Guilty Pleasure No. 29: On The Line (dir by Eric Bross)


OnTheLineposter

Last night, as I watched Dead 7, I could not help but think about the 2001 film, On The Line.  Don’t get me wrong, On The Line does not feature any zombies and there’s next to no violence.  However, much like Dead 7, it does feature quite a few boy banders.  In fact, with the exception of JC Chasez, every member of *NSYNC makes an appearance in On The Line.  Lance Bass stars in the movie.  Joey Fatone plays his best friend.  Finally, at the end of the film, in a scene that is so homophobic that it practically screams 2001, Justin Timberlake and Chris Kirkpatrick show up as a flamboyant makeup artist and an even more flamboyant hairstylist.

Lance plays Kevin, a shy and somewhat nerdy advertising exec who lives in Chicago.  Kevin falls in love easily but he’s always been too shy to have a serious relationship.  One day, Kevin is returning home from work on the train when he starts talking to Abbey (Emanuelle Chriqui).  It turns out that they both love the Chicago Cubs and Al Green!  (Oh my God!  Who would have guessed that two people living in Chicago would both love the local sports team!?)  It also turns out that both Kevin and Abbey can name all the Presidents in order!  Obviously, they are meant to be!  The universe arranged for them to both be on the train at the same time so that they can get married, have children, and discuss the presidency of Rutherford Hayes while watching the Cubs and listening to Al Green.

Unfortunately, despite being a single guy who has just totally hit it off with a single girl who is obviously attracted to him, Kevin forgets to get her phone number.  The movie explains this by saying that Kevin is shy but if he’s so shy that he can’t even give out his phone number then how did he ever find the courage to tell Abbey that he loves Al Green in the first place?

(Actually, Abbey isn’t really single but her fiancée is such a jerk that she might as well be.  Anyone who has ever seen a movie knows that Abbey is not meant to marry a guy who spends all of his time on the phone, yelling, “Sell!  Sell!”)

Of course, if Kevin had gotten her phone number, there wouldn’t have been a movie.  So, instead, he recruits his loser friends (including Joey Fatone) to help him track down Abbey.  He puts up flyers all over Chicago.  A story about him appears in the newspaper.  Soon, the entire city is obsessed with whether or not Kevin will find this girl that he talked to for ten minutes.  However, Abbey apparently never watches TV or reads the newspaper because somehow, she doesn’t know all of this is going on…

There’s an interesting subtext to On The Line.  Lance Bass himself produced the film.  Five years after On The Line flopped at the box office, Lance officially came out as gay (and, it must be said, that whenever Kevin talks to Abbey, he comes across less like a future lover and more like every girl’s ideal gay best friend).  Lance has said that he was still deeply closeted when he made On The Line and there are times when the film seems to be almost desperate to convince us of Kevin’s (and, by association, Lance’s) heterosexuality.  In this context, that end credits scene with Chris and Justin, limp-wristed and speaking in exaggerated falsetto, is even ickier.  “Gay?” the film says to be saying, “If there was a gay person in On The Line, would Justin Timberlake be playing a makeup artist?  Would Chris Kirkpatrick be willing to appear as a hairdresser named Angelo?”

On The Line is not a particularly good film and yet, oddly, it’s one that I always find myself watching whenever I come across it on cable.  Lance may be miscast and he’s obviously uncomfortable in the majority of his scenes but he’s also likable.  You never believe for a second that Kevin and Abbey will last as a couple but Lance seems like a nice guy and Emmanuelle Chriqui is so pretty that you’re happy that they at least got to go on a date or two before breaking up and never seeing each other again.  They’re both pretty and it’s fun to watch pretty people talk to each other, even if they do lack a certain romantic chemistry.  As well, though his character is pretty obnoxious, Joey Fatone is still always fun to watch.

On The Line is no Dead 7 but it’s still watchable in its own stupid way.  I would suggest, however, skipping the end credits

Previous Guilty Pleasures

  1. Half-Baked
  2. Save The Last Dance
  3. Every Rose Has Its Thorns
  4. The Jeremy Kyle Show
  5. Invasion USA
  6. The Golden Child
  7. Final Destination 2
  8. Paparazzi
  9. The Principal
  10. The Substitute
  11. Terror In The Family
  12. Pandorum
  13. Lambada
  14. Fear
  15. Cocktail
  16. Keep Off The Grass
  17. Girls, Girls, Girls
  18. Class
  19. Tart
  20. King Kong vs. Godzilla
  21. Hawk the Slayer
  22. Battle Beyond the Stars
  23. Meridian
  24. Walk of Shame
  25. From Justin To Kelly
  26. Project Greenlight
  27. Sex Decoy: Love Stings
  28. Swimfan
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5 responses to “Guilty Pleasure No. 29: On The Line (dir by Eric Bross)

  1. Pingback: Guilty Pleasure No. 31: Hail, Caesar! (dir by the Coen Brothers) | Through the Shattered Lens

  2. Pingback: Guilty Pleasure No. 32: It’s So Cold In The D by T-Baby (a.k.a. My Excuse For Not Getting More Accomplished Today) | Through the Shattered Lens

  3. Pingback: Lisa Cleans Out Her DVR: Guilty Pleasure No. 33: In the Mix (dir by Ron Underwood) | Through the Shattered Lens

  4. Pingback: Guilty Pleasure No. 34: Healed by Grace (dir by David Weese) | Through the Shattered Lens

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