Lisa Reviews Avengers: Infinity War (dir by Joe and Anthony Russo)


(Warning: There are spoilers in this review.  They’re not necessarily huge spoilers but they’re there.  Read at your own risk.)

Avengers: Infinity War is a lot of things.  It’s big, it’s thrilling, it’s emotional, it’s colorful, it’s loud, it’s flamboyant, and, clocking in at two and a half hours, it’s occasionally a bit exhausting.  It’s overwhelming but it’s never boring.  It’s a nearly perfect example of pure cinema, where the story is less about what happens and more how it’s told. It’s a tribute to not just the Marvel Cinematic Universe but also to the audiences who have been flocking to each movie since Iron Man was first released way back in 2008.  Avengers: Infinity War is a pop art masterpiece, one that provides the first part of a climax to a saga that’s been unfolding for ten years.

In the days leading up to the release of Avengers: Infinity War, the main selling point was the assumption that this movie would feature every single character that’s been introduced as a citizen of the MCU so far.  Though the film comes close to including everyone, there are still a few characters who are notable for their absence.  Ant-Man and the Wasp are nowhere to be seen.  None of the Marvel Television characters show up, which is a shame because I’m sure Jessica Jones would have had some choice words about the potential end of the universe.  Two familiar SHIELD agents make a brief appearance, though you have to wonder where they were when New York and Wakanda were being invaded.

That said, all of the big heroes show up.  Tony Stark (Robert Downey, Jr.) flies into space with Dr. Strange (Benedict Cumberbatch) and Spider-Man (Tom Holland).  Thor (Chris Hemsworth) teams up with Rocket Racoon and Groot (voiced by Bradley Cooper and Vin Diesel, respectively).  When Wakanda is attacked, Black Panther (Chadwick Boseman), Captain America (Chris Evans), The Falcon (Anthony Mackie), White Wolf (Sebastian Stan), the Hulk (Mark Ruffalo), Rhodey (Don Cheadle), and Natasha (Scarlett Johansson) are all present to defend it.  Meanwhile, Vision (Paul Bettany) and Wanda (Elizabeth Olsen) continue to pursue their odd relationship while Peter Quill (Chris Pratt) and Gamora (Zoe Saldana) search for Gamora’s father, Thanos (Josh Brolin).

It’s a packed film and the fact that it works as well as it does is a testament to the power of perfect casting and movie star charisma.  At this point, we feel as if we know these characters.  We know that Tony Stark is going to be haunted by what happened the last time Thanos’s minions involved New York.  We know that Spider-Man is going to be desperate to prove that he belongs with the adults, just as we know that Dr. Strange isn’t going to be particularly impressed with anyone he meets.  Needless to say, some characters get more screen time than others.  Despite a good deal of the film taking place in Wakanda, Black Panther largely stays in the background.  I personally wish that both Natasha and Captain America had been given a bit more to do.  Considering just how talented both Anthony Mackie and Don Cheadle are, it’s a shame that neither one of them ever gets to do much in these films.  At the same time, Infinity Wars allows both Elizabeth Olsen and Paul Bettany to come into their own and Chris Hemsworth again shows that he may be the most underrated star in the MCU.  I’ve read a lot of criticism of certain actions taken by Peter Quill towards the end of the film but actually, it’s exactly what you would expect his character to do in the situation and, up until that moment, Chris Pratt is a welcome presence.  It’s important to have someone around who appreciates good music and who can make you laugh, especially considering that Thanos is planning to wipe out 50% of the universe’s population…

Oh yes, Thanos.  After spending years lurking in the background, Thanos finally steps forward in Infinity War.  In fact, it can be argued that Avengers: Infinity War is actually much more of a Thanos film than an Avengers film.  While our heroes are continually spending the film trying to catch up to Thanos and reacting to his latest action, Thanos is always one step ahead.  Thanos is the one who steers the narrative and, for once, you really do believe that an MCU villain views the heroes as being mere distractions.  Thanos is the one on a quest and the film follows him through every step of his search.  In fact, the film’s most emotional moments belong to Thanos.  For all the death and destruction to be found in the film’s surprisingly dark narrative, Thanos is the only character to ever shed a tear.  Like all great villains, Thanos doesn’t view himself as being evil.  Instead, Thanos speaks very sincerely of his desire to bring balance to the universe.  The scary thing about Thanos isn’t that he claims that he’s being merciful when he slaughters millions of beings.  The scary thing about Thanos is that believes it.

Thanos, you see, is a bit of an intergalactic environmentalist.  As he explains it, the universe only has a finite number of resources.  By killing half of the universe’s population, he is ensuring that the other half will be able to survive in peace and harmony.  Most people would call Thanos’s actions genocidal but Thanos would probably say that he’s merely making the difficult decisions that others don’t have the courage or intelligence to make.  It may all sound rather far-fetched and melodramatic until you consider that, just last week, bureaucrats and doctors in the UK decided it would be better to starve a sick infant to death rather than allow his parents to take him to be treated in another country.  With his mix of narcissism and absolutely belief in his own moral certitude, Thanos is a far more familiar villain than a lot of viewers might want to admit.  As opposed to the forgettable villains who have appeared in so many MCU films, Thanos is a compelling and complicated figure.  It’s interesting to note that two of the best performances of the year so far were given by actors appearing as villains in MCU films, Michael B. Jordan in Black Panther and Josh Brolin in this one.

As befits the film’s subject matter, Infinity War is a sprawling film, one that skips from world to world.  The visuals are frequently spectacular, as are the many battles.  From the opening attack on New York to the final battles in Wakanda and in space, the action is non-stop and thrilling.  (It helps that, as opposed to some of the previous MCU films, it’s always clear who is fighting who and why they’re fighting.)  For me, though, the most memorable scenes are the scenes where Thanos looks and considers the worlds that he’s destroyed.  There’s a scene where an exhausted Thanos rests on a placid planet and it’s one of the strongest images in the history of the MCU.

I’ve been told that I shouldn’t worry too much about all of the characters who are killed over the course of Infinity War.  From what I’ve been told, it’s apparently something of a tradition in Marvel comics to kill off a bunch of recognizable characters and then have them come back to life an issue or two later.  And the fact that the sequel to Infinity War has already been filmed and is set to released next year leads me to suspect that nothing’s permanent.  I mean, if all of these people are really dead, there aren’t going to be many heroes left to make any more movies about.  That said, I still got far more emotional than I probably should have at some of the unexpected demises.  Especially … well, no.  I won’t say the name.  But seriously, it was upsetting.

2018 is shaping up to be the year of Marvel.  So far, Marvel has released two of the best films of the year.  To be honest, a film as huge as Infinity War shouldn’t have worked and yet, it does.  It’s a masterpiece of pop art.*

* For a totally different response to Avengers: Infinity War, check out Ryan’s review by clicking here!

Check Out These Avengers: Infinity War Character Posters!


With the release of Avengers: Infinity War right around the corner, Marvel has released a whole new collection of character posters!  Just in case you were wondering who, from the MCU, is going to show up in Infinity War, here’s a partial reminder!

(By the way, the answer  would appear to be just about everyone who has ever appeared in an MCU film!)

Iron Man (Robert Downey, Jr)

Hulk (Mark Ruffalo)

Thor (Chris Hemsworth)

War Machine (Don Cheadle)

Black Widow (Scarlett Johansson)

Captain America (Chris Evans)

White Wolf (Sebastian Stan)

Falcon (Anthony Mackie)

Star-Lord (Chris Pratt)

Rocket and Groot (Bradley Cooper and Vin Diesel)

Gamora (Zoe Saldana)

Nebula (Karen Gillan)

Drax (Dave Bautista)

Scarlet Witch (Elizabeth Olsen)

Vision (Paul Bettany)

Black Panther (Chadwick Boseman)

Spider-Man (Tom Holland)

Doctor Strange (Benedict Cumberbatch)

Wong (Benedict Wong)

Mantis (Pom Klementieff)

Okoye (Danai Gurira)

Shuri (Letitia Wright)

 

 

Film Review: Guardians of the Galaxy Vol. 2 (dir by James Gunn)


(MINOR SPOILERS!  SPECIFICALLY, THE IDENTITY OF THIS FILM’S MAIN VILLAIN WILL BE REVEALED)

The Guardians of the Galaxy are back!

And this time, they’ve brought some new friends with them, friends with names like Kurt Russell, Sylvester Stallone, and … David Hasselhoff?

That’s right.  David Hasselhoff is now a part of the Marvel Cinematic Universe and somehow, it feels totally appropriate.  For all the words that have been written comparing Guardians of the Galaxy to the Star Wars franchise, it’s true ancestor is the 1978 Italian film, Starcrash.  (Perhaps not coincidentally, Starcrash was Hasselhoff’s film debut.)  Watch the trailer below and just try to tell me that you can’t imagine Chris Pratt and Zoe Saldana in the lead roles.

But enough about my obsession with Italian exploitation films.  I know the question that you want answered.  Is Guardians of the Galaxy Vol. 2 as good as the first one?

Well, it depends on how you look at it.  Guardians of the Galaxy Volume 2 is an absolute blast, a wonderfully entertaining film that mixes subversive comedy with sci-fi action.  Everyone from the first film — Chris Pratt, Zoe Saldana, Dave Bautista, Karen Gillan, Michael Rooker, and the voices of Bradley Cooper and Vin Diesel — is back and they’ve still got the same winning chemistry that made the first film so much fun.  Everyone is still committed to their roles, delivering even the strangest of dialogue with undeniable flair.  Nobody’s gotten bored with saving the universe yet.  The new additions to the cast are all well selected.  Kurt Russell totally disproves the assumption that MCU villains are never as interesting as their heroic opponents but, then again, it helps that he’s playing a character who has a memorable and odd backstory.  Once again, director James Gunn combines crowd-pleasing moments with his own sharp sense of humor.  If the pompous tone of Man of Steel and Batman v Superman made you sick, Guardians of the Galaxy Volume 2 is the perfect antidote.

Unfortunately, Volume 2 doesn’t provide the same thrill of discovery as the first film.  It’s easy to forget that, before the first film came out, a lot of people were predicting that Guardians of the Galaxy would be the first MCU film to flop at the box office.  The conventional wisdom was that, as opposed to a character like Captain America, no one, outside of a few comic book readers, knew who the Guardians of the Galaxy were.  Chris Pratt was just the goofy guy from Parks and Recreation.  A talking raccoon?  A walking tree?  It was all way too weird, the naysayers proclaimed, to appeal to a mainstream audience.

However, James Gunn proved them wrong.  Guardians of the Galaxy was not only the most successful MCU film to that date but it was also my pick for the best film of 2014.  I can still remember watching it for the first time and immediately falling in love with both the film’s skewered sensibility and Chris Pratt’s funny but soulful performance.  As opposed to a lot of films that were nominated for and won Oscars that year, Guardians of the Galaxy actually holds up after repeat viewings.

(Seriously, has anyone tried to rewatch Birdman lately?)

Going into the sequel, everyone now knows who the Guardians are and Chris Pratt is now a beloved film star.  Volume 2 has a lot to live up to and, for the most part, it succeeds.  It’s a tremendous amount of fun and, at the same time, it has a heart.  (The heart at the center of the Guardian of the Galaxy films is perhaps the biggest heart in the MCU.)

What is the film about?  Much like the first film, it’s about family.  After years of telling everyone that his father was David Hasselhoff, Peter Quill (Chris Pratt) finally meets his real father (Kurt Russell), a God-like figure named Ego.  Charismatic, cheerful, and just a little bit odd, Ego seems like the perfect father figure but he has some secrets of his own.  Russell gives a wonderful performance, making Ego one of the few MCU villains to be as interesting as the heroes.

While Peter is bonding with his dad, he is also being pursued by his adoptive father, the blue-skinned space pirate named Yondu (Michael Rooker).  Yondu has been rejected by both his adopted son and the rest of his adopted family.  The other space pirates are no longer loyal to him.  His former boss (Sylvester Stallone) wants nothing to do with him.  As silly as it all may sound, it’s also unexpectedly poignant, thanks to Michael Rooker’s performance.  Rooker has appeared in several of Gunn’s films.  He’s almost the Cary Grant to Gunn’s Alfred Hitchcock.  Rooker gives one of the best performances of his careeer in the role of Yondu.  It’s tempting to be dismissive of Yondu, with his blue-skin and his Alabama accent, but Rooker makes him one of the most compelling characters to ever be found in an MCU film.

Meanwhile, Rocket Raccoon (voiced again by Bradley Cooper) has become a surrogate father figure to Groot (voice by Vin Diesel), who is still just a baby tree.  (Groot, a living tree, was reduced to just a twig at the end of the first film.  Fortunately, Rocket planted the twig and, in another few movies, we’ll hopefully have a fully grown Groot.)  Yes, Baby Groot does get to dance, again.  At one point, one of the film’s villains forbids any of his henchmen from attacking Baby Groot because he’s just too adorable to destroy.  And he’s right!  After this movie, everyone will want a Baby Groot of their own.

Gamora (Zoe Saldana) has been reunited with her sister, Nebula (Karen Gilliam) and, once again, they spend most of the movie trying to kill each other.  I have three older sisters so I related to their relationship.

And finally, Drax (Dave Bautista) is still mourning his family.  Fortunately, he gets to spend some quality time with Ego’s odd assistant, an empath named Mantis (Pom Klementieff).  Drax and Mantis both have no idea how social interaction is supposed to work and their scenes together are definitely a highlight of the film.  Bautista and Klementieff share a really likable chemistry.  Bautista is one of those actors who can make you laugh just be giving the camera a quizzical look.  Drax may not be as a complicated as the other Guardians but that simplicity often makes him as interesting as his more complex compatriots.

The film’s not only about family.  It’s also a strike against elitism and a celebration for freedom.  Over the course of two films, the Guardians have battled against both an actual god and a fanatic who claimed to speak for God.  At a time when so many movie heroes are tools of authoritarianism, the Guardians of the Galaxy stand for freedom.  In many ways, Peter Quill is as much of a symbol for liberty as Captain America.  Captain America makes his point with a shield while Peter Quill makes his case by dancing.

As might be expected from an MCU film, Guardians of the Galaxy Volume 2 is full of thrilling visuals, exciting battles, and quotable one liners.  Even if it never reaches the heights of the first one, it’s a blast of a film and, as Arleigh told me it would, the finale brought tears to my mismatched eyes.  See it and have a good time.

Also, be sure to stick around through the entire end credits.  Along with a lot of clues about what might happen in the future of the MCU, there’s also one final Groot joke that made me laugh out loud.

Enjoy!

 

Film Review: Fifty Shades Darker (dir by James Foley)


The Fifty Shades of Grey trilogy is shaping up to be the cinematic equivalent of a twitter parody account.

That’s the conclusion that I reached today after my BFF Evelyn and I watched the second part of the trilogy, Fifty Shades Darker.  Since we had both read the book, we weren’t shocked when Fifty Shades Darker turned out to be a bad movie.  Hell, we weren’t surprised when Fifty Shades of Grey turned out to be bad, either.  Each subsequent book was worst than the one that came before it so, when the film version of Fifty Shades Freer is released next year, it should be the worst of all.

Still, nothing could have prepared us for the amount of laugh-out-loud moments and odd details that were offered up in Fifty Shades Darker.  Consider just a few:

Having broken up with Christian “I’m fifty shades of fucked up” Grey at the end of the previous film, Ana Steele (Dakota Johnson, doing penance in the hope of being sprung from Purgatory) is now working for a hip and trendy Seattle publishing company!  How do we know that it’s hip and trendy?  Well, it’s in Seattle and it’s called Seattle Independent Publishing!  (As opposed to Seattle Corporate Press.)  Her boss, Jack (Eric Hyde) leers at her in a style that basically screams, “Lifetime movie villain!”  There’s a scene in which Ana tells her editors that they should be making more of an attempt to reach readers in the “18-24 demographic” and everyone reacts as if this is the first time that they’ve ever heard about this concept.  You half expect someone to say, “18 to 24 year olds!  WHY DIDN’T WE THINK OF THAT!?”  Seriously, after seeing this, I’m going to send my resume to the Dallas Observer, along with a note that says, “18-24.  Hire me for more info.”

When Christian (poor Jamie Dornan, who I’m pretty sure was trying to blink out an S.O.S. signal at certain points in the film) and Ana first reunite, it’s to attend an art show.  Ana’s artist friend has filled an entire gallery with photos of Ana, the majority of which resemble the “sexy” photos that Darcy posted to her MyRoom page in that very special episode of Degrassi.  Christian buys all the pictures because he can’t handle the idea of anyone else having Ana on their wall.  This obsessive and controlling act is just enough to apparently make Ana reconsider her decision to dump Christian because he was being too obsessive and controlling.

50

Christian eventually confesses to Ana that he’s only attracted to women who look like his mother and he punishes them because he’s angry with her.  “Oh, Christian, your Oedipal complex is so sexy,” Ana coos.  Okay, she doesn’t say that.  I said that and then Evelyn said something that I can’t repeat.  And then we laughed and laughed.  Don’t get me wrong.  I know that everyone has their issues and God knows, I’ve got a few myself.  But the minute a guy tells me that he’s only dating me because I look like his mother, that’s the minute I leave.

When Christian tells Ana about his messed up childhood, Ana responds by drawing on his chest with lipstick.  And I swear, that lipstick remains on his chest — without a smudge — for at least a few days.  Every time we would catch a glimpse of those perfect lipstick markings on Christian’s chest, Evelyn and I would start laughing.  I mean, drawing on your partner (or having your partner draw on you) can be fun but most people wash it off after a while.

(Incidentally, when the Scary Movie people get around to parodying this movie, you know that the lipstick scene is going to be recreated.)

Christian’s childhood bedroom is decorated with a poster of Vin Diesel.  When Christian is pouring out his heart, Vin Diesel is glowering in the background.  It would have been neat if the poster had suddenly come to life.  Perhaps Vin could have suddenly appeared in the bedroom and said, “Someday … BUT NOT TODAY!”

And I’m not even going to talk about the Ben Wa balls.

fifty-shades-darker-teaser-intrigued

Anyway, there’s really not much of a plot in Fifty Shades Darker.  Ana gets back together with Christian but says that she wants to have a “vanilla” relationship.  Christian agrees but he still keeps doing controlling stuff, like buying Ana’s company and freezing her bank account.  Ana gets mad.  Ana breaks up with him.  They get back together.  This happens a few times.  Christian tells Ana to stay away from a man.  Ana gets upset but then the man tries to rape her which feels like the film’s way of putting her in her place for doubting Christian’s instincts when it comes to men.  Kim Basinger pops up as the woman who introduced Christian to BDSM and tells Ana that Christian will never be happy in a vanilla relationship.  Ana says that vanilla is her favorite ice cream.  Here’s my thing: why can’t Ana come up with a more complimentary term than “vanilla” to describe her relationship goals?  I mean, Ana’s clever.  She came up with that whole 18-24 thing, after all.

There’s also a crazy woman (Bella Heathcote) who shows up occasionally.  We know she’s crazy because she’s dressed like someone who lives in an abandoned subway tunnel.  She occasionally grabs Ana and says, “I’m nobody!”  Hmmm….I wonder what that’s about…

(Well, don’t wonder too much.  There’s not a single mystery or question in Fifty Shades Darker that isn’t solved a scene or two after it’s raised.)

One of the redeeming things about Fifty Shades of Grey is that neither Dakota Johnson nor director Sam Taylor-Johnson seemed to be taking it all that seriously.  Dakota would pause meaningfully before delivering the worst of her dialogue, a sign that even she couldn’t believe what she was about to say.  Meanwhile, Sam Taylor-Johnson’s direction suggested that she found the story to be just as ludicrous and stupid as everyone else.  However, Fifty Shades Darker is directed by James Foley.  Foley is a veteran director, one who has been making films since before I was born.  He does a workmanlike job and you can almost hear him shouting, “Now, where’s my paycheck!?” during certain scenes.  Under Foley’s direction, there’s no winking at the audience.  There’s no hints of subversion.  Foley’s direction is very literal and more than a little dull.  He was hired to direct a big-budget version of a Chanel No. 5 commercial and that’s exactly what he does.

50

The other big issue with Fifty Shades Darker is that Dakota Johnson and Jamie Dornan have very little romantic chemistry.  They both look good naked but that’s about it.  Jamie looks miserable to be there and Dakota seems to be trying to keep herself amused.  The lack of chemistry was less of a problem in Fifty Shades of Grey.  In that film, all that mattered was that Christian was rich and hot and Ana didn’t really haven’t anything better to do.  But, in Fifty Shades Darker, we’re asked to believe that they’re actually deeply in love and … no, it just doesn’t work.

Evelyn and I laughed through the entire movie.  In the past, we’ve gotten in trouble for doing this because we do have a tendency to get a little bit loud.  However, nobody in the audience seemed to mind.

Anyway, Fifty Shades Freer will be coming out next year.  Hopefully, someone will read this review and work my idea about the Vin Diesel cameo into the film.

Seriously, it would be great!

vin-diesel-jamie-dornan

Here Are The Winners of The 2015 Hollywood Film Awards, Whatever The Hell Those Are.


The_Martian_film_poster

Oh my God, y’all — the Hollywood Film Awards were held on Sunday and a bunch of potential Oscar contenders were honored!  Which all leads to one very important question:

What the Hell are the Hollywood Film Awards?

As I pondered that question, I realized that I had vague memories of sitting through the Hollywood Film Awards last year.  The ceremony was broadcast on CBS and it was distinguished from other awards shows in that there were no nominees.  Instead, only the winners were announced.  It was so amazingly dull and I can remember watching it and thinking, “Awards season has finally jumped the shark.”

(And this was even before Sasha Stone and Jeff Wells had their annual breakdowns…)

Anyway, the Hollywood Film Awards for 2015 were given out on Sunday and I’m assuming they weren’t televised.  (I was busy watching A Student’s Obsession anyway…)  You can find the winners below.  For the most part, it’s a pretty boring list (and why give out awards in November?) but it does allow us an early glimpse into some of the films and performers that are contending for Oscar gold.

Here’s the list.  Along with a gif of a kitty showing just how excited he is over Awards Season…

YAY! AWARDS! I'M SO EXCITED..I'M SO EXCITING...I'M SO ... SCARED!"

“YAY! AWARDS! I’M SO EXCITED..I’M SO EXCITED… I’M SO … SCARED!”

Career Achievement Award presented to Robert De Niro by David O. Russell.

Producer Award presented to Ridley Scott (“The Martian) by Russell Crowe.

Director Award presented to Tom Hooper (“The Danish Girl”) by Amber Heard.

Actor Award presented to Will Smith (“Concussion”) by Jamie Foxx.

Actress Award presented to Carey Mulligan (“Suffragette”) by Jake Gyllenhaal.

Supporting Actor Award presented to Benicio Del Toro (“Sicario”) by Reese Witherspoon.

Supporting Actress Award presented to Jane Fonda (“Youth”) by Laura Dern.

Breakout Actor Award presented to Joel Edgerton (“Black Mass”) by Johnny Depp, Dakota Johnson.

Breakout Actress Award presented to Alicia Vikander (“The Danish Girl”) by Armie Hammer.

New Hollywood Award presented to Saoirse Ronan (“Brooklyn”) by Ryan Gosling.

Ensemble Award presented to “The Hateful Eight” by Quentin Tarantino.

Breakout Ensemble Award presented to “Straight Outta Compton” by Ice Cube.

Comedy Award presented to Amy Schumer (“Trainwreck”) by Selena Gomez.

Breakthrough Director Award presented to Adam McKay (“The Big Short”) by Steve Carell.

Screenwriter Award presented to Tom McCarthy, Josh Singer (“Spotlight”) by Mark Ruffalo.

Blockbuster Award presented to “Furious 7” by Kurt Russell.

Song Award presented to “Furious 7” (“See You Again”) by Vin Diesel.

Animation Award presented to Pete Docter (“Inside Out”) by Amy Poehler.

Cinematography Award presented to Janusz Kaminski (“Bridge of Spies”).

Composer Award presented to Alexandre Desplat (“The Danish Girl,” “Suffragette”).

Documentary Award presented to Asif Kapadia (“Amy”).

Editor Award presented to David Rosenbloom (“Black Mass”).

Visual Effects Award presented to Tim Alexander (“Jurassic World”).

Sound Award presented to Gary Rydstrom (“Bridge of Spies”).

Costume Design Award presented to Sandy Powell (“Cinderella”).

Make-Up and Hair Styling Award presented to Lesley Vanderwalt (“Mad Max: Fury Road”).

Production Design Award presented to Colin Gibson (“Mad Max: Fury Road“).

"Yawn. These awards are boring..."

“Yawn. These awards are predictable and boring.  You disappoint me…”

Scenes I Love: Saving Private Ryan


SavingPrivateRyan

Today marks the 71st Anniversary of the Normandy Landings on D-Day. As the day winds down I thought it best to share one of my favorite scenes from a film that tried to capture the chaos and death of the fateful day on June 6, 1944. The film in question is Steven Spielberg’s Saving Private Ryan. This is the film which won him his second Best Director Oscar (I still think the film should’ve won Best Picture over Shakespeare In Love) and the film which helped redefine not just how war films were shot from 1998 on, but also de-glorify World War II on film.

This scene showed the opening moments of the D-Day Landings on Omaha Beach in Normandy, France. It’s a scene that’s over 22-minutes in length and shows the utter chaos and destruction heaped on American troops as they attempted to land on the beach to take their objectives. While there have been war film before Saving Private Ryan that depicted war as the hell it truly is they were mostly about the Vietnam War. Rarely did we ever get a World War II-based war film which showed war in realistic fashion. Spielberg broke that taboo by making the battle scenes in his film — especially this extended opening sequence — done as realistic as possible without actually having people killed for real on-screen.

When this film first came out in the summer of 1998 no one knew what to make of it. This opening sequence became the talk of everyone who went to see the film. To say that they were shocked by what they saw was an understatement. Even now with over a decade since the film was released and people having seen this scene over and over again it still retain it’s impact. It’s not even the grand scale of the production required to film this action sequence which made this scene so memorable. It were the little things. Like a mortally wounded American GI crying out to his mother while trying to keep his blown out insides from spilling out. Then there’s the scene of another young soldier praying furiously with his rosary beads as men around him die by the score.

This scene also showed what most World War II films of the past failed to do. It showed both sides behaving barbarically. In the past, only the Germans were shown in a bad light. In Saving Private Ryan, we see that American soldiers were also prone at shooting surrendering troops and/or not mercy-killing enemy soldiers being burned alive (actions that have been well-documented by historians). This scene also showed just how courageous the young men of this generation which Tom Brokaw has called “The Greatest Generation”. Men who went off to war not for material gains, but for an idea that they had to stop evil (Nazi and Hitler) from taking all of Europe and, maybe, the world itself.

There’s a reason why Saving Private Ryan is in my list for greatest films of all-time and why this scene remains one of my all-time favorites.