Film Review: Corrective Measures (dir by Sean O’Reilly)

Welcome to the future!

War is raging.  Food is scarce.  At the start of the film, a newscaster officially says farewell to Australia as it’s swallowed by the ocean.  Due to some sort of vaguely defined cosmic event, certain citizens have developed super powers.  Normally, you might think that would be a good thing.  Maybe someone can use their super strength to save Australia.  Instead, it’s led to a rise in supervillains.  People with names like The Conductor and the Lobe are terrorizing the world.  Fortunately (or not), a prison has been designed to hold all of these super villains.

Running that prison is Overseer Devlin (Michael Rooker).  Devlin is quick to correct anyone who calls him a warden.  That said, Devlin runs his prison with a firm and sometimes cruel hand.  All of the inmates are forced to wear a leg brace that neutralizes their powers.  They’re at Devlin’s mercy and Devlin knows it.  A sentence to San Tiburon prison is a life sentence, regardless of what the courts may say.  No one gets parole unless Devlin wants them too and Devlin’s not in the business of giving people freedom.

Corrective Measures follows four inmates in particular.  Diego Diaz (Brennan Meija) is an empath, a super power that will be of little help in a prison where empathy is seen as a weakness.  Gordon Tweedy (Tom Cavanagh) is also known as the Conductor because he can control electricity.  Payback (Dan Payne) is a self-styled vigilante who killed evildoers on the outside and who looks forward to killing more on the inside.  Finally, there’s the Lobe (Bruce Willis), who is the most feared supervillain of all.  The Lobe can control minds, but only if his leg brace is removed.  While the Warden prepares for his retirement and considers who among his staff he should name as a his replacement, the inmates simply try to survive from one day to the next.

Corrective Measures is an episodic film, with the focus continually shifting from one character to another.  When the film begins, Payback seems like he’s going to be the main character but then the focus shifts to Diego and The Conductor.  Towards the end of the film, the focus switches once again and it becomes about The Lobe and his schemes.  The one theme running through the entire film is the struggle to maintain one’s freedom and dignity in even the most difficult of circumstances.  Yes, Corrective Measures might be a low-budget super hero film and yes, it was based on a graphic novel but it’s also a mediation on what it means to be free in a society that persecutes anyone who is perceived as failing to conform.  That theme elevates the film, making it more than just a B-movie.  If Sam Fuller directed a comic book movie, it would probably look something like Corrective Measures.

The actors also do wonders with the material, with Michael Rooker giving an entertainingly evil performance as Warden Devlin and Tom Cavanagh turning The Conductor into a surprisingly poignant character.  That said, I imagine most people will be watching this film because it was one of the final films that Bruce Willis worked on before announcing his retirement from acting.  It is true that Willis does spend the majority of this film in his cell.  It’s rare that he’s ever actually seen in a shot with any of the other actors, leading me to suspect that Willis probably shot all of his scenes in a day or two.  Despite that, Willis is well-cast as The Lobe and there’s even a few scenes where he seems like the Willis of old, smirking at his opponents and dismissing them with a well-timed insult.  While it’s obvious that Willis was not in the best shape when he shot his scenes, Corrective Measures still feels like a better closing act than something like American Siege.

Corrective Measures is a far better film than I think anyone would have expected it to be.  It’s a celebration of freedom that understands why it’s worth celebrating.

Film Review: Vendetta (dir by Jared Cohn)

It’s a dangerous world out there, make no doubt about it.

William Duncan (Clive Standen) thought that his days of violence were behind him.  Sure, he did a tour of duty in the military.  And yes, he was trained how to kill a man.  In fact, he was trained how to kill dozens of men and he did just that as a part of his patriotic duty.  But that was the past.  Now, William lives in the suburbs of Atlanta and he’s got a pretty nice life.

Unfortunately, one day, William’s life falls apart, shortly after he picks up his 16 year-old daughter, Kat (Maddie Nichols), from softball practice.  William’s plan is to pick up his daughter, grab some food for dinner, and then head home.  Unfortunately, a gang led by Rory Fetter (Theo Rossi) has a different idea.  The time has come for Rory’s younger brother, Danny (Cabot Badsen), to be initiated into the gang.  At first, it seems like Danny doesn’t even want to join the gang but still, when he’s ordered to murder a random bystander, he does so.  That bystander happens to be Kat.

Danny’s arrested for the murder but he’s released due to the influence of his father, a powerful gangster named Donnie (Bruce Willis).  Having been failed by the legal system, William decides to put his military training to good use and get his vengeance.  At first, he’s armed with only his dead daughter’s softball bat.  Later, he joins up with an arms dealer named Dante (Thomas Jane) and the war truly begins.

It should also be noted that Dante is friends with a shady garage owner named Roach.  Roach is played by Mike Tyson.  Yes, that Mike Tyson.  Tyson doesn’t really get to do much as Roach.  His garage does serve as one of the film’s many battlegrounds but, for the most part, Tyson is something of a bystander.  It’s easy to see that the main reason he was included in the film was because it would inevitably cause at least a few potential viewers to say, “Hey, Mike Tyson’s in this!  Let’s watch!”  That said, even with his limited screen time, Mike Tyson has a surprisingly likable screen presence.  I don’t think that anyone will ever mistake Tyson for being an actor of great range but he does a good enough job here that it would be foolish for someone not to cast him in a bigger role in a future low-budget action flick.

As for Vendetta, it’s about as pulpy as pulp can get.  It’s an action/revenge flick that makes no excuse for being an action/revenge flick and, as a result, it’s difficult not to be entertained by it.  The story moves quickly, there aren’t really any slow spots, and the cast does well with their roles.  That includes Bruce Willis.  This, of course, is one of Willis’s final films.  Watching the films that were released after Willis revealed that he was retiring due to aphasia can feel a bit awkward as it’s obvious that the Willis who appeared in these films was quite a bit different from the Willis who appeared in Die Hard.  That said, Willis is effectively intimidating in Vendetta.  Even if he doesn’t display the wiseguy charm that was his trademark, Willis still has enough of his streetwise, tough guy screen presence that the viewers will be able to buy him as being a feared crime boss.

As far as 2022’s collection of Bruce Willis films go, Vendetta isn’t bad.  It’s maybe a smidgen below Gasoline Alley (which, as of this writing, is the best Willis film of 2022) but it’s a hundred times better than American Siege and A Day To Die.

Film Review: Fortress: Sniper’s Eye (dir by Josh Sternfeld)

Fortress: Sniper’s Eye is a sequel to the 2021 film, Fortress.

If you haven’t seen Fortress, the plot goes something like this.  A group of mercenaries take over a resort that is populated by retired spies.  Robert Michaels (Bruce Willis) and his son, Paul (Jesse Metcalfe), have to set aside their difference and work together to defeat Frederick Balzary (Chad Michael Murray).

Meanwhile, the plot of Fortress: Sniper’s Eye goes something like this.  A group of mercenaries take over a now-closed resort that was once populated by retired spies.  Robert Michaels (Bruce Willis) and his son, Paul (Jesse Metcalfe), have to continue to set aside their difference and work together to defeat Frederick Balzary (Chad Michael Murray).

Now, to the film’s credit, Sniper’s Eye does admit that it’s largely recycling the plot of the first film.  When Balzary and his henchmen show up for a second time, Paul exclaims, “Didn’t any of you die!?”  It’s a funny line and one that shows that Sniper’s Eye is aware that it’s all a bit ludicrous.  Whatever other faults the film may have, you can’t complain that it’s not self-aware.

Unfortunately, when Balzary and his people invade for the second time, Paul is hosting a gathering with his fiancée and his future mother-in-law.  They’re all taken hostage.  Because Robert was wounded while rescuing Balzary’s wife from some killer Russians, he spends most of the the movie providing encouragement from a hospital bed.  Fortunately, towards the end of the movie, he is able to get out of bed and help out his son.  Paul is obviously happy to see his father and the viewers are happy to see Bruce Willis actually doing some action stuff.

Needless to say, Willis is going to be the main attraction for most viewers.  (I imagine a few One Tree Hill fans will be watching for Chad Michael Murray.)  Sniper’s Eye was one of the film that Willis completed before announcing his retirement from acting.  Knowing what we now know about Willis’s health and the conditions under which he made his final films, watching something like Fortress: Sniper’s Eye can feel awkward.  I cringed when I saw Willis in the hospital bed, looking tired and talking about how he was getting too old to play the hero.  At that moment, it felt as if the character and the actor became the same and it was a bit difficult to watch.

That said, Bruce Willis gives a convincing performance in Fortress: Sniper’s Eye.  He may not have the same charismatic swagger that he had when he was healthy but Willis does still look credible sneaking down a hallway while carrying a gun.  Even though the action scenes all use a rather obvious stunt double, Willis is still convincing in his role.

As for the rest of the film, the pacing is abysmal and the performances are uneven, with Jesse Metcalde making a bland hero and Chad Michael Murray going overboard as the main villain.  This is another film with a jumbled timeline so I feel sorry for anyone who is looking away from the screen whenever the “Two weeks later” title card flashes by.  On the plus side, the resort scenery was nice to look at and Natali Yura gave a convincing performance as Balzary’s wife.  As far as Bruce Willis’s later films are concerned, Fortress: Sniper’s Eye is superior to American Siege but comes in far below both Gasoline Alley and A Day To Die.

Film Review: A Day To Die (dir by Wes Miller)

A Day To Die is a low-budget action film with a ludicrously complicated plot.

The film opens with an elite SWAT team reacting to a terrorist incident in a small town.  A group of white supremacists have taken over a hundred hostages in a high school.  An elite SWAT team, led by Brice Mason (Frank Grillo) and Connor Connolly (Kevin Dillon), attempt to rescue the hostages but a mistake leads to the school blowing up and many of the hostages dying.  Corrupt police chief Alston (Bruce Willis) breaks up the SWAT team.  Some of the members become auto mechanics.  Some of them become drug addicts.  Connor becomes a …. parole officer.

A year or so later, Connor is forced to kill one of the henchmen of the local drug lord, Pettis (Leon).  Pettis is upset because, by his estimation, the dead man would have brought in over two million dollars over the course of his career.  Pettis orders Connor to steal two million to pay off his “debt.”  Pettis gives Connor 12 hours to find the money and, just for good measure, he kidnaps Connor’s pregnant wife (Brooke Butler).

Pettis suggests that Connor get the money by robbing a rival’s drug house.  With no other choice, Connor puts in a call to Brice and soon, the old SWAT team has gathered in a garage.  Quicker than you can say Fast and Furious, the team is talking about how they’re family.  If Connor needs them to rob a bunch of drug dealers, that’s what they’re going to do.  However, they’re also going to take down Pettis in the process.  Of course, what they don’t realize is that Pettis has a connection of his own with Chief Alston.

Probably the best thing that can be said about A Day To Die is that Bruce Willis seems to be remarkably steady on his feet.  This was one of the batch of films that Willis made before his family announced that he was retiring from acting.  Knowing what we now know about not only his health but also the allegations that Willis wasn’t always sure what type of films he was being singed up for, it’s always a bit awkward to watch his last few films.  But, in A Day To Die, Willis actually gives a credible performance as the corrupt police chief.  Though there’s not much of evidence of the swaggering wise guy charisma that made Willis a star, Willis still delivers his lines convincingly and he seems to be invested in the character.  While I’m faintly praising the film, I should also mention that Leon appears to be having fun with the role of the sharply-dressed drug dealer and Frank Grillo is his usual rugged self.  They’re all good enough to keep you watching.

Unfortunately, Kevin Dillon uses the same facial expression that he used when he played Johnny Drama on Entourage and, as a result, it’s a bit difficult to take him seriously as an action hero.  (If anything A Day To Die seems like the type of film that everyone would laugh at Johnny for doing while Vince was appearing in Martin Scorsese’s Gatsby.)  Ultimately, the film is done in by an overcomplicated plot that really doesn’t hold up to close scrutiny.  As entertaining as Leon is, Pettis’s actions never really make sense.  In the end, A Day To Die is better than American Siege but nowhere close to Gasoline Alley.

Film Review: American Siege (dir by Edward Drake)

For a few months, I’ve been going back and forth on whether or not I wanted to review American Siege.

On the one hand, I try to review every film that I see, regardless of how bad (or good) it might be.  I love movies.  I love talking about them.  I love writing about them.  I love sharing my opinions about them and hearing and reading the opinions of others.  That goes for all films, even really bad ones like American Siege.

On the other hand, American Siege is also one of the films that Bruce Willis made shortly before announcing his retirement from acting.  Since his retirement was announced, there have been a lot of stories that have suggested that Bruce’s condition led to him accepting a lot of roles that he normally would not have even considered and that Willis was not always fully aware of what was happening on the sets of the films in which he appeared.  Regardless of how much of that is true or not, it’s a heart-breaking story and it makes it difficult to watch Willis in a film like American Siege.

In American Siege, Willis plays a sheriff in a small Georgia town.  When a group of loud rednecks take a local pharmacist hostage, Willis and his deputies drive out to the man’s house.  However, Willis is ordered to stand down by the richest man in town, who is played by Timothy V. Murphy.  It turns out that the pharmacist has evidence that links Murphy to an unsolved crime.  The rednecks might be loud and stupid and self-destructive but it turns out that they’re not actually the worst people in town.

American Siege is 90 minutes of people shouting at each other and pointing guns out of windows.  There’s not much of a story to be found and even the unsolved mystery is a bit of a dud.  As was typical of his last few films, Bruce Willis is only on screen for a few minutes and he delivers his lines in a heart-breakingly flat monotone.  The rest of the cast is actually okay, even if they do go bit a overboard with the fake Southern accents.  The rednecks are convincingly redneck-y and Murphy is convincingly condescending as the rich man who has never had to face any consequences for his actions.  But the main reason anyone is going to watch this film is because of Bruce Willis and, sadly, there’s none of the swagger that made Willis in a superstar.

So, why am I reviewing American Siege?  Mostly it’s so I can recommend that, if you are really determined to watch one Bruce Willis’s later films, you skip American Siege and watch Gasoline AlleyGasoline Alley was made by the same director and it also features Bruce Willis but it’s a hundred times better than American Siege and it actually gives Willis a decent role to go out on.

Of course, my ultimate recommendation, as far as all this is concerned, is that you go and rewatch the first three Die Hards.  They’re not just for Christmas!

Film Review: Gasoline Alley (dir by Edward Drake)

Believe it or not, Gasoline Alley is not that bad.

Don’t get me wrong.  Gasoline Alley is definitely a pulpy film.  The plot is full of twists and turns and it doesn’t always hang together.  There’s more than a few holes to be found in the story.  There’s also a few threads that are left hanging.  Much as in real life, characters appear and then disappear almost at random.  In many ways, the film plays out like a dream, a jumbled mix of concerns and ideas and images.  The viewer is often left to figure out how to fit everything together on their own.  Obviously, that type of  approach won’t appeal to everyone but, for me, it was the perfect way to tell the film’s story.  The world of Gasoline Alley often doesn’t make sense but neither does the world outside of your window.  Gasoline Alley‘s mystery often feels like a jigsaw puzzle where someone has jammed pieces randomly into each square and then pounded on them until they managed to fit in the slots.  It’s chaos but it’s an appropriate approach for a film that takes place in a chaotic world.

Gasoline Alley also one of the final films that Bruce Willis made before his retirement and, with all the rumors about whether or not Willis was pushed into spending the last few years of his career appearing in low-budget and B-movies, it’s often undeniably awkward to watch him in his final films.  As is the case with almost all of Willis’s recent films, he doesn’t get much screen time in Gasoline Alley.  He’s only in a handful of scenes and his dialogue is limited and delivered in a flat monotone.  He plays a key character but much of what the character does and says occurs off-screen and is described to us second-hand.  And yet, at the same time, Willis still has enough natural presence that his performance works as far as the basic needs of the film are concerned.  He’s playing a character who is meant to be intimidating and Willis still has enough of that tough guy energy that his performance is effective.    

Willis plays a homicide detective named Freeman.  Freeman and his partner, Vargas (Luke Wilson), are investigating the murder of four prostitutes and their number one suspect is a tattoo artist named Jimmy Jayne (Devon Sawa).  Jimmy’s father was a decorated police detective.  His mother was a prostitute.  Jimmy spent several years in prison for assault, though Jimmy claims that he was simply acting in self-defense.  (“He came at me with a screwdriver,” Jimmy says, without further elaboration.)  While he was in prison, Jimmy befriended an actor who was doing time for DUI.  Having been released, Jimmy is now the tattoo artist to the stars.  He has his own tattoo parlor, called Gasoline Alley.  Because one of the murdered women was found with one of Jimmy’s personalized lighters on her body, Jimmy is a suspect.  Jimmy, however, claims that he merely met her in a bar.

Jimmy starts to investigate the murders on his own and it quickly becomes clear that he’s a better investigator than either of the detectives who are on the case.  Though Jimmy is trying to clear his name, he’s also determined to get justice for the murdered women, all four of whom appear to him as either ghosts or drug-induced hallucinations at a key moment in the film.  Jimmy’s investigation leads him into the world of human trafficking, police corruption, and the darkest corners of the film industry.  Indeed, one of Gasoline Alley‘s major points seems to be that everyone in Hollywood is corrupt.  The actor who Jimmy saved in prison is a pretentious loser who, at one point, goes off on a rant that was obviously based on Christian Bale’s infamous Terminator meltdown.  Meanwhile, the adult film industry is represented by a sleazy director who snorts cocaine, tells bad jokes, and throws parties that are almost exclusively populated by crooked cops.  As one cop puts it, “He knows whose lives matter.”

Gasoline Alley has gotten terrible reviews but I think those reviews have more to do with the fact that this is a low-budget Bruce Willis flick than the film itself.  Gasoline Alley is actually not bad at all.  It’s an entertaining work of pulp fiction, a quickly-paced film that takes a look at how life is lived and lost in the shadows of “decent” society.  Because he’s an ex-con, Jimmy is destined to be an outcast, regardless of how many stars come to him for their tattoos.  But, at the same time, it’s Jimmy’s outcast status that allows him to infiltrate and understand the dark side of Los Angeles.  It’s because Jimmy’s an outcast that he’s determined to get justice for the victims that respectable society would rather just ignore.  Director Edward Drake fills the movie with images of neon-suffused decadence.  The atmosphere may be sleazy but it’s also undeniably plausible.  Luke Wilson does a good job playing Willis’s talkative partner but the film is stolen by Devon Sawa, who brings a mix of weary dignity and righteous fury to the role of Jimmy.  Sawa has been through his own well-publicized troubles and perhaps that’s why he seems to instinctively understand why it’s so important that Jimmy not only clear his name but also get justice for those who have been victimized in the shadows.  As played by Sawa, Jimmy is cynical and often tired but he still hasn’t given up his desire to make the world a better place.

No, Gasoline Alley is not a bad film at all.  Instead, it’s a portrait of a harsh world and a look at the people who are simply trying to make it from one day to the next.  Much like Robert Aldrich’s Kiss Me Deadly, Gasoline Alley is a journey through a brutal world where people get what they want at the cost of their own souls.  It’s a film that, like many of the classic B-movies and film noirs of the 40s and 50s, will be rediscovered and better appreciated in the future.

Quick Review – Grindhouse (dir. by Robert Rodriguez & Quentin Tarantino)

The following was posted on 4/6/2007 from my LiveJournal on Grindhouse (which is celebrating it’s 15th Anniversary). I’ll admit I respect Death Proof a bit more now than I did back then:

Gotta write fast. Have to jump into shower and head for work.

I got into the movie theatre at about 8pm, and spent the hour talking with a pair of film students from the School of Visual Arts. At 9 (an hour before the movie), the rest of the sold out crowd appeared. I was officially 3rd in line. Sweet. 🙂 I didn’t my preferred seat (the single one on the right reserved for patrons coming in with someone in a wheelchair), but did get a seat in the empty row (meaning I could stretch my legs, even better).

The short of it: Grindhouse is paying one low price for 2 bad movies, on purpose. You get 3 great built in trailers, and two mini movies. Between the two mini movies, I loved “Planet Terror” (the Rodriguez one) more than “Death Proof” (The Tarantino film), simply because Death Proof had too much of Tarantino’s conversational style that all of his films have. It’s like you’re listening to a conversation that absolutely doesn’t tie itself to any of the storyline’s major points. It’s just “cool” stuff, but I literally almost fell asleep until Kurt Russell showed up on screen. I think that if one knows to expect this from Tarantino, it comes across better. It’s like watching both Kill Bill volumes back to back. The first one’s cool and action packed, and the second one has some action (the chase scene alone in Death Proof had me wondering how they did that), but is so slow before getting there, you want to sigh.

Being a Charmed Fan, it was great to see Rose McGowan again, and there were so many cameos to laugh at. Fergie has a cameo, and Michael Biehn’s (“Hicks” from Aliens, Navy Seals) even in this. Where did they dig up these guys?

Grindhouse is easily a party film. I’d go see it again in the theatre, but I don’t see myself getting the DVD. It takes you back about a good 30 years, and does that really well. There are missing reels, serious jump cuts in the film and the sound sometimes cuts out. 🙂 In that sense, it’s really beautiful. The audience laughed and applauded, though there were some that at the end were like “Man, that sucked.” In the 60’s and 70’s, Grindhouse movies were pretty bad. I guess it’s like watching one of those old Hammer films, mixed in with a cheap horror flick. You have to walk into this movie not expecting “The Departed” for it to work. Just have fun with what you’re seeing and remember, this is what your parents sometimes saw in the movies (it should be noted that my parents went to something of a Grindhouse once – the movie they went to see was Night of the Living Dead. The other movie that was in the show was John Carpenter’s “Halloween”, which freaked my Dad out).

The music in particular is really great. Robert Rodriguez, Chingon, and a few friends come up with a sound for Planet Terror that’s in essence a John Carpenter like sound. If you have access to the Itunes Music Store, give it a listen (I bought it). Plus, if you’re a fan of some of the older movies out there, you’ll find references to some of Carpenter’s films in there (for example, one of the songs from “Escape from New York” is actually used in the film). The same occurs with the soundtrack from “Creepshow” – The story with the drowned couple. There are also tons of older Tarantino/Rodriguez references in there. One fellow actually yelled out a line, word for word, from what was on screen. It took me a second to realize the line came from “From Dusk Till Dawn”. Sweet.

The in betwen trailers are absolutely fantastic. If I were to get the DVD, it would probably be for this reason alone. You can tell that Rob Zombie, Edgar Wright (Shaun of the Dead) and Eli Roth (Hostel) really had fun with their pieces.

So, Grindhouse is worth seeing in theatre at least once with a bunch of friends, but know what you’re walking into. The movie can get gross at times and no young kid should even be brought near to this (we got carded to actually get into the theatre, and a Weinstein Rep. was on hand after the film to let us take surveys). Also before the movies, one of the teaser trailers is for Rob Zombie’s “Halloween”. I haven’t been so excited for a horror film like this since Zack Snyder’s version of “Dawn of the Dead”. This looks really good, and I’m wondering what Michael Myers is going to look like when someone like Tyler Mane (Sabretooth from the first X-Men movie) is playing him. That’s going to be creepy.

Music Video of the Day: Young Blood by Bruce Willis (1987, directed by ????)

I’m still taking in the news that Bruce Willis has retired from acting for health reasons.  When I was growing up, Bruce was the closest thing we had to an old fashioned movie star.  No one can beat the bad guys like Bruce Willis.  No one could deliver a stone cold perfect one liner like Bruce Willis.  No one could liven up a movie like Bruce Willis.  No one could surprise you with an unexpectedly sensitive and good performance like Bruce Willis.  As far as I’m concerned, he is still the epitome of cool..  Moonlighting, Die Hard, Pulp Fiction, 12 Monkeys, The Sixth Sense, Unbreakable, Sin City, Looper, and more, Bruce Willis had quite a career and I think that his reputation as an actor will only grow as his performance are rediscovered and reevaluated.

Bruce Willis was not only an actor but he also a singer.  In 1987, at the height of his Moonlighting fame, he released The Return of Bruno, an album the featured Bruce Willis covering several classic R&B tunes.  To support the album, he toured in the the character of veteran singer, Bruno.  Today’s music video of the day was originally a part of an HBO special that was designed to promote the album.  Bruno remembers performing at Woodstock and covers Young Blood, which was originally recorded by The Coasters in 1957.


Here’s The Life-Affirming Trailer for Fortress!

I’m still struggling to get back into my non-Halloween routine of regular posting.  If I remember correctly, I think I’ve had to deal with post-Horrorthon exhaustion every year since we first started the Shattered Lens.  It’s worth it, though!

Fortunately, a trailer a film like Fortress can only encourage me to get back in the swing of things!  Bruce Willis, Shannen Doherty, and Chad Michael Murray!?  Hell yeah!

Anyway, here’s the trailer:

Here’s The Trailer For Deadlock!

Patrick Muldoon and Bruce Wills in the same movie!?

Finally, the ancient prophecy has come true.

Deadlock will be released on December 3rd. It looks like Bruce might actually make more than a five minute appearance in this film. I guess someone here at the Shattered Lens will find out when we force them to watch this movie.

Here’s the trailer!