One of my favorite actors, James Coburn, was born on August 31, 1928, and he passed away on November 18, 2002. To celebrate and acknowledge the legend’s birthday, I thought I’d share one of my favorite scenes, and that’s his character’s introduction in THE MAGNIFICENT SEVEN. What makes the scene so impressive is that it comes in on the heels of the badass intro of Bernardo O’Reilly (Charles Bronson) and somehow manages to top it. Enjoy!
Tag Archives: The Magnificent Seven
Famous Actors Throughout the Decades: Charles Bronson – 1960’s!
Last year around this time, I was sitting poolside at a resort in Maui when I wrote about Charles Bronson’s career in the 1950’s. A year later, I’m sitting on the beach in Perdido Key, FL, and it seems like the perfect time to write about Bronson in the 1960’s! Holy hell… a guy just caught a shark!!

Back to Bronson, the 1960’s were a pivotal decade in Charles Bronson’s personal life and career. As the decade started, he was headlining his own TV series, MAN WITH A CAMERA, although that show’s run would end in 1960. He would also have a memorable supporting role in the classic western, THE MAGNIFICENT SEVEN (1960). His portrayal of Bernardo O’Reilly would be one of the most heroic of the film. This type of supporting performance would come to be a staple for Bronson throughout the 1960’s.

For the most part, it seems that Charles Bronson’s career would settle into a series of important co-starring roles in both television and in major motion pictures. The most important of these movies were his excellent performances in classics like THE GREAT ESCAPE (1963) and THE DIRTY DOZEN (1967). He also had important supporting roles in popular films like KID GALAHAD (1962) with Elvis Presley, THE SANDPIPER (1965) with Richard Burton and Elizabeth Taylor, and THIS PROPERTY IS CONDEMNED (1966) with Natalie Wood and Robert Redford.

On TV, he was performing in prominent “guest star” roles in classic TV series like ALFRED HITCHCOCK PRESENTS, BONANZA, GUNSMOKE, RAWHIDE, and THE F.B.I. He also had turned into an actor who would join a TV series already in progress to help class it up some. He would provide that service to EMPIRE (1962-1963), starring Richard Egan and Ryan O’Neal, as well as THE TRAVELS OF JAIMIE MCPHEETERS (1963-1964) starring a young Kurt Russell. While he seemed to be everywhere, and there were some exceptions, it seemed he was always the guest star and never the star. This was very frustrating for an actor who had already spent over a decade providing strong support to bigger stars, while his contemporaries like Steve McQueen and James Coburn were headlining their own films. But things were about to change in a big way for Bronson, in both his personal life and professional life.

First, his personal life… Charles Bronson had been married to Harriet Tendler Bronson from 1949 to 1965. He met Jill Ireland on the set of THE GREAT ESCAPE in 1962 when she was there with her then-husband David McCallum, who was also starring in the film. Legend has it that Bronson told McCallum that he was going to “marry his wife,” but who really knows what’s fact and what’s fiction when it comes to Hollywood. Regardless, Bronson and Ireland would both get divorced in the sixties and marry each other on October 5th, 1968. They were a true Hollywood love story and would be inseparable until her death from breast cancer in 1990.

Jill Ireland turned out to be crucial in the success of Charles Bronson’s career. She was able to convince him to accept some of the offers that he had been receiving to go to Europe where he could finally be the “star” of his movies. The first of these films was FAREWELL, FRIEND (1968), where he would co-star with international superstar Alain Delon. Delon had specifically requested Bronson based on his strong performance a decade earlier in Roger Corman’s MACHINE GUN KELLY. Bronson would steal the film from Delon and it would be a huge box office hit across Europe. Suddenly, Bronson found himself to be a sex symbol across the continent. When I was a kid in the 80’s, this movie was only available on terrible VHS tapes under the title HONOR AMONG THIEVES. I didn’t fully appreciate how important it was to Bronson’s career until decades later.

Bronson’s next film would turn him into a true international stud when he would play Harmonica in Sergio Leone’s ultimate masterpiece ONCE UPON A TIME IN THE WEST (1968). His incredible screen presence would dominate a film that featured excellent performances from Henry Fonda, Jason Robards and possibly the most beautiful woman on earth, Claudia Cardinale. Leone had wanted to work with Bronson for years, including all three films in the “Dollars” trilogy, but it had never worked out. While their film was butchered for its American release, it was a monster hit all across Europe and Bronson would be one of the biggest stars on the planet for the next decade.

The 1960’s turned out to be a great decade for Charles Bronson. He married the love of his life and became one of the biggest movie stars in the world, even if he wasn’t fully appreciated in his home country yet. But we’ll get to that next when we discuss the 1970’s, his most successful decade of all!
Brad’s “Hero of the Day” – Bernardo O’Reilly (THE MAGNIFICENT SEVEN)!

“You think I am brave because I carry a gun? Well, your fathers are much braver because they carry responsibility… This is bravery.”
Bernardo O’Reilly, played by Charles Bronson in the classic 1960 western THE MAGNIFICENT SEVEN, is not a character that I often hear discussed among the great western heroes. In a film that featured so many movie stars portraying so many memorable characters, O’Reilly may be somewhat overlooked in the annals of film history. But the truth is, the man is a true hero who just doesn’t happen to fit the traditional mold. He’s not the fastest gun, the most charismatic, or the natural leader… rather, his heroism comes from a place of incredible character.
Consider these heroic traits:
- Bernardo is motivated more by compassion and camaraderie than money. Bernardo agrees to join the seven because he wants to help the Mexican villagers and ride with men he respects. He’s not chasing money or glory because we find out how much more he’s made in some of his earlier jobs. He knows the reward is small and the opposition is large, but he goes anyway.
- He becomes the voice of truth that the village boys need to hear. My favorite storyline in the film concerns Bernardo’s relationship with a few of the boys in the village. These boys idolize the gunfighters and are embarrassed by their own fathers, who they see as cowards. Bernardo not-so-gently teaches them, and by that I mean he takes one of the boys over his knee and spanks his butt, that their fathers possess a courage he could never have, and that is the courage of responsibility. His speech about the true bravery of their fathers is one of the best character moments in the film.
- He combines toughness with kindness. Like many of the characters played by Charles Bronson, Bernardo is a physically intimidating man of few words, yet he’s also gentle under that surface. At the very beginning, we see him make the wooden whistle that he then offers to the young village girl with that wonderful Bronson smile. This love for children is most certainly an element of Bronson’s own personal character that shows up in Bernardo O’Reilly. His understated performance lets you see that he’s so much more than just a hardened gunman.
- He leaves the greatest legacy. Bernardo doesn’t just preach selflessness. During the final battle, he risks his own life without hesitation to protect the village boys and pays the ultimate sacrifice. While the surviving gunfighters get to ride away, Bernardo has taught the boys the ultimate lesson. He changes how they see their fathers and what it really means to be a man. His acts of heroism outlive him.
For me, Bernardo O’Reilly redefines what it means to be a western hero. He proves that courage isn’t ultimately measured by how many men you kill, but by whether you’re willing to put someone else’s life ahead of your own. Even in a film filled with iconic characters like Chris (Yul Brynner), Vin (Steven McQueen), and Britt (James Coburn), Bernardo is the character that stands out the most. In his words and his final sacrifice, he’s transformed from a hired gun into a genuine hero.

Hero of the Day
Brad discusses THE MAGNIFICENT SEVEN (1960), directed by John Sturges!

Way back in 1960, Director John Sturges took Akira Kurosawa’s timeless classic SEVEN SAMURAI (1954) and translated its themes of honor and sacrifice into the American western THE MAGNIFICENT SEVEN. A classic on its own, the film stars such cinematic legends as Yul Brynner, Steve McQueen, James Coburn, Eli Wallach, and Charles Bronson. The storyline of a small group of men protecting a village from bandits proved to be an irresistible subject once again, especially the way it was handled here. Its theme music by Elmer Bernstein is one of the most instantly recognizable pieces of music in western cinema. It’s not easy translating a masterpiece without suffering quite negatively in comparison, and I’ve always admired how Sturges and his team of writers were able to create a film that both honored the source material while successfully transferring its content to a different part of the world.
The lead performances of Yul Brynner and Steve McQueen anchor the film, and the screenplay masterfully takes the time to introduce us to each of the seven men and their myriad of reasons for taking on this mission. We care about the men because we get to know them. After Brynner and McQueen, we learn James Coburn is the most badass, Robert Vaughn is the most cowardly, Brad Dexter is the most money hungry, and Horst Buchholz is the most naive. Unsurprisingly, my favorite of the characters is Bernardo O’Reilly, played by Charles Bronson. In my opinion, the character of O’Reilly represents the heart of the story. His character is as tough as it gets and great with a gun, but it’s the way he cares for the actual people, especially the children of the village, that really stands out. It’s in these small moments and exchanges between Bronson and the kids, where the film seems to transcend the genre and become something even more reflective and meaningful. So when Bronson pays the ultimate price, it’s not for some grand purpose or ideal, it’s specifically for those kids, and the moment becomes powerful. For my money, Bronson gives one of the more moving turns in classic western cinema that remains under appreciated to this day.
In 2025, THE MAGNIFICENT SEVEN celebrated its 65th anniversary, with many theaters around the country screening the film again. I was lucky enough to catch one of those screenings at a theater in downtown Little Rock. It was a wonderful night at the movies. Today, on what would have been his 116th Birthday, I celebrate Director John Sturges and this great film that has meant so much to me!

Brad’s watching THE MAGNIFICENT SEVEN (1960) at the theater tonight!
Y’all have a wonderful night as I watch my 5th Charles Bronson film at the movie theater! In 2022, I watched THE MECHANIC, MR. MAJESTYK, and DEATH WISH 3 at the Mahoning Drive-In in Lehighton, PA. Last year I caught HOUSE OF WAX here in downtown Little Rock at the Ron Robinson Theater. Tonight the Ron Robinson Theater is celebrating the 65th anniversary of the classic western THE MAGNIFICENT SEVEN!
In my excitement, I’ll share Henry Brooks’ song THE MAGNIFICENT SEVEN from his musical “Charles Bronson – More than a Vigilante – The Musical!” Enjoy my friends!
Brad’s “Scene of the Day” – Standoff at the Cemetery from THE MAGNIFICENT SEVEN (1960)!
Happy Birthday in cinematic heaven to one of the great actors and movie stars, Yul Brynner! Brynner was born on July 11th, 1920, in Vladivostok, Russia. He would win an academy award in his career for his performance as King Mongkut of Siam in THE KING AND I (1956), but I will always appreciate him the most for his part as Chris, the leader of those seven magnificent men on the lookout for justice! In honor of Brynner’s birthday, my scene of the day is from the classic western, THE MAGNIFICENT SEVEN!
4 Shots From 4 Films: Special James Coburn Edition
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Whether he was appearing in a western, a spy film, a war film, a comedy, or a dark drama, James Coburn was one of the coolest and most underapperciated actors around. He made bad films tolerable and good films even better. Regardless of the role, Coburn brought his own unique style to each and every performance. He was born 92 years ago today in Nebraska so here are just four of the films from his legendary career.
4 Shots From 4 Films
The Hawaii Film Critics Society Embraces La La Land
On January 16th, the film critics of Hawaii (and who wouldn’t want to be a member of that group?) announced their picks for the best of 2016! They really, really liked La La Land!
BEST FILM:
La La Land
BEST DIRECTOR:
Damien Chazelle, La La Land
BEST ACTOR:
Casey Affleck, Manchester by the Sea
BEST ACTRESS:
Viola Davis, Fences
BEST SUPPORTING ACTOR:
Jeff Bridges, Hell or High Water (tie)
Michael Shannon, Nocturnal Animals
BEST SUPPORTING ACTRESS:
Michelle Williams, Manchester by the Sea
BEST ORIGINAL SCREENPLAY:
Taylor Sheridan, Hell or High Water
BEST ADAPTED SCREENPLAY:
Tom Ford (Based on the Novel by Austin Wright), Nocturnal Animals
BEST CINEMATOGRAPHY:
Linus Sandgren, La La Land
BEST EDITING:
Tom Cross, La La Land
BEST ART DIRECTION:
Austin Gorg, La La Land
BEST COSTUME DESIGN:
Madeline Fontaine, Jackie
BEST MAKE-UP:
Bill Corso, Deadpool
BEST VISUAL EFFECTS:
Arrival (tie)
Doctor Strange
BEST ORIGINAL SCORE:
Justin Hurwitz, La La Land
BEST SONG:
Justin Hurwitz, Benj Pasek and Justin Paul, “Audition (Fools Who Dream),” La La Land (tie)
Lin-Manuel Miranda, “How Far I’ll Go,” Moana
BEST ANIMATED FILM:
Kubo and the Two Strings (dir. Travis Knight) (tie)
Zootopia (dir. Byron Howard, Rich Moore and Jared Bush)
BEST DOCUMENTARY:
OJ: Made in America (dir. Ezra Edelman)
BEST FOREIGN LANGUAGE FILM:
The Handmaiden (dir. Chan-wook Park), (South Korea) (tie)
Neruda (dir. Pablo Larrain), (Chile)
BEST HAWAII FILM:
Moana (dir. Ron Clements, Don Hall, John Musker and Chris Williams)
BEST NEW FILMMAKER:
Dan Trachtenberg, 10 Cloverfield Lane
BEST FIRST FILM:
10 Cloverfield Lane (dir. Dan Trachtenberg)
BEST OVERLOOKED FILM:
Hell or High Water (dir. David Mackenzie)
BEST SCI-FI/HORROR FILM:
Arrival (dir. Denis Villeneuve)
BEST STUNTS:
The Magnificent Seven
BEST VOCAL/MOTION CAPTURE PERFORMANCE:
Charlize Theron/ Kubo and the Two Strings
WORST FILM OF THE YEAR:
Fifty Shades of Black (tie)
Zoolander 2
The Alliance of Women Film Journalists Announced Their Picks For The Best of 2016!
The Alliance of Women Film Journalists (of which I am not a member and what’s up with that!?) announced their picks for the best of 2016 earlier this week.
And here they are:
AWFJ BEST OF AWARDS
These awards are presented to women and/or men without gender consideration.
Best Film
Arrival
Hell or High Water
La La Land
Manchester by the Sea
Moonlight
Best Director
Damien Chazelle – La La Land
Barry Jenkins – Moonlight
Kenneth Lonergan – Manchester by the Sea
David Mackenzie – Hell or High Water
Denis Villeneuve – Arrival
Best Screenplay, Original
20th Century Women – Mike Mills
Hail Caesar – Joel Coen and Ethan Coen
Hell or High Water – Taylor Sheridan
La La Land – Damien Chazelle
Manchester by the Sea – Kenneth Lonergan
Best Screenplay, Adapted
Arrival – Eric Heisserer
Lion – Luke Davies
Love & Friendship – Whit Stillman
Moonlight – Barry Jenkins
Nocturnal Animals –Tom Ford
Best Documentary
13th – Ava DuVernay
Gleason – Clay Tweel
I Am Not Your Negro – Raoul Peck
OJ Made in America – Ezra Edelman
Weiner – Elyse Steinberg and Josh Kriegma
Best Animated Film
Finding Dory – Andrew Stanton andAngus MacLane
Kubo and the Two Strings- Travis Knight
Moana – Ron Clements, Don Hall, John Musker, Chris Williams
Zootopia – Byron Howard, Rich Moore, Jared Bush
Best Actress
Amy Adams – Arrival
Isabelle Huppert – Elle
Ruth Negga – Loving
Natalie Portman – Jackie
Emma Stone – La La Land
Best Actress in a Supporting Role
Viola Davis – Fences
Greta Gerwig – 20th Century Women
Naomie Harris – Moonlight
Octavia Spencer – Hidden Figures
Michelle Williams – Manchester by the Sea
Best Actor
Casey Affleck – Manchester By The Sea
Joel Edgerton – Loving
Ryan Gosling – La La Land
Tom Hanks – Sully
Denzel Washington – Fences
Best Actor in a Supporting Role
Mahershala Ali – Moonlight
Jeff Bridges – Hell or High Water
Ben Foster – Hell or High Water
Lucas Hedges – Manchester By the Sea
Michael Shannon – Nocturnal Animals
Best Ensemble Cast – Casting Director
20th Century Women – Mark Bennett and Laura Rosenthal
Hail Caesar – Ellen Chenoweth
Hell or High Water – Jo Edna Boldin and Richard Hicks
Manchester by the Sea – Douglas Aibel
Moonlight – Yesi Ramirez
Best Cinematography
Arrival – Bradford Young
Hell or High Water – Giles Nuttgens
La La Land – Linus Sandgren
Manchester by The Sea – Jody Lee Lipes
Moonlight – James Laxton
Best Editing
Arrival – Joe Walker
I Am Not Your Negro — Alexandra Strauss
La La Land – Tom Cross
Manchester By The Sea – Jennifer Lame
Moonlight – Joi McMillon and Nat Sanders
Best Non-English-Language Film
Elle – Paul Verhoeven, France
Fire At Sea – Gianfranco Rossi, Italy
The Handmaiden – Chan-Wook Park, South Korea
Julieta – Pedro Almodovar. Spain
Toni Erdmann – Maren Ede, Germany
EDA FEMALE FOCUS AWARDS
These awards honor WOMEN only
Best Woman Director
Andrea Arnold – American Honey
Ava DuVernay -13TH
Rebecca Miller – Maggie’s Plan
Mira Nair – Queen of Katwe
Kelly Reichardt – Certain Women
Best Woman Screenwriter
Andrea Arnold – American Honey
Rebecca Miller – Maggie’s Plan
Kelly Reichardt – Certain Women
Lorene Scafaria – The Meddler
Laura Terruso – Hello, My Name is Doris
Best Animated Female
Dory in Finding Dory –Ellen DeGeneres
Judy in Zootopia – Ginnifer Goodwin
Moana in Moana – Auli’i Cravalho
Best Breakthrough Performance
Sasha Lane – American Honey
Janelle Monáe – Moonlight and Hidden Figures
Madina Nalwanga – Queen of Katwe
Ruth Negga – Loving
Outstanding Achievement by A Woman in The Film Industry
Ava DuVernay – For 13TH and raising awareness about the need for diversity and gender equality in Hollywood
Anne Hubbell and Amy Hobby for establishing Tangerine Entertainment’s Juice Fund to support female filmmakers
Mynette Louie, President of Gamechanger Films, which finances narrative films directed by women
April Reign for creating and mobilizing the #OscarsSoWhite campaign
EDA SPECIAL MENTION AWARDS
Actress Defying Age and Ageism
Annette Bening – 20th Century Women
Viola Davis – Fences
Sally Field – Hello, My Name is Doris
Isabelle Huppert – Elle and Things to Come
Helen Mirren – Eye in the Sky
Most Egregious Age Difference Between The Lead and The Love Interest Award
Dirty Grandpa – Robert De Niro (b. 1943) and Aubrey Plaza (b. 1984)
Independence Day: Resurgence – Charlotte Gainsbourg (b 1971) and Jeff Goldblum (b 1952)
Mechanic Resurrection – Jason Statham (b. 1967) and Jessica Aba (b. 1981)
Rules Don’t Apply – Warren Beatty (b. 1937) and Lily Collins (b. 1989)
Actress Most in Need Of A New Agent
Jennifer Aniston – Mother’s Day and Office Christmas Party
Melissa McCarthy – The Boss and Ghostbusters
Margot Robbie – Suicide Squad and Tarzan
Julia Roberts – Mother’s Day
Shailene Woodley – Divergent Series
Bravest Performance
Jessica Chastain – Miss Sloane
Naomie Harris – Moonlight
Isabelle Huppert – Elle
Sasha Lane – American Honey
Ruth Negga – Loving
Remake or Sequel That Shouldn’t have been Made
Ben-Hur
Ghostbusters
Independence Day: Resurgence
The Magnificent Seven
My Big Fat Greek Wedding 2
AWFJ Hall of Shame Award
Sharon Maguire and Renee Zellweger for Bridget Jones’s Baby
Nicholas Winding Refn and Elle Fanning for The Neon Demon
David Ayer and Margot Robbie for Suicide Squad
David E. Talbert and Mo’Nique for Almost Christmas
4 Shots From 4 Films: Happy Birthday Charles Bronson
4 Sots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking. Charles Bronson was born on this date in 1921. He was successful as a character actor in the 50’s and 60’s, but broke out to became a huge fan favorite in a slew of 70’s action films. Here are 4 Shots from some of Bronson’s greatest hits:

The Magnificent Seven (1960, director John Sturges)

The Mechanic (1972, director Michael Winner)

Death Wish (1974, director Michael Winner)

The Evil That Men Do (1984, director J. Lee Thompson)





