERIES
Bill Camp – The Queen’s Gambit
​Daveed Diggs – Hamilton
Hugh Grant – The Undoing
Ethan Hawke – The Good Lord Bird
Mark Ruffalo – I Know This Much Is True

BEST ACTRESS IN A TV MOVIE/LIMITED SERIES
Cate Blanchett – Mrs. America
Cole – I May Destroy You
Nicole Kidman – The Undoing
Anya Taylor-Joy – The Queen’s Gambit
Kerry Washington – Little Fires Everywhere

Okay, my thoughts:

I guess the big news is that the SAG appreciated Hillbilly Elegy a bit more than the critics.  Glenn Close picking up a supporting actress nom isn’t a huge shock but I do think a few people were a bit surprised to see Amy Adams nominated.  Personally, I think Amy Adams was okay in Hillbilly Elegy but I’ll be kind of disappointed if — after all the great performance she’s given — this is the one that she picks up an Oscar for.

We all kind of laughed off Jared Leto picking up that supporting nomination from the Golden Globes but the SAG nominated him as well!  Is this a sign of momentum or just a crazy coincidence?  Either way, this doesn’t bode well for the Oscar hopes of Sound of Metal‘s Paul Raci.  Raci’s picked up a lot of critical support but getting snubbed by both the Globes and SAG doesn’t seem like a good sign.

Speaking of signs, I’m going to assume that Sidney Flanigan’s Oscar hopes are pretty much gone.  Like Raci, she seems like she would have needed either a GG or a SAG nomination to really break through.

Amanda Seyfried was not nominated.  That took me by surprise but it didn’t upset me as much as Raci getting snubbed, largely because I like Sound of Metal considerably more than Mank.

I think Spike Lee’s Da 5 Bloods is the overrated film of 2020 but you still have to wonder how the film could pick up a Best Ensemble nomination without also getting best actor nomination for Delroy Lindo.  Lindo was also snubbed by the Globes so again, the prospect of him getting nominated for an Oscar no longer seems like a sure thing.

Good news for Steven Yeun!  Some people were writing him off after he didn’t get a Golden Globe nomination but the SAG nomination puts him right back into the hunt.

Finally, the SAG is one of the best precursors regarding what films and performances will actually receive Oscar nominations.  So, whether or not I or anyone else agrees with all of the nominations, the nominees have to be feeling very happy right now.  Best of luck to them all!

Here Are The 78th Annual Golden Globe Nominations!


I’m totally turned off by the self-importance of the Golden Globes and I resent every time that I have to write about them.

That said, despite the fact that no one is quite sure who actually votes for the damn things and stories of corruption in the Hollywood Foreign Press Association have been rampant for years, the Golden Globes have still emerged as one of the main Oscar precursors.  So, you kind of have to pay attention to them.  Bleh.

There really aren’t any huge shocks in the list of nominees below, with the exception of maybe Jared Leto for Best Supporting Actor and James Corden’s Prom nomination.  I mean, if you’re that determined to nominate someone for The Prom, why would you go for James Corden as opposed to Meryl Streep?  That’s just odd.

Anyway, here are the nominations:

Best Motion Picture, Drama
“The Father”
“Mank”
“Nomadland”
“Promising Young Woman”
“The Trial of the Chicago 7”

Best Motion Picture, Musical or Comedy
“Borat Subsequent Moviefilm”
“Hamilton”
“Music”
“Palm Springs”
“The Prom”

Best Director, Motion Picture
Emerald Fennell, “Promising Young Woman”
David Fincher, “Mank”
Regina King, “One Night In Miami”
Aaron Sorkin, “The Trial of the Chicago 7”
Chloé Zhao, “Nomadland”

Best Performance by an Actress in a Motion Picture, Drama
Viola Davis, “Ma Rainey’s Black Bottom”
Andra Day, “The United States vs. Billie Holiday”
Vanessa Kirby, “Pieces of a Woman”
Frances McDormand, “Nomadland”
Carey Mulligan, “Promising Young Woman”

Best Performance by an Actress in a Motion Picture, Musical or Comedy
Maria Bakalova, “Borat Subsequent Moviefilm”
Kate Hudson, “Music”
Michelle Pfeiffer, “French Exit”
Rosamund Pike, “I Care a Lot”
Anya Taylor-Joy, “Emma”

Best Performance by an Actress in a Supporting Role in any Motion Picture
Glenn Close, “Hillbilly Elegy”
Olivia Colman, “The Father”
Jodie Foster, “The Mauritanian”
Amanda Seyfried, “Mank”
Helena Zengel, “News of the World”

Best Performance by an Actor in a Motion Picture, Drama
Riz Ahmed, “Sound of Metal”
Chadwick Boseman, “Ma Rainey’s Black Bottom”
Anthony Hopkins, “The Father”
Gary Oldman, “Mank”
Tahar Rahim, “The Mauritanian”

Best Performance by an Actor in a Motion Picture, Musical or Comedy
Sacha Baron Cohen, “Borat Subsequent Moviefilm”
James Corden, “The Prom”
Lin-Manuel Miranda, “Hamilton”
Dev Patel, “The Personal History of David Copperfield”
Andy Samberg, “Palm Springs”

Best Performance by an Actor in a Supporting Role in any Motion Picture
Sacha Baron Cohen, “The Trial of the Chicago 7”
Daniel Kaluuya, “Judas and the Black Messiah”
Jared Leto, “The Little Things”
Billy Murray, “On the Rocks”
Leslie Odom Jr., “One Night In Miami”

Best Screenplay, Motion Picture
Emerald Fennell, “Promising Young Woman”
Jack Fincher, “Mank”
Aaron Sorkin, “The Trial of the Chicago 7”
Florian Zeller and Christopher Hampton, “The Father”
Chloé Zhao, “Nomadland”

Best Original Score, Motion Picture
Alexandre Desplat, “The Midnight Sky”
Ludwig Göransson, “Tenet”
James Newton Howard, “News of the World”
Trent Reznor and Atticus Ross, “Mank”
Trent Reznor, Atticus Ross and Jon Batiste, “Soul”

Best Original Song, Motion Picture
“Fight For You,” Judas and the Black Messiah”
“Hear My Voice,” The Trial of the Chicago 7”
“Io Sì (Seen),” The Life Ahead”
“Speak Now,” One Night In Miami”
“Tigress & Tweed,” The United States Vs. Billie Holiday”

Best Motion Picture, Animated
“The Croods: A New Age”
“Onward”
“Over the Moon”
“Soul”
“Wolfwalkers”

Best Motion Picture, Foreign Language
“Another Round”
“La Llorona”
“The Life Ahead”
“Minari”
“Two Of Us”

Best Television Series, Drama
“The Crown”
“Lovecraft Country”
“The Mandalorian”
“Ozark”
“Ratched”

Best Television Series, Musical or Comedy
“Emily in Paris”
“The Flight Attendant”
“The Great”
“Schitt’s Creek”
“Ted Lasso”

Best Limited Series, Anthology Series or a Motion Picture made for Television
“Normal People”
“The Queen’s Gambit”
“Small Axe”
“The Undoing”
“Unorthodox”

Best Performance by an Actress in a Television Series, Drama
Olivia Colman, “The Crown”
Jodie Comer, “Killing Eve”
Emma Corrin, “The Crown”
Laura Linney, “Ozark”
Sarah Paulson, “Ratched”

Best Performance by an Actress in a Television Series, Musical or Comedy
Lily Collins, “Emily In Paris”
Kaley Cuoco, “The Flight Attendant”
Elle Fanning, “The Great”
Jane Levy, “Zoey’s Extraordinary Playlist”
Catherine O’Hara, “Schitt’s Creek”

Best Performance by an Actress in a Limited Series, Anthology Series or a Motion Picture Made for Television
Cate Blanchett, “Mrs. America”
Daisy Edgar Jones, “Normal People”
Shira Haas, “Unorthodox”
Nicole Kidman, “The Undoing”
Anya Taylor-Joy, “The Queen’s Gambit”

Best Performance by an Actress in a Television Supporting Role
Gillian Anderson, “The Crown”
Helena Bonham Carter, “The Crown”
Julia Garner, “Ozark”
Annie Murphy, “Schitt’s Creek”
Cynthia Nixon, “Ratched”

Best Performance by an Actor in a Television Series, Drama
Jason Bateman, “Ozark”
Josh O’Connor, “The Crown”
Bob Odenkirk, “Better Call Saul”
Al Pacino, “Hunters”
Matthew Rhys, “Perry Mason”

Best Performance by an Actor in a Television Series, Musical or Comedy
Don Cheadle, “Black Monday”
Nicholas Hoult, “The Great”
Eugene Levy, “Schitt’s Creek”
Jason Sudeikis, “Ted Lasso”
Ramy Youssef, “Ramy”

Best Performance by an Actor in a Limited Series or a Motion Picture Made for Television
Bryan Cranston, “Your Honor”
Jeff Daniels, “The Comey Rule”
Hugh Grant, “The Undoing”
Ethan Hawke, “The Good Lord Bird”
Mark Ruffalo, “I Know This Much is True”

Best Performance by an Actor in a Television Supporting Role
John Boyega, “Small Axe”
Brendan Gleeson, “The Comey Rule”
Daniel Levy, “Schitt’s Creek”
Jim Parsons, “Hollywood”
Donald Sutherland, “The Undoing”

12 Good Things I Saw On Television In 2020


What to say about television in 2020?

It’s hard to come up with much, largely because there really wasn’t a whole lot of television to watch.  With the pandemic shutting down several productions and even knocking out stuff like the Olympics, network television was even more of a wasteland than usual.  As far as the major networks were concerned, 2020 was a year of rerurns and overproduced celebrity-themed game shows.

I’m sure that some would say that the presidential election livened things up and I have to admit that I did enjoy snarking on Michael Bloomberg, Tom Steyer, and MJ Hegar, all three of whom seem to be competing to see whose campaigns could put out the most cringe-worthy commercials possible.  But, with Trump on one side and Biden on the other, there was little about this election that was enjoyable to watch.  Indeed, I’ve reached the point where just thinking about hearing someone say, “Fake news” or “Come on, man,” makes me want to throw something across the room.

Even my old reliables failed me this year.  Survivor halted production.  The Amazing Race and Big Brother both featured the least likable cast imaginable.   It’s hard to get excited when bullies are winning your favorite shows.

As usual, the streaming services did a bit better than the networks but, in the end, it feels as if I spent most of 2020 watching the retro channels.  Whenever the real world got too stressful, annoying, or stupid, I would go out to my private office and I’d watch a channel like MeTV, AntennaTV, ForwardTV*, or maybe even CoziTV.  To be honest, it really didn’t matter what old shows they were showing.  All that mattered was that watching those shows of the past provided an escape from all the bad stuff happening in the present.  They provided non-threatening background noise and there’s something to be said for that.  They’re televised time capsules, perfect for a history nerd like me.

(*To be honest, I’m not sure that there really is a network called ForwardTV.  I do know that I frequently watch Ghost Whisperer on one of the retro channels and I’ve never actually caught the name of the channel.  Maybe it’s ForwardTV.  Who knows?)

So, this year, my list of good things that I saw on TV is going to be shorter than usual.  Who knows?  It could be for the best.  I usually watch too much TV as it is.

  1. A Teacher

This miniseries, about a teacher who has an affair with a student and how it continues to determine the shape of their lives long after the affair ends, was an unusually intelligent and thought-provoking show.  As the teacher and the student, Kate Mara and Nick Robinson both gave realistic and empathetic performances.

2. Bad Education

One of the best films of the year premiered on HBO.  On the one hand, it’s sad to think that the film would have been eligible the Oscars if it had only been bought by Netflix.  On the other hand, though, it’s totally possible that more people saw it on HBO than would have seen it otherwise.  Hugh Jackman didn’t win an Emmy and he’s not going to get an Oscar but he still gave one of the best performances of 2020.

3. Michael Bloomberg blowing it during his first Democratic Debate

Considering how obnoxious and ever-present his commercials were (“Mike will get it done!”), there was something deeply satisfying about watching this smug technocrat totally blow it when he actually found himself on live TV and having to deal with actual human beings.  There wasn’t much to enjoy as far as politics went in 2020 but seeing Bloomberg get booed after trying to explain away all of the HR complaints against him was a joy.

4. Seduced: Inside the NXIVM Cult

There were two high-profile NXIVM series last year.  HBO had The Vow, which was a lengthy series that was produced by a bunch of former NXIVM members and which tried to make the director of What The Bleep Do We Know into some sort of hero.  Seduced, meanwhile, was an honest look at life in the cult, one that pulled no punches and which made The Vow look worse and worse with each episode.

5. Saved By The Bell: The Reboot

The Saved By The Bell reboot turned out to be a 100 times better than it had any right to be.

6. 9-1-1: Lone Star

This show is a guilty pleasure for me, I’ll admit it.  On the one hand, it does a fairly good job of capturing the feel and attitude of my homestate.  On the other hand, I don’t know that there’s as many volcanoes in Texas as this show seems to think.  No matter, though!  It’s over-the-top and fun.

7. The Mandalorian

I’m not even into Star Wars and even I had to admit that The Mandalorian was pretty damn cool.  I’m among the many people who started watching for Baby Yoda and who stuck around because the show itself turned out to be so unexpectedly entertaining.

8. Better Call Saul 

Saul Goodman never lets us down.

9. The Queen

Neither does Queen Elizabeth.

10. Ghost Whisperer Reruns

And neither does Melinda!  Eve when she’s appearing in reruns airing on Hulu and whatever ForwardTV actually is.

11. Coronation Sreet

They have a ton of episodes on Hulu!  Considering that it often seemed as if I might never get to leave the country again, there was something nice about being able to go on Hulu and watch something as British as this show.

12. I learned to appreciate the Daytime Dramas

When you’re working from home in the middle of a pandemic, there’s something oddly comfortable about turning on the TV and seeing something like the Bold and the Beautiful or General Hospital.  Those shows are always there, they’re always dealing with same stuff that it’s been dealing with for decades, and they are also the shows most likely to get interrupted by a breaking news alert.  So, as long as I turn on the TV at 12:45 and I see The Bold and the Beautiful instead of Norah O’Donnell looking somber, I know that the day’s probably going to be crisis-free.

TSL Looks Back at 2020:

  1. Lisa Marie’s Top 8 Novels of 2020 (Lisa Marie Bowman)
  2. Lisa Marie’s Top 8 Non-Fiction Books of 2020 (Lisa Marie Bowman)
  3. Lisa Marie’s 20 Favorite Songs of 2020 (Lisa Marie Bowman)
  4. Lisa Marie’s 16 Worst Films of 2020 (Lisa Marie Bowman)
  5. My Top 20 Albums of 2020 (Necromoonyeti)
  6. 25 Best, Worst, and Gems That I Saw In 2020 (Valerie Troutman)
  7. Top 10 Vintage Collections (Ryan C)
  8. Top 10 Contemporary Collections (Ryan C)
  9. Top 10 Original Graphic Novels (Ryan C)
  10. Top 10 Ongoing Series (Ryan C.)
  11. Top 10 Special Mentions (Ryan C.)
  12. Top Ten Single Issues (Ryan C)

Here Are The Major 72nd Emmy Nominations!


Usually, when it’s time for the Emmy nominations to be announced, I’ll post what I personally would have nominated.  I didn’t do it this year because, for whatever reason, I didn’t watch as much TV last season as I have in the past so I felt like, if I had done a Lisa Has All The Power post for the Emmy nominations, I would have ended up just nominating a bunch of shows that I hadn’t actually watched and that would just be wrong.

I will say that I was hoping to see nominations for Bad Education and Unbelievable.  Both did receive nominations, though not as much as they should have.  Bad Education was nominated for Best TV Movie and Hugh Jackman received a nomination but it deserved so much more.  (It’s the best film that I’ve seen so far this year and it bugs the Hell out of me that it was sold to HBO and not Netflix because Bad Education is the type of movie that should get Oscar recognition.)  Unbelievable was nominated for Best Limited Series but Kaitlyn Dever and Merritt Weaver deserved nominations as well.  I was also disappointed that neither Aaron Paul nor Robert Forster were nominated for El Camino.  I’m also upset that my favorite comedy series — Medical Police — was totally snubbed but I’m not really surprised.  Medical Police is hilarious but it’s not self-important enough for the Emmys.  Still, considering that Curb Your Enthusiasm was kind of terrible this year, it’s a shame that Medical Police couldn’t sneak in there.

(This year still isn’t as bad as the year that Twin Peaks: The Return was snubbed in all the major categories.)

Anyway, here are the major nominees.  At least The Mandalorian got some recognition.  GO BABY YODA!

Drama Series

“Better Call Saul” (AMC)
“The Crown” (Netflix)
“The Handmaid’s Tale” (Hulu)
“Killing Eve” (BBC America/AMC)
“The Mandalorian” (Disney Plus)
“Ozark” (Netflix)
“Stranger Things” (Netflix)
“Succession” (HBO)

Comedy Series

“Curb Your Enthusiasm” (HBO)
“Dead to Me” (Netflix)
“The Good Place” (NBC)
“Insecure” (HBO)
“The Kominsky Method” (Netflix)
“The Marvelous Mrs. Maisel” (Amazon Prime Video)
“Schitt’s Creek” (Pop TV)
“What We Do in the Shadows” (FX)

Limited Series

“Little Fires Everywhere” (Hulu)
“Mrs. America” (Hulu)
“Unbelievable” (Netflix)
“Unorthodox” (Netflix)
“Watchmen” (HBO)

Televison Movie

“American Son” (Netflix)

“Bad Education” (HBO)

“Dolly Parton’s Heartstrings: These Old Bones” (Netflix)

“El Camino: A Breaking Bad Movie” (Netflix)

Unbreakable Kimmy Schmidt: Kimmy vs. The Reverend (Netflix)

Lead Actor in a Drama Series

Jason Bateman (“Ozark”)
Sterling K. Brown (“This Is Us”)
Steve Carell (“The Morning Show”)
Brian Cox (“Succession”)
Billy Porter (“Pose”)
Jeremy Strong (“Succession”)

Lead Actress in a Drama Series

Jennifer Aniston (“The Morning Show”)
Olivia Colman (“The Crown”)
Jodie Comer (“Killing Eve”)
Laura Linney (“Ozark”)
Sandra Oh (“Killing Eve”)
Zendaya (“Euphoria”)

Lead Actor in a Comedy Series

Anthony Anderson (“Black-ish”)
Don Cheadle (“Black Monday”)
Ted Danson (“The Good Place”)
Michael Douglas (“The Kominsky Method”)
Eugene Levy (“Schitt’s Creek”)
Ramy Youssef (“Ramy”)

Lead Actress in a Comedy Series

Christina Applegate (“Dead to Me”)
Rachel Brosnahan (“The Marvelous Mrs. Maisel”)
Linda Cardellini (“Dead to Me”)
Catherine O’Hara (“Schitt’s Creek”)
Issa Rae (“Insecure”)
Tracee Ellis Ross (“Black-ish”)

Lead Actor in a Limited Series or Movie

Jeremy Irons (“Watchmen”)
Hugh Jackman (“Bad Education”)
Paul Mescal (“Normal People”)
Jeremy Pope (“Hollywood”)
Mark Ruffalo (“I Know This Much Is True”)

Lead Actress in a Limited Series or Movie

Cate Blanchett (“Mrs. America”)
Shira Haas (“Unorthodox”)
Regina King (“Watchmen”)
Octavia Spencer (“Self Made”)
Kerry Washington (“Little Fires Everywhere”)

Supporting Actor in a Drama Series

Giancarlo Esposito (“Better Call Saul”)
Bradley Whitford (“The Handmaid’s Tale”)
Billy Crudup (“The Morning Show”)
Mark Duplass (“The Morning Show”)
Nicholas Braun (“Succession”)
Kieran Culkin (“Succession”)
Matthew Macfadyen (“Succession”)
Jeffrey Wright (“Westworld”)

Supporting Actress in a Drama Series

Laura Dern (“Big Little Lies”)
Meryl Streep (“Big Little Lies”)
Helena Bonham Carter (“The Crown”)
Samira Wiley (“The Handmaid’s Tale”)
Fiona Shaw (“Killing Eve”)
Julia Garner (“Ozark”)
Sarah Snook (“Succession”)
Thandie Newton (“Westworld”)

Supporting Actor in a Comedy Series

Andre Braugher (“Brooklyn Nine-Nine”)
William Jackson Harper (“The Good Place”)
Alan Arkin (“The Kominsky Method”)
Sterling K. Brown (“The Marvelous Mrs. Maisel”)
Tony Shalhoub (“The Marvelous Mrs. Maisel”)
Mahershala Ali (“Ramy”)
Kenan Thompson (“Saturday Night Live”)
Dan Levy (“Schitt’s Creek”)

Supporting Actress in a Comedy Series

Betty Gilpin (“GLOW”)
D’Arcy Carden (“The Good Place”)
Yvonne Orji (“Insecure”)
Alex Borstein (“The Marvelous Mrs. Maisel”)
Marin Hinkle (“The Marvelous Mrs. Maisel”)
Kate McKinnon (“Saturday Night Live”)
Cecily Strong (“Saturday Night Live”)
Annie Murphy (“Schitt’s Creek”)

Supporting Actor in a Limited Series or Movie

Dylan McDermott (“Hollywood”)
Jim Parsons (“Hollywood”)
Tituss Burgess (“Unbreakable Kimmy Schmidt: Kimmy vs. the Reverend”)
Yahya Abdul-Mateen II (“Watchmen”)
Jovan Adepo (“Watchmen”)
Louis Gossett Jr. (“Watchmen”)

Supporting Actress in a Limited Series or Movie

Holland Taylor (“Hollywood”)
Uzo Aduba (“Mrs. America”)
Margo Martindale (“Mrs. America”)
Tracey Ullman (“Mrs. America”)
Toni Collette (“Unbelievable”)
Jean Smart (“Watchmen”)

Reality Competition

“The Masked Singer” (FOX)
“Nailed It” (Netflix)
“RuPaul’s Drag Race” (VH1)
“Top Chef” (Bravo)
“The Voice” (NBC)

Variety Sketch Series

“A Black Lady Sketch Show” (HBO)
“Drunk History” (Comedy Central)
“Saturday Night Live” (NBC)

Variety Talk Series

“Daily Show with Trevor Noah” (Comedy Central)
“Full Frontal with Samantha Bee” (TBS)
“Jimmy Kimmel Live” (ABC)
“Last Week Tonight with John Oliver” (HBO)
“Late Show with Stephen Colbert” (CBS)

What If Lisa Had All The Power: 2019 Emmy Nominations Edition


In a few hours, the 2019 Emmy nominations will be announced!

Since I love awards and I love making lists, it’s an annual tradition that I list who and what would be nominated if I had all the power.  Keep in mind that what you’re seeing below are not necessarily my predictions of what or who will actually be nominated.  Many of the shows listed below will probably be ignored tomorrow morning.  Instead, this is a list of the nominees and winners if I was the one who was solely responsible for picking them.

Because I got off to a late start this year, I’m only listing the major categories below.  I may go back and do a full, 100-category list sometime tomorrow.  Who knows?  I do love making lists.

Anyway, here’s what would be nominated and what would win if I had all the power!  (Winners are listed in bold.)

(Want to see who and what was nominated for Emmy consideration this year?  Click here!)

(Want to see my picks for last year?  Click here!)

(Want to see my picks for 2012?  I know, that’s kinda random.  Anyway, click here!)

Programming

Outstanding Comedy Series

Barry

Brooklyn Nine-Nine

GLOW

It’s Always Sunny In Philadelphia

The Marvelous Mrs. Maisel

One Day At A Time

Veep

Vida

Outstanding Drama Series

Better Call Saul

Dynasty

Flack

Game of Thrones

The Magicians

My Brilliant Friend

Ozark

You

Outstanding Limited Series

Chernobyl

Fosse/Verdon

The Haunting of Hill House

I Am The Night

Maniac

Sharp Objects

True Detective

A Very English Scandal

Outstanding Television Movie

The Bad Seed

Bandersnatch (Black Mirror)

Brexit

Deadwood

King Lear

Native Son

No One Would Tell

O.G.

Performer

Outstanding Lead Actor in a Comedy Series

Iain Armitage in Young Sheldon

Ted Danson in The Good Place

Bill Hader in Barry

Pete Holmes in Crashing

Glenn Howerton in A.P. Bio

Andy Samberg in Brooklyn Nine Nine

Outstanding Lead Actor in a Drama Series

Penn Badgley in You

Jason Bateman in Ozark

James Franco in The Deuce

John Krasinski in Tom Clancy’s Jack Ryan

Bob Odenkirk in Better Call Saul

Dominic West in The Affair

Outstanding Lead Actor In a Limited Series

Hugh Grant in A Very English Scandal

Jared Harris in Chernobyl

Jonah Hill in Maniac

Chris Pine in I Am The Night

Sam Rockwell in Fosse/Verdon

Henry Thomas in The Haunting of Hill House

Outstanding Lead Actor In An Original Movie

Benedict Cumberbatch in Brexit

Anthony Hopkins in King Lear

Rob Lowe in The Bad Seed

Ian McShane in Deadwood

Timothy Olyphant in Deadwood

Jeffrey Wright in O.G.

Outstanding Lead Actress In A Comedy Series

Melissa Barrera in Vida

Kristen Bell in The Good Place

Alison Brie in GLOW

Rachel Brosnahan in The Marvelous Mrs. Maisel

Julia Louis-Dreyfus in Veep

Zoe Perry in Young Sheldon

Outstanding Lead Actress in A Drama Series

Emilia Clarke in Game of Thrones

Gaia Girace in My Brilliant Friend

Maggie Gyllenhaal in The Deuce

Laura Linney in Ozark

Margherita Mazzucco in My Brilliant Friend

Anna Paquin in Flack

Outstanding Lead Actress in a Limited Series

Amy Adams in Sharp Objects

India Eisley in I Am The Night

Carla Gugino in The Haunting of Hill House

Charlotte Hope in The Spanish Princess

Emma Stone in Maniac

Michelle Williams in Fosse/Verdon

Outstanding Lead Actress in an Original Movie

Shannen Doherty in No One Would Tell

Chelsea Frei in Victoria Gotti: My Father’s Daughter

McKenna Grace in The Bad Seed

Paula Malcolmson in Deadwood

Molly Parker in Deadwood

Christina Ricci in Escaping The Madhouse: The Nellie Bly Story

Outstanding Supporting Actor In A Comedy Series

Fred Armisen in Documentary Now!

Andre Braugher in Brooklyn Nine Nine

Anthony Carrigan in Barry

Tony Hale in Veep

Sam Richardson in Veep

Stephen Root in Barry

Outstanding Supporting Actor In A Drama Series

Jonathan Banks in Better Call Saul

Nikolaj Coster-Waldau in Game of Thrones

Peter Dinklage in Game of Thrones

Giancarlo Esposito in Better Call Saul

Peter Mullan in Ozark

Luca Padovan in You

Outstanding Supporting Actor In A Limited Series

Stephen Dorff in True Detective

Timothy Hutton in The Haunting of Hill House

Chris Messina in Sharp Objects

Stellan Skarsgard in Chernobyl

Justin Thereoux in Maniac

Ben Whishaw in A Very English Scandal

Outstanding Supporting Actor In An Original Movie

Jim Broadbent in King Lear

Bill Camp in Native Son

Theothus Carter in O.G.

Rory Kinnear in Brexit

Gerald McRaney in Deadwood

Will Poulter in Bandersnatch (Black Mirror)

Outstanding Supporting Actress in A Comedy Series

Caroline Aaron in The Marvelous Mrs. Maisel

Alex Borstein in The Marvelous Mrs. Maisel

Anna Chlumsky in Veep

Sarah Goldberg in Barry

Rita Moreno in One Day At A Time

Sarah Sutherland in Veep

Outstanding Supporting Actress In A Drama Series

Summer Bishil in The Magicians

Elisa Del Genio in My Brilliant Friend

Julia Garner in Ozark

Lena Headey in Game of Thrones

Elizabeth Lail in You

Shay Mitchell in You

Outstanding Supporting Actress In A Limited Series

Jessie Buckley in Chernobyl

Patricia Clarkson in Sharp Objects

Sally Field in Maniac

Patricia Hodge in A Very English Scandal

Connie Nielsen in I Am The Night

Emily Watson in Chernobyl

Outstanding Supporting Actress In An Original Movie

Kim Dickens in Deadwood

Florence Pugh in King Lear

Margaret Qualley in Favorite Son

Emma Thompson in King Lear

Emily Watson in King Lear

Robin Weigert in Deadwood

 

Here’s the AFI’s Top Ten for 2018!


Earlier, this Tuesday, the American Film Institute announced their picks for the top ten American films and television shows of 2018!  The AFI list is typically one of the most reliable Oscar precursors around.  It’s rare that an American film picks up a best picture nomination without first getting recognized by the AFI.

(Roma, being a Mexican film, was not eligible for AFI honors but it did receive a “special award.”)

AFI MOVIES OF THE YEAR
BLACKKKLANSMAN
BLACK PANTHER
EIGHTH GRADE
IF BEALE STREET COULD TALK
THE FAVOURITE
FIRST REFORMED
GREEN BOOK
MARY POPPINS RETURNS
A QUIET PLACE
A STAR IS BORN

AFI TV PROGRAMS OF THE YEAR
THE AMERICANS
THE ASSASSINATION OF GIANNI VERSACE: AMERICAN CRIME STORY
ATLANTA
BARRY
BETTER CALL SAUL
THE KOMINSKY METHOD
THE MARVELOUS MRS. MAISEL
POSE
SUCCESSION
THIS IS US

AFI SPECIAL AWARD
ROMA