The Alliance of Women Film Journalists Announced Their Picks For The Best of 2016!


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The Alliance of Women Film Journalists (of which I am not a member and what’s up with that!?) announced their picks for the best of 2016 earlier this week.

And here they are:

AWFJ BEST OF AWARDS
These awards are presented to women and/or men without gender consideration.
Best Film
Arrival
Hell or High Water
La La Land
Manchester by the Sea
Moonlight

Best Director
Damien Chazelle – La La Land
Barry Jenkins – Moonlight
Kenneth Lonergan – Manchester by the Sea
David Mackenzie – Hell or High Water
Denis Villeneuve – Arrival

Best Screenplay, Original
20th Century Women – Mike Mills
Hail Caesar – Joel Coen and Ethan Coen
Hell or High Water – Taylor Sheridan
La La Land – Damien Chazelle
Manchester by the Sea – Kenneth Lonergan

Best Screenplay, Adapted
Arrival – Eric Heisserer
Lion – Luke Davies
Love & Friendship – Whit Stillman
Moonlight – Barry Jenkins
Nocturnal Animals –Tom Ford

Best Documentary
13th – Ava DuVernay
Gleason – Clay Tweel
I Am Not Your Negro – Raoul Peck
OJ Made in America – Ezra Edelman
Weiner – Elyse Steinberg and Josh Kriegma

Best Animated Film
Finding Dory – Andrew Stanton andAngus MacLane
Kubo and the Two Strings- Travis Knight
Moana – Ron Clements, Don Hall, John Musker, Chris Williams
Zootopia – Byron Howard, Rich Moore, Jared Bush

Best Actress
Amy Adams – Arrival
Isabelle Huppert – Elle
Ruth Negga – Loving
Natalie Portman – Jackie
Emma Stone – La La Land

Best Actress in a Supporting Role
Viola Davis – Fences
Greta Gerwig – 20th Century Women
Naomie Harris – Moonlight
Octavia Spencer – Hidden Figures
Michelle Williams – Manchester by the Sea

Best Actor
Casey Affleck – Manchester By The Sea
Joel Edgerton – Loving
Ryan Gosling – La La Land
Tom Hanks – Sully
Denzel Washington – Fences

Best Actor in a Supporting Role
Mahershala Ali – Moonlight
Jeff Bridges – Hell or High Water
Ben Foster – Hell or High Water
Lucas Hedges – Manchester By the Sea
Michael Shannon – Nocturnal Animals

Best Ensemble Cast – Casting Director
20th Century Women – Mark Bennett and Laura Rosenthal
Hail Caesar – Ellen Chenoweth
Hell or High Water – Jo Edna Boldin and Richard Hicks
Manchester by the Sea – Douglas Aibel
Moonlight – Yesi Ramirez

Best Cinematography
Arrival – Bradford Young
Hell or High Water – Giles Nuttgens
La La Land – Linus Sandgren
Manchester by The Sea – Jody Lee Lipes
Moonlight – James Laxton

Best Editing
Arrival – Joe Walker
I Am Not Your Negro — Alexandra Strauss
La La Land – Tom Cross
Manchester By The Sea – Jennifer Lame
Moonlight – Joi McMillon and Nat Sanders

Best Non-English-Language Film
Elle – Paul Verhoeven, France
Fire At Sea – Gianfranco Rossi, Italy
The Handmaiden – Chan-Wook Park, South Korea
Julieta – Pedro Almodovar. Spain
Toni Erdmann – Maren Ede, Germany

EDA FEMALE FOCUS AWARDS
These awards honor WOMEN only

Best Woman Director
Andrea Arnold – American Honey
Ava DuVernay -13TH
Rebecca Miller – Maggie’s Plan
Mira Nair – Queen of Katwe
Kelly Reichardt – Certain Women

Best Woman Screenwriter
Andrea Arnold – American Honey
Rebecca Miller – Maggie’s Plan
Kelly Reichardt – Certain Women
Lorene Scafaria – The Meddler
Laura Terruso – Hello, My Name is Doris

Best Animated Female
Dory in Finding Dory –Ellen DeGeneres
Judy in Zootopia – Ginnifer Goodwin
Moana in Moana – Auli’i Cravalho

Best Breakthrough Performance
Sasha Lane – American Honey
Janelle Monáe – Moonlight and Hidden Figures
Madina Nalwanga – Queen of Katwe
Ruth Negga – Loving

Outstanding Achievement by A Woman in The Film Industry
Ava DuVernay – For 13TH and raising awareness about the need for diversity and gender equality in Hollywood
Anne Hubbell and Amy Hobby for establishing Tangerine Entertainment’s Juice Fund to support female filmmakers
Mynette Louie, President of Gamechanger Films, which finances narrative films directed by women
April Reign for creating and mobilizing the #OscarsSoWhite campaign

EDA SPECIAL MENTION AWARDS

Actress Defying Age and Ageism
Annette Bening – 20th Century Women
Viola Davis – Fences
Sally Field – Hello, My Name is Doris
Isabelle Huppert – Elle and Things to Come
Helen Mirren – Eye in the Sky

Most Egregious Age Difference Between The Lead and The Love Interest Award
Dirty Grandpa – Robert De Niro (b. 1943) and Aubrey Plaza (b. 1984)
Independence Day: Resurgence – Charlotte Gainsbourg (b 1971) and Jeff Goldblum (b 1952)
Mechanic Resurrection – Jason Statham (b. 1967) and Jessica Aba (b. 1981)
Rules Don’t Apply – Warren Beatty (b. 1937) and Lily Collins (b. 1989)

Actress Most in Need Of A New Agent
Jennifer Aniston – Mother’s Day and Office Christmas Party
Melissa McCarthy – The Boss and Ghostbusters
Margot Robbie – Suicide Squad and Tarzan
Julia Roberts – Mother’s Day
Shailene Woodley – Divergent Series

Bravest Performance
Jessica Chastain – Miss Sloane
Naomie Harris – Moonlight
Isabelle Huppert – Elle
Sasha Lane – American Honey
Ruth Negga – Loving

Remake or Sequel That Shouldn’t have been Made
Ben-Hur
Ghostbusters
Independence Day: Resurgence
The Magnificent Seven
My Big Fat Greek Wedding 2

AWFJ Hall of Shame Award
Sharon Maguire and Renee Zellweger for Bridget Jones’s Baby
Nicholas Winding Refn and Elle Fanning for The Neon Demon
David Ayer and Margot Robbie for Suicide Squad
David E. Talbert and Mo’Nique for Almost Christmas

Here Are the 2016 Seattle Film Award Nominees!


Here are the 2016 Seattle Film Award Nominees!  I don’t know what the cat’s yawning about; these nominations are actually an interesting mix of the usual suspects (Moonlight, Manchester, La La Land) and a few unexpected but intriguing picks (like 13th and The Witch).

THE 2016 SEATTLE FILM AWARD NOMINEES:

BEST PICTURE OF THE YEAR:

BEST DIRECTOR:

  • Damien Chazelle – La La Land
  • Robert EggersThe Witch
  • Barry JenkinsMoonlight
  • Paul Verhoeven – Elle
  • Denis Villeneuve – Arrival

BEST ACTOR in a LEADING ROLE:

  • Casey Affleck – Manchester By The Sea
  • Ryan GoslingLa La Land
  • Logan Lerman – Indignation
  • Viggo Mortensen – Captain Fantastic
  • Denzel Washington – Fences

BEST ACTRESS in a LEADING ROLE:

  • Amy Adams – Arrival
  • Kate Beckinsale – Love & Friendship
  • Isabelle Huppert – Elle
  • Natalie Portman – Jackie
  • Emma StoneLa La Land

BEST ACTOR in a SUPPORTING ROLE:

BEST ACTRESS in a SUPPORTING ROLE:

  • Viola Davis – Fences
  • Lily Gladstone – Certain Women
  • Naomie HarrisMoonlight
  • Kate McKinnonGhostbusters
  • Michelle Williams – Manchester By The Sea

BEST ENSEMBLE CAST:

BEST SCREENPLAY:

BEST ANIMATED FEATURE:

BEST FOREIGN LANGUAGE FILM:

  • EllePaul Verhoeven, director
  • The HandmaidenPark Chan-wook, director
  • The InnocentsAnne Fontaine, director
  • Under The ShadowBabak Anvari, director
  • The WailingNa Hong-jin, director

BEST DOCUMENTARY FEATURE:

BEST CINEMATOGRAPHY:

BEST COSTUME DESIGN:

BEST FILM EDITING:

BEST ORIGINAL SCORE:

BEST PRODUCTION DESIGN:

BEST VISUAL EFFECTS:

BEST YOUTH PERFORMANCE (18 years of age or younger upon start of filming):

BEST VILLAIN:

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What If Awards Season Began And Lisa Totally Missed It? Here Are The Gotham Nominations!


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As proof of how busy I’ve been over the past few days, just consider this: On October 20th, awards season kicked off and I totally missed it!

That’s right.  On October 20th, the nominations for the 2016 Gotham Awards were announced.  The Gothams honor independent films and they actually have some pretty strict guidelines regarding what they consider to be independent.  So, a lot of this year’s potential Oscar nominees are not eligible for the Gotham Awards.

That said, over the past few years, the Gothams have slowly emerged as a somewhat helpful precursor.  While getting a Gotham nomination does not guarantee any film an Oscar nomination, it certainly doesn’t hurt.  That may especially be true this year as 2016 has, for the most part, not been the great cinematic year that 2015 was.  With no real favorites having yet to emerge, every precursor counts.

So, with that in mind and just a few days late, here are the Gotham nominations!

Best Feature

Certain Women
Kelly Reichardt, director; Neil Kopp, Vincent Savino, Anish Savjani, producers (IFC Films)

Everybody Wants Some!!
Richard Linklater, director; Megan Ellison, Ginger Sledge, Richard Linklater, producers (Paramount Pictures)

Manchester by the Sea
Kenneth Lonergan, director; Kimberly Steward, Matt Damon, Chris Moore, Lauren Beck, Kevin J. Walsh, producers (Amazon Studios)

Moonlight
Barry Jenkins, director; Adele Romanski, Dede Gardner, Jeremy Kleiner, producers (A24)

Paterson
Jim Jarmusch, director; Joshua Astrachan, Carter Logan, producers (Amazon Studios)

Best Documentary

Cameraperson
Kirsten Johnson, director; Marilyn Ness, producer (Janus Films)

I Am Not Your Negro
Raoul Peck, director; Rémi Grellety, Raoul Peck, Hébert Peck, producers (Magnolia Pictures)

O.J.: Made in America
Ezra Edelman, director; Caroline Waterlow, Ezra Edelman, Tamara Rosenberg, Nina Krstic, Deirdre Fenton, Erin Leyden, producers (ESPN Films)

Tower
Keith Maitland, director; Keith Maitland, Megan Gilbride, Susan Thomson, producers (Kino Lorber, Independent Lens)

Weiner
Josh Kriegman, Elyse Steinberg, directors and producers (Sundance Selects and Showtime Documentary Films)

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Bingham Ray Breakthrough Director Award

Robert Eggers for The Witch (A24)

Anna Rose Holmer for The Fits (Oscilloscope Laboratories)

Daniel Kwan & Daniel Scheinert for Swiss Army Man (A24)

Trey Edward Shults for Krisha (A24)

Richard Tanne for Southside with You (Roadside Attractions and Miramax)

Best Screenplay

Hell or High Water, Taylor Sheridan (CBS Films)

Love & Friendship, Whit Stillman (Amazon Studios)

Manchester by the Sea, Kenneth Lonergan (Amazon Studios)

Moonlight, Story by Tarell Alvin McCraney; Screenplay by Barry Jenkins (A24)

Paterson, Jim Jarmusch (Amazon Studios)

Best Actor*

Casey Affleck in Manchester by the Sea (Amazon Studios)

Jeff Bridges in Hell or High Water (CBS Films)

Adam Driver in Paterson (Amazon Studios)

Joel Edgerton in Loving (Focus Features)

Craig Robinson in Morris from America (A24)

Best Actress*

Kate Beckinsale in Love & Friendship (Amazon Studios)

Annette Bening in 20th Century Women (A24)

Isabelle Huppert in Elle (Sony Pictures Classics)

Ruth Negga in Loving (Focus Features)

Natalie Portman in Jackie (Fox Searchlight Pictures)

Breakthrough Actor*

Lily Gladstone in Certain Women (IFC Films)

Lucas Hedges in Manchester by the Sea (Amazon Studios)

Royalty Hightower in The Fits (Oscilloscope Laboratories)

Sasha Lane in American Honey (A24)

Anya Taylor-Joy in The Witch (A24)

* The 2016 Best Actor/Best Actress and Breakthrough Actor nominating panels also voted to award a special Gotham Jury Award for ensemble performance to Moonlight, “in which actors at all levels of experience give outstanding performances that speak eloquently to one another both within and across each chapter of the story.” The awards will go to actors Mahershala Ali, Naomie Harris, Alex Hibbert, André Holland, Jharrel Jerome, Janelle Monáe, Jaden Piner, Trevante Rhodes, and Ashton Sanders.

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(AWARDS SEASON HAS BEGUN!!!)

 

Documentary Review: Weiner (dir by Josh Kriegman and Elyse Steinberg)


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I just finished watching Weiner, the new documentary about Anthony Weiner, the very creepy former Congressman from New York.

I know it may seem strange for me, the girl who launches into at least one “I’m sick of hearing about politics” rant a day, to watch Weiner but this documentary has been getting considerable acclaim.  In a year when very few Oscar contenders have yet to emerge, Weiner has already been declared by many to the be the front-runner for this year’s Oscar for Best Documentary Feature Film.  So, really — what choice did I have but to watch?

Then again, even if it wasn’t a potential Oscar contender, I would probably still want to watch Weiner.  Anthony Weiner’s story is a fascinatingly awful one and how people react to it seems to largely depend on whether they lean to the right or to the left.  To those on the left, Anthony Weiner is almost a tragic figure, a forceful advocate who was undone by his personal weaknesses.  To those on the right, Weiner is a symbol of liberal hypocrisy.  And, for those in the apathetic middle (like me), he’s a creepy and somewhat pathetic perv who used to serve in Congress and who is now lucky if he can get a cameo in a Sharknado sequel.

Of course, when it comes to Anthony Weiner, the thing that we can all agree on is that, regardless of what happened, it was all his fault.  Weiner opens with a montage of Antony Weiner’s rise and fall.  We see him screaming on the house floor and taunting Republicans on a news program.  We then see him being asked if he posted a picture of his “bulge” on twitter.  We watch as Weiner denies posting the picture and then admits to posting the picture.  Weiner says he will never resign from Congress.  Obama pops up for a second to tell an interviewer that he thinks Weiner should resign.  And then, Weiner does resign.

The documentary picks up two years later.  Anthony Weiner is running for Mayor of New York and, despite lingering questions about his online activities, Weiner has emerged as the front runner.  In fact, Weiner is so confident that he’s going to win the Democratic nomination that he even invites a documentary film crew to follow him during the campaign.  It’s obvious that, initially, both Weiner and the documentarian believe that this documentary is going to be a story of redemption.

And so, we follow Weiner as he campaigns.  We see his enthusiastic volunteers, all talking about why they want Anthony Weiner to be the next mayor of New York.  We meet Weiner’s wife, Huma Abedin, and we listen as people gush about how close she is to Hillary Clinton.  Everything seems to be perfect…

…And then, suddenly, things change.  It turns out that Weiner has not stopped his online activities.  Instead, it appears that he’s become even more reckless than before.  The press discovers that Weiner’s online name was “Carlos Danger.”  One of Weiner’s sexting partners, Sydney Leathers, emerges as a celebrity.  Thought Huma stands with her husband in public, the documentary cameras catch her in private, often sitting alone and looking like she can’t believe that, out of all the available men in D.C., she ended up married to someone who thought Carlos Danger sounded like a plausible name.

And through it all, Anthony Weiner seems blissfully unaware.  He continues to campaign for mayor and cannot seem to understand why people keep asking him about the scandal.  He gets angry.  He snaps at hecklers.  Suddenly, nobody is returning his phone calls.  Nobody is taking him seriously as a candidate.  And yet, Weiner still seems to be convinced that he’s going to win.  One of the documentary’s best scenes takes place on election night, when Weiner watches the results and realizes that, in a matter of days, he’s gone from being the front runner to coming in dead last.  Making matters even worse, of course, is that both the press and Sydney Leathers have gathered outside of Weiner’s campaign headquarters, waiting for him and Huma to emerge so that they can literally pounce on them.

It makes for a fascinating documentary, though perhaps not in the way that the documentarians originally intended.  As much as the film attempts to paint Weiner as being a tragic character, a talented man brought down by his own mistakes, the real Anthony Weiner comes across as being a shallow narcissist who, through a combination of arrogance and stupidity, actually thought it would be a good idea to have a documentary crew follow him around despite knowing that there was a potential scandal hanging over his head.  It makes for a memorable portrait of what happens with ambition meets compulsion.

The film’s getting a lot attention because it provides a behind-the-scenes look at Huma Abedin.  With Hillary Clinton pretty much guaranteed to be our next President, Huma is also guaranteed to soon become one of the most powerful people in the country.  Unlike Weiner, who sometimes comes across as being almost compulsive in his need to be the center of attention, Huma is a far more reticent figure.  Whereas Weiner frequently talks straight to the camera and answers questions from the filmmakers, Huma is usually seen in the background, smiling when Weiner is doing well and glaring when he’s not.  There’s not a single scene in the movie where she doesn’t seem to have up her guard but then again, can you blame her?  Unlike her husband, Huma instinctively understands that there’s no coming back from being outed as Carlos Danger.  When Huma eventually leaves Weiner’s campaign so that she can travel with Hillary Clinton, you feel almost relieved for her.  At least she won’t have to put up with Anthony’s bullshit for a while.

Weiner may have originally be envisioned as tale of redemption but instead, it became a story of how a narcissist self-destructed.  Whether that narcissist deserves a third or fourth chance to live up to his potential is a question that the audience will have to answer for themselves.