Scenes That I Love: Chuck Norris Saves America In Invasion U.S.A.


Today, Chuck Norris celebrates his 83rd birthday and it only feels appropriate that today’s scene that I love should come from one of his greatest films.  From 1985’s Invasion U.S.A., watch as Chuck Norris saves America from Richard Lynch!

Live Tweet Alert: Join #FridayNightFlix for Code of Silence!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, #FridayNightFlix has got 1985’s Code of Silence!

Watch it and cheer for Chuck!

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

Code of Silence is available on Prime and Tubi!  See you there!

Code of Silence (1985, directed by Andrew Davis)

 

 

6 Classic Trailers For May 31st, 2022


The Delta Force (1986, directed by Menahem Golan)

93 years ago, on this date, Menahem Golan was born in Israel.  After serving in the Israeli Air Force, Golan would attend the Old Vic Theater School in London before returning to Israel and launching his legendary career in film.  With his cousin, Yoram Globus, and using Roger Corman as both a mentor and a inspiration, Golan would go on to producer and direct some of the most successful films in Israeli history.  Eventually, Golan and Globus would purchase Cannon Films and would be responsible for some of the greatest (in a fashion) films of the 80s.

Though Golan was best-known as a producer, he never stopped directing.  Today, on what would have been his birthday, Lisa Marie’s Favorite Grindhouse Trailers presents 6 trailers for 6 Golan films!

  1. Lepke (1975)

After finding great success in Israel, Golan first attempted to break into the American market with this biopic about the head of the Mafia’s Murder, Inc., Louis “Lepke” Buchalter.  Though the budget was low, Golan managed to get a name — in this case, Tony Curtis — to play the lead role.  As you can tell, the trailer wanted to make sure that you knew that this film was about Lepke.

2. Enter the Ninja (1981)

This was, I think, the first film that Golan directed after buying Cannon Films.  How great is Enter the Ninja?  It stars Franco Nero as a ninja!  Seriously, you don’t get much greater than that.  Anyway, as I think I’ve stared on this site before, Enter the Ninja is a lot of fun and Franco Nero was the sexiest ninja of the 80s.

3. The Delta Force (1986)

Chuck Norris was a Cannon mainstay and it seems appropriate that he starred in The Delta Force, a film that was very important to Golan.  The Delta Force was essentially a remake of an 1977’s Operation Thunderbolt, an Israeli film that earned Golan his only Oscar nominations when it was nominated for Best Foreign Language Film.  The Delta Force did not receive any Oscar nominations but it has a legion of fans.  Our own Jedediah Leland has frequently described this film as being the greatest ever made.  I don’t know if I’d go that far but still, it is always satisfying to see Chuck blow up the bad guys at the end of the movie.

4. Mack the Knife (1989)

Menahem Golan directs a musical!  Unfortunately, this film has never received a proper DVD or Blu-ray release.  Though it was a Cannon production, Golan and Globus had a falling out (one that was, at least partially, caused by Golan spending money on films like Mack The Knife) and Golan ended up distributing this film himself.  I find the trailer to be intriguing.  The film itself is on YouTube so I’ll watch it someday …. maybe.

5. Hit The Dutchman (1992)

Much like Lepke, this film is about a real-life gangster.  In this case, the gangster was Dutch Schultz.  Interestingly enough, the trailer suggest that Al Capone was active in New York whereas everyone knows that, though Capone did get his start in New York, he didn’t become a prominent gangster until he relocated to Chicago.

6. Crime and Punishment (2002)

Finally, this adaptation of the great novel was a bit of passion project for Golan.  He filmed it in Russia in 1993 but, because of financial difficulties, it was not given a release until 2002.

10 Essential Chuck Norris Films


Chuck Norris is 81 years old today!  Below are ten essential Chuck Norris films.  These are the movies to watch if you want to understand how and why Chuck Norris, despite being an actor with an admittedly limited range, became not only an action hero but an enduring pop cultural icon.

  1. The Delta Force (1986, directed by Menahem Golan) — The Delta Force, a.k.a. The Greatest Movie Ever Made, is the obvious pick for the top spot on our list of Chuck Norris essentials.  Not only does it feature, along with Chuck, Lee Marvin, Robert Vaughn, George Kennedy, Bo Svenson, and Robert Forster chewing up all the scenery but this is the film where Chuck rides a missile-equipped motorcycle.  Not only does this film feature Chuck Norris at his stoic-but-determined best but it also features one the greatest lines in film history when a recently released hostage is handed a Budweiser and responds by shouting, “Beer!  America!”
  2. Code of Silence (1985, directed by Andrew Davis) — For a film that features Chuck Norris and a crime-fighting robot called THE PROWLER, Code of Silence is actually a tough, gritty, and realistic Chicago-based crime drama.  Giving the best performance of his career, Chuck plays an honest cop who finds himself in the middle of a drug war.  Henry Silva plays the main bad guy.  Director Andrew Davis later went on to direct The Fugitive.
  3. Way of the Dragon (1972, directed by Bruce Lee) — Chuck plays a rare bad guy here.  He’s a mercenary named Colt and the film climaxes with a brutal fight between him and Bruce Lee.  The fight is a classic, with a good deal of emphasis put on the shared respect between not only the characters played by Norris and Lee but also between Lee and Norris themselves, two masters at the top of their game.
  4. Silent Rage (1982, directed by Michael Miller) — In this slasher/kung fu hybrid, Chuck is a sheriff who must stop a madman who, as the result of a poorly conceived medical experiment, is basically immortal.  For once, Chuck faces an opponent who is just as strong and relentless as he is.
  5. Invasion U.S.A. (1985, directed by Joseph Zito) — Chuck vs. Richard Lynch!  This is one of Chuck’s best Cannon films.  Chuck is as good a hero as ever but what makes the film work is the diabolically evil performance of Richard Lynch.  They are ideal opponents, with Norris stepping up to not only defeat the bad guys but also to save America itself!
  6. Lone Wolf McQuade (1983, directed by Steve Carver) — This is the first film to feature Chuck Norris as a Texas Ranger and, as we all know, it turned out to be the perfect role for him.  This was the first of Chuck’s neo-westerns.  Cast as the bad guy, David Carradine proved to be one of Chuck’s best opponents.
  7. A Force of One (1979, directed by Paul Aaron) — A serial killer is targeting cops.  Chuck essentially plays himself, a karate instructor who is brought in to teach the detective self-defense.  This serial killer plot is actually interesting and the film features some of Chuck’s best fight scenes.
  8. Missing In Action (1984, directed by Joseph Zito) — Chuck plays a vet and a former POW who returns to Vietnam in the 80s to rescue the men who were left behind.  This is hardly my favorite Norris film and it owes too much to Rambo: First Blood II to truly be successful but this is also one of Chuck Norris’s biggest hits and it’s an essential film is you want to understand the man’s film career.  It’s a cheap production but Chuck’s sincerity and his convincing skills as an action hero almost save the day.  It’s also hard to overlook that, as far as I know, this is the only Chuck Norris film that features Chuck watching an episode of Spider-Man and His Amazing Friends.
  9. An Eye From An Eye (1981, directed by Steve Carver) — Chuck Norris plays an undercover cop who quits the force and tries to bring Christopher Lee to justice.  This one is worth seeing just because it brings together two pop culture icons, Chuck Norris and Christopher Lee.
  10. Breaker!  Breaker! (1977, directed by Don Hulette) — This was Chuck Norris’s first starring role.  He’s actually miscast as a trucker but this film is still worth seeing just for the final scene, in which Chuck and his friends use their trucks to destroy an entire town.

The Octagon (1980, directed by Eric Karson)


A ninja named Seikura (Tadashi Yamashita) is running a training camp where he shows mercenaries and terrorists how they can use martial arts to assassinate their enemies and disrupt the political system.  Someone has to stop him.

This looks like a job for CHUCK NORRIS!

In this one, Chuck plays Scott James, a retired karate champion who, though a massive series of apparently unrelated coincidences, is drawn into the fight against Seikura’s terrorists.  (Speaking of coincidences, Seikura just happens to be Scott’s half-brother.)  One of the fun things about The Octagon is that there’s no real rhyme-or-reason as to how Scott gets involved.  He just keeps running into people who want him to fight terrorists.  His former mentor (played by Lee Van Cleef) tries to recruit him.  Immediately after turning him down, Scott just happens to run into a woman (Karen Carlson) who is having car trouble and the woman tries to recruit him.  Scott’s old friend, A.J. (Art Hindle) tries to recruit him.  Even a dancer (Kim Lankford) who goes out on a date with Scott is more interested in talking about the terrorists than anything else.  Even when the terrorists decide to go after Scott, it’s mostly just because he keeps talking to their enemies.

Scott does eventually get involved.  He goes undercover, which means that he gives everyone a fake last name while asking them if they know where he can sign up for the terrorist training camp.  (But he doesn’t shave his mustache or anything else so he’s still obviously Chuck Norris.)  Eventually, Aura (Carol Bagdasarian) defects from the terrorists over to Scott’s side and the two of them launch an assault on the terrorist camp.  While this is all going on, Scott has doubts about whether or not he can really defeat his half-brother and we hear them in voice over.  It’s an interesting attempt to show what’s going on in an action hero’s head but, because Chuck was such an inexpressive actor early in his career, the contrast between his worries and his stone face creates a strange effect.

It doesn’t matter, though, that Chuck wasn’t an expressive actor or that the film’s plot is needlessly convoluted.  The fight scenes are frequent and they all rock and that’s what really matters.  Chuck throws a lot of punches and kicks in this film and, as opposed to some of his other early films, the director of The Octagon made sure that we could see every single one of them.  Whether he’s fighting in a small hotel room and fighting off a dozen enemies in the terrorist camp, Chuck’s exciting to watch.  Also exciting to watch is Carol Bagdasarian, who makes her role more than the typical action movie love interest.  At times, she seems like she might even be a deadlier opponent than Chuck himself!

Finally, Lee Van Cleef!  In this one, he drives a truck with a “Have You Hugged Your Gun Today?” bumper sticker.  No film featuring Lee Van Cleef can be that bad.  In fact, most, like The Octagon, are pretty damn entertaining.

The Hitman (1991, directed by Aaron Norris)


When cop Cliff Garrett (Chuck Norris) gets shot by his corrupt partner, Ronny Delaney (Michael Parks), he dies and nearly gets to go to heaven.  However, at the last minute, the doctor’s manage to bring Cliff back to life.  Since everyone believes Cliff to be dead, his superiors come up with a brilliant plan.  What if Cliff changes his name to Grogan, grows his hair long, and goes undercover as a hitman?

Cliff’s up for it and is soon working for an Italian mobster named Marco Luganni (Al Waxman).  Marco wants to eliminate all of the other mobsters in town but he also has to deal with a bunch of drug-dealing Iranians who are trying to move in on his territory.  Cliff soon works his way into the inner circle and plays all sides against each other.  What’s strange is that Cliff manages to fool everyone into thinking that he’s Grogan despite the fact that all he’s really doing is wearing his hair long.  In fact, the only person who he doesn’t fool is his former partner, Delaney.  Delaney is not happy to discover that Cliff is still alive and sets out to take him out once and for all.

Because this is a Chuck Norris film, there’s a subplot where Cliff helps a bullied youth named Tim (Salim Grant) learn how to stick up for himself.  One thing that set Chuck Norris apart from other 80s action heroes is that Chuck always tried to teach all the kids in the audience of his R-rated films a good lesson about staying off drugs, standing up to bullies, and not doubting the American way.  I always have mixed feelings about this aspect of Chuck’s films because the message scenes usually don’t fit in with the rest of the narrative and it’s always questionable if a film featuring Chuck killing people is the right place for a wholesome life lesson but, at the same time, Chuck is so sincere that these scenes usually feature his best acting.  When Tim beats up a bully and then Chuck beats up the bully’s father, it really makes you realize that someone missed an opportunity by not making a movie where Chuck Norris played a computer science teacher who prepared his students not just for a career in STEM but also taught them how to put the members of football team in their place.  In the case of The Hitman, the crime subplot and the bullying subplot come together when Delaney decides to use Tim to strike at Cliff.

The Hitman is one of Chuck’s later films, which means the budget is lower than the films he did for Cannon and the action scenes are not as elaborate.  Chuck’s brother, Aaron, directs and he does okay but he’s no Joe “Missing In Action” Zito or Menahem “Delta Force” Golan.  The fight scenes are competently done in a workmanlike manner but they’re never as exciting as what we’ve come to expect from the Norris brand.  The main appeal here is to see Chuck Norris and Michael Parks in the same movie.  Chuck, as always, underplays while Parks, as always, overplays and it’s always entertaining to watch them go at each other.  Otherwise, The Hitman is for Chuck completists only.

A Force of One (1979, directed by Paul Aaron)


Someone is targeting a squad of undercover narcotics detectives, killing them by taking them by surprise and breaking their necks before they even have a chance fight back.  Lt. Dunne (Clu Gulager) doesn’t like seeing his best detectives getting murdered so he orders all of them — including Mandy Rust (Jennifer O’Niell) and Rollins (Superfly himself, Ron O’Neal) — to take martial arts training so that they can defend themselves.  And who better to train them than karate champ and dojo owner, Matt Logan (Chuck Norris)?  The no-nonsense Logan teaches the detectives a few moves and even starts a tentative romance with Mandy.  But when his adopted son (played by future director Eric Laneuville) is murdered by the drug dealers, Logan goes from being a teacher to being an avenger.

Since today is Chuck Norris’s 80th birthday, it only seems appropriate to review one of Chuck Norris’s better films.  A Force of One was made at a time when Chuck was still trying to make the transition from being the karate instructor to the star to being a star himself.  Norris had been disappointed by his previous few starring vehicles, all of which strangely played down Norris’s martial arts skills.  After his friend and student, Steve McQueen, told Chuck that he needed to specialize in playing strong, silent types, Norris followed his advise with A Force Of One, which features considerably less dialogue than Norris’s previous films but also a lot more fighting.

Though the character may be named Matt Logan, Chuck Norris is basically playing himself in A Force of One.  In the scenes where he’s training the detectives and talking about why he’s personally so opposed to drugs, Chuck comes across as so earnest that it doesn’t matter that he’s not much of an actor.  What he’s always lacked in range, Chuck makes up for in general badassery and A Force Of One features him at his most badass.  Chuck’s final fight with the ninja assassin is one of his best.

Jennifer O’Neill got top billing in A Force Of One and she and Chuck actually have decent romantic chemistry.  She seems to bring him a little bit out of his shell and she’s also actually believable as a tough cop.  Because this was early in Chuck’s career and the script was co-written by police procedural specialist Ernest Tidyman, A Force Of One spends as much time following round the other cops as it does with Chuck and the squad’s camaraderie is believable.  The cops are all played by good character actors like Ron O’Neal, Clu Gulager, Pepe Serna, and James Whitmore Jr. and they all give pretty good performance while, at the same time, not upstaging Chuck.

One final note: There’s a scene where Chuck and Jennifer O’Neill are in an evidence room.  Keep an eye out for a box that is labeled K. Reeves.  That’s a reference to director Paul Aaron’s stepson, Keanu Reeves, who worked as a production assistant on this film.

The German version of A Force Of One

4 Shots From 4 Films: Special Chuck Norris Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today is the 80th birthday of the greatest living American, Chuck Norris!  For those who doubt that power of Chuck, consider this: Chuck Norris is a year older than Bernie Sanders and he could still beat him in a fight.

In honor of Chuck’s birthday, here are 4 shots from 4 of his best.

4 Shots From 4 Films

An Eye For An Eye (1981, directed by Steve Carver)

Silent Rage (1982, directed by Michael Miller)

Code of Silence (1985, directed by Andrew Davis)

The Delta Force (1986, directed by Menahem Golan)

Delta Force 2: The Colombian Connection (1990, directed by Aaron Norris)


Cocaine is flooding the United States and only one man is to blame!  Ramon Cota (Billy Drago) is so evil that, after killing a group of DEA agents, he appears on closed-circuit television just so he can taunt their superior, John Page (Richard Jaeckel).  When Ramon drives through his home country of San Carlos, he kills the peasants, rapes their women, and murders their babies, just because he can.  He’s one bad dude.

Ramon is untouchable as long as he stays in San Carlos but occasionally he does have to leave the country so he can conduct business.  A frequent flyer, Ramon always buys every seat in first class so that he and his bodyguards can have privacy.  However, what Ramon didn’t count on, was Delta Force’s Col. Scott McCoy (Chuck Norris!).  McCoy and his partner, Maj. Chavez (Paul Perri), aren’t intimidated by that curtain separating first class from the rest of the plane.  As soon as Ramon’s flight enters American air space, they burst out of coach, knock out Ramon’s bodyguards, and then toss Ramon out of the plane.  Being an experienced skydiver (not to mention that he’s also Chuck Norris), Col. McCoy is able to catch up to Ramon and grab him before he plummets all the way to the Earth.

Unfortunately, arresting Ramon in America means that you run the risk of a liberal, Carter-appointed judge setting a low-enough bail that Ramon can go free.  Having taken advantage of America’s own legal system, Ramon murders Chavez and returns to San Carlos, leaving Col. McCoy and the rest of the Delta Force to seek vengeance for their fallen comrade.

Only Chuck Norris returns for this sequel to the greatest movie ever made.  Unfortunately, Lee Marvin died shortly after the release of the first Delta Force.  Even though John P. Ryan (as General Taylor) and Richard Jaeckel both seem to be attempting to channel Marvin’s grim, no-nonsense spirit in their performances, it’s just not the same.  What made the first Delta Force so memorable was the mix of Marvin’s cool authority and Chuck Norris’s general badassery.  Norris is as tough as always but the film still has a Lee Marvin-size hole in the middle of it and, without Marvin glaring at the bad guys and barking at the Washington pencil pushers who think they know how to keep America safe, Delta Force 2 could just as easily be a sequel to one of Norris’s Missing In Action films.  This is a Chuck In The Jungle movie, with drug dealers replacing the usual Vietnamese POW camp commandants.

If you can see past the absence of Lee Marvin, Delta Force 2 is an okay Chuck Norris action movie.  It’s typical of the movies that he made for Cannon but the fight scenes are well-directed by Chuck’s brother and Billy Drago is a loathsome drug lord who gets what he deserves.  Chuck gets a few good one-liners and you’ve got to love the film’s final shot.  Delta Force 2 never comes close to matching the original but at least it’s got Chuck Norris doing what he does best.

Bruce Lee vs. The Star Whackers: Game of Death (1978, directed by Robert Clouse)


Billy Lo (played by archival footage of Bruce Lee and two stand-ins) is the world’s biggest film star and the Syndicate (represented by Dean Jagger and Hugh O’Brian) want a piece of the action.  When Billy refuses to allow the Syndicate to take control of his career, the Syndicate responds by threatening both Billy and his girlfriend (Colleen Camp).  After a Syndicate hitman sneaks onto the set of Billy’s latest film and shoots him in the face, Billy allows the world to believe that he’s dead.  Using a variety of disguises, Billy seeks revenge on the Syndicate and all of its assassins, including the 7 foot tall Hakim (Kareem Abdul-Jabbar).

Lee’s original plan for the Game of Death was that it would feature him as a retired martial artist who, in order to save the lives of his family, had to make his way up a five-level pagoda, defeating a different guardian on each floor.  Each guardian would represent a different fighting style and the journey up the pagoda would allow Lee to discuss his beliefs regarding the principles of martial arts.  Serving as both director and star, Lee did during the making of the film, of cerebral edema though some said Lee was either murdered or that he had faked his own death.

Released seven years after his death, the final version Game of Death has little in common with Lee’s original vision.  Only about 11 minutes of footage from the original film was used in the revised version and most of Lee’s philosophical concerns were abandoned for a plot that, today, feels like it could have been lifted from Randy Quaid’s twitter timeline.  (Also, when watching the film today, it’s also impossible to watch the Syndicate’s assassins disguise Billy Lo’s shooting as an on-set accident without being reminded of what would happen to Brandon Lee on the set of The Crow.)  Game of Death opens with footage lifted from Lee’s battle with Chuck Norris at the end of Way of the Dragon and the other fight scenes are full of close-ups of Lee that were obviously lifted from other films.  There’s even a scene in Billy’s dressing room where a cardboard cut-out of Lee’s face has obviously been taped onto a mirror.  After Billy fakes his own death, footage of Bruce Lee’s actual funeral is shown, including a shot of Lee in his coffin.

If you can overlook the ethical issues of making a Bruce Lee film without the actual participation of Bruce Lee, Game of Death is actually a pretty entertaining movie.  Director Robert Clouse had previously directed Enter the Dragon and obviously knew how to direct a fight scene while even stock footage of Bruce Lee has more charisma than the average action star.  Best of all, Bruce Lee battles Kareem Adbul-Jabbar, in an epic scene that Lee himself directed for the original version of Game of Death.  When the 7’2 Kareem Abdul Jabber plants his foot in the middle of Bruce Lee’s chest, Game of Death achieves pop cultural immortality.

Thorny ethical concerns aside, Game of Death proves that Bruce Lee will live forever.