Quick Review: Underwater (Dir. by William Eubank)


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“There is no such thing as a new idea. It is impossible. We simply take a lot of old ideas and put them into a sort of mental kaleidoscope. We give them a turn and they make new and curious combinations.” – Mark Twain

I wasn’t entirely sold on William Eubank’s Underwater after leaving the theatre.

I’d seen that kind of film before in movies like Alien, Resident Evil, The Abyss, Leviathan, Deep Rising and Deep Star Six. It didn’t feel like it was giving me too much of anything new (especially when compared to last year’s genuinely jumpworthy Crawl), but I have to admit I did spent quite a bit of the film watching it from between my fingers. I’ll give it that. Additionally, I have to give the movie credit for taking no time to get things moving and staying pretty even throughout. Within 5 to 10 minutes of the movie’s start, you’re thrust right into a mix of terror from the unknown and claustrophobic environments. For someone with an attention span as short as mine, it’s impressive to see a film hit the ground running like that. It’s the kind of opening one would expect from one of the John Wick films. Longtime readers here on the Lens know that January really isn’t the month for the greatest films, though every once in a while, you’ll have one or two that dowell.

I think enjoying Underwater may be dependent how much comparing is done between it and older films. If you walk in blind, not expecting anything and are just looking to be entertained, you may enjoy the film more than I did. Do you absolutely have to rush to a movie theatre to see it? No, I don’t feel you do. Give it 3 months and you’ll have it on Digital/Blu-Ray. Would I run back to it in the theatre? Nah. If you’re a Kristen Stewart fan, or if the film’s something you’re genuinely interested in, have at it.

A group of miners find themselves struggling to survive after their rig suffers intense damage. Their goal is to reach a set of escape pods that can take them to the surface, but reaching it poses a set of challenges. The team comes to find that they may not be alone in the depths, which adds to their problems.

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Kristen Stewart navigates the ocean depths in William Eubank’s Underwater.

The cast does well as can be expected, with Kristen Stewart (Charlie’s Angels) taking the lead as Norah, the team’s engineer. Joining her are Vincent Cassel (Eastern Promises) as the Captain, Jessica Henwick (Marvel’s Iron Fist) as  the biology scientist, John Gallagher, Jr. (Hush), Mamoudou Athie (The Get Down), and JT Miller (Deadpool) as the comic relief.  JT Miller in particular voices what would be the audience’s take as a fellow who just wants to get out of the situation. It’s Stewart and Henwick that carry the most weight with the film, and they handle it well. Their characters are smart and try their best to make it through the situations presented to them.

Visually, Underwater’s deep sea sequences have an interesting feel to them. Some of them feel more like the shaky cam shots from As Above So Below. There’s a bit of claustrophobia with watching certain scenes from behind the helmets. The monsters themselves are reminiscent of the ones you’d find in Cloverfield or The Mist with a number of jumpscares throughout. There’s very little in the way of blood and gore, since the film is PG-13.

I would have liked a larger body count. For the size of the rig, part of me expected to see more then just the 6 or 7 characters we have. Seeing more individuals face the creatures or the crumbling buildings could have added a bit of weight. That’s just a nitpick. The Nostromo was huge, yet only had a crew of seven.

Overall, I enjoyed Underwater more than I thought I would. It spends a lot of time doing things that other films already did, but does so in such a way where it’s not entirely wasted.

 

The New Mutants has a new date and trailer.


Marvel’s The New Mutants was a film that was supposed to come out in mid 2019, but was pushed back. The New Mutants focuses on a set of kids in a hospital and takes more of a horror/drama stance that’s similar to F/X’s Legion.  It’s a little different for Marvel, and fits for the Fox banner.

The New Mutants, starring Anya Taylor-Joy, Maisie Williams, Alice Braga, and Charlie Heaton, is set to premiere in cinemas on April 2020.

Ryan Reynolds improves his game in the Free Guy Trailer


You have to hand it to Ryan Reynolds, he knows how to market his projects. In the course of a few days, he made an advertisement for a TV that linked to a new film and his gin company, Aviation Gin. He also made a separate commercial for Aviation Gin starring Monica Ruiz, who everyone knows as the wife in the Peleton ads. Now, 20th Century Fox reunites Reynolds and his Green Lantern co-star, Taika Waititi in Free Guy.

Free Guy has Reynolds playing an NPC (Non-Playable Character) in a Video Game that is due to be shut down. Using classic video game items like power ups, guns and dance emotes, Reynolds’ character decides it’s time to level up. While we’re not sure of where this all goes, it’s good to see Ryan bring some of that Deadpool flair under the Disney umbrella.

Free Guy, Directed by Shawn Levy (Date Night), is set to release on July 3, 2020.

Cleaning Out the DVR #24: Crime Does Not Pay!


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We’re way overdue for a Cleaning Out the DVR post – haven’t done one since back in April! – so let’s jump right in with 4 capsule reviews of 4 classic crime films:

SINNERS’ HOLIDAY (Warner Brothers 1930; D: John Adolfi) – Early talkie interesting as the screen debut of James Cagney , mixed up in “the booze racket”, who shoots bootlegger Warren Hymer, and who’s penny arcade owner maw Lucille LaVerne covers up by pinning the murder on daughter Evalyn Knapp’s ex-con boyfriend Grant Withers. Some pretty racy Pre-Code elements include Joan Blondell as Cagney’s “gutter floozie” main squeeze. Film’s 60 minute running time makes it speed by, aided by some fluid for the era camerawork. Fun Fact: Cagney and Blondell appeared in the original Broadway play “Penny Arcade”; when superstar entertainer Al Jolson bought the rights, he insisted Jimmy and Joan be cast in the film version, and…

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You’re Killing Me, Smalls!: Let’s Play in THE SANDLOT (20th Century-Fox 1993)


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Baseball movies are as American as apple pie, and everyone has their favorites, from classic era films like THE PRIDE OF THE YANKEES and TAKE ME OUT TO THE BALL GAME to latter-day fare like THE NATURAL and FIELD OF DREAMS. There’s so much to choose from, comedies, dramas, and everything in-between. One of my all-time favorites is 1993’s coming of age classic, THE SANDLOT.

Like most baseball movies, THE SANDLOT is about more than just The Great American Pastime. Director David Mickey Evans’ script (co-written with Robert Gunter) takes us back to 1962, as young Scotty Smalls has moved to a brand new neighborhood in a brand new city. His dad died, and his mom (Karen Allen of NATIONAL LAMPOON’S ANIMAL HOUSE fame) has remarried preoccupied Bill (young comedian Denis Leary…. hmmm, I wonder what ever happened to him??), who tries to teach the nerdy kid how to play…

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A (Not-So) Brief Note On WELCOME TO MOOSEPORT (20th Century Fox 2004)


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Sometimes while scrolling through the channels one come across a pleasant surprise. So it’s Saturday afternoon,a thundershower has cancelled my plan to hit the beach, the Red Sox don’t start for awhile, and I’m clicking the old clicker when I land on WELCOME TO MOOSEPORT. I wasn’t expecting much, just a way to kill time; instead, I found an underrated little gem of a comedy that kept me watching until the very end.

Don’t get me wrong, I’m not saying WELCOME TO MOOSEPORT is an undiscovered classic or anything like that. It’s just a solidly made piece of entertainment about small-town life starring Ray Romano (riding high at the time thanks to his successful sitcom EVERYBODY LOVES RAYMOND) and Oscar winning Gene Hackman. Romano uses his nebbishy TV persona to portray Mooseport, Maine’s local hardware store owner “Handy” Harrison, who gets involved in a mayoral campaign against Hackman’s Monroe “Eagle”…

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The Great American Pastime: IT HAPPENED IN FLATBUSH (20th Century-Fox 1942)


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Major League Baseball’s Opening Day has finally arrived! It’s a tradition as American as Apple Pie, and so is IT HAPPENED IN FLATBUSH, a baseball movie about a lousy team in Brooklyn whose new manager takes them to the top of the heap. The team’s not explicitly called the Dodgers and the manager’s not named Leo Durocher, but their improbable 1941 pennant winning season is exactly what inspired this charmingly nostalgic little movie.

When Brooklyn’s manager quits the team, dowager team owner Mrs. McAvoy seeks out ex-player Frank Maguire, who seven years earlier was run out of town when an unfortunate error cost the team the pennant. She finds him running a club out in the sticks, and convinces him to come back to the Big Leagues. He does, bringing along his faithful bat boy/sidekick ‘Squint’, and just before the season’s about to begin, Mrs. McAvoy abruptly dies. Her family…

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