Yukon Gold: THE SPOILERS (Universal 1942)


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What’s this?? A “Northern” Western set in 1900 Alaska Gold Rush territory starring my two favorite cowboys, John Wayne and Randolph Scott ? With the ever-enticing Marlene Dietrich thrown in as a sexy saloon owner? Count me in! THE SPOILERS is a big, brawling, boisterous film loaded with romance, action, and, most importantly,  a sense of humor. It’s the kind of Hollywood entertainment epic that, as they say, “just don’t make ’em like that anymore”. I’ve never been quite sure who “they” are, but in regards to THE SPOILERS, they’re right – and more’s the pity!

Rex Beach’s popular 1906 novel had been filmed three times before (1914, 1923, 1930), and would be one more time after (in 1955), but with The Duke, Rugged Randy, and La Dietrich on board, this has got to be the best of the bunch. Even though audiences were more than familiar with the story…

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Necktie Party: Alfred Hitchcock’s FRENZY (Universal 1972)


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Alfred Hitchcock’s  previous two films, TORN CURTAIN (1966) and TOPAZ (1969) weren’t well received by critics, who claimed The Master of Suspense was too old-fashioned and had lost his touch. One wag even suggested that, after fifty years in films, it was time to put Hitch out to pasture! But Hitchcock wasn’t quite ready for a life of tea and crumpets in the garden, and came back with 1972’s FRENZY, complete with all the blatant sex, nudity, gore, and profanity of other early 70’s auteurs, proving he could not only keep up with the times, but surpass them by giving us the blackest of horror comedies.

Hitchcock had returned to his native England before to make a few films, but always with actors who had box office appeal in America (Ingrid Bergman and Joseph Cotten in UNDER CAPRICORN, Marlene Dietrich and Jane Wyman in STAGE FRIGHT). This time around, he…

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Attaboy, Luther!: Don Knotts in THE GHOST AND MR. CHICKEN (Universal 1966)


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When the conversation turns to great screen comedians, Don Knotts doesn’t get a lot of respect among the cognescenti. Talk to his loyal fandom, including celebrities like Jim Carrey and John Waters, and you’ll hear a different tune. They all agree – Knotts was a talented and funny comic actor, the quintessential Everyman buffeted about by the cruelties of fate who eventually triumphs against the odds. Following his Emmy-winning five-year run as Deputy Barney Fife on THE ANDY GRIFFITH SHOW , Knotts signed a movie contract with Universal, and his first feature for the studio was the perfect vehicle for his peculiar talents: a scare comedy titled THE GHOST AND MR. CHICKEN.

Knotts plays Luther Heggs, a meek typesetter for his local newspaper in the small town of Rachel, Kansas. He’s also somewhat of the town laughing-stock, bullied by the paper’s ace reporter Ollie, his rival for the affections…

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Halloween Havoc!: HOUSE OF HORRORS (Universal 1946)


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Rondo Hatton (1894-1946) was dubbed by “The Ugliest Man in Hollywood” by Universal for his repulsive visage. Originally a Tampa-based sportswriter, Hatton began developing the disease acromegaly as a young adult, a form of gigantism which distorts the facial features and bone structure (wrestler Andre the Giant suffered from this). Rondo moved to Hollywood and got work as a film extra and some bit parts (he can be spotted in SAFE IN HELL , IN OLD CHICAGO, THE HUNCHBACK OF NOTRE DAME (’39 version), and THE OX BOW INCIDENT, among others).

1944’s “The Pearl of Death”

Hatton played “The Hoxton Creeper” in the 1944 Sherlock Holmes entry THE PEARL OF DEATH (with Universal Scream Queen Evelyn Ankers as a villainess, for a change), then proceeded to scare the daylights out of audiences in JUNGLE CAPTIVE and THE SPIDER WOMAN STRIKES BACK. While not a trained actor, his unique looks made…

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Halloween Havoc!: HOUSE OF DRACULA (Universal 1945)


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Since I’ve already reviewed HOUSE OF FRANKENSTEIN back in 2015,  we now turn our attention to HOUSE OF DRACULA, the last “official” entry in the series (though the Universal Monsters would ‘Meet Abbott & Costello’ three years later). The film tries to put a new slant on things, using science to conquer the supernatural, but winds up being just a hodgepodge of familiar horror tropes without much cohesion. HOUSE OF DRACUA does have its fans, but I’m not one of them.

John Carradine  returns as Count Dracula, introducing himself as Baron Latos to Dr. Edlemann (Onslow Stevens ) and seeking a cure for his vampirism. Edlemann discovers a “peculiar parasite” in Dracula’s blood, and believes he can cure him through a series of transfusions. But the Count, that sneaky devil, has his fangs set for Edlemann’s pretty nurse Militza (Martha O’Driscoll),  whom he hypnotizes with those hypnotic eyes of his…

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Halloween Havoc!: JUNGLE CAPTIVE (Universal 1945)


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The third and final entry in Universal’s Paula Dupree/The Ape Woman series, JUNGLE CAPTIVE was released in 1945. I’m happy to report it’s a slight upgrade on JUNGLE WOMAN – by no means a classic horror movie, but certainly more enjoyable than that wretched sequel to CAPTIVE WILD WOMAN . The budget is lower-than-low, but the performances and script are far better, and it makes a good finale to the Ape Woman saga.

Hulking brute man Moloch, henchman of biochemist Mr. Stendahl (who’s not a doctor, by the way), strangles a morgue attendant and steals the body of the Ape Woman from it’s slab (where we left it in the last film). Inspector Harrigan is called in on the case, and a lab smock found near the abandoned crashed-and-burned meat wagon leads him to Stendahl’s lab, where he encounters pretty assistant Ann and her fiancé Don working (actually, they’re necking…

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Halloween Havoc!: THE MUMMY’S CURSE (Universal 1944)


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Okay, how the hell did Kharis and Ananka get from Mapleton, Massachusetts to the Bayous of Louisiana? That question is never answered in THE MUMMY’S CURSE, though I suppose it doesn’t really matter. The Mummy series needed an injection of something, and despite the unexplained change of scenery, this last entry is better than the previous two.

The Federal government is determined to drain the local swamp (how’s THAT for a switch!) down in Cajun Country, when two representatives of the Scripps Museum, Drs. Jim Halsey (Dennis Moore) and Ilzor Zandaab (Peter Coe ) arrive, sent to retrieve the two mummies lost there in our last episode (even though the swamp was in Mapleton then!). Project leader Pat Walsh (Addison Richards) protests, but there’s nothing he can do about it. One of the workers is found murdered, and the rest of the superstitious lot suspect Kharis has returned (“The devil’s…

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