Lisa Marie’s Six Favorite Super Bowl Commercials!


As you may know, if you’re one of our longtime readers, I only watch the Super Bowl for one reason.  Right now, I know that at least three TSL contributors are happy because the Patriots won.  And I know that at least one is upset that the Falcons lost.  But me — all I care about are the commercials.

What were the commercials like this year?  They weren’t terrible.  As tends to happen with Super Bowl commercials, quite a few of them tried way too hard.  A lot of people are going to go crazy praising the more political of the commercials.  A few commercials attempted to comment on everything that’s going on in this country right now.  That’s their right but I always find it amusing when big, faceless corporations spend millions on commercials bragging about how progressive they supposedly are.

That said, it was fairly easy for me to pick my six favorite commercials this year.  It was also pretty easy for me to pick my least favorite commercial.  Seriously, Febreze, what the Hell?

Here’s my top six.  I’m not saying that these commercials would convince me to buy or do anything.  But they did amuse me and that’s the important thing!

6) Yellow Tail Wine

I hardly ever drink so I don’t have any idea whether Yellow Tail is a good wine or not.  To be honest, I really don’t care.  Nothing bores me more than when people start getting all technical and in-depth about wine.  The important thing is that the kangaroo is cute.

In fact, he’s almost as cute as the beaver in this 2008 commercial from Australia.

5) Tide

“I know, you’re trending.”  This made me laugh out loud.

4) Bai

Christopher Walken and Justin Timberlake need to do more commercials together.

3) Wix.Com

Speaking of pairings that unexpectedly work, I hope that Gal Gadot and Jason Statham will return for this commercial’s sequel.

Finally, for my top two spots, I have to admit that I’ve gone back and forth as to which one of these commercials should come in first and which should come in second.  I was even tempted to declare a tie but, in the end, one commercial managed to cling to the top spot.

First, here’s the runner-up:

2) Snickers

This commercial didn’t get much attention in the days leading up to the game.  It probably didn’t cost a lot to make.  It wasn’t trendy.  It wasn’t flashy. It most definitely wasn’t political.  But, by highlighting the absurdity of Super Bowl commercials, it nearly won the night.  (Plus, it features Adam Driver and who doesn’t love that?)

And finally, my pick for the best commercial of Super Bowl LI…

(Drum roll, please…)

1) Squarespace

John Malkovich!

The Alliance of Women Film Journalists Announced Their Picks For The Best of 2016!


american_honey_poster

The Alliance of Women Film Journalists (of which I am not a member and what’s up with that!?) announced their picks for the best of 2016 earlier this week.

And here they are:

AWFJ BEST OF AWARDS
These awards are presented to women and/or men without gender consideration.
Best Film
Arrival
Hell or High Water
La La Land
Manchester by the Sea
Moonlight

Best Director
Damien Chazelle – La La Land
Barry Jenkins – Moonlight
Kenneth Lonergan – Manchester by the Sea
David Mackenzie – Hell or High Water
Denis Villeneuve – Arrival

Best Screenplay, Original
20th Century Women – Mike Mills
Hail Caesar – Joel Coen and Ethan Coen
Hell or High Water – Taylor Sheridan
La La Land – Damien Chazelle
Manchester by the Sea – Kenneth Lonergan

Best Screenplay, Adapted
Arrival – Eric Heisserer
Lion – Luke Davies
Love & Friendship – Whit Stillman
Moonlight – Barry Jenkins
Nocturnal Animals –Tom Ford

Best Documentary
13th – Ava DuVernay
Gleason – Clay Tweel
I Am Not Your Negro – Raoul Peck
OJ Made in America – Ezra Edelman
Weiner – Elyse Steinberg and Josh Kriegma

Best Animated Film
Finding Dory – Andrew Stanton andAngus MacLane
Kubo and the Two Strings- Travis Knight
Moana – Ron Clements, Don Hall, John Musker, Chris Williams
Zootopia – Byron Howard, Rich Moore, Jared Bush

Best Actress
Amy Adams – Arrival
Isabelle Huppert – Elle
Ruth Negga – Loving
Natalie Portman – Jackie
Emma Stone – La La Land

Best Actress in a Supporting Role
Viola Davis – Fences
Greta Gerwig – 20th Century Women
Naomie Harris – Moonlight
Octavia Spencer – Hidden Figures
Michelle Williams – Manchester by the Sea

Best Actor
Casey Affleck – Manchester By The Sea
Joel Edgerton – Loving
Ryan Gosling – La La Land
Tom Hanks – Sully
Denzel Washington – Fences

Best Actor in a Supporting Role
Mahershala Ali – Moonlight
Jeff Bridges – Hell or High Water
Ben Foster – Hell or High Water
Lucas Hedges – Manchester By the Sea
Michael Shannon – Nocturnal Animals

Best Ensemble Cast – Casting Director
20th Century Women – Mark Bennett and Laura Rosenthal
Hail Caesar – Ellen Chenoweth
Hell or High Water – Jo Edna Boldin and Richard Hicks
Manchester by the Sea – Douglas Aibel
Moonlight – Yesi Ramirez

Best Cinematography
Arrival – Bradford Young
Hell or High Water – Giles Nuttgens
La La Land – Linus Sandgren
Manchester by The Sea – Jody Lee Lipes
Moonlight – James Laxton

Best Editing
Arrival – Joe Walker
I Am Not Your Negro — Alexandra Strauss
La La Land – Tom Cross
Manchester By The Sea – Jennifer Lame
Moonlight – Joi McMillon and Nat Sanders

Best Non-English-Language Film
Elle – Paul Verhoeven, France
Fire At Sea – Gianfranco Rossi, Italy
The Handmaiden – Chan-Wook Park, South Korea
Julieta – Pedro Almodovar. Spain
Toni Erdmann – Maren Ede, Germany

EDA FEMALE FOCUS AWARDS
These awards honor WOMEN only

Best Woman Director
Andrea Arnold – American Honey
Ava DuVernay -13TH
Rebecca Miller – Maggie’s Plan
Mira Nair – Queen of Katwe
Kelly Reichardt – Certain Women

Best Woman Screenwriter
Andrea Arnold – American Honey
Rebecca Miller – Maggie’s Plan
Kelly Reichardt – Certain Women
Lorene Scafaria – The Meddler
Laura Terruso – Hello, My Name is Doris

Best Animated Female
Dory in Finding Dory –Ellen DeGeneres
Judy in Zootopia – Ginnifer Goodwin
Moana in Moana – Auli’i Cravalho

Best Breakthrough Performance
Sasha Lane – American Honey
Janelle Monáe – Moonlight and Hidden Figures
Madina Nalwanga – Queen of Katwe
Ruth Negga – Loving

Outstanding Achievement by A Woman in The Film Industry
Ava DuVernay – For 13TH and raising awareness about the need for diversity and gender equality in Hollywood
Anne Hubbell and Amy Hobby for establishing Tangerine Entertainment’s Juice Fund to support female filmmakers
Mynette Louie, President of Gamechanger Films, which finances narrative films directed by women
April Reign for creating and mobilizing the #OscarsSoWhite campaign

EDA SPECIAL MENTION AWARDS

Actress Defying Age and Ageism
Annette Bening – 20th Century Women
Viola Davis – Fences
Sally Field – Hello, My Name is Doris
Isabelle Huppert – Elle and Things to Come
Helen Mirren – Eye in the Sky

Most Egregious Age Difference Between The Lead and The Love Interest Award
Dirty Grandpa – Robert De Niro (b. 1943) and Aubrey Plaza (b. 1984)
Independence Day: Resurgence – Charlotte Gainsbourg (b 1971) and Jeff Goldblum (b 1952)
Mechanic Resurrection – Jason Statham (b. 1967) and Jessica Aba (b. 1981)
Rules Don’t Apply – Warren Beatty (b. 1937) and Lily Collins (b. 1989)

Actress Most in Need Of A New Agent
Jennifer Aniston – Mother’s Day and Office Christmas Party
Melissa McCarthy – The Boss and Ghostbusters
Margot Robbie – Suicide Squad and Tarzan
Julia Roberts – Mother’s Day
Shailene Woodley – Divergent Series

Bravest Performance
Jessica Chastain – Miss Sloane
Naomie Harris – Moonlight
Isabelle Huppert – Elle
Sasha Lane – American Honey
Ruth Negga – Loving

Remake or Sequel That Shouldn’t have been Made
Ben-Hur
Ghostbusters
Independence Day: Resurgence
The Magnificent Seven
My Big Fat Greek Wedding 2

AWFJ Hall of Shame Award
Sharon Maguire and Renee Zellweger for Bridget Jones’s Baby
Nicholas Winding Refn and Elle Fanning for The Neon Demon
David Ayer and Margot Robbie for Suicide Squad
David E. Talbert and Mo’Nique for Almost Christmas

Playing Catch-Up With 6 Mini-Reviews: Amy, Gloria, Pitch Perfect 2, Sisters, Spy, Trainwreck


Amy_Movie_Poster

Amy (dir by Asif Kapadia)

Amy opens with brilliant and, in its way, heartbreaking footage of a 14 year-old Amy Winehouse and a friend singing Happy Birthday at a party.  Even though she’s singing deliberately off-key and going over-the-top (as we all tend to do when we sing Happy Birthday), you can tell that Amy was a star from the beginning.  She’s obviously enjoying performing and being the center of attention and, try as you might, it’s impossible not to contrast the joy of her Happy Birthday with the sadness of her later life.

A star whose music touched millions (including me), Amy Winehouse was ultimately betrayed by a world that both wanted to take advantage of her talent and to revel in her subsequent notoriety.  It’s often said the Amy was self-destructive but, if anything, the world conspired to destroy her.  By focusing on footage of Amy both in public and private and eschewing the usual “talking head” format of most documentaries, Amy pays tribute to both Amy Winehouse and reminds us of what a great talent we all lost in 2011.

Gloria_(2014_Film_Poster)

Gloria (dir by Christian Keller)

The Mexican film Gloria is a musical biopic of Gloria Trevi (played by Sofia Espinosa), a singer whose subversive songs and sexual image made her a superstar in Latin America and challenged the conventional morality of Catholic-dominated establishment.  Her manager and lover was the controversial Sergio Andrade (Marco Perez).  The movie follows Gloria from her first audition for the manipulative Sergio to her arrest (along with Sergio) on charges of corrupting minors.  It’s an interesting and still controversial story and Gloria tells it well, with Espinosa and Perez both giving excellent performances.

Pitch_Perfect_2_poster

Pitch Perfect 2 (dir by Elizabeth Banks)

The Bellas are back!  As I think I’ve mentioned a few times on this site, I really loved the first Pitch Perfect.  In fact, I loved it so much that I was a bit concerned about the sequel.  After all, sequels are never as good as the original and I was dreading the idea of the legacy of the first film being tarnished.

But the sequel actually works pretty well.  It’s a bit more cartoonish than the first film.  After three years at reigning ICCA champions, the Bellas are expelled from competition after Fat Amy (Rebel Wilson) accidentally flashes the President.  The only way for the Bellas to get the suspension lifted is to win the World Championship of A Capella.  The plot, to be honest, really isn’t that important.  You’re watching the film for the music and the interplay of the Bellas and, on those two counts, the film totally delivers.

It should be noted that Elizabeth Banks had a great 2015.  Not only did she give a great performance in Love & Mercy but she also made a respectable feature directing debut with Pitch Perfect 2.

Sisters_movie_poster

Sisters (dir by Jason Moore)

It’s interesting how opinions can change.  For the longest time, I really liked Tina Fey and I thought that Amy Poehler was kind of overrated.  But, over the past two years, I’ve changed my opinion.  Now, I like Amy Poehler and Tina Fey kind of gets on my nerves.  The best way that I can explain it is to say that Tina Fey just seems like the type who would judge me for wearing a short skirt and that would get old quickly, seeing as how I happen to like showing off my legs.

Anyway, in Sisters, Tina and Amy play sisters!  (Shocking, I know.)  Amy is the responsible one who has just gotten a divorce and who wants to make everyone’s life better.  Tina is the irresponsible one who refuses to accept that she’s no longer a teenager.  When their parents announce that they’re selling the house where they grew up, Amy and Tina decide to throw one last party.  Complications ensue.

I actually had two very different reactions to Sisters.  On the one hand, as a self-declared film critic, it was easy for me to spot the obvious flaw with Sisters.  Tina and Amy should have switched roles because Tina Fey is simply not believable as someone who lives to have fun.  Sometimes, it’s smart to cast against type but it really doesn’t work here.

However, as the youngest of four sisters, there was a lot of Sisters that I related to.  I saw Sisters with my sister, the Dazzling Erin, and even if the film did not work overall, there were still a lot of little scenes that made us smile and go, “That’s just like us.”  In fact, I think they should remake Sisters and they should let me and Erin star in it.

Spy2015_TeaserPoster

Spy (dir by Paul Feig)

There were a lot of very good spy films released in 2015 and SPECTRE was not one of them.  In fact, the more I think about it, the more disappointed I am with the latest Bond film.  It’s not so much that SPECTRE was terrible as there just wasn’t anything particular memorable about it.  When we watch a film about secret agents saving the world, we expect at least a few memorable lines and performances.

Now, if you want to see a memorable spy movie, I suggest seeing Spy.  Not only is Spy one of the funniest movies of the year, it’s also a pretty good espionage film.  Director Paul Feig manages to strike the perfect balance between humor and action.  One of the joys of seeing CIA employee Susan Cooper (Melissa McCarthy) finally get to enter the field and do spy stuff is the fact that there are real stakes involved.  Susan is not only saving the world but, in the film’s best scenes, she’s having a lot of fun doing it and, for that matter, McCarthy is obviously having a lot of fun playing Susan and those of us in the audience are having a lot of fun watching as well.

Spy also features Jason Statham as a more traditional action hero.  Statham is hilarious as he sends up his own macho image.  Seriously, who would have guessed that he could such a funny actor?  Here’s hoping that he, McCarthy, and Feig will all return for the inevitable sequel.

Trainwreck_poster

Trainwreck (dir by Judd Apatow)

There’s a lot of great things that can be said about Trainwreck.  Not only was it the funniest film of 2015 but it also announced to the world that Amy Schumer’s a star.  It was a romantic comedy for the 21st Century, one that defied all of the conventional BS about what has to happen in a romcom.  This a film for all of us because, let’s just be honest here, we’ve all been a trainwreck at some point in our life.

But for me, the heart of the film was truly to be found in the relationship between Amy and her younger sister, Kim (Brie Larson).  Whether fighting over what to do with their irresponsible father (Colin Quinn) or insulting each other’s life choices, their relationship is the strongest part of the film.  If Brie Larson wasn’t already guaranteed an Oscar nomination for Room, I’d demand that she get one for Trainwreck.  For that matter, Amy Schumer deserves one as well.

Seriously, it’s about time the trainwrecks of the world had a film that we could truly call our own.

Mad Max: Fury Road dominates the 21st Annual Critics Choice Nominations!


MadMaxFuryRoad

It’s been a busy few days as far as the Oscar precursors are concerned.  Let’s see how quickly I can get us caught up.  First off, the 21st Annual Critics Choice nominations were announced yesterday and Mad Max: Fury Road totally dominated them!

And you know what that means — its time to say that the Critics Choice nominations are …. MAD ABOUT MAX!

Anyway, here are the nominations!

BEST PICTURE
The Big Short
Bridge of Spies
Brooklyn

Carol
Mad Max: Fury Road
The Martian
The Revenant
Room
Sicario
Spotlight

BEST ACTOR
Bryan Cranston – Trumbo
Matt Damon – The Martian
Johnny Depp – Black Mass
Leonardo DiCaprio – The Revenant
Michael Fassbender – Steve Jobs
Eddie Redmayne – The Danish Girl

BEST ACTRESS
Cate Blanchett – Carol
Brie Larson – Room
Jennifer Lawrence – Joy
Charlotte Rampling – 45 Years
Saoirse Ronan – Brooklyn
Charlize Theron – Mad Max: Fury Road

BEST SUPPORTING ACTOR
Paul Dano – Love & Mercy
Tom Hardy – The Revenant
Mark Ruffalo – Spotlight

Mark Rylance – Bridge of Spies
Michael Shannon – 99 Homes
Sylvester Stallone – Creed

BEST SUPPORTING ACTRESS
Jennifer Jason Leigh – The Hateful Eight
Rooney Mara – Carol
Rachel McAdams – Spotlight
Helen Mirren – Trumbo
Alicia Vikander – The Danish Girl
Kate Winslet – Steve Jobs

BEST YOUNG ACTOR/ACTRESS
Abraham Attah – Beasts of No Nation
RJ Cyler – Me and Earl and the Dying Girl
Shameik Moore – Dope
Milo Parker – Mr. Holmes
Jacob Tremblay – Room

BEST ACTING ENSEMBLE
The Big Short
The Hateful Eight
Spotlight
Straight Outta Compton
Trumbo

BEST DIRECTOR
Todd Haynes – Carol
Alejandro González Iñárritu – The Revenant
Tom McCarthy – Spotlight
George Miller – Mad Max: Fury Road
Ridley Scott – The Martian
Steven Spielberg – Bridge of Spies

BEST ORIGINAL SCREENPLAY
Matt Charman and Ethan Coen & Joel Coen – Bridge of Spies
Alex Garland – Ex Machina
Quentin Tarantino – The Hateful Eight
Pete Docter, Meg LeFauve, Josh Cooley – Inside Out
Josh Singer and Tom McCarthy – Spotlight

BEST ADAPTED SCREENPLAY
Charles Randolph and Adam McKay – The Big Short
Nick Hornby – Brooklyn
Drew Goddard – The Martian
Emma Donoghue – Room
Aaron Sorkin – Steve Jobs

BEST CINEMATOGRAPHY
Carol – Ed Lachman
The Hateful Eight – Robert Richardson
Mad Max: Fury Road – John Seale
The Martian – Dariusz Wolski
The Revenant – Emmanuel Lubezki
Sicario – Roger Deakins

BEST PRODUCTION DESIGN
Bridge of Spies – Adam Stockhausen, Rena DeAngelo
Brooklyn – François Séguin, Jennifer Oman and Louise Tremblay
Carol – Judy Becker, Heather Loeffler
The Danish Girl – Eve Stewart, Michael Standish
Mad Max: Fury Road – Colin Gibson
The Martian – Arthur Max, Celia Bobak

BEST EDITING
The Big Short – Hank Corwin
Mad Max: Fury Road – Margaret Sixel
The Martian – Pietro Scalia
The Revenant – Stephen Mirrione
Spotlight – Tom McArdle

BEST COSTUME DESIGN
Brooklyn – Odile Dicks-Mireaux
Carol – Sandy Powell
Cinderella – Sandy Powell
The Danish Girl – Paco Delgado
Mad Max: Fury Road – Jenny Beavan

BEST HAIR & MAKEUP
Black Mass
Carol
The Danish Girl
The Hateful Eight
Mad Max: Fury Road
The Revenant

BEST VISUAL EFFECTS
Ex Machina
Jurassic World
Mad Max: Fury Road
The Martian
The Revenant
The Walk

BEST ANIMATED FEATURE
Anomalisa
The Good Dinosaur
Inside Out
The Peanuts Movie
Shaun the Sheep Movie

BEST ACTION MOVIE
Furious 7
Jurassic World
Mad Max: Fury Road
Mission Impossible: Rogue Nation
Sicario

BEST ACTOR IN AN ACTION MOVIE
Daniel Craig – Spectre
Tom Cruise – Mission Impossible: Rogue Nation
Tom Hardy – Mad Max: Fury Road
Chris Pratt – Jurassic World
Paul Rudd – Ant-Man

BEST ACTRESS IN AN ACTION MOVIE
Emily Blunt – Sicario
Rebecca Ferguson – Mission Impossible: Rogue Nation
Bryce Dallas Howard – Jurassic World
Jennifer Lawrence – The Hunger Games: Mockingjay – Part 2
Charlize Theron – Mad Max: Fury Road

BEST COMEDY
The Big Short
Inside Out
Joy
Sisters
Spy
Trainwreck

BEST ACTOR IN A COMEDY
Christian Bale – The Big Short
Steve Carell – The Big Short
Robert De Niro – The Intern
Bill Hader – Trainwreck
Jason Statham – Spy

BEST ACTRESS IN A COMEDY
Tina Fey – Sisters
Jennifer Lawrence – Joy
Melissa McCarthy – Spy
Amy Schumer – Trainwreck
Lily Tomlin – Grandma

BEST SCI-FI/HORROR MOVIE
Ex Machina
It Follows
Jurassic World
Mad Max: Fury Road
The Martian

BEST FOREIGN LANGUAGE FILM
The Assassin
Goodnight Mommy
Mustang
The Second Mother
Son of Saul

BEST DOCUMENTARY FEATURE
Amy
Cartel Land
Going Clear: Scientology and the Prison of Belief
He Named Me Malala
The Look of Silence
Where to Invade Next

BEST SONG
Fifty Shades of Grey – Love Me Like You Do
Furious 7 – See You Again
The Hunting Ground – Til It Happens To You
Love & Mercy – One Kind of Love
Spectre – Writing’s on the Wall
Youth – Simple Song #3

BEST SCORE
Carol – Carter Burwell
The Hateful Eight – Ennio Morricone
The Revenant – Ryuichi Sakamoto and Alva Noto
Sicario – Johann Johannsson
Spotlight – Howard Shore

Film Review: Furious 7 (dir by James Wan)


fast-and-furious-7

Regardless of what you may think about the rest of Furious 7, the final ten minutes will make you cry.  They made me cry and, before I saw Furious 7, I wasn’t even really a fan of the franchise.  It’s not a spoiler to tell you that Furious 7 ends with a tribute to both the character Brian O’Connor and the actor who played him, Paul Walker.  While Dominic Toretto (played, of course, by Vin Diesel) says goodbye to Brian, we see a montage of clips of Brian throughout the previous Fast and Furious Films and it’s so poignant to see how Paul Walker transformed over the course of the series, going from being a somewhat bland teen heart throb to becoming a genuinely charismatic leading man.  Watching the montage, you can see that Paul Walker was still growing as an actor and you’re reminded of just what a shock it was when we first heard the news of his death in 2013.

And, of course, we’re very aware that, as Dominic is saying goodbye to Brian and we’re saying goodbye to the actor who played him, Vin Diesel is saying goodbye to his friend.  That Diesel and Walker were friends on-screen and off is no secret.  In fact, that friendship has always been one of the big appeals of the Fast and Furious franchise.  The films are about a group of people (mostly men) who care about each other and who aren’t ashamed to admit it.  When Dominic delivers the film’s final monologue, it’s really all about Vin saying goodbye to Paul.  By the time the words “For Paul” appeared on the screen, there was not a dry eye in the theater.

The death of Paul Walker adds an undeniable poignancy to Furious 7 and it’s sometimes hard to separate the real-life tragedy from what we’re watching on screen.  But here’s the thing — Furious 7 works as both a heartfelt tribute to Paul Walker and as a wonderfully over-the-top and fun action movie.  Furious 7 is a burst of pure adrenaline and style that epitomizes everything that you could possibly want out of an action movie.

Jason Statham plays Deckard Shaw, a former government assassin who has a personal vendetta against Dom, Brian, and practically everyone else who has ever been a Fast and Furious movie.  Statham isn’t in a lot of scenes but whenever he shows up, he kicks ass and watching Furious 7 was probably the first time that I’ve ever truly understood Statham’s appeal.  How impressive is Jason Statham in this film?  He puts Dwayne Johnson in the hospital, that’s how impressive he is.  And what’s amazing is that after watching their fight scene, you totally believe that Jason Statham could put Dwayne Johnson in the hospital.

Another government agent, Mr. Nobody (Kurt Russell, having a great time), offers to help Dom take out Deckard but first, Dom and his crew have to do a favor for Mr. Nobody.  They have to rescue a hacker (Nathalie Emmanuel) from an African warlord (Djimon Honsou) who is obviously based on Joseph Kony.  That hacker knows about the location of a device that will allow the government to track down Deckard but the device has already been sold to a billionaire who lives in Abu Dhabi….

Ultimately, the exact specifics and logic of it all doesn’t matter.  What does matter is that Vin Diesel, Paul Walker, Chris Bridges, Tyrese Gibson, Michelle Rodriguez, and Dwayne Johnson are all back and they’re all a lot of fun to watch.  What matters is that the cars look good and the stunt work is just as amazing as you were hoping.  What matters is that the film features things that you never thought you’d see — like cars parachuting down to a mountain road and jumping from skyscraper to skyscraper.

This is an exciting film.  It’s a fun film.  It’s an entertaining film.  It’s a stylish film.  And, ultimately, it’s a film that will make you cry.

What more can you ask for?

furious-7

Trailer: Furious 7 (Extended)


Furious7

We saw the Super Bowl trailer of Furious 7 (formerly known as Fast & Furious 7). Well, here’s the extended version of it with more Jason Statham mayhem added to the mix. We also get The Rock get beatdown by Statham. Then again we’re all pretty much aware that Statham probably is the only person can put a beatdown on the Rock.

It looks like the summer blockbuster season starting out earlier and earlier with each passing year. Furious 7 is set for an April 3, 2015 release date.