Tag Archives: Atticus Ross

Here Are The 2020 Music City Film Critics Association!

Posted on by Lisa Marie Bowman

So, just in case anyone is wondering, the Music City Film Critics Association is based out of Nashville.  Personally, I like the fact that they used a nickname for their city in the name of their group.  The DFW Film Critics need to change their name to the Big D Film Critics.  I’ve been saying this for years.

Anyway, the winners won’t be announced until January 11th so you’ve got a lot of time to think about these nominees!  I’m happy to see that they nominated I’m Thinking of Ending Things.

​BEST FILM
Da 5 Bloods
First Cow
I’m Thinking of Ending Things
Ma Rainey’s Black Bottom
Mank
Nomadland
Promising Young Woman
Sound of Metal
The Father
The Trial of the Chicago 7
​
BEST DIRECTOR
Aaron Sorkin – The Trial of the Chicago 7
Chloé Zhao – Nomadland
David Fincher – Mank
Emerald Fennell – Promising Young Woman
Florian Zeller – The Father
Spike Lee – Da 5 Bloods

BEST ACTOR
Anthony Hopkins – The Father
Chadwick Boseman – Ma Rainey’s Black Bottom
Delroy Lindo – Da 5 Bloods
Gary Oldman – Mank
Riz Ahmed – Sound of Metal

BEST ACTRESS
Carey Mulligan – Promising Young Woman
Elisabeth Moss – The Invisible Man
Frances McDormand – Nomadland
Vanessa Kirby – Pieces of a Woman
Viola Davis – Ma Rainey’s Black Bottom

BEST SUPPORTING ACTOR
Bill Burr – The King of Staten Island
Bill Murray – On the Rocks
Leslie Odom, Jr. – One Night in Miami…
Paul Raci – Sound of Metal
Sacha Baron Cohen – The Trial of the Chicago 7

BEST SUPPORTING ACTRESS
Amanda Seyfried – Mank
Glenn Close – Hillbilly Elegy
Maria Bakalova – Borat Subsequent Moviefilm
Olivia Colman – The Father
Yuh-Jung Youn – Minari

BEST ACTING ENSEMBLE
Da 5 Bloods
I’m Thinking of Ending Things
Ma Rainey’s Black Bottom
One Night in Miami…
The Trial of the Chicago 7

BEST ANIMATED FEATURE
Onward (dir. Dan Scanlon)
Over the Moon (dir. Glen Keane)
Scoob! (dir. Tony Cervone)
Soul (dir. Pete Docter)
Wolfwalkers (dir. Tomm Moore & Ross Stewart)

BEST FOREIGN LANGUAGE FILM
Another Round (dir. Thomas Vinterberg)
Bacurau (dir. Kleber Mendonça Filho & Juliano Dornelles)
Collective (dir. Alexander Nanau)
I’m No Longer Here (dir. Fernando Frías)
​The Platform (dir. Galder Gaztelu-Urrutia)

BEST DOCUMENTARY
Collective (dir. Alexander Nanau)
Dick Johnson is Dead (dir. Kirsten Johnson)
The Social Dilemma (dir. Jeff Orlowski)
Time (dir. Garrett Bradley)
You Cannot Kill David Arquette (dir. David Darg & Price James)

BEST SCREENPLAY
I’m Thinking of Ending Things (Charlie Kaufman)
Mank (Jack Fincher)
Minari (Lee Isaac Chung)
Promising Young Woman (Emerald Fennell)
The Trial of the Chicago 7 (Aaron Sorkin)

BEST SONG
The Trial of the Chicago 7 – “Hear My Voice”
Eurovision Song Contest – “Husavik (My Hometown)”
Trolls: World Tour – “Just Sing”
Over the Moon – “Rocket to the Moon”
One Night in Miami… – “Speak Now”
Tenet – “The Plan”

BEST SCORE
Minari (Emile Mosseri)
Tenet (Ludwig Göransson)
Da 5 Bloods (Terence Blanchard)
Mank (Trent Reznor & Atticus Ross)
Soul (Trent Reznor & Atticus Ross)

BEST CINEMATOGRAPHY
Da 5 Bloods (Newton Thomas Sigel)
Mank (Erik Messerschmidt)
News of the World (Dariusz Wolski)
Nomadland (Joshua James Richards)
Tenet (Hoyte van Hoytema)

BEST EDITING
Nomadland (Chloé Zhao)
Mank (Kirk Baxter)
Tenet (Jennifer Lame)
The Father (Yorgos Lamprinos)
The Invisible Man (Andy Canny)
The Trial of the Chicago 7 (Alan Baumgarten)

BEST PRODUCTION DESIGN
Mank (Donald Graham Burt)
Emma. (Kave Quinn)
Ma Rainey’s Black Bottom (Mark Ricker)
Da 5 Bloods (Wynn Thomas)
The Personal History of David Copperfield (Christina Casali)

The Florida Film Critics Circle Honors First Cow!

Posted on by Lisa Marie Bowman

The Florida Film Critics Circle today announced their picks for the best of 2020!  You can check out a full list of nominees here.  Meanwhile, the winners are below!

Best Picture: First Cow

Best Actor: Anthony Hopkins in The Father  (Runner-Up: John Magaro in First Cow)

Best Actress: Frances McDormand in Nomadland (Runner-up: Viola Davis in Ma Rainey’s Black Bottom)

Best Supporting Actor: Paul Raci in the Sound of Metal (Runner-up: Brian Dennehy in Driveways)

Best Supporting Actress: Maria Bakalova in Borat Subsequent Movie Film (Runner-up: Yuh-Jung Youn in Minari)

Best Ensemble: Mangrove (Runner-Up: The Trial of the Chicago 7)

Best Director: Chloe Zhao for Nomand Land (runner-up: Kelley Reichardt for First Cow and Aaron Sorkin The Trial of the Chicago 7)

Best Original Screenplay: Lee Isaac Chung for Minari (runner-up: Sorkin)

Best Adapted Screenplay: Charlie Kaufman for I’m Thinking of Ending Things (Runners-up: Chloe Zhao for Nomadland, Ruben Santiago-Hudson for Ma Rainey’s Black Bottom)

Best Cinematography — Erik Messerschmidt for Mank (Runner-up: Shabier Kirchner for Lovers Rock)

Best Visual Effects: Murray Barber for Possessor (runner-up: Andrew Jackson for Tenet)

Best Art Direction: Dan Webster for Mank (Runner-up: Adam Marshall for Lovers Rock)

Best Score: Trent Reznor, Atticus Ross, and Jon Batiste for Soul (runner-up: Ludwig Goransson for Tenet)

Best Documentary: You Don’t Nomi (Runner-up: Dick Johnson is Dead)

Best Foreign Language Film: Los Fuertes (runner-up: Minari)

Best Animated Film: Soul (runner-up: Wolfwalkers)

Best First Film: Promising Young Woman (runner-up: The Father)

Breakout Award: Sidney Flanigan for Never Rarely Sometimes Always (runner-up: Maria Bakalova for that Borat movie)

The Golden Orange Award: Enzian Theater

The Boston Online Film Critics Honor Nomadland

Posted on by Lisa Marie Bowman

The Boston Online Film Critics announced their picks for the best of 2020 today and Nomadland picked up another win.  I have a feeling that I’m going to soon get bored with Nomadland winning awards from the critics.  That’s not a knock on Nomadland as much as it’s just a lament for a more varied awards season.  Oh well!

​Top 10 of 2020
1. Nomadland
2. First Cow
3. Da 5 Bloods
4. Never Rarely Sometimes Always
5. Minari
6. Lovers Rock
7. Promising Young Woman
8. Mank
9. Dick Johnson is Dead
10. Ma Rainey’s Black Bottom

Best Director
Chloé Zhao – Nomadland

Best Actress
Frances McDormand – Nomadland

Best Actor
Delroy Lindo – Da 5 Bloods

Best Supporting Actor
Paul Raci – Sound of Metal

Best Supporting Actress
Maria Bakalova – Borat: Subsequent Moviefilm

Best Screenplay
Charlie Kaufman – I’m Thinking of Ending Things

Best Cinematography
Joshua James Richards – Nomadland

Best Editing
Chloé Zhao – Nomadland

Best Score
Trent Reznor and Atticus Ross – Soul

Best Ensemble
Ma Rainey’s Black Bottom

Best Animated Film
Wolfwalkers

Best Documentary
The Painter and the Thief

Best International Feature
Bacurau

The 2020 Chicago Film Critics Association Snubs Capone

Posted on by Lisa Marie Bowman

Here are the 2020 nominees of the Chicago Film Critics Association!  While they nominated many worthy films and performers, one cannot help but notice that they totally snubbed Capone and Tom Hardy.  That seems a bit ungrateful, considering all that Al Capone did for the city of Chicago.

The winners will be announced on December 21st!

BEST PICTURE
Da 5 Bloods
First Cow
Lovers Rock
Nomadland
Promising Young Woman

BEST DIRECTOR
Emerald Fennell – Promising Young Woman
Spike Lee – Da 5 Bloods
Steve McQueen – Lovers Rock
Kelly Reichardt – First Cow
Chloé Zhao – Nomadland

BEST ACTOR
Riz Ahmed – Sound of Metal
Chadwick Boseman – Ma Rainey’s Black Bottom
Anthony Hopkins – The Father
Delroy Lindo – Da 5 Bloods
Steven Yeun – Minari

BEST ACTRESS
Jessie Buckley – I’m Thinking of Ending Things
Carrie Coon – The Nest
Viola Davis – Ma Rainey’s Black Bottom
Frances McDormand – Nomadland
Carey Mulligan – Promising Young Woman

BEST SUPPORTING ACTOR
Chadwick Boseman – Da 5 Bloods
Bill Murray – On the Rocks
Leslie Odom, Jr. – One Night in Miami
Paul Raci – Sound of Metal
David Strathairn – Nomadland

BEST SUPPORTING ACTRESS
Maria Bakalova – Borat Subsequent Moviefilm
Toni Collette – I’m Thinking of Ending Things
Amanda Seyfried – Mank
Letitia Wright – Mangrove
Yuh-Jung Youn – Minari

BEST ORIGINAL SCREENPLAY
Da 5 Bloods – Danny Bilson, Paul De Meo, Kevin Willmott & Spike Lee
Never Rarely Sometimes Always – Eliza Hittman
Promising Young Woman – Emerald Fennell
Soul – Pete Docter, Mike Jones & Kemp Powers
The Trial of the Chicago 7 – Aaron Sorkin

BEST ADAPTED SCREENPLAY
The Father – Christopher Hampton & Florian Zeller
First Cow – Jonathan Raymond & Kelly Reichardt
I’m Thinking of Ending Things – Charlie Kaufman
Nomadland – Chloé Zhao
One Night in Miami – Kemp Powers

BEST ANIMATED FILM
Onward
A Shaun the Sheep Movie: Farmageddon
Soul
The Wolf House
Wolfwalkers

BEST DOCUMENTARY
Collective
David Byrne’s American Utopia
Dick Johnson is Dead
The Social Dilemma
Time

BEST FOREIGN LANGUAGE FILM
(A tie in the nominations process resulted in six nominees in this category)
Another Round
Bacurau
Beanpole
Collective
La Llorona
Vitalina Varela

BEST CINEMATOGRAPHY
First Cow – Christopher Blauvelt
Lovers Rock – Shabier Kirchner
Mank – Erik Messerschmidt
Nomadland – Joshua James Richards
The Vast of Night – Miguel Ioann Littin Menz

BEST ORIGINAL SCORE
Da 5 Bloods – Terence Blanchard
Ma Rainey’s Black Bottom – Branford Marsalis
Mank – Trent Reznor & Atticus Ross
Soul – Trent Reznor & Atticus Ross and Jon Batiste
Tenet – Ludwig Goransson

BEST ART DIRECTION
Birds of Prey
Emma.
First Cow
I’m Thinking of Ending Things
Mank

BEST COSTUME DESIGN
Birds of Prey
Emma.
First Cow
Ma Rainey’s Black Bottom
Mank

BEST USE OF VISUAL EFFECTS
I’m Thinking of Ending Things
The Invisible Man
The Midnight Sky
Possessor
Tenet

BEST EDITING
I’m Thinking of Ending Things – Robert Frazen
Lovers Rock – Chris Dickens & Steve McQueen
Nomadland – Chloé Zhao
Tenet – Jennifer Lame
The Trial of the Chicago 7 – Alan Baumgarten

MILOS STEHLIK AWARD FOR PROMISING FILMMAKER
Radha Blank – The Forty-Year-Old Version
Lee Isaac Chung – Minari
Emerald Fennell – Promising Young Woman
Darius Marder – Sound of Metal
Andrew Patterson – The Vast of Night

MOST PROMISING PERFORMER
Maria Bakalova – Borat Subsequent Moviefilm
Kingsley Ben-Adir – One Night in Miami
Sidney Flanigan – Never Rarely Sometimes Always
Kelly O’Sullivan – Saint Frances
Helena Zengel – News of the World

Here Are The 2020 Florida Film Critics Circle Nominations!

Posted on by Lisa Marie Bowman

The Florida Film Critics Circle announced their nominees for the best of 2020 earlier today!

All I can say is “Thank you, Florida, for doing the right thing!”  Seriously, the best films of 2020 should be announced in December of 2020 and January of 2021.  This whole extended eligibility window that a lot of groups are doing because of the pandemic is idiotic.

Another thing that I’ve noticed is that the late Brian Dennehy has been getting some critical support for his final performance in Driveways.  (I’ll be seeing Driveways next week.)  It would be interesting if both Denney and Chadwick Boseman landed nominations.  I’m not sure which year holds the record for the most posthumous nominations but, if both Boseman and Denney were nominated for Oscars, it would be the first time that there was more than one posthumous acting nominee.

Here’s the nominees.  The winners will be announced on the 21st!

BEST PICTURE
First Cow
Nomadland
The Trial of the Chicago 7
Minari

BEST ACTOR
Chadwick Boseman – Ma Rainey’s Black Bottom
Anthony Hopkins – The Father
John Magaro – First Cow
Riz Ahmed – Sound of Metal

BEST ACTRESS
Viola Davis – Ma Rainey’s Black Bottom
Carrie Coon – The Nest
Elisabeth Moss – Shirley
Frances McDormand – Nomadland
Carey Mulligan – Promising Young Woman

BEST SUPPORTING ACTOR
Chadwick Boseman – Da 5 Bloods
Paul Raci – Sound of Metal
Brian Dennehy – Driveways
Sacha Baron Cohen – The Trial of the Chicago 7
Bill Murray – On the Rocks

BEST SUPPORTING ACTRESS
Maria Bakalova – Borat Subsequent Moviefilm
Swankie – Nomadland
Yuh-Jung Youn – Minari
Jane Adams – She Dies Tomorrow

BEST ENSEMBLE
Mangrove
The Trial of the Chicago 7
Ma Rainey’s Black Bottom
Minari

BEST DIRECTOR
Florian Zeller – The Father
Kelly Reichardt – First Cow
Chloé Zhao – Nomadland
Lee Isaac Chung – Minari
Aaron Sorkin – The Trial of the Chicago 7

BEST ORIGINAL SCREENPLAY
Aaron Sorkin – The Trial of the Chicago 7
Peter Docter/ Kemp Powers/Mike Jones – Soul
Jack Fincher – Mank
Emerald Fennell – Promising Young Woman
Lee Isaac Chung – Minari

BEST ADAPTED SCREENPLAY
Ruben Santiago-Hudson – Ma Rainey’s Black Bottom
Jon Raymond/ Kelly Reichardt – First Cow
Florian Zeller/Christopher Hampton – The Father
Chloé Zhao – Nomadland
Charlie Kaufman – I’m Thinking of Ending Things

BEST CINEMATOGRAPHY
Shabier Kirchner – Lovers Rock
Hoyte van Hoytema – Tenet
Victor Kossakovsky/Egil Håskjold Larsen – Gunda
Erik Messerschmidt – Mank
Joshua James Richards – Nomadland

BEST VISUAL EFFECTS
Andrew Jackson – Tenet
Mark Bakowski – The Midnight Sky
Murray Barber – Possessor

BEST ART DIRECTION/PRODUCTIOIN
Dan Webster – Mank
Kirby Feagan – Shirley
Adam Marshall – Lovers Rock

BEST SCORE
Ludwig Göransson – Tenet
William Tyler – First Cow
Trent Reznor/Atticus Ross/Jon Batiste – Soul
Alexandre Desplat – The Midnight Sky

BEST DOCUMENTARY
Dick Johnson is Dead
Gunda
You Don’t Nomi
Time
David Byrne’s American Utopia

BEST FOREIGN LANGUAGE FILM
Los Fuertes
Those Who Remained
Minari
The Painted Bird
Dry Wind

BEST ANIMATED FILM
Wolfwalkers
Soul
Ride Your Wave
The Wolf House
Over the Moon

BEST FIRST FILM
Promising Young Woman
The Forty-Year-Old Version
Relic
The Father
Some Kind of Heaven

BREAKOUT AWARD
Sidney Flanigan – Never Rarely Sometimes Always
Odessa Young – Shirley
Maria Bakalova – Borat Subsequent Moviefilm
Marin Ireland – The Dark and the Wicked
Lucas Jaye – Driveways

THE GOLDEN ORANGE AWARD
ENZIAN Theater
Keisha Rae Witherspoon
Amy Seimetz

Here Are The Nominees of the 2020 Indiana Film Journalists Assosciation!

Posted on by Lisa Marie Bowman

Bad Education

The Indiana Film Journalists Association (IJA) has announced their nominees for the best of 2020!  They’ll be announcing the winners on December 21st!

What I like about these nominations is that there’s a lot of them.  2020 may have been a difficult year for many but there were a lot of good films released and it does seem kind of silly (as it does every year) to limit things to some sort of arbitrary number.  Why only nominate 10 films when you could nominate 20 or 30?  Many of the nominees below will appear on my own personal best lists in January.

The other thing that I like about these nominees is that the include films like Bad Education and Mangrove.  There’s some debate as to whether or not these films should be considered Oscar eligible.  I feel that they should be so it’s nice to see that the folks in Indiana agree with me!

Here are the nominees:

BEST FILM
Da 5 Bloods
Another Round
The Assistant
Athlete A
Bad Education
Crip Camp: A Disability Revolution
Dick Johnson is Dead
Emma.
The Father
First Cow
I’m Thinking of Ending Things
Ma Rainey’s Black Bottom
Minari
The Nest
Never Rarely Sometimes Always
Nomadland
One Night in Miami
Palm Springs
The Personal History of David Copperfield
Possessor
Promising Young Woman
Small Axe: Mangrove
Song Without a Name
Soul
Sound of Metal
The Trial of the Chicago 7
The Twentieth Century
The Vast of Night

BEST ANIMATED FEATURE
Onward
Soul
Wolfwalkers

BEST FOREIGN LANGUAGE FILM
76 Days
Another Round
Bacurau
Beanpole
La Dosis
Song Without a Name

BEST DOCUMENTARY
76 Days
All In: The Fight for Democracy
Athlete A
Boys State
Crip Camp: A Disability Revolution
Desert One
Dick Johnson is Dead
Disclosure
John Lewis: Good Trouble
The Last Out
Miss Americana
MLK/FBI
Time
Totally Under Control
Welcome to Chechnya

BEST ORIGINAL SCREENPLAY
Lee Isaac Chung – Minari
Brandon Cronenberg – Possessor
Pete Docter, Mike Jones and Kemp Powers – Soul
Sean Durkin – The Nest
Emerald Fennell – Promising Young Woman
Kitty Green – The Assistant
Eliza Hittman – Never Rarely Sometimes Always
Tobias Lindholm and Thomas Vinterberg – Another Round
James Montague and Craig W. Sanger – The Vast of Night
Matthew Rankin – The Twentieth Century
Andy Siara – Palm Springs
Aaron Sorkin – The Trial of the Chicago 7
Alice Wu – The Half of It

BEST ADAPTED SCREENPLAY
Christopher Hampton and Florian Zeller – The Father
Armando Iannucci and Simon Blackwell – The Personal History of David Copperfield
Charlie Kaufman – I’m Thinking of Ending Things
Mike Makowsky – Bad Education
Kemp Powers – One Night in Miami
Jonathan Raymond and Kelly Reichardt – First Cow
Ruben Santiago-Hudson – Ma Rainey’s Black Bottom
Chloé Zhao – Nomadland

BEST DIRECTOR
Lee Isaac Chung – Minari
Brandon Cronenberg – Possessor
Pete Docter – Soul
Sean Durkin – The Nest
Emerald Fennell – Promising Young Woman
Kitty Green – The Assistant
Eliza Hittman – Never Rarely Sometimes Always
Kirsten Johnson – Dick Johnson is Dead
Charlie Kaufman – I’m Thinking of Ending Things
Regina King – One Night in Miami
Spike Lee – Da 5 Bloods
Melina Léon – Song Without a Name
Steve McQueen – Small Axe: Mangrove
Matthew Rankin – The Twentieth Century
Kelly Reichardt – First Cow
Aaron Sorkin – The Trial of the Chicago 7
George C. Wolfe – Ma Rainey’s Black Bottom
Alice Wu – The Half of It
Chloé Zhao – Nomadland

BEST ACTRESS
Haley Bennett – Swallow
Jessie Buckley – I’m Thinking of Ending Things
Carrie Coon – The Nest
Viola Davis – Ma Rainey’s Black Bottom
Sidney Flanigin – Never Rarely Sometimes Always
Julia Garner – The Assistant
Han Ye-ri – Minari
Leah Lewis – The Half of It
Rachel McAdams – Eurovision Song Contest: The Story of Fire Saga
Frances McDormand – Nomadland
Pamela Mendoza – Song Without a Name
Cristin Milioti – Palm Springs
Elisabeth Moss – The Invisible Man
Carey Mulligan – Promising Young Woman
Aubrey Plaza – Black Bear
Margot Robbie – BIrds of Prey (and the Fantabulous Emancipation of One Harley Quinn)
Anya Taylor-Joy – Emma.

BEST SUPPORTING ACTRESS
Jane Adams – She Dies Tomorrow
Maria Bakalova – Borat Subsequent Moviefilm
Toni Collette – I’m Thinking of Ending Things
Olivia Colman – The Father
Olivia Cooke – Sound of Metal
Allison Janney – Bad Education
Margo Martindale – Blow the Man Down
Talia Ryder – Never Rarely Sometimes Always
Youn Yuh-jung – Minari

BEST ACTOR
Christopher Abbott – Possessor
Ben Affleck – The Way Back
Riz Ahmed – Sound of Metal
Kingsley Ben-Adir – One Night in Miami
Paul Bettany – Uncle Frank
Chadwick Boseman – Ma Rainey’s Black Bottom
Eli Goree – One Night in Miami
Anthony Hopkins – The Father
Hugh Jackman – Bad Education
Jude Law – The Nest
Delroy Lindo – Da 5 Bloods
Mads Mikkelsen – Another Round
Jesse Plemons – I’m Thinking of Ending Things
Eddie Redmayne – The Trial of the Chicago 7
Steven Yeun – Minari

BEST SUPPORTING ACTOR
Chadwick Boseman, Da 5 Bloods
Bo Burnham – Promising Young Woman
Bill Burr – The King of Staten Island
Peter Capaldi – The Personal History of David Copperfield
Colman Domingo – Ma Rainey’s Black Bottom
Aldis Hodge – One Night in Miami
Caleb Landry Jones – The Outpost
Alan Kim – Minari
Frank Langella – The Trial of the Chicago 7
Orion Lee – First Cow
Ewan McGregor – BIrds of Prey (and the Fantabulous Emancipation of One Harley Quinn)
Bill Murray – On the Rocks
Leslie Odom, Jr. – One Night in Miami
Paul Raci – Sound of Metal
J.K. Simmons – Palm Springs
Dan Stevens – Eurovision Song Contest: The Story of Fire Saga
David Strathairn – Nomadland
David Thewlis – I’m Thinking of Ending Things

BEST VOCAL / MOTION CAPTURE PERFORMANCE
Sean Bean – Wolfwalkers
Tina Fey – Soul
Jamie Foxx – Soul
Oliver Platt – I’m Thinking of Ending Things
Donald Ray Pollock – The Devil All the Time
Ben Schwartz – Sonic the Hedgehog

BEST ENSEMBLE ACTING
Da 5 Bloods
Another Round
The Devil All the Time
I’m Thinking of Ending Things
The King of Staten Island
Ma Rainey’s Black Bottom
Minari
One Night in Miami
The Personal History of David Copperfield
She Dies Tomorrow
The Trial of the Chicago 7
Uncle Frank

BEST MUSICAL SCORE
Erick Alexander and Jared Bulmer – The Vast of Night
Terence Blanchard – One Night in Miami
Ludovico Einaudi – Nomadland
Ludwig Göransson – Tenet
Emile Mosseri – Minari
Richard Reed Parry – The Nest
Trent Reznor and Atticus Ross – Soul
William Tyler – First Cow
Jay Wadley – I’m Thinking of Ending Things
Isobel Waller-Bridge and David Schweitzer – Emma.
Benjamin Wallfisch – The Invisible Man
Jim Williams – Possessor

BREAKOUT OF THE YEAR
Maria Bakalova (actress) – Borat Subsequent Moviefilm
Max Barbakow (director) – Palm Springs
Emerald Fennell (writer / director) – Promising Young Woman
Sidney Flanigin (actress) – Never Rarely Sometimes Always
Alan Kim (actor) – Minari
Orion Lee (actor) – First Cow
Leah Lewis (actress) – The Half of It
Darius Marder (writer / director) – Sound of Metal
Andrew Patterson (director) – The Vast of Night
Tayarisha Poe (writer / director) – Selah and the Spades
Kemp Powers – co-writer / co-director for Soul and writer for One Night in Miami
Matthew Rankin (writer / director) – The Twentieth Century
Andy Siara (writer) – Palm Springs
Autumn de Wilde (director) – Emma.

HOOSIER AWARD
Athlete A
Eliza Hittman, writer / director of Never Rarely Sometimes Always and graduate of Indiana University

ORIGINAL VISION AWARD
After Midnight
Assassin 33 A.D.
Dick Johnson is Dead
I’m Thinking of Ending Things
Possessor
Promising Young Woman
She Dies Tomorrow
The Twentieth Century
The Vast of Night
Vivarium

Mangrove

The Sunset Film Circle Honors Promising Young Woman

Posted on by Lisa Marie Bowman

So, as we all know, December is typically the start of Awards Season but this year, things are up in the air.  With the Academy extending the eligibility window (don’t even get me started on how annoyed I am about that), a lot of critics groups have also pushed back their selection date.  For instance, the National Board of Review will not be announcing their picks until January.  The Golden Globe nominations will not be announced until February.  Things are going to be a bit messed up.

At the same time, some critics groups are still going to be announcing their picks for the best of the year in December, which is the way it should be.  (When it comes time for me to make my annual “best of” list, I will only be considering films that were actually released in 2020.)  With that in mind, the Sunset Film Circle is a new group that, earlier today, announced their picks for the best of 2020!

And here they are (winners in bold):

BEST FILM

Promising Young Woman 

(Runner-up: Mank)

 

TOP FILMS

The Father

The King of Staten Island

Ma Rainey’s Black Bottom

Mank

Minari

Nine Days

Nomadland

Promising Young Woman

Saint Maud

Sound of Metal

 

BEST DIRECTOR

Lee Isaac Chung – Minari

David Fincher – Mank

Darius Marder – Sound of Metal

Florian Zeller – The Father

Chloe Zhao – Nomadland (Runner-up)

 

BEST ACTOR

Ben Affleck – The Way Back

Riz Ahmed – Sound of Metal

Chadwick Boseman – Ma Rainey’s Black Bottom

Winston Duke – Nine Days

Anthony Hopkins – The Father (runner-up)

 

BEST ACTRESS

Morfydd Clark – Saint Maud

Glenn Close – Hillbilly Elegy (runner up)

Viola Davis – Ma Rainey’s Black Bottom

Vanessa Kirby – Pieces of a Woman

Carey Mulligan – Promising Young Woman

 

BEST SUPPORTING ACTOR

Bill Burr – The King of Staten Island (runner up)

Bill Murray – On The Rocks

Leslie Odom Jr. – One Night in Miami

Paul Raci – Sound of Metal

Stanley Tucci – Supernova

 

BEST SUPPORTING ACTRESS

Amy Adams – Hillbilly Elegy (runner-up)

Zazie Beetz – Nine Days

Olivia Colman – The Father

Amanda Seyfried – Mank

Youn Yuh-jung – Minari 

 

BEST ENSEMBLE

Hillbilly Elegy (runner-up)

The King of Staten Island

Ma Rainey’s Black Bottom

Minari

The Prom

 

BEST SCREENPLAY

The Father – Christopher Hampton & Florian Zeller

Minari – Lee Isaac Chung

Nine Days – Edson Oda

Promising Young Woman – Emerald Fennell (runner-up)

Sound of Metal – Derek Cianfrance & Darius Marder

 

BEST CINEMATOGRAPHY

Gretel & Hansel – Galo Olivares

Mank – Erik Messerschmidt

Nomadland – Joshua James Richards (runner up)

Sound of Metal – Daniël Bouquet

Tenet – Hoyte Van Hoytema

 

BEST SCORE

First Cow – William Tyler

Gretel & Hansel – Robin Coudert

Minari – Emile Mosseri (runner-up)

Soul – Trent Reznor & Atticus Ross

Tenet – Ludwig Göransson

 

BEST BREAKTHROUGH

Kiera Allen – Run (runner-up)

Nicole Beharie – Miss Juneteenth

Joe Kerry – Spree

Orion Lee – First Cow

Jo Ellen Pellman – The Prom

 

SCENE STEALER

Michael Keaton – The Trial of the Chicago 7

Yahya Abdul-Mateen II – The Trial of the Chicago 7 (runner-up)

Gabourey Sidibe – Antebellum

Toby Wallace – Babyteeth

Wil Wheaton – Rent-A-Pal

 

DIRECTORS TO WATCH

Radha Blank – The 40-Year-Old Version

Emerald Fennell – Promising Young Woman

Rose Glass – Saint Maud (runner-up)

Edson Oda – Nine Days

Jon Stevenson – Rent-A-Pal

Spotlight Wins In St. Louis!

Posted on by Lisa Marie Bowman

Spotlight

You can check out the full nominations of the St. Louis Film Critics by clicking here.  And you can see the winners below!

Best Film of 2015: SPOTLIGHT
Runner Up: INSIDE OUT

Best Director of 2015: TOM MCCARTHY – SPOTLIGHT
Runner Up: George Miller – Mad Max: Fury Road

Best Actress of 2015: BRIE LARSON – ROOM
Runner Up: SAOIRSE RONAN – BROOKLYN

Best Actor of 2015: Leonardo DiCaprio – THE REVENANT
Runner Up: Ian McKellen – MR. HOLMES

Best Supporting Actress of 2015: Alicia Vikander – EX MACHINA
Runner Up: (TIE) – KRISTEN STEWART – CLOUDS OF SILS MARIA, Rooney Mara, CAROL

Best Supporting Actor of 2015: Sylvester Stallone – CREED
Runner Up: Mark Rylance – BRIDGE OF SPIES

Best Cinematography of 2015: EMMANUEL LUBEZKI – THE REVENANT
Runner Up: CAROL

Best Original Screenplay: JOSH SINGER AND TOM MCCARTHY – SPOTLIGHT
Runner Up: Alex Garland, Ex Machina

Best Adapted Screenplay of 2015: DREW GODDARD: THE MARTIAN
Runner Up: Nick Hornby: Brooklyn

Best Editing: MARGARET SIXEL: MAD MAX: FURY ROAD
Runner Up: THE REVENANT

Best Art Direction of 2015: COLIN GIBSON – MAD MAX: FURY ROAD
Runner Up: (A 3-Way Tie) CAROL, BROOKLYN, THE DANISH GIRL

Best Visual Effects of 2015: MAD MAX: FURY ROAD
Runner Up: THE WALK

Best Film Score of 2015: Ennio Morricone – THE HATEFUL EIGHT
Runner Up: INSIDE OUT

Best Film Soundtrack of 2015: ATTICUS ROSS – LOVE AND MERCY
Runner Up: STRAIGHT OUTTA COMPTON

Best Foreign Language Film: GOODNIGHT MOMMY
Runner Up: SON OF SAUL

Best Documentary of 2015: AMY
Runner Up: The Look of Silence

Best Comedy: TRAINWRECK
Runner Up: Me and Earl and the Dying Girl

Best Song: WRITING’S ON THE WALL (Spectre)
Runner Up: SEE YOU AGAIN (Furious 7)

Best Scene of 2015: Hugh mauled by grizzly in THE REVENANT
Runner Up: Walk between Twin Towers in THE WALK

Worst film of 2015: “FANTASTIC FOUR”
Runner up: “ALOHA”

Quick Review: Gone Girl (dir. by David Fincher)

Posted on by Leonard Wilson

gone-girl-posterI stumbled onto the novel for Gillian Flynn’s Gone Girl in a mall. It sat near the front of the store with the rest of her books, emblazoned with one of those “soon to be a major motion picture” stickers and a “#1 New York Times Bestseller” label on top. I figured I try it, unaware that David Fincher was involved on the project. During that read, I ran to the Barnes & Noble in Union Square to pick up Flynn’s other books, Sharp Objects and Dark Places. After a co-worker and I finished these (I haven’t read Sharp Objects yet), we agreed that we enjoyed them, overall.

Of Gone Girl the Motion Picture, Flynn herself handles the screenwriting duties and she presents an adaptation so close to her novel that I wouldn’t be shocked if the film receives the same response as the first Harry Potter film. I only spotted 2 distinct changes, and these don’t damage the film in any way. They just may make you say..”Oh, crap, she didn’t keep that.”, If anything.

“But Lenny..” You might say, after hearing me tell you this over pizza and soda. “You’re losing me again, you’re talking too much. I never read Gone Girl. I could care less about the book, I just want to know about the movie because tickets are expensive, dammit! Wrap it up. Is it worth seeing or not?”

In a word, yes. Flynn’s story and Fincher’s direction are like Wine and Cheese here. Flynn’s machine gun writing and Fincher’s pacing method could make them as hot a duo as True Detective’s Nic Pizzolatto and Cary Joji Fukunaga. If actress / producer Reese Witherspoon was involved in getting these two together, she may have another gem under her belt to put next to her film Penelope.

Gone Girl is the story of Nick and Amy Dunne, a happily married Missouri couple on the verge of their 5th Anniversary. When Nick suddenly discovers his wife is missing, the investigation into her disappearance seems to lead back to him, presenting the question of whether our hero may or may not be involved. Just as with the novel, the audience is given glimpses into Amy’s story through flashbacks of their life together. The movie dances from chapter to chapter (or scene to scene, I should say) in this fashion and does so pretty well. You’ve a love story wrapped in a mystery.

The casting is spot on. There’s not a single person in this film that seemed like they didn’t fit their part. Both Ben Affleck (Argo) and Rosamund Pike (Jack Reacher, The World’s End) are magnetic when theyre not dealing with each other and if the movie manages to stumble into Awards season, their names could get thrown into the hat.

The supporting cast in Gone Girl is somewhat strong. Carrie Coon does a fine job as Nick’s sister Margo, which was definitely a good choice. It’s Kim Dickens (Hollow Man, Treme), Neil Patrick Harris and Tyler Perry who have the best screen time of any one outside of the leads. Every one of them help to pick up the story when you think it might waver a bit.

“Great!” you may say, getting up to leave. “I’ll check it out. Thanks for letting me know.”, To which I’d ask..”Don’t you want to know about the direction? Cinematography?” You might sit back down, sigh and roll your eyes, as if to say…”Sure, not like you’d let me leave without telling me anyway, right?”

At this point, everything is technical.

Fincher’s direction is straightforward. Working with Jeff Chernoweth, his cinematographer from Fight Club & The Girl With the Dragon Tattoo, the lighting is what you come to expect from the two. Colors in the present are muted, muddied and almost clinical. By contrast, Amy’s flashbacks appear bright and colorful, but the audience may notice this changing as the story progresses. You could almost say it’s the Zodiac color scheme layered on a different story. Gone Girl doesn’t feel like a “Fincher” movie in the way The Shining was Kubrick’s. It’s more of a Flynn story that would look really good if Fincher put it on screen. I’m not sure if there’s a better way to describe it, actually.

Gone Girl falters in the dialog at times. I had a few moments where scenes that felt fine in the novel fell flat in the film, particularly in some of the flashbacks. Have you ever had a moment where you watch a film, see two people talk to one another and say to yourself (or the person next to you), “Who says that, really?” The relationship of Nick and Amy was a hard, abbreviated sell for me, probably because of the time constraints. You know they’re together, and love is implied (and sexually displayed, I might add), but I can’t say that I recognized a big chemistry between Pike and Affleck. When acting around everyone else they’re great, but between each other, they lost me a little in the beginning. If it were a Blu Ray, I’d be tempted to tap that Chapter Forward button. Mind you, this is coming from a book to movie comparison, so a viewer that hasn’t read the book may respond differently to what’s on screen.

I will say that separately, Rosamund Pike and Ben Affleck are wonderful in this as Nick & Amy. I hope that this gets Pike some more lead dramatic roles, as she was more than memorable here.

Both Trent Reznor and Atticus Ross handled the scoring duties for Gone Girl. In their 3rd go around with Fincher, the sounds are similar to The Social Network, though a bit more subdued. They have a few standout tracks, and their music blends well in Gone Girl, though.

Overall, Gone Girl makes for a interesting night at the cinema, but it’s best viewed if you can manage to avoid the hype and catch it just to sate a curious mind.

Gone Girl – The 2nd Trailer

Posted on by Leonard Wilson

The 2nd trailer for Gone Girl was released recently. David Fincher’s and Gillian Flynn’s film adaptation of Flynn’s popular novel focuses on a writer dealing with the disappearance of his wife. While the trailer expands things a bit compared to the teaser (as any trailer would), there’s the strangest set of casting choices for this film. What I’m most excited about is Flynn handling her own screenplay. Movies are always different from books, but I’m hoping it works out. One fills in the blanks as they go through the story, and I read this before finding out anything concrete about the film. Additionally, I’m also curious about what Trent Reznor  and Atticus Ross are doing for the soundtrack, which also comes out around the same time.

Gone Girl premieres in cinemas on October 3rd.

http://www.youtube.com/watch?v=iLPdwyJLWJE