Film Review: The Good Nurse (dir by Tobias Lindholm)


It’s suspected that Charles Cullen might be the most prolific serial killer in U.S. history.

He’s currently sitting in prison, serving 18 consecutive life sentences.  (For those keeping track, he’ll be eligible for parole in the 25th Century.)  In order to avoid getting the death penalty, Cullen confessed to killing 29 people in New Jersey and Pennsylvania.  It is thought that, between the years 1988 and 2003, he actually killed over 400 people.  What made Cullen’s crimes especially horrifying is that he was a nurse and his victims were his patients.  When Cullen first confessed, he tried to portray himself as being a mercy killer, someone who only murdered those who would have no quality of life.  Cullen also claimed that he had been traumatized the first time that he saw a team of doctors fail to resuscitate a patient so he would specifically give overdoses to terminal patients so that they could die both with dignity and without leaving him traumatized.  It was subsequently discovered that few of Cullen’s victims had been terminally ill and that many of them were actually only a day or two away from being discharged from the hospital when Cullen killed them.  Cullen later said that many of his murders were impulsive acts and he wasn’t sure why he had committed them.  In the end, no one can be sure what drove Cullen to commit his murders.

Even before he was arrested, Cullen had developed a bad reputation as a nurse who lost a lot of patients.  He moved from hospital to hospital and he seemed to generate suspicion wherever he went.  Cullen would leave the hospitals whenever it became apparent that anyone was investigating any of the deaths in which he had been involved.  The hospitals were usually happy to be rid of him.  Despite all of the suspicions about him, no one ever tried to stop Cullen from getting another job.  Why risk getting sued for having had Cullen on staff when you could just dump him off on another hospital?

The Good Nurse, which just dropped on Netflix this week, stars Eddie Redmayne as Charles Cullen and Jessica Chastain as Amy Loughren, the nurse who worked with Cullen at his final place of employment.  In the film, Amy is workaholic single mother who needs a heart transplant but who still finds time to show compassion to the patients in the ICU.  She is, as the title states, the good nurse.  When Charles Cullen shows up to work the night shift, she is happy for the help and she takes an immediate liking to the polite and seemingly hardworking Cullen.  Just like Amy, Cullen has two daughters and they bond over their struggles to be both good nurses and good parents.  Cullen tells Amy about how his former coworkers were always plotting against him.  Amy, somewhat naively, invites Cullen to come to her house to meet her daughters.  But when patients start to die, Amy soon suspects that Cullen is responsible.  When she ends up as a patient in the hospital and is faced with the horrifying prospect of Charles Cullen being her nurse, Amy goes to the police and offers to to help them build their case against her former friend.

The Good Nurse is a typical Netflix true crime movie, complete with the slightly washed-out look that almost all of these films seem to share.  The film does a good of capturing the isolation of an ICU ward at night.  With only a handful of nurses and patients on the floor, it’s easy to see how someone like Charles Cullen could have committed his crimes without being caught.  Indeed, some of the film’s most disturbing moments are when Cullen appears to literally emerge from the dark shadows of the ICU ward, like some sort of ghostly hunter seeking his prey.  At the same time, there’s a few moments where the movie feels more like an extra-long episode of Law & Order than a feature film.  Noah Emmerich and Nnamdi Asomugha play the two detectives who are assigned to investigate Cullen’s crimes and their scenes often feel as if they could have been lifted from a dozen other similar true crime films.

As Amy, Jessica Chastain is well-cast, though the role itself is somewhat underwritten.  The film is stolen by Eddie Redmayne, who plays Charles Cullen with an intensity that is frightening to behold at times.  As played by Redmayne, Cullen is creepy from the first time that we see him but, at the same time, Redmayne plays the role with just enough needy charm that the viewer can understand how he was able to fool so many people at so many hospitals.  Redmayne plays Cullen as man who is incapable of compassion but who has learned how to fake it.  It’s only towards the end of the film that Cullen allows his mask to slip and what we see underneath is terrifying.  Eddie Redmayne brings to life a truly evil man, someone who is all the more nightmarish because he really exists.

In the end, The Good Nurse suffers from the same problem as Netflix’s Extremely Wicked, Shockingly Evil, and Vile.  It attempts to comprehend an evil that is beyond normal comprehension.  In the end, both films suggest that there’s no real way to understand what motivates a Ted Bundy or a Charles Cullen.  Instead, all one can do is remain vigilant and hope they’ll be stopped before they can cause any more pain. Cullen is in prison for life.  Bundy got the electric chair.  Both of them left behind many questions that will never be answered.

Film Review: Land (dir by Robin Wright)


Land tells the story of Edee, a woman who thinks that she wants to die.  Edee is played by Robin Wright, who also directed the film.

Edee is dealing with a tragedy, one that the film provides clues to understanding without going into too much details.  Edee has visions of a man and a child and it’s easy to figure out that they were once her family.  There are other flashbacks of Edee’s sister, Emma (Kim Dickens), begging Edee not to harm herself.  Edee meets with a therapist and says that she doesn’t want to share her grief with other people.  She wants to deal with her grief alone, a perfectly reasonable request but no one that is likely to be understood in today’s age of social media oversharing.

When Edee drives out tp an isolated, mountain cabin, she says that she’s looking to start a new life, off the grid.  However, as is quickly revealed by a conversation with the helpful Cole (Brad Leland), Edee doesn’t know anything about living in the wilderness.  What’s more, she doesn’t appear to want to learn anything either.  She has little interest in Cole’s advice.  She asks Cole to return her rental car for her.  When Cole says that it’s not a good idea to live in the mountains without some sort of a vehicle, Edee shrugs him off.  She’s obviously not planning on coming down from the mountain.

Instead, she plans to die in the cabin.  The sight of the man and the child, standing ghost-like in the woods, does not change her mind.  And yet, when Edee finds herself with her forehead resting atop the barrel of a rifle, she cannot bring herself to pull the trigger.  When she is approached by a bear, she retreats to her cabin, showing that she still has an instinct for self-preservation.  (Either that, or she would just rather die in a less gruesome way than a bear attack.)  Edee leaves it to nature to determine her fate.  She’ll stay in the cabin and starve herself to death or she’ll let the elements take her out.  It’s a plan that takes the responsibility off of her.

However, there’s a nurse named Alawa (Sarah Dawn Pledge) and a hunter named Miguel (Demien Bircher) in the area and when they discover Edee near death in her cabin, they nurse her back to health.  Miguel tells her that there are better ways to die than starving herself and, in his polite but direct way, calls her out for not appreciating the fact that she has something that most other people don’t, the ability to retreat to her cabin when life gets to difficult.  Miguel is recovering from his own tragedy and is also living off the grid.  He offers to show Edee how to hunt and survive.  Edee agrees, on the condition that he not tell her about anything that’s happening in the outside world.

The scenery looks beautiful and both Robin Wright and Demian Bircher give effective performances as two people who don’t necessarily talk a lot but who instinctively understand that they have much in common.  The film is respectful of the grief that’s felt by both Edee and Miguel without descending into mawkishness or cheap dramatics.  It’s a steadily-paced movie that trusts the audience to figure things out without having to spell everything out.  Land is a simple film but it works.

What If Lisa Had All The Power: 2019 Emmy Nominations Edition


In a few hours, the 2019 Emmy nominations will be announced!

Since I love awards and I love making lists, it’s an annual tradition that I list who and what would be nominated if I had all the power.  Keep in mind that what you’re seeing below are not necessarily my predictions of what or who will actually be nominated.  Many of the shows listed below will probably be ignored tomorrow morning.  Instead, this is a list of the nominees and winners if I was the one who was solely responsible for picking them.

Because I got off to a late start this year, I’m only listing the major categories below.  I may go back and do a full, 100-category list sometime tomorrow.  Who knows?  I do love making lists.

Anyway, here’s what would be nominated and what would win if I had all the power!  (Winners are listed in bold.)

(Want to see who and what was nominated for Emmy consideration this year?  Click here!)

(Want to see my picks for last year?  Click here!)

(Want to see my picks for 2012?  I know, that’s kinda random.  Anyway, click here!)

Programming

Outstanding Comedy Series

Barry

Brooklyn Nine-Nine

GLOW

It’s Always Sunny In Philadelphia

The Marvelous Mrs. Maisel

One Day At A Time

Veep

Vida

Outstanding Drama Series

Better Call Saul

Dynasty

Flack

Game of Thrones

The Magicians

My Brilliant Friend

Ozark

You

Outstanding Limited Series

Chernobyl

Fosse/Verdon

The Haunting of Hill House

I Am The Night

Maniac

Sharp Objects

True Detective

A Very English Scandal

Outstanding Television Movie

The Bad Seed

Bandersnatch (Black Mirror)

Brexit

Deadwood

King Lear

Native Son

No One Would Tell

O.G.

Performer

Outstanding Lead Actor in a Comedy Series

Iain Armitage in Young Sheldon

Ted Danson in The Good Place

Bill Hader in Barry

Pete Holmes in Crashing

Glenn Howerton in A.P. Bio

Andy Samberg in Brooklyn Nine Nine

Outstanding Lead Actor in a Drama Series

Penn Badgley in You

Jason Bateman in Ozark

James Franco in The Deuce

John Krasinski in Tom Clancy’s Jack Ryan

Bob Odenkirk in Better Call Saul

Dominic West in The Affair

Outstanding Lead Actor In a Limited Series

Hugh Grant in A Very English Scandal

Jared Harris in Chernobyl

Jonah Hill in Maniac

Chris Pine in I Am The Night

Sam Rockwell in Fosse/Verdon

Henry Thomas in The Haunting of Hill House

Outstanding Lead Actor In An Original Movie

Benedict Cumberbatch in Brexit

Anthony Hopkins in King Lear

Rob Lowe in The Bad Seed

Ian McShane in Deadwood

Timothy Olyphant in Deadwood

Jeffrey Wright in O.G.

Outstanding Lead Actress In A Comedy Series

Melissa Barrera in Vida

Kristen Bell in The Good Place

Alison Brie in GLOW

Rachel Brosnahan in The Marvelous Mrs. Maisel

Julia Louis-Dreyfus in Veep

Zoe Perry in Young Sheldon

Outstanding Lead Actress in A Drama Series

Emilia Clarke in Game of Thrones

Gaia Girace in My Brilliant Friend

Maggie Gyllenhaal in The Deuce

Laura Linney in Ozark

Margherita Mazzucco in My Brilliant Friend

Anna Paquin in Flack

Outstanding Lead Actress in a Limited Series

Amy Adams in Sharp Objects

India Eisley in I Am The Night

Carla Gugino in The Haunting of Hill House

Charlotte Hope in The Spanish Princess

Emma Stone in Maniac

Michelle Williams in Fosse/Verdon

Outstanding Lead Actress in an Original Movie

Shannen Doherty in No One Would Tell

Chelsea Frei in Victoria Gotti: My Father’s Daughter

McKenna Grace in The Bad Seed

Paula Malcolmson in Deadwood

Molly Parker in Deadwood

Christina Ricci in Escaping The Madhouse: The Nellie Bly Story

Outstanding Supporting Actor In A Comedy Series

Fred Armisen in Documentary Now!

Andre Braugher in Brooklyn Nine Nine

Anthony Carrigan in Barry

Tony Hale in Veep

Sam Richardson in Veep

Stephen Root in Barry

Outstanding Supporting Actor In A Drama Series

Jonathan Banks in Better Call Saul

Nikolaj Coster-Waldau in Game of Thrones

Peter Dinklage in Game of Thrones

Giancarlo Esposito in Better Call Saul

Peter Mullan in Ozark

Luca Padovan in You

Outstanding Supporting Actor In A Limited Series

Stephen Dorff in True Detective

Timothy Hutton in The Haunting of Hill House

Chris Messina in Sharp Objects

Stellan Skarsgard in Chernobyl

Justin Thereoux in Maniac

Ben Whishaw in A Very English Scandal

Outstanding Supporting Actor In An Original Movie

Jim Broadbent in King Lear

Bill Camp in Native Son

Theothus Carter in O.G.

Rory Kinnear in Brexit

Gerald McRaney in Deadwood

Will Poulter in Bandersnatch (Black Mirror)

Outstanding Supporting Actress in A Comedy Series

Caroline Aaron in The Marvelous Mrs. Maisel

Alex Borstein in The Marvelous Mrs. Maisel

Anna Chlumsky in Veep

Sarah Goldberg in Barry

Rita Moreno in One Day At A Time

Sarah Sutherland in Veep

Outstanding Supporting Actress In A Drama Series

Summer Bishil in The Magicians

Elisa Del Genio in My Brilliant Friend

Julia Garner in Ozark

Lena Headey in Game of Thrones

Elizabeth Lail in You

Shay Mitchell in You

Outstanding Supporting Actress In A Limited Series

Jessie Buckley in Chernobyl

Patricia Clarkson in Sharp Objects

Sally Field in Maniac

Patricia Hodge in A Very English Scandal

Connie Nielsen in I Am The Night

Emily Watson in Chernobyl

Outstanding Supporting Actress In An Original Movie

Kim Dickens in Deadwood

Florence Pugh in King Lear

Margaret Qualley in Favorite Son

Emma Thompson in King Lear

Emily Watson in King Lear

Robin Weigert in Deadwood

 

Insomnia File No. 19: Great Expectations (dir by Alfonso Cuaron)


What’s an Insomnia File? You know how some times you just can’t get any sleep and, at about three in the morning, you’ll find yourself watching whatever you can find on cable? This feature is all about those insomnia-inspired discoveries!

If you were awake at 2 in the morning last night, you could have turned over to Starz and watched the 1998 film, Great Expectations.

Great Expectations is an adaptation of the famous novel by Charles Dickens, the one about the orphan who helps a fugitive, is mentored by a bitter rich woman who lives in a decaying mansion, falls in love with the beautiful but cold-hearted Estella, and then later is helped out by a mysterious benefactor.  The thing that sets this adaptation apart from other version of the novel is that the 1998 Great Expectations is set in modern-day America, as opposed to Victorian-era Great Britain.

Actually, beyond retaining certain aspects of the plot, it’s interesting how little this version of Great Expectations has to do with the original novel.  That’s not necessarily a bad thing.  While Charles Dickens deserves to be remembered as one of the fathers of modern literature, he could also be a terribly pedantic writer.  This adaptation only touches on the novel’s overriding concerns about class and wealth in the most simplistic of ways.  It also abandons most of the novel’s subplots and instead concentrates on the love story between Estella (Gwynneth Paltrow) and Finn (Ethan Hawke).

Oh yeah, did I mention that?  The hero of this version of Great Expectations is not named Phillip Pirrip and we never have to listen to him explain that, as a child, he was nicknamed Pip because he apparently could not speak.  Instead, Pip has been renamed Finn, short for Finnegan.  If you believe the trivia section of the imdb, Finn was apparently the name of Ethan Hawke’s dog.  And again, that’s not necessarily a bad thing.  One of the main reasons why so many readers automatically dislike the narrator of Great Expectations is that he is named Pip.

Anyway, in this version, Pip Finn grows up in Florida, an orphan who is raised by his blue-collar brother-in-law, Joe Gargery (Chris Cooper, giving a very Chris Cooperish performance).  The escaped convict is played by Robert De Niro and, towards the end of the film, there’s a hilarious scene where Finn and the convict meet for a second time and Finn somehow does not recognize him, despite the fact that he still pretty much looks the same and still acts exactly like Robert De Niro.  The eccentric woman who mentors the young Finn, Mrs. Havisham Dinsmoor, is played by Anne Bancroft and Bancroft, made up to look like Bette Davis in What Ever Happened To Baby Jane?, gives a performance of almost transcendent weirdness.  And, of course, Estella — who has been raised to seduce and then destroy men — is played by Gwynneth Paltrow and, as usual, Paltrow is a lot more believable when Estella is remote and self-centered than when she has to soften up towards the end of the film.

It’s an odd film, to be honest.  This is one of those films that you watch and you try to be cynical but it’s all so lushly shot and deliriously (and manipulatively) romantic that you can’t help but occasionally get wrapped up in its spell.  Hawke and Paltrow, both of whom are incredibly young in this movie, may not have much chemistry but they’re both so achingly beautiful that it almost doesn’t matter.

Great Expectations was the second film to be directed by Alfonso Cuaron and it’s just as visually stylish as his later films.  It’s a frequently shallow and somewhat silly film but oh my God, is it ever pretty to look at.

Great_expectations_poster

Previous Insomnia Files:

  1. Story of Mankind
  2. Stag
  3. Love Is A Gun
  4. Nina Takes A Lover
  5. Black Ice
  6. Frogs For Snakes
  7. Fair Game
  8. From The Hip
  9. Born Killers
  10. Eye For An Eye
  11. Summer Catch
  12. Beyond the Law
  13. Spring Broke
  14. Promise
  15. George Wallace
  16. Kill The Messenger
  17. The Suburbans
  18. Only The Strong

Horror Review: Fear the Walking Dead S1E04-05 “Not Fade Away” & “Cobalt”


FearTWDS01E04-05

“Sometimes all we can do is not enough.” — Dr. Bethany Exner

[some spoilers]

Fear the Walking Dead has been a mystery to some audiences and critics. If there was something the original series was criticized on it was that it’s writing throughout it’s current run has been uneven. There would be some great episodes and some good ones, but then some go nowhere episodes that stops any sort of momentum a particular season was having. The Walking Dead deserved some of the criticism leveled at it’s writing and how some of it’s characters appeared one-note for too long. Things began to improve once Scott M. Gimple took over a showrunner beginning with season 4. yet, some of the damage had been done by a very uneven first three season.

One thing The Walking Dead was never lacking was it’s creativity when it came to the zombies and the violence around them. Greg Nicotero and his KNB EFX crew never flinched from whatever hellish idea the writers were able to come up with. It’s probably one of the main reasons why the show has succeeded so much despite flaws in the writing and characterization. People were willing to tolerate the soap opera-style character interactions if it meant the flesh-eating and the headshots came a-plenty.

The first half of Fear the Walking Dead didn’t have much of the zombie action. It was a bold decision by the writers to stay on the path that brought the early days of the zombie apocalypse to life. This was a show that didn’t already have zombies taking over and with civilization having fallen by the wayside. It was still a world where everyone went about their daily routines. Sure the first episode gave some hints that something was amiss, but not until the final minutes did we finally see our first zombie. Even after that initial reveal at the end of the pilot the writers kept the zombies more off-screen. When they did appear it was as one or two.

Episodes four and five, “Not Fade Away” and “Cobalt”, continued this trend of keeping the zombies at arm’s length and off-screen. We saw Travis and Madison’s neighborhood turned into a safe zone by the National Guard who had been deployed to help contain and combat the spreading infection. Some took the military’s arrival with optimism (Travis) while others saw their arrival as a sign that things were just going to get worse and that things might already be too late to save (Daniel).

These two episodes were some of the strongest in this shortened first season of Fear the Walking Dead. We got to learn more about every character, but mostly we learned just how differently each parent of the core group reacted to the growing situation. These were reactions that were as varied and complex as any we’ve seen in any of the characters in The Walking Dead.

Each parent tried to do what they thought was best for their immediate family. On one end of the moral spectrum we had Travis who tried to serve as a sort of de facto mayor of the walled-off neighborhood. Become the person that would be the one who dealt with the military liaison when it came to his family’s and, to an extent, the neighborhood’s well-being. So far, throughout the this short first season, Travis has come across as the sort of enlightened, civilized man who tries to reason and talk things out instead of acting out rashly and on instinct. This sort of personality is what we as a society want to keep the wheels of civilization moving along problem-free. But as we’ve seen this has also become a weakness as things progressively begin to get worst. Travis can’t seem to see that the rule of law and reason seem to be fighting a losing battle with the need to survive.

Yet, despite Travis’ coming off as some sort of pacifist we get a hint of logic to his seeming weak-willed madness. He sees the world crumbling around him and as a father and role model he has tried to be that moral center to his circle of family and friends. Even when what he’s seeing chips away at his belief that those in power will protect and save them, Travis tries to remain that strong, moral center.

The opposite seems to be true for the other father in our group, Daniel Salazar. This character has been quite the revelation in this series. We first meet him in episode 2. He comes across as a leery, but good man like any immigrant in the US looking to make a new life for his family. But with each new episode we learn a bit more of what makes Daniel tick. He’s a father whose past history before coming to the US hints at chaos and bloodshed. He has seen how crisis could spiral out of control in a blink of the eye and he sees that now with the arrival of the military. He doesn’t trust too many outside his wife and daughter and when he does, as the case with Madison, he does so begrudgingly. He’s adaptable to the ever-changing situation the way Travis is not. He’s willing to resort to immediate action to solve a problem or to find a solution. There’s a darkness in him that’s the current situation has awoken once more and it terrifies him, but he allows it to emerge nonetheless in order to keep his family safe.

Throughout these two episodes we see the recurring theme of authority in its many forms (parental, civilian and military) trying to do their best to keep the situation from spiraling out of control, but they despite all their efforts they fail due to that basic flaw that humanity can’t seem to shred and that’s the inability to work together at the most dire situation to solve the problem.

Both Travis and Daniel try to do the best they know how to navigate through and around the encroaching apocalypse. They succeed in some way, but in the end all their efforts still don’t amount to much as everything right from the start of the crisis has been stacked against them. All they could do now is try and save those closest to them.

The question now as we head into the season finale is whose path will ultimately be the best one to navigate in this apocalypse.

Will it be the Way of the Open Palm that we seem be getting from Travis?

A path of sticking to one’s moral center and principles. To try and keep oneself from sliding back into one’s darker impulses as we’ve seen signs of in these two episodes.

Or will it be the Way of the Closed Fist that Daniel seem to be following?

A mentality that requires quick thinking and direct action even if it means allowing one’s darker side to take hold in order to survive. It’s a path that looks to be well-suited for this apocalypse, but one that also brings with it a set of unknown dangers.

So, while the series has so far lacked in major zombie action and the gore quotient has been tame in comparison to The Walking Dead, it has one-upped it’s older sibling by allowing for it’s cast to grow as characters. Whether they all turn out for the better remains to be seen, but in the span of 5 episodes they’ve become full-fledged characters and now the finale will see who will remain steadfast and who will break.

Notes

  • “Not Fade Away” and “Cobalt” were directed by Kari Skogland. Meagan Oppenheimer has writing duties on the former with David Wiener being responsible for the latter.
  • It’s been nine days since the events of episode 3 and it looks like both the National Guardsmen and the neighborhood are fraying at the edges. It doesn’t help that the unit commander is a reservist who also happens to be an LAPD policeman on a power-trip.
  • Still no sign of Tobias. It looks like his own place might be located in the unsafe and unwalled “dead zones” the military have been doing sweeping patrols for the past nine days.
  • Sandrine Holt comes in as Dr. Bethany Exner. Not her first time in a zombie production. She was also in Resident Evil: Apocalypse as Raccoon City news reported Terri Morales.
  • Ruben Blades is turning out to be the MVP of the series, so far. I guess being a government torturer in his native El Salvador during it’s time of troubles is turning to be a good skillset in the coming zombie apocalypse.

Season 1

Review: Fear the Walking Dead S1E03 “The Dog”


FearTWDS1E03

“Good people are the first ones to die.” — Daniel Salazar

[some spoilers]

After a two week break we’re finally back to a new episode of Fear the Walking Dead. The show has so far been very consistent in establishing one simple fact about the most of the cast in this companion series. They are, deep down in their hearts, very good people. Travis is very much your typical enlightened man who shows compassion towards his family and others. Madison loves her family no matter the sort of trouble they find themselves in. The show in it’s third episode seem very intent on pushing against their very good-nature to see who will be the first to break.

“The Dog” finds both Travis and Madison separated during what looks like the first major outbreak of the zombie apocalypse. Travis has just found his estranged son and with his ex-wife have had to seek refuge in the boarded up barbershop of one Daniel Salazar and his own family. Madison waits back home in their East L.A. suburban home with her own two children. With such a truncated season the episode doesn’t wait too long to put the families of both Travis and Daniel in danger. The riots which broke out during the last episode have begun to spun out of control and businesses in the neighborhood have begun to get looted and burned. It’s during their attempt to flee the riot zone that we see the extent of the damaged caused by the continuing riots and more signs that rioters won’t be the only danger around these two men’s families.

Back with Madison we see her attempting to shield her daughter from the truth of what she has seen during the day (it’s been less than two days in series timeline since the events of the pilot episode). Her son Nick seems to understand more of what’s truly going on around them and is more than willing to be the one to voice the ugly truth to his mother. If they’re to survive the storm that’s coming then she needs to tell Alicia what she has seen. As with the events around Travis, Madison and her kids must soon flee their own home when an infected and turned neighbor has decided to follow the barking of a dog Nick had let into their  home.

Both sequences were edited with equal amount of tense-filled moments as Travis and Madison must rely on their protective instincts to try and keep their respective families safe. The scenes with Travis and his group fleeing the barbershop have much more of an action tone to them as rioters, looters and police clash all around their group. With the Clark family it’s a sequence that wouldn’t seem out of place from any horror film. We see how resourceful Madison is starting to become since her time during the visit back at her high school in the previous episode. Some of this resourcefulness seem born out of keeping up with her junkie son Nick who has taken the initiative to do the the best thing to keep the family alive.

The writers have so far written up Nick not just as a troubled, loser drug-addict of a son, but as a survivor. His very addiction and time spent out on the streets feeding his habit has given him a sort of advanced survivor instinct that many around him still haven’t developed. It’s very clear from the first half of the season that his sister Alicia is still quite clueless to the events happening around her. She still believes that she must cut loose from her troubled family and be with her boyfriend to start a new life. Even after seeing the results of those infected, one of which happens to be her boyfriend Matt, Alicia still denies what she has seen and heard. Madison, on the other hand, has had some first-hand experience of what’s going on and has begun to fully believe Nick and gradually adapting to the new reality descending on her family and the world.

Travis, on the other hand, continues to cling to his inner goodness. His compassion for his neighbor Peter Dawson, who he finds in Madison’s home eating the remains of the barking dog that attracted him to the house, almost gets him killed if not for the fast thinking of Daniel Salazar. We see contrasting fathers in Travis and Daniel in this sequence. Travis’ good-nature almost gets him killed while Daniel’s more pragmatic approach to the deteriorating situation around them saves everyone. Even the scene where Daniel tries to teach Travis’ son how to handle the shotgun speaks volume on the differences between the two men.

Travis is the enlightened and educated man who abhors guns and violence. Daniel, we learn through some brief exposition, has survived his home country or El Salvador when many of his family didn’t and has carved out a life for his family in a new country. Travis still thinks that those in power will settle things and get everything back to normal. He even comments in the end of the episode that the cavalry has arrived when the National Guard pulls into the neighborhood to search, isolate and destroy the infected. Daniel sees this and knows that whatever has begun with the riots has spun out of control and too late for everyone still hoping for a peaceful resolution.

Fear the Walking Dead has had a tough task of making itself feel both new and familiar to fans. On the one hand, the series does feel new from the fact that this is a world still inhabited mostly by the living. It’s a world still unaware of the storm bearing down on it. Yes, we’ve seen instances of zombies making an appearance, but never in the large numbers audiences have become used to from it’s parent series The Walking Dead. The familiarity comes from the audience seeing the chaos caused by these first moments of the zombie apocalypse. We as an audience has seen the result once civilization finally broke down. We know the rules of this world even if most of the characters in the show are oblivious or slowly learning about them.

It’s that very familiarity that could make or break the series. So far, the series writers have made each character’s reaction to the events these past couple days range from dangerously naive (Alicia) to hard survivor (Tobias) and everyone in-between. While for some viewers the very naivete that some characters exhibit despite what they’ve seen or heard could become frustrating, it does sow the seeds in filling in the blanks of why civilization fell. Mistrust helps in the populace not believing what those in power has been telling them. Yet, it looks like misguided optimism and compassion also might have had a hand in speeding up the zombie apocalypse.

We’re now halfway through the first season of Fear the Walking Dead and things have begun to move along faster than it’s parent series did with it’s first season. We still have slower scenes with people just talking, but the writers never linger too long before ramping up the tension. This companion series has had the advantage of working with a world still learning the rules which makes for some dread-inducing scenes which the parent series rarely had. With the back-end episodes of series set to start it’ll be interesting to see if the writers will continue to mine the theme and focus of this first season.

Will the good people be the first to die and if they don’t then how will these horrific events change them? Will it be for the better or for the worst?

We will just have to tune in the next three Sundays and see what happens.

Notes

  • Tonight’s episode was written by Jack LoGiudice and directed by Adam Davidson.
  • Nice sequence after fleeing the barbershop as Travis and his group slowly drive past a hospital and see the chaos unfolding as zombies (looking like both patients and healthcare workers) were confronted by responding LA police and SWAT. Earlier in this sequence we even see a brief glimpse of a doctor who looks to be a zombie staggering amongst the fleeing civilians and responding police yet remaining unnoticed by both.
  • The rioting, once we see it in full, doesn’t show whether the chaos is due just to the rioting or to the zombies amongst the rioters and riot police causing their own form of disturbance.
  • Neighbor Pete Dawnson being put down by Daniel Salazar with both barrels from an over-under Turkish shotgun marks the arrival of the series’ first gory moment. Some very nice work by the effects gurus from KNB EFX.
  • The point-blank headshot of Pete via shotgun blast was a nice homage to a similar shotgun blast to the head in the original Dawn of the Dead.
  • Funny how even though people heard the two shotgun blasts and the screams of their neighbors from the night earlier, some of them seem to still have to take the garbage out in the morning. I guess living in the city with it’s constant sounds of gunshots and screams have become routine for these Los Angelinos.
  • I guess the neighbor who had the party for their girl the day before and who was being attacked by neighbor Pete Dawson didn’t survive the night uninfected if the markings left by the National Guard was to be believed.

Season 1

Review: Fear the Walking Dead S1E02 “So Close, Yet So Far”


FearTWDS1E02

“I’m about to step into a world of shit. You know that, right?” — Nick Clark

[some spoilers]

Is watching a zombie apocalypse unfold during it’s early days something that fans of the original series, The Walking Dead, want to actually watch happen? That was probably the least important question asked by AMC producers when they were brainstorming about how to take advantage of the pop-culture phenomena they had in their hands with The Walking Dead. This was a show that consistently beat every show it went up against and even manages to surpass some Sunday Night Football games in viewership.

The show enjoys viewership ratings of every type of metric one can think of that only the biggest network shows today can pull. Yet, the question remained of whether a second series exploring the world that Robert Kirkman created in his Image Comics title of the same name would have a similar reaction from fans. If the numbers brought in by the pilot episode of Fear the Walking Dead would be of any indication then the answer was a resounding yes.

The pilot episode of this new series introduced viewers to a cast of characters that wouldn’t look out of place from any family drama on network tv, cable or even the big-screen. It’s a world focused on the densely-packed Los Angeles area with all it’s different neighborhoods from glitzy and glamorous Hollywood and Beverly Hills to it’s surrounding middle-class areas like East L.A. and Venice Beach. One could substitute any major American city as location and we’ll still be able to relate to the opening narrative beats of an apocalypse descending on an unprepared populace.

Witnessing a zombie apocalypse in it’s early stages has it’s drawbacks and for some fans it’s the lack of the very zombie mayhem which made the original series so “must-see” that has become this companion series’ own weak point. Yet, there’s a logic and reason to the lack of zombies. It is the early days and the lack of zombies doesn’t mean the show lacks in tension and dread-building moments.

As Madison Clark’s drug-addict son succinctly says during the second episode, and could mean for the rest of the cast in the show, they’re all about to step into a world of shit.

“So Close, Yet So Far” jumps into literally right after both Madison Clark and Travis Manawa sees the truth in Nick’s words about what he witnessed in the drug den during the pilot episode. Their disbelief still governs some of their rash decisions (like splitting up to find other family members), but it also gives them a leg up on some of their neighbors and most everyone of the Greater Los Angeles area. Outside of Travis and Madison we’re given glimpses of others like Tobias (Madison’s paranoid but well-informed student), a next door neighbor looking to stock up and flee the city right up to a cop on-duty stocking up on water supplies. The city and the surrounding seem oblivious to the hell about to land on everyone, but that primordial part of everyone’s brain the says something is wrong seem to be working more efficiently for some.

The episode finds both Madison and Travis and their respective families split up when it looks like the zombie apocalypse is finally hitting it’s stride. Police actions turn into riots as civilian bystanders witness cops shooting (many, many times) and killing who look like innocent homeless people. As an audience we know better and it’s that knowing the rules of the game while those in the series are still so uneducated to the changes in this world of theirs which gives Fear the Walking Dead a fresher look at Robert Kirkman’s world.

This advance knowledge of this new world’s rules make for both a exhilarating and frustrating show. We wait for when the rest of the cast catch up in how to deal with the zombie apocalypse, but we also worry that some characters may not get the time spent during this shortened first season to survive. Rick Grimes was the lone babe in the woods in The Walking Dead. His family, best friend and the other survivors he has met with since he awoke from his coma already knew the basics on how to survive in this post-apocalyptic world. Madison, Travis, Nick, Alicia and the rest do not have the luxury of knowing what’s happening. They’ve seen examples of what’s coming, but they’re still dealing with it as if it’s your typical natural disaster. That everything will sort itself out in the end.

Tobias, our on-screen oracle, knows better and in just two episodes have become the audience’s proxy for a series cast full of babes in the woods. His very insular nature of spending way too much time on-line has given him an insight to this current calamity that everyone else around him seem oblivious and/or not extremely worried about. Whether Tobias survives the season has been left up in the air and with 4 episodes left in this inaugural season there’s not much time to dwell on who will live or who will die.

As we saw with Madison stopping Alicia from running out of the house to help a neighbor being attacked by another neighbor (the same one Travis saw earlier that day planning to get out of the city but already sick and infected) zombified, some have begun to worry about just protecting those closest to them and leaving the rest to fend for themselves.

Fear the Walking Dead has navigated a narrative that could get frustratingly old and stale with some great character work from it’s cast. Yes, even the annoying way the teenage children of the two leads have been written. The series has chosen to focus on the lives of your typical American family of the 21st century and that includes the annoyances and warts of parents and children.

Will fans continue to tune in without the zombies showing up more often? That will depend on whether show’s writers slows things down just as the apocalypse is hitting or just press the pedal to the floor and ride the zombie apocalypse wave and hope it lands with a bang instead of a whimper.

Notes

  • Tonight’s episode was written by Marco Ramirez and directed by Adam Davidson.
  • The episode’s cold opening of the high school principal walking the grounds of an empty high school made for an eerie sequence.
  • While it seems like instances of zombie attacks have been concentrated in the more densely populated city area of LA, we still saw some signs of it hitting the outer areas like East LA. Alicia’s boyfriend Matt being one on the way to turning.
  • Interesting way for the writers to incorporate the current climate of distrust the public have with law enforcement into the series with civilians protesting then rioting over cops shooting what they think were innocent people. Audiences know better and we see how this civil disturbance look like it’s adding to the chaos that helps the zombie apocalypse take a foothold in the city.
  • Always nice to see Ruben Blades on-screen.

Season 1

Review: Fear the Walking Dead S1E01 “Pilot”


FearTWDS1E01

“We’re safer in numbers.” — Tobias

There’s a scene early on in the pilot episode of Fear the Walking Dead that really helps set the tone for what could be the running theme for this first season. We have the awkward high school student Tobias getting caught by his school guidance counselor (Madison Clark played by Kim Dickens) with bringing a knife to school. His reasoning after some prodding from Ms. Clark is that he didn’t bring the knife for protection from the school bully. He never outright says what, but his rambling about viruses, microbes, people dying and that it’s a situation that is spreading even sets Ms. Clark aback. Tobias truly believes that there’s a storm coming and that everything he has been preparing for will fall by the wayside. It’s not just his plans, but everyone’s.

Fear the Walking Dead has the difficult task of satisfying not just the legion of fans that make up the prequel series’ parent show, but also set it separate with it’s own identity from The Walking Dead. This show takes us, the viewers, back to the beginning when zombie apocalypse hadn’t landed on the world’s lap. It’s a look into the days gone bye that were only hinted and talked about in the The Walking Dead. Rick Grimes still in a coma, Glenn’s still delivering pizzas in Atlanta and Herschel still has an empty barn.

We find the world still turning and turning with it’s people oblivious of the storm looming over in the horizon. The worry about a prequel series is that as an audience who has seen five seasons of The Walking Dead we’ve learned how this encroaching world operates. We know that anyone who dies becomes a zombie (or walker, biter, etc) who will attack anyone living and propagate the outbreak. The writers of this new series must now try and convince this audience that the actions of the cast are not born out of stupid horror tropes, but on uneducated decisions during situations that they’re not prepared for.

The series focuses on the lives of what would be considered a typical American family. Two families trying to combine into one with children either resentful or apathetic to their parents’ attempts to create a new family from two broken ones. We witness the opening stages of The Walking Dead zombie apocalypse through their eyes as they go about the normal routine of their lives. Whether it’s going to school as a student or as a guidance counselor or a English teacher. This world we recognize as something we see everyday of our own lives.

The question the pilot begins to raise through some tense moments of dialogue is whether the world is prepared for the apocalypse that’s coming. In this world, as in the world of The Walking Dead, the term zombies and the rules governing them don’t exist. There’s no George A. Romero zombie films or Italian zombie knock-offs to help educated the masses through the years. This world has no analogue for the horror descending on them which should explain why some of their behaviors might seem frustrating to those who have watched horror and zombie films.

Yet, it’s through the characters’ very naivete about the crisis happening around them that looks to be a strength for the show. There’s no Rick Grimes, Shane, Daryl or Michonne to come in guns blazing and blade slicing to save the day. These characters must adapt quickly to this encroaching nightmare world or die. It’s as simple as that: adapt or die.

If tonight’s pilot episode stumbles a bit it’s through some of the backstory sequences that episode was trying to dump wholesale to the audience. The one major criticism that the original series continue to get from fans and detractors alike was how so many characters in the original series have been left underdeveloped. Pilot episode writers Robert Kirkman and David Erickson seem too intent on not making that same mistake with this series premiere, but it did lead to some major expositions that, at times, put the breaks on the episode’s forward momentum. It’s understandable to try and flesh out these characters before the zombie mayhem arrive in full-force, but the adage of showing rather than telling still goes a long way even when the intentions are good.

The zombie mayhem that fans of The Walking Dead have become used to appear quite sparse in this pilot episode. We see what we could call as “Patient Zero” for this series in the episode’s tense-filled first three minutes. We see glimpses of them in parks and from amateur video footage on the net. They’re not as spread out and coming at our cast in horde-like numbers. These people have nothing to fear from the walking dead. Yet, we sense throughout the episode that this outbreak has already started randomly all over the country (most likely around the world) and the very institutions meant to protect the population doesn’t have that very population’s trust. Misinformation and mistrust of institutions make for a dangerous recipe that the student Tobias knows full well.

Fear the Walking Dead has the luxury of having a built-up audience courtesy of the massive success of The Walking Dead. The question looming over the series is whether it will be able to use that head start and distinguish itself from it’s older brother series. We have five episodes left in this shortened first season (just like The Walking Dead) and we shall see if these characters will get tossed into the deep end as the crisis grows and grows. One thing Fear the Walking Dead shouldn’t do is to be deliberate. It’s the one mistake that The Walking Dead made during it’s first two seasons that it’s still trying to fix as we near the start of season 6.

Random Notes

  • Tonight’s premiere pilot episode was written by series creator Robert Kirkman and showrunner David Erickson with directing duties handled by Adam Davidson.
  • It’s great to see two veteran actors such as Cliff Curtis and Kim Dickens as the leads of a major project as Fear the Walking Dead. They’re definitely the anchor and foundation that this show will revolve around.
  • We get two shout outs to recent zombie films during the episode.
  • First one was the traffic jam when Travis and Maddy were trying to drive home only to have them stuck in traffic with helicopters overhead and police motorcycles driving past dangerously close to Travis’ truck. A scene similar to 2014’s World War Z.
  • Second one scene was of the faculty staff and some of the students watching videotaped footage of fire department personnel and police responding to the cause of the traffic jam only to have the supposed dead victim come back to life and bite one of the firemen. The scene looks eerily similar to footage from George A. Romero’s fifth zombie film, Diary of the Dead.
  • I do believe that was Lynn Chen from the Buzzfeed videos that was playing the nurse when Nick’s elderly roommate patient went into Code Blue.

Fear The Walking Dead Season 1 Trailer


FearTWD

“When civilization ends…it ends fast.”

It was just a matter of time before AMC decided to mine their massive hit of a show, The Walking Dead, with spin-off to maximize it’s dominance over the tv landscape. We’ve been getting teasers leading up to San Diego Comic-Con where AMC released the first official trailer for this spin-off series titled Fear The Walking Dead.

This spin-off series will pull back time from the original series and have it set in the very beginning of the zombie outbreak which leads to the fall of civilization by the time Rick awakes from his weeks-long coma. It will also have it’s location as far and different from the backwoods and backroads of Georgia to Virginia where The Walking Dead is set. Instead this new series will have sunny Los Angeles as the setting. What better location than one of the most densely populated areas in the United States to show the first days and weeks of The Walking Dead timeline.

Unlike some who seem to be getting tired of the zombie craze of the past decade or so, I and a few others here at Through the Shattered Lens still enjoy this zombie apocalypse renaissance. Maybe it’s the inner doomsday preppers in some of us here in TSL that makes these types of shows and stories appealing.

Will Fear The Walking Dead succeed just as much as it’s older sibling? We shall find out when it premieres this August 23rd.

Shattered Politics #77: Thank You For Smoking (dir by Jason Reitman)


Thank_you_for_smoking_PosterI have always hated those Truth.com commercials.  Truth.com is an organization that claims to be dedicated to eradicating smoking.  Their smug commercials are essentially the height of hipster douchebaggery, a bunch of self-consciously cool people wandering around and harassing random people about whether or not they smoke.  And then, of course, there was the commercial where they all gathered outside a tobacco company and pretended to be dead.  Of course, the truth about Truth.com is that they are essentially the same people who, in high school, would get offended whenever anyone wore a short skirt.  I really can not stand people like that.  (And don’t even get me started on those assholes who appear in the Above The Influence commercials.)  Myself, I don’t smoke because I have asthma.  But, seriously, whenever I see a Truth.com commercial, I’m tempted to run down to 711 and start.

And so maybe that’s why I like the 2005 comedy Thank You For Smoking.

The hero of Thank You For Smoking is Nick Naylor (Aaron Eckhart), a lobbyist for the tobacco industry, who is first seen appearing on a talk show and winning over a hostile audience by announcing that the tobacco industry is going to be investing millions in researching way to keep young people from smoking and shaking the hand of a teenage honor student who is dying from lung cancer.  Over the course of the film, Nick shows us how he does business, everything from defending tobacco companies on talk shows to convincing a former Marlboro Man-turned-cancer-patient to drop his law suit.  When Nick isn’t working, he’s hanging out with his best friends (who are lobbyists for both the liquor and the gun industries), trying to bond with his son (Cameron Bright), or having sex with a reporter (Katie Holmes).

Now, in most movies, Nick Naylor would be the villain.  However, in Thank You For Smoking, Nick becomes a hero by default, if just because everyone who disagrees with him is even worse than he is.  Add to that, Nick has the benefit of being played by Aaron Eckhart while all of his opponents are played by balding actors with ugly beards.

Another reason that I liked Thank You For Smoking was because the main villain was a senator from Vermont and it’s about time somebody stood up to the tyranny of Vermont.  Ortolan Finistirre (William H. Macy) has built a career out of campaigning against the tobacco industries and why shouldn’t he?  Who, other than Nick Naylor, is willing to defend them?  Finistirre’s latest plan is to change the law so that every pack of cigarettes has to be branded with a skull and crossbones warning.

When Nick and Finistirre finally face off, it’s a battle between those who believe in allowing people the freedom to make their own choices and those who hide their totalitarian impulse behind claims that they’re working for the greater good.

Thank You For Smoking was Jason Reitman’s first film.  And while it may be a bit too episodic and it frequently struggles to maintain a consistent tone, it’s still a lot better than both Labor Day and Men, Women, & Children.