Here Are The 74th Annual Golden Globe Nominations!


Oscar season continued today with even more precursors announcing their picks for the best of 2016!  Perhaps most importantly, the 74th Annual Golden Globe nominations were announced today!  Even though they rarely match up 100%, the Golden Globe nominations are considered to be one of the best precursors for what will be nominated for an Oscar in January.

So, should Silence be worried?  Martin Scorsese’s latest acclaimed film was totally snubbed by the Golden Globes.  That could be an ominous sign for a film that everyone seems to respect but which is still going to be a far harder sell at the box office than either The Wolf of Wall Street or Hugo.

But again, it’s never an exact match between the Globes and the Oscars and the Academy can nominate up to ten films for best picture.  Though it would certainly be interesting (and kinda neat) if it happened, I somehow doubt that the Academy is going nominate Deadpool over Silence.

(For that matter, I doubt Simon Helberg is going to pick up an Oscar nomination for Florence Foster Jenkins.  Just a feeling…)

Below are the Golden Globe film nominations!

(For the TV nominations, why not check out the list over at Awards Watch?)

MOTION PICTURES

Best Motion Picture – Drama
Hacksaw Ridge
Hell or High Water
Lion
Manchester by the Sea
Moonlight

Best Motion Picture – Musical or Comedy
20th Century Women
Deadpool
Florence Foster Jenkins
La La Land
Sing Street

Best Motion Picture – Animated
Kubo and the Two Strings
Moana
My Life as a Zucchini
Sing
Zootopia

Best Motion Picture – Foreign Language
Divines (France)
Elle (France)
Neruda (Chile)
The Salesman (Iran)
Toni Erdmann (Germany)

Best Performance by an Actress in a Motion Picture – Drama
Amy Adams, Arrival
Jessica Chastain, Miss Sloane
Isabelle Huppert, Elle
Ruth Negga, Loving
Natalie Portman, Jackie

Best Performance by an Actor in a Motion Picture – Drama
Casey Affleck, Manchester by the Sea
Joel Edgerton, Loving
Andrew Garfield, Hacksaw Ridge
Viggo Mortensen, Captain Fantastic
Denzel Washington, Fences

Best Performance by an Actress in a Motion Picture – Musical or Comedy
Annette Bening, 20th Century Women
Lily Collins, Rules Don’t Apply
Hailee Steinfeld, The Edge of Seventeen
Emma Stone, La La Land
Meryl Streep, Florence Foster Jenkins

Best Performance by an Actor in a Motion Picture – Musical or Comedy
Colin Farrell, The Lobster
Ryan Gosling, La La Land
Hugh Grant, Florence Foster Jenkins
Jonah Hill, War Dogs
Ryan Reynolds, Deadpool

Best Performance by an Actress in a Supporting Role in any Motion Picture
Viola Davis, Fences
Naomie Harris, Moonlight
Nicole Kidman, Lion
Octavia Spencer, Hidden Figures
Michelle Williams, Manchester by the Sea

Best Performance by an Actor in a Supporting Role in any Motion Picture
Mahershala Ali, Moonlight
Jeff Bridges, Hell or High Water
Simon Helberg, Florence Foster Jenkins
Dev Patel, Lion
Aaron Taylor-Johnson, Nocturnal Animals

Best Director – Motion Picture
Damien Chazelle, La La Land
Tom Ford, Nocturnal Animals
Mel Gibson, Hacksaw Ridge
Barry Jenkins, Moonlight
Kenneth Lonergan, Manchester by the Sea

Best Screenplay – Motion Picture
Hell or High Water
La La Land
Manchester by the Sea
Moonlight
Nocturnal Animals

Best Original Score – Motion Picture
Arrival
Hidden Figures
La La Land
Lion
Moonlight

Best Original Song – Motion Picture
“Gold,” Gold
“City of Stars,” La La Land
“How Far I’ll Go,” Moana
“Faith,” Sing
“Can’t Stop the Feeling,” Trolls

Moana

I, Daniel Blake Wins At Cannes And Americans Ask, “Who Is Ken Loach And Who Does He Play For?”


The winners of this year’s Cannes Film Festival have just been announced!

As I look over these winners and think about the rather muted reviews that came out of Cannes this year, I have to ask: Is it just me or is 2016 shaping up to be a fairly blah year for the movies?

I mean, just think about last year at this time.  Everyone at the Cannes Film Festival was excited over Carol.  People were still talking about how much they loved Brooklyn and End of The Tour at Sundance.  Both Mad Max: Fury Road and Ex Machina were playing in theaters.  Inside Out was on the verge of being released and people were whispering that Straight Outta Compton might actually be a great movie.  There was a lot to be excited about!

This year, however, it’s just like, “Who cares?”  Even the excitement that some people have for Nate Parker’s Birth of a Nation and Martin Scorsese’s Silence feels more obligatory than sincere.

(Did Sasha Stone go to Cannes this year?  I know I could check the Awards Daily web site but, as of late, reading Awards Daily has become almost as tedious as reading the Daily Kos.  But I mention Stone specifically because she epitomizes something that I’ve noticed about almost all of the big names in the online film community. They are currently more concerned with bitching about this meaningless and stupid election than in talking about movies.  Even when they do talk about movies, it’s always in relation to this election.  BLEH!  Political situations are only temporary.  Movies are forever.)

Anyway, just from what I did hear back from Cannes, I’m looking forward to seeing Personal Shopper, Elle, The Neon Demon, Toni Edrmann, and American Honey.  I doubt I’ll get a chance to see the Palme D’or winner because it’s a Ken Loach film and Ken Loach films rarely get much distribution in the U.S.

In fact, when Ken Loach won the Palme d’Or (and this is his second time to win), he immediately started trending on twitter.  In the UK, he was trending because people were saying, “Ken Loach won!”  In the US, he was trending because everyone who is not a member of Film Twitter was saying, “Who is Ken Loach and who does he play for?”

(As for how this will affect the upcoming Oscar race, it probably won’t.  With the exception of the year that Tree of Life won the Palme d’Or and then went on to to score a best picture nomination, Cannes is usually ignored by the Oscar voters.)

Anyway, here’s the winners!

COMPETITION

Palme d’Or: “I, Daniel Blake” (Ken Loach, U.K.)

Grand Prix: “It’s Only the End of the World” (Xavier Dolan, Canada-France)

Director (tie): Olivier Assayas, “Personal Shopper” (France), and Cristian Mungiu, “Graduation” (Romania)

Actor: Shahab Hosseini, “The Salesman” (Iran)

Actress: Jaclyn Jose, “Ma ‘Rosa” (Philippines)

Jury Prize: Andrea Arnold, “American Honey” (U.K.-U.S.)

Screenplay: Asghar Farhadi, “The Salesman” (Iran)

OTHER PRIZES

Palme d’Honneur: Jean-Pierre Léaud

Camera d’Or: “Divines” (Houda Benyamina, France-Qatar)

Short Films Palme d’Or: “Timecode” (Juanjo Jimenez, Spain)

Special Mention – Short Films Palme d’Or: “The Girl Who Danced With the Devil” (Joao Paulo Miranda Maria, Brazil)

Ecumenical Jury Prize: “It’s Only the End of the World” (Xavier Dolan, Canada-France)

UN CERTAIN REGARD

Un Certain Regard Prize: “The Happiest Day in the Life of Olli Mäki” (Juho Kuosmanen, Finland)

Jury prize: “Harmonium” (Koji Fukada, Japan)

Director: Matt Ross, “Captain Fantastic” (United States)

Screenplay: Delphine and Muriel Coulin, “The Stopover” (France)

Special Jury Prize: Michael Dudok de Wit, “The Red Turtle” (France-Japan)

DIRECTORS’ FORTNIGHT

Art Cinema Award: “Wolf and Sheep” (Shahrbanoo Sadat)

Society of Dramatic Authors and Composers Prize: “The Together Project” (Solveig Anspach)

Europa Cinemas Label: “Mercernary” (Sacha Wolff)

CRITICS’ WEEK

Grand Prize: “Mimosas” (Oliver Saxe)

Visionary Prize: “Album” (Mehmet Can Mertoğlu)

Society of Dramatic Authors and Composers Prize: “Diamond Island” (Day Chou)

FIPRESCI

Competition: “Toni Erdmann” (Maren Ade, Germany-Austria)

Un Certain Regard: “Dogs” (Bogdan Mirică, Romania-France)

Critics’ Week: “Raw” (Julia Ducournau, France-Belgium)