The Revenant (The Waaaaay Better One) Review by Case Wright


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The Revenant …. nooooo not the one where Leonardo Di Caprio gets Bear Married (Bearried?)…this is the one where David Anders (iZombie- Blane) and Chris Wylde become crime fighting zombies in Los Angeles!!!! There are certain films that are just fun.  So, pop open a PBR, hang with your buds or your SO, and enjoy a truly great Vampire/Zombie film.

The film was directed, written, edited, and special-effected by D. Kerry Prior.  This film is totally in the same vein as Evil Dead.  Many people making the film knew one another, D Kerry Prior wore many hats, and they managed to show it at many festivals and did well.  This is a great example of how fun horror can be without a lot of money….IF you have a good script and dedicated people working with you.  This is so amazingly over the top; there is even a scene where a disembodied head speaks with the assistance of a sex toy on his vocal cords.  You just don’t see that everyday!

The film takes the idea that Vampires are basically zombies, but still sapient after their reawakening; therefore, they call them Revenants as in returning.  Yes, they still drink blood, but they look like zombies with the rotting and the yellow eyes and such.  D. Kerry Prior took the idea that if they are still sentient post-return maybe they’d use their invincibility for good.  And what is best thing a person can be you ask?????  A Zombie/Vampire/Crimefighter.  Yes, they fight crime!

The film begins in Iraq with Sergeant Bart Gregory (David Anders) who gets shot and turned into a a Revenant (zombie/vampire) by a baby zombie/vampire who is pretty gross.  Bart’s body is shipped home and reanimates.  The only knock I give the film is that Bart goes from SGT to Lieutenant from one scene to the next, but you just have to let it go.  Bart relies on his friend Joey to adjust to his new Revenant undead lifestyle.  They learn that not only does Bart survive on blood, but there are a panoply of criminals in Los Angeles waiting to be tapped for Bart’s plasma needs.

Eventually, Joey gets shot during one their criminal harvests and Bart turns him into a Revenant to save him. Then, they have an awesome montage of killing and blood eating.  It’s just great! All the while, there is a subplot of his relationship between Bart and his girlfriend Janet who eventually get turns as well.  This creates a Yoko situation and Joey and Bart try to kill each other.  Joey flees and tries to harvest on his own and ends up getting decapitated …. and the head lives!  Bart has to put Joey down, leaving Bart with no reason to unlive.  Bart tries to commit suicide in a number of interesting ways and it just doesn’t work.  I won’t give away the ending, but it’s pretty interesting.

I’ve seen this film about five times and I’ve been entertained every…single…time.  After I first saw it, iZombie premiered shortly after with David Anders as the main villain, making this movie doubly awesome because we got to see David Anders pre-stardom.  There are a number of low-budget TERRIBLE horror movies and I’ve watched MANY of them.  This film is testament to how far you can push this genre creatively and still do it on low-budget.  I highly recommend it as a must see!

Here’s A Complete List Of The Oscar Winners!!!!


 

Spotlight

Best Picture: Spotlight

Best Director: Alejandro G. Inarritu for The Revenant

Best Actor: Leonardo DiCarpio in The Revenant

Best Actress: Brie Larson in Room

Best Supporting Actor: Mark Rylance in Bridge of Spies

Best Supporting Actress: Alicia Vikander in The Danish Girl

Best Original Screenplay: Tom McCarthy and Josh Singer. Spotlight

Best Adapted Screenplay: Adam McKay and Charles Randolph.  The Big Short

Best Animated Film: Inside Out

Best Documentary Feature: Amy

Best Foreign Language Film: Son of Saul

Best Cinematography: Emmanuel Lubezki, The Revenant

Best Costume Design: Jenny Bevan, Mad Max: Fury Road

Best Editing: Margaret Sixel, Mad Mad: Fury Road

Best Make-up and Hairstyling: Mad Max: Fury Road

Best Original Score: Ennio Morricone, The Hateful Eight

Best Original Song: “Writing’s On The Wall” from SPECTRE

Best Production Design: Colin Gibson and Lisa Thompson, Mad Max: Fury Road

Best Sound Editing: Mad Max: Fury Road

Best Sound Mixing: Mad Max: Fury Road

Best Visual Effects: Ex Machina

Best Animated Short Film:Bear Story

Best Documentary Short Film: The Girl In The River: The Price of Forgiveness

Best Live Action Short: Stutterer

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Lisa’s Oscar Predictions


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Can you believe that the Oscars are just a few hours away!?  This is actually shaping up to be an exciting year.  Even though I’m fairly certain that I know who and what is going to win, there’s still a strong possibility that we could have a few upsets when the winners are announced on Sunday night!

Well, I guess I better hurry up and post my predictions.  Below, I will list both what I think should win and what actually will win.

(If you want to see which films I would have nominated if I had all the power, please check out my What If Lisa Determined The Oscar Nominations post!)

Okay, here we go!

Best Picture:

Should Win: Brooklyn

Will Win: The Revenant

Best Director:

Should Win: George Miller, Mad Max: Fury Road

Will Win: Alejandro G. Inarritu, The Revenant

Best Actor:

Should and Will Win: Leonardo DiCaprio, The Revenant

Best Actress:

Should and Will Win: Brie Larson, Room

Best Supporting Actor:

Should and Will Win: Sylvester Stallone, Creed

Best Supporting Actress:

Should Win: Rooney Mara, Carol

Will Win: Jennifer Jason Leigh, The Hateful Eight

Best Original Screenplay:

Should Win: Inside Out

Will Win: Spotlight

Best Adapted Screenplay:

Should Win: Carol

Will Win: The Big Short

Best Animated Feature:

Should and Will: Inside Out

Best Art Direction:

Should and Will Win: Mad Max: Fury Road

Best Cinematography:

Should Win: Carol

Will Win: The Revenant

Best Costume Design:

Should Win: Carol

Will Win: The Danish Girl

Best Editing:

Should and Will Win: Mad Max: Fury Road

Best Makeup:

Should Win: Mad Max: Fury Road

Will Win: The Revenant

Best Sound Mixing:

Should and Will Win: The Revenant

Best Sound Editing:

Should and Will Win: The Revenant

Best Visual Effects:

Should Win: Ex Machina

Will Win: The Martian

Best Original Score:

Should Win: Carol

Will Win: The Hateful Eight

Best Original Song:

Should Win: “Earned it” from Fifty Shades of Grey

Will Win: “Til It Happens To You” from The Hunting Ground

Best Documentary Feature:

Should and Will Win: Amy

Best Foreign Language Film:

Should Win: Can’t say because I haven’t see any of the nominated films

Will Win: Son of Saul

Documentary Short:

Should Win: ????

Will Win: The Girl In The River: The Price of Forgiveness

Animated Short:

Should Win: ?????

Will Win: We Can’t Live Without Cosmos

Live Action Short:

Should Win: ??????

Will Win: Stutterer

 

Here’s Who Won At The DGA (or The Unexpected Virtue of Making History)


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The Director’s Guild of America handed out their awards tonight and history was made!  (And the Oscar race got a little bit more complicated.)  First off, Alex Garland won the award for Best First-Time Feature Director for Ex Machina.  Then Cartel Land somehow defeated Amy for Best Documentary Direction.

And then Alejandro G. Inarritu was named Best Director for The Revenant!  This makes Inarritu the first film director to ever win back-to-back awards from the Director’s Guild.  As you may remember, he previously won for Birdman and when was the last time anyone thought about that damn movie?  (For the record, I thought the Revenant was far superior to Birdman.)

So, to recap, the Production Guild gave its top award to The Big Short.

The SAG gave its top award for Spotlight.

And now, the DGA — which is traditionally the most reliable of all the precursors — gave its top award to The Revenant!

In other words, for the first time in my lifetime, there are three films that seem to have a legitimate shot at winning best picture when the Oscars are awarded later this month.

Of the 8 films that were nominated, my personal favorite would be Brooklyn, which realistically has no chance of winning the top prize.  (Carol was my favorite film of the year but it was not nominated.)  However, there’s a part of me that still hopes that — despite not winning at the PGA or the DGA — Mad Max: Fury Road will pull off an upset.  Sadly, that probably won’t happen.  Not only would a Mad Max victory be a nice (and popular) surprise but it would completely redefine the stodgy old assumptions about what type of films qualify for Oscar consideration.

If The Big Short wins, it will be the biggest travesty since the victory of Crash.

Here’s What Won At The SAG Awards


Howdy, y’all!  The SAG Awards were given out tonight but I did not see it because I was busy down at City Limits Texas, watching Joey Green and Luke Wade and gettin’ my country on!  (Boots and denim, y’all!)  So, I missed the show but I can still post the winners!  Spotlight won the SAG equivalent of Best Picture so it looks like right now, the best picture race is pretty much between that film and the PGA winner, The Big Short.  But what if George Miller or Alejandro Inarritu ends up winnin’ at the DGA?  This Oscar race is gettin’ as unpredictable as a cow chewin’ magic mushrooms.  Yee haw!

ANYWAY, here’s the winners!

BEST PERFORMANCE BY A CAST ENSEMBLE – Spotlight
BEST PERFORMANCE BY A MALE ACTOR IN A LEADING ROLE – Leonardo DiCaprio in “The Revenant”
BEST PERFORMANCE BY A FEMALE ACTOR IN A LEADING ROLE – Brie Larson in “Room”
BEST PERFORMANCE BY A MALE ACTOR IN A SUPPORTING ROLE IN A MOTION PICTURE – Idris Elba in “Beasts of No Nation”
BEST PERFORMANCE BY A FEMALE ACTOR IN A SUPPORTING ROLE IN A MOTION PICTURE – Alicia Vikander in “The Danish Girl”
BEST PERFORMANCE BY A CAST ENSEMBLE IN A DRAMA SERIES – “Downton Abbey
BEST PERFORMANCE BY A MALE ACTOR IN A DRAMA SERIES – Kevin Spacey in “House of Cards”
BEST PERFORMANCE BY A FEMALE ACTOR IN A DRAMA SERIES – Viola Davis in “How to Get Away with Murder”
BEST PERFORMANCE BY A CAST ENSEMBLE IN A COMEDY SERIES – “Orange is the New Black
BEST PERFORMANCE BY A MALE ACTOR IN A COMEDY SERIES – Jeffrey Tambor in “Transparent”
BEST PERFORMANCE BY A FEMALE ACTOR IN A COMEDY SERIES – Uzo Aduba in “Orange is the New Black”
BEST PERFORMANCE BY AN ACTOR IN A TV MOVIE OR MINI-SERIES – Idris Elba in “Luther”
BEST PERFORMANCE BY A FEMALE ACTOR IN A TV MOVIE OR MINI-SERIES – Queen Latifah in “Bessie”
BEST PERFORMANCE BY A STUNT ENSEMBLE IN A MOTION PICTURE – Mad Max: Fury Road
BEST PERFORMANCE BY A STUNT ENSEMBLE IN A COMEDY OR DRAMA SERIES – “Game of Thrones
LIFETIME ACHIEVEMENT AWARD – Carol Burnett

(By the way, y’all, I love you all…)

The Producers Guild Loses Its Damn Mind And Declares The Big Short To Be The Best of 2015!


The Producers Guild of America, which is generally considered one of the most reliable of the Oscar precursors, announced it’s pick for the best film of the year earlier today.  They had earlier nominated ten films and, out of those ten, they picked…

THE BIG SHORT!?

That’s right!  The worst best picture nominee since Crash pulled off an upset victory and defeated both Spotlight and The Revenant.  It now may even be the new front runner for best picture.

(Actually, if we’re going to be exact, The Big Short is just the 2nd worst best picture nominee since Crash.  It’s easy to forget that Extremely Loud and Incredibly Close was actually nominated.)

As I made clear in my review, I didn’t think much of The Big Short but I do understand the film’s popularity.  Appropriately enough for a film that’s been embraced by both Sasha Stone and Jeff Wells, it’s an angry and simplistic film and we live in an angry and simplistic time.  Pretending to be complicated while actually saying nothing worked out well for Crash and it looks like it might pay off for The Big Short as well!

Congratulations to The Big Short on its undeserved victory!

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Carol Wins at The GALECA Awards!


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Carol may not have gotten a best picture nomination from the Academy but that doesn’t mean that it’s not winning awards!  Yesterday, it swept the Gay And Lesbian Entertainment Critics Association awards!  You can check out the GALECA nominations here and the winners below!

Film of the Year
“Carol”

Director of the Year
Todd Haynes, “Carol”

Film Actor of the Year
Leonardo DiCaprio, “The Revenant”

Film Actress of the Year
Cate Blanchett, “Carol”

LGBTQ Film of the Year
“Carol”

Foreign Language Film of the Year
“Son of Saul”

Screenplay of the Year
“Carol”

Documentary of the Year
“Amy”

Visually Striking Film of the Year
“Mad Max: Fury Road”

Unsung Film of the Year
“Tangerine”

Campy Flick of the Year
“Magic Mike XXL”