Hey! Did you know that WandaVision is going to be streaming in another five days!?
Well, if you didn’t, you obviously haven’t been spending much time on YouTube or Twitter and I guess you haven’t been reading this site much either so shame on you. It seems like, every day, there’s another trailer, preview, or teaser for WandaVision. The trailers mix black-and-white sitcom-style laugh tracked scenes with color scenes that seem like they’re from a 70s soap opera. My assumption is that the show features Wanda creating an alternate universe where she and Vision can attempt to live happily, one that I’m going to guess she created out of her knowledge of old television shows. That’s a nice thought and, of course, an alternate universe means that Marvel will have an easy way to correct past mistakes.
“Robert Downey, Jr. wants to come back to the MCU? Go snatch Tony Stark out of an alternate universe!”
“Everyone finally realized that it was freaking stupid to kill off the Black Widow and that the MCU is better with Scarlett Johansson than without her? QUICKLY! TO THE ALTERNATE UNIVERSE!”
As I said, I think it’s a good idea and, the next time I find myself in my office, watching the retro TV stations, I will be sure to think about how I can use each episode of Ghost Whisperer to create a new universe. And, as snarky as I am about the constant trailers, I am actually looking forward to WandaVision. Even though I think the MCU reached it’s logical end with Avengers: Endgame, I’m still looking forward to seeing if Marvel can keep their winning streak alive. Thanks to the pandemic, it’s been a while since we had a new MCU production and I’m a bit curious to see whether or not that absence is going to help or hinder the franchise.
Add to that, I like Elizabeth Olsen. I like Paul Bettany. I’ll watch them in almost anything. Elizabeth Olsen deserves better than to just be the romantic interest in a Godzilla film. Paul Bettany deserves better than to just be everyone’s eccentric British friend (or the European villain in the latest action movie). As played by Bettany and Olsen, Vision and Wanda were two of the more interesting characters to be found in the MCU. Both the actors and the characters deserve a chance in the spotlight and I’m happy to see them getting one.
Here’s the latest trailer:
Finally, all of twitter was abuzz (bleh! Did I really write that?), with the news that some people were allowed to watch the first three episodes of WandaVision. Their reactions were so incredibly positive that it would be good to remember that early reactions are always overly positive to almost every new TV show and movie. I mean, if your entire career is dependent upon keeping Disney happy and maintaining your access to “company insiders,” it’s only common sense to have a positive reaction to the latest Disney product. Always take these things with a grain of salt, I’m saying.
That said, I really hope WandaVision is good. We’ll all find out in five days!
Well, it’s a new day and I guess that means that it’s time for another enigmatic trailer for WandaVision. It’s been interesting to note that, even with all the trailers that Disney Plus has released for this show, it’s still hard to get a definite feel for just what exactly WandaVision is going to be. That’s not a bad thing, of course. The enigmatic is intriguing.
Judging from the trailers that have been released so far, this is either going to be brilliant or a disaster. I don’t really see much room in between those two extremes. I am going to guess that Wanda and Vision are living in some sort of alternate reality, one that Wanda constructed from a lifetime of watching old TV shows. That’s my guess, anyways. I’ve come across a few people online who have a much darker interpretation — i.e., Wanda is actually in some sort of coma and the entire show is her dying fantasy of having a perfect life with Vision. I mean, seriously — that would be like a Marvel show from the darkest timeline. I would have to put a blue streak in my hair if that happened! (“Life got dark!” to quote Britta Perry.)
Anyway, this latest trailer continues to mix comedy with darkness. I’ll definitely give this show a try, if just because I love both Paul Bettany and Elizabeth Olsen and I don’t feel that either one of them has really gotten all of the opportunities that they deserve. Disney Plus, obviously, is hoping that they’ll have another Mandalorian-style hit with this one and it is interesting to consider that, with the pandemic and all, this will be the first new MCU release in a year. To a certain extent, the reception of this show will answer the question of whether or not the MCU can continue to thrive after the apocalyptic conclusion of Avengers: Endgame. The show will be available on Disney Plus on January 15th so we should have our answers in just another two weeks!
Today, Marvel Studios decided to say “Merry Christmas” by releasing a new teaser for WandaVision!
And here it is!
WandaVision will premiere on Disney+ on January 15th! Personally, I’m looking forward to it but then again, I look forward to anything that features Paul Bettany. Plus, Wanda was the Avenger to whom I most related. Let’s just hope things work out for the best for those two. They deserve a little happiness!
So, how long does the no spoiler rule for Avengers: Endgame apply? There’s so much that I want to say about this film but I know that I shouldn’t because, even though it had a monstrous opening weekend, there are still people out there who have not had a chance to see the film. And while this review will have minor spoilers because, otherwise, it would be impossible to write, I’m not going to share any of the major twists or turns.
I will say this. I saw Avengers: Endgame last night and it left me exhausted, angry, sad, exhilarated, and entertained. It’s a gigantic film, with a plot that’s as messy and incident-filled as the cinematic universe in which it takes place. More than just being a sequel or just the latest installment in one of the biggest franchises in cinematic history, Avengers: Endgame is a monument to the limitless depths of the human imagination. It’s a pop cultural masterpiece, one that will make you laugh and make you cheer and, in the end, make you cry. It’s a comic book film with unexpected emotional depth and an ending that will bring a tear to the eye of even the toughest cynic. By all logic, Avengers: Endgame is the type of film that should collapse under its own weight but instead, it’s a film that thrives on its own epic scope. It’s a three-hour film that’s never less than enthralling. Even more importantly, it’s a gift to all of us who have spent the last ten years exploring the Marvel Cinematic Universe.
The film itself starts almost immediately after the “Snap” that ended Avengers: Infinity War and we watch as Clint Barton (Jeremy Renner, returning to the franchise after being absent in the previous film) finds himself powerless to keep his family from disintegrating. After often being dismissed as the Avengers’s weak link, both Clint Barton and Jeremy Renner come into their own in the film. As one of two members of the Avengers who does not have super powers, Clint serves as a everyperson character. He’s a reminder that there’s more at stake in Endgame than just the wounded pride of a few super heroes. When Thanos wiped out half the universe, he didn’t just wipe out Spider-Man, Doctor Strange, and Groot. He also left very real wounds that will never be healed.
When the film jumps forward by five yeas, we discover that the world is now a much darker place. When we see New York, the once vibrant city is now gray and deserted. Our surviving heroes have all dealt with the Snap in their own way. Clint is now a vigilante, killing anyone who he feels should have been wiped out by Thanos but wasn’t. Thor (Chris Hemsworth) drinks and eats and feels sorry for himself. Captain America (Chris Evans) attends support groups and, in one nicely done scene, listens as a man talks about his fear of entering into his first real relationship in the years since “the Snap.” Tony Stark (Robert Downey, Jr.) is living as a recluse and is still blaming himself. Hulk (Mark Ruffalo) is now an avuncular, huge, and very green scientist. Only Natasha (Scarlett Johansson) remains convinced that the Snap can somehow be undone. She’s right, of course. But doing so will involve some unexpected sacrifices and a lot of time travel….
And that’s as much as I can tell you, other than to say that the film takes full advantage of both the time travel aspects (yes, there are plenty of Back to the Future jokes) and its high-powered cast. With our heroes — which, along with the usual Avengers, also include Ant-Man (Paul Rudd) and Rocket Racoon (Bradley Cooper) — hopping through time and space, we get a chance to revisit several of the films that led up to Endgame and it’s a thousand times more effective than it has any right to be. Yes, one could argue that the cameos from Robert Redford, Tom Hiddleston, Hayley Atwell, and others were essentially fan service but so what? The fans have certainly earned it and the MCU has earned the chance to take a look back at what it once was and what it has since become.
Indeed, Avengers: Endgame would not work as well as it does if it hadn’t been preceded by 21 entertaining and memorable movies. It’s not just that the MCU feels like a universe that it as alive as our own, one that is full of wonder, mystery, sadness, and love. It’s also that we’ve spent ten years getting to know these characters and, as a result, many of them are much more than just “super heroes” to us. When Tony Stark and Captain America argue over whether it’s even worth trying to undo the Snap, it’s an effective scene because we know the long and complicated history of their relationship. When the Avengers mourn, we mourn with them because we know their pain. We’ve shared their triumphs and their failures. Tony Stark may be a guy in an iron suit but he’s also a man struggling with his own demons and guilt. Steve Rogers may be a nearly 100 year-old super solider but he’s also every single person who has struggled to make the world a better place. As strange as it may be to say about characters known as Iron Man, Captain America, and the Black Widow, we feel like we know each and every one of them. We care about them.
Needless to say, the cast is huge and one of the great things about the film is that previously underused or underestimated performers — like Jeremy Renner, Scarlett Johansson, Paul Rudd, Don Cheadle, and Karen Gillan — all finally get a chance to shine. As always, the heart of the film belongs to Chris Evans while Robert Downey, Jr. provides just enough cynicism to keep things from getting to superficially idealistic. Chris Hemsworth and Mark Ruffalo get most of the film’s big laughs, each playing their borderline ludicrous characters with just the right combination of sincerity and humor. Of course, Josh Brolin is back as well and he’s still perfectly evil and arrogant as Thanos. But whereas Thanos was the focus of Infinity War, Endgame focuses on the heroes. If Infinity War acknowledged that evil can triumph, Endgame celebrates the fact that good never surrenders.
As Endgame came to an end, I did find myself wondering what the future is going to hold for the MCU. A part of me wonders how they’re going to top the past ten years or if it’s even possible to do so. Several mainstays of the MCU say goodbye during Endgame and it’s hard to imagine the future films without their presence. It’s been hinted that Captain Marvel is going to be one of the characters holding the next phase of the MCU together and, fortunately, Brie Larson is a quite a bit better in Endgame than she was in her previous MCU film. Hopefully, regardless of what happens in the future, Marvel and Disney will continue to entrust their characters to good directors, like the Russo Brothers, James Gunn, and Taika Waititi. (Wisely, Disney reversed themselves and rehired James Gunn for the next Guardians of the Galaxy film. Of course, Gunn never should have been fired in the first place….)
And that’s really all I can say about Avengers: Endgame right now, other than to recommend that you see it. In fact, everyone in the world needs to hurry up and see it so we can finally start talking about the film without having to post spoiler warnings!
For now, I’ll just say that Avengers: Endgame is a powerful, emotional, and entertaining conclusion to one of the greatest cinematic sagas ever.
(Warning: There are spoilers in this review. They’re not necessarily huge spoilers but they’re there. Read at your own risk.)
Avengers: Infinity War is a lot of things. It’s big, it’s thrilling, it’s emotional, it’s colorful, it’s loud, it’s flamboyant, and, clocking in at two and a half hours, it’s occasionally a bit exhausting. It’s overwhelming but it’s never boring. It’s a nearly perfect example of pure cinema, where the story is less about what happens and more how it’s told. It’s a tribute to not just the Marvel Cinematic Universe but also to the audiences who have been flocking to each movie since Iron Man was first released way back in 2008. Avengers: Infinity War is a pop art masterpiece, one that provides the first part of a climax to a saga that’s been unfolding for ten years.
In the days leading up to the release of Avengers: Infinity War, the main selling point was the assumption that this movie would feature every single character that’s been introduced as a citizen of the MCU so far. Though the film comes close to including everyone, there are still a few characters who are notable for their absence. Ant-Man and the Wasp are nowhere to be seen. None of the Marvel Television characters show up, which is a shame because I’m sure Jessica Jones would have had some choice words about the potential end of the universe. Two familiar SHIELD agents make a brief appearance, though you have to wonder where they were when New York and Wakanda were being invaded.
That said, all of the big heroes show up. Tony Stark (Robert Downey, Jr.) flies into space with Dr. Strange (Benedict Cumberbatch) and Spider-Man (Tom Holland). Thor (Chris Hemsworth) teams up with Rocket Racoon and Groot (voiced by Bradley Cooper and Vin Diesel, respectively). When Wakanda is attacked, Black Panther (Chadwick Boseman), Captain America (Chris Evans), The Falcon (Anthony Mackie), White Wolf (Sebastian Stan), the Hulk (Mark Ruffalo), Rhodey (Don Cheadle), and Natasha (Scarlett Johansson) are all present to defend it. Meanwhile, Vision (Paul Bettany) and Wanda (Elizabeth Olsen) continue to pursue their odd relationship while Peter Quill (Chris Pratt) and Gamora (Zoe Saldana) search for Gamora’s father, Thanos (Josh Brolin).
It’s a packed film and the fact that it works as well as it does is a testament to the power of perfect casting and movie star charisma. At this point, we feel as if we know these characters. We know that Tony Stark is going to be haunted by what happened the last time Thanos’s minions involved New York. We know that Spider-Man is going to be desperate to prove that he belongs with the adults, just as we know that Dr. Strange isn’t going to be particularly impressed with anyone he meets. Needless to say, some characters get more screen time than others. Despite a good deal of the film taking place in Wakanda, Black Panther largely stays in the background. I personally wish that both Natasha and Captain America had been given a bit more to do. Considering just how talented both Anthony Mackie and Don Cheadle are, it’s a shame that neither one of them ever gets to do much in these films. At the same time, Infinity Wars allows both Elizabeth Olsen and Paul Bettany to come into their own and Chris Hemsworth again shows that he may be the most underrated star in the MCU. I’ve read a lot of criticism of certain actions taken by Peter Quill towards the end of the film but actually, it’s exactly what you would expect his character to do in the situation and, up until that moment, Chris Pratt is a welcome presence. It’s important to have someone around who appreciates good music and who can make you laugh, especially considering that Thanos is planning to wipe out 50% of the universe’s population…
Oh yes, Thanos. After spending years lurking in the background, Thanos finally steps forward in Infinity War. In fact, it can be argued that Avengers: Infinity War is actually much more of a Thanos film than an Avengers film. While our heroes are continually spending the film trying to catch up to Thanos and reacting to his latest action, Thanos is always one step ahead. Thanos is the one who steers the narrative and, for once, you really do believe that an MCU villain views the heroes as being mere distractions. Thanos is the one on a quest and the film follows him through every step of his search. In fact, the film’s most emotional moments belong to Thanos. For all the death and destruction to be found in the film’s surprisingly dark narrative, Thanos is the only character to ever shed a tear. Like all great villains, Thanos doesn’t view himself as being evil. Instead, Thanos speaks very sincerely of his desire to bring balance to the universe. The scary thing about Thanos isn’t that he claims that he’s being merciful when he slaughters millions of beings. The scary thing about Thanos is that believes it.
Thanos, you see, is a bit of an intergalactic environmentalist. As he explains it, the universe only has a finite number of resources. By killing half of the universe’s population, he is ensuring that the other half will be able to survive in peace and harmony. Most people would call Thanos’s actions genocidal but Thanos would probably say that he’s merely making the difficult decisions that others don’t have the courage or intelligence to make. It may all sound rather far-fetched and melodramatic until you consider that, just last week, bureaucrats and doctors in the UK decided it would be better to starve a sick infant to death rather than allow his parents to take him to be treated in another country. With his mix of narcissism and absolutely belief in his own moral certitude, Thanos is a far more familiar villain than a lot of viewers might want to admit. As opposed to the forgettable villains who have appeared in so many MCU films, Thanos is a compelling and complicated figure. It’s interesting to note that two of the best performances of the year so far were given by actors appearing as villains in MCU films, Michael B. Jordan in Black Panther and Josh Brolin in this one.
As befits the film’s subject matter, Infinity War is a sprawling film, one that skips from world to world. The visuals are frequently spectacular, as are the many battles. From the opening attack on New York to the final battles in Wakanda and in space, the action is non-stop and thrilling. (It helps that, as opposed to some of the previous MCU films, it’s always clear who is fighting who and why they’re fighting.) For me, though, the most memorable scenes are the scenes where Thanos looks and considers the worlds that he’s destroyed. There’s a scene where an exhausted Thanos rests on a placid planet and it’s one of the strongest images in the history of the MCU.
I’ve been told that I shouldn’t worry too much about all of the characters who are killed over the course of Infinity War. From what I’ve been told, it’s apparently something of a tradition in Marvel comics to kill off a bunch of recognizable characters and then have them come back to life an issue or two later. And the fact that the sequel to Infinity War has already been filmed and is set to released next year leads me to suspect that nothing’s permanent. I mean, if all of these people are really dead, there aren’t going to be many heroes left to make any more movies about. That said, I still got far more emotional than I probably should have at some of the unexpected demises. Especially … well, no. I won’t say the name. But seriously, it was upsetting.
2018 is shaping up to be the year of Marvel. So far, Marvel has released two of the best films of the year. To be honest, a film as huge as Infinity War shouldn’t have worked and yet, it does. It’s a masterpiece of pop art.*
With the release of Avengers: Infinity War right around the corner, Marvel has released a whole new collection of character posters! Just in case you were wondering who, from the MCU, is going to show up in Infinity War, here’s a partial reminder!
(By the way, the answer would appear to be just about everyone who has ever appeared in an MCU film!)
We start with a wedding. The bride is beautiful. The groom is handsome. Everything looks so perfect that you’re almost relieved when Aubrey Plaza suddenly shows up.
Seriously, why wouldn’t you be? We all know Aubrey Plaza from her role as the apathetic and sarcastic April Ludgate on Parks and Recreation. If anyone’s going to bring this potentially bland wedding to life, it’s going to be Aubrey Plaza!
Aubrey Plaza walks up to the bride and starts screaming at her … wait a minute, that’s not typical Aubrey Plaza behavior … where’s the deadpan snarker that we were all expecting…
Suddenly, Aubrey is pulling out mace and spraying the bride in the face. The bride is writing in pain while Aubrey screams at her…
So begins Ingrid Goes West.
Aubrey Plaza, of course, plays the title character. Ingrid spends some time in a mental hospital after crashing that wedding. She explains to both her doctors and the bride that she was just acting out because she was upset over her mother’s recent death. Ingrid seems to feel that she and the bride were good friends but, as we quickly learn, they actually barely knew each other. The bride just made the mistake of commenting on one of Ingrid’s social media posts, leading to Ingrid deciding that they were actually best friends.
Using the money that she inherited from her mother, Ingrid heads out to Los Angeles. She has a new obsession, Taylor Sloane (Elizabeth Olsen). Taylor is a paid social media influencer, famous for being famous. Ingrid left a comment on one of Taylor’s pictures and Taylor left an innocuous reply. It’s the type of thing that happens every day on social media but to Ingrid, it means that she and Taylor are destined to be BFFs.
And, amazingly, it all seems to work at first. Online, Taylor shares just enough about her life to allow Ingrid to come up with a plan to meet her. Ingrid not only gets to know Taylor and her husband, a painter named Ezra (Wyatt Russell), but she is briefly allowed to enter into Taylor’s world. Of course, Ingrid fails to notice that no one in that world seems to be very interested in her. To Ingrid, everything is perfect. Or, at least it is until Taylor’s obnoxious, junkie brother (Billy Magnussen) shows up and starts to call Ingrid out…
Ingrid Goes West really didn’t get as much attention as it deserved when it was released earlier this year. Unfortunately, it was advertised as being some sort of wacky comedy when, in fact, it’s a deeply unsettling and, at times, rather disturbing movie. Yes, there is humor but very little of it is of the “laugh out loud” kind. Instead, it’s the type of humor that makes you pause the movie so you can make sure all of the doors and windows are locked. Ingrid Goes West eventually goes to a very dark place. In some ways, it’s a Taxi Driver for the social media age.
Holding the film together is Aubrey Plaza, giving a performance that is both bracingly vulnerable and frighteningly angry. Plaza makes Ingrid both sympathetic and annoying at the same time. Your heart cries for her but you still wouldn’t necessarily want her to live next door. Ingrid Goes West is not a perfect film. At times, it’s hard to believe that Taylor wouldn’t know better than to invite a complete stranger into her life and some of the scenes with her brother are a bit too over the top. But Aubrey Plaza’s brilliant lead performance makes up for all of those flaws.
Definitely see Ingrid Goes West. Just expect to be paranoid for a week afterward.
Here’s the trailer for Wind River, a crime thriller that has gotten good reviews at both Sundance and Cannes.
Here are a few things to know about Wind River:
First off, a lot of people are pointing out that it stars two members of the MCU, Jeremy Renner and Elizabeth Olsen. At this point, however, the MCU is so big — with the movies and Netflix and the tv shows — that it’s hard to think of a recent or upcomng film that doesn’t feature at least one actor from the MCU. At this point, MCU actors running into each other in non-MCU movies is no longer as big a surprise as it may have once been. It’s kind of unavoidable.
For me, the most intriguing thing about Wind River is that it is the directorial debut of Taylor Sheridan, who previously wrote the amazing screenplays for both Sicario and Hell or High Water. I’ll be curious to see if Sheridan is as good and unpredictable a director as he is a writer.
That, in a nutshell, is my main thought when it comes to Captain America: Civil War. It’s a movie that we spent a year anticipating. It’s a movie that we were continually assured would be great. And it’s a movie that, unlike Batman v Superman, actually lived up to all the hype. It’s also a movie that has already been reviewed here on the Shattered Lens. Check out Arleigh’s review by clicking here and be sure to check out Gary’s review as well.
So, what’s really left for me to say about Captain America: Civil War? Beyond, of course, that it was freaking awesome.
Of course, it’s hard to talk about Captain America: Civil War without also talking about Batman v Superman. Both films start with the same basic idea: the heroic activities of super heroes has led to cities being destroyed and innocent people dying. In Batman v. Superman, Batman takes it open himself to avenge the destruction of Metropolis and expose Superman as being the biggest false God since Baal. In Civil War, the United Nations announces that, from now on, all super hero activity has to be cleared with them. In Batman v. Superman, Batman and Superman are manipulated into fighting each other. In Captain America: Civil War, Captain America and Iron Man are manipulated into fighting each other. In Batman v Superman, Jesse Eisenberg plays a neurotic villain. In Captain America: Civil War, Daniel Bruhl plays a neurotic villain. Batman v Superman features more heroes than just Batman and Superman. Civil War features more heroes than just Captain America and Iron Man. Batman v Superman ends with a promise of more films to come. So does Civil War. Both films are huge and expensive star-filled spectacles and both of them are a part of a larger cinematic mythology. They both even have roughly the same running time. Of course, Batman v Superman seems even longer while Civil War is over far too quickly.
And yet, Civil War is a thousand times better than Batman v Superman. For all of its sound and fury, Batman v Superman is ultimately an empty shell. I left the film feeling not at all emotionally moved but definitely deafened by all the explosions and the yelling and the ranting and the pounding score. As I left the theater, the world sounded like it was underwater. Batman v Superman opens with the world exploding and the explosion continues for another two and a half hours. Civil War, on the other hand, takes its time. After the initial battle scene (which features a nice cameo from the great Frank Grillo), Civil War slows down. It explores its characters and their relationships and their motivations. The first hour of Civil War may be dominated by people debating but its compelling to watch because, after 8 years, the MCU and the characters within feel as alive as the world outside the theater.
In Batman v Superman, Henry Cavill and Ben Affleck appeared to be acting in separate films. That’s not a problem in Civil War. When you watch Chris Evans and Robert Downey, Jr., you believe that they are friends and, when they fight, you don’t just thrill at the action. You mourn the end of a friendship. If Batman v Superman‘s battle ultimately felt hollow, the final battle in Civil War leaves you wincing in pain.
Which is not to say that Civil War is not a fun movie. It’s the most genuinely fun film that I’ve seen so far this year. There’s a joy to the best films of the MCU, a joy that — with the exception of Gal Gadot’s cameo — was totally lacking from the somber and self-important mess that Batman v Superman. I have never heard an audience applaud more than they did while watching Civil War. The film may have been dominated by Evans and Downey but every citi of thzene MCU got a chance to shine. Scarlett Johansson, Paul Rudd, Sebastian Stan, Anthony Mackie, Don Cheadle, Jeremy Renner, Chadwick Boseman, Paul Bettany, and Elizabeth Olsen all proved their worth to this new cinematic mythology. After years of using Halloween to pay homage to Scarlett Johansson, I may have to go as Wanda Maximoff this year. After seeing Hollywood waste her off-center and damaged talent in films like Godzilla, it was good to see Elizabeth Olsen playing Wanda as if she could have been a cousin to her character from Martha Marcy Mae Marlene.
The audience saved their loudest and most enthusiastic cheers for Tom Holland, who claimed the role of Spiderman as his own and thankfully freed AndrewGarfield to go back to being the intriguing actor that we all remember from The Social Network and Never Let Me Go.Holland doesn’t have a large role in Civil War but he’s still well-served by the film and the script makes great use of the character and Holland’s energetic performance. As opposed to the super hero cameos in Batman v Superman, Spiderman’s appearance didn’t just feel like merely a teaser for a future film. He belonged in the story.
Of course, Civil War is dominated by the battle between Iron Man and Captain America and it says something about how successful the MCU has been that the battle feels less like a marketing gimmick and more like the natural result of what happens when two differing worldviews come into conflict. When Tony Stark sides with the UN, it makes sense. Ever since the very first Iron Man, Tony has been motivated by both guilt over making weapons and a fear that he doesn’t deserve his success. Of course Tony would side with the UN. Doing so not only allows him to alleviate his guilt but it also frees him of responsibility for any future actions that the Avengers may take. It makes just as much sense that Captain America would feel the exact opposite. His name is Captain America, not Captain United Nations. When the UN was founded, he was still frozen in a block of ice.
(Also interesting to note: Civil War was the first MCU film that I could follow without once having to ask my boyfriend for any background info on who all the characters were. The MCU has become such a part of our culture that we all know the characters, regardless of whether we have ever read a Marvel comic or not.)
There is a nominal villain. Daniel Bruhl plays Zemo and his role is actually pretty small. That said, Zemo is definitely more interesting than the typical MCU villain (he’s certainly more memorable than Corey Stoll was in Ant-Man) and Bruhl does a good job playing him. (Watching Civil War, it was hard not to think about how much better SPECTRE would have been if Bruhl, as opposed to Christoph Waltz, had played Blofeld.) But, for me, the real villain of the film was the U.S. Secretary of State (played by William Hurt). The character represented everything that all good people hate about the power structure. William Hurt turned him into the epitome of unthinking and unreasonable authority.
After Civil War was released, Salon’s Amanda Marcotte (who, let’s just be honest, ceased to be interesting the minute that she sold out and briefly worked for John Edwards in 2007) complained that Captain America had become “a douchey Libertarian.” I would argue that 1) Captain America is definitely not douchey and 2) it’s his “libertarian” stance that makes him a hero. Captain America does not represent any institution or ideology and he doesn’t take orders from faceless bureaucrats. Captain America doesn’t need permission to do the right thing. As played by Chris Evans, there’s something undeniably poignant about Captain America attempting to cling onto his idealism and his belief in personal freedom in an increasingly complicated and totalitarian world. When told that he has a duty to become an anonymous, order-taking drone, Captain America says, “NO!”
(As a sidenote: If you want to see what the world expects Captain America to become, check out William Klein‘s Mr.Freedom.)
I know that some are claiming that Civil War is the best MCU film so far. I wouldn’t quite go that far. The film never quite reaches the lunatic heights of Guardians of the Galaxy nor does it match the subversive glee of Winter Soldierrevealing that smug old Robert Redford is an agent of HYDRA. But, no matter! Captain America: Civil War is pretty freaking great!
Here are the other MCU reviews that have appeared here on the Shattered Lens:
Captain America: The Winter Soldier wasn’t just a surprise hit for Marvel Studios and parent company Disney in 2014, it also showed the general public that there was more to Captain America than just a flag-waving symbol of America’s past glory. Captain America was a character that wasn’t the hip, wisecracking Tony Stark. He wasn’t the tortured soul in a monster’s body like Bruce Banner as the Hulk. He didn’t have the Shakespearean gravitas that was always lurking behind Thor and his complicated Asgardian family. No, Captain America was considered too straight-laced, blonde and blue-eyed goody two-shoes.
Captain America: The First Avenger focused on those very qualities. Steve Rogers was just a skinny, asthmatic young man from Brooklyn who wanted to do his part during World War II. It would be thanks to an experimental super-soldier serum that Steve Rogers’ body finally matched the inherent goodness and will to defend the little guy. For some, this initial introduction to Captain America was too hokey, but was entertaining enough. His next appearance in 2012’s game-changing superhero team-up The Avengers saw him be part tactician for a burgeoning superhero team and part comedy relief.
It would be with The Winter Soldier that the rest of the general public finally got to what comic book fans have known for years. This is a badass man, out of his time but always fighting the good fight and staying true to his convictions and principles. What was seen as hokey idealism became something of a beacon of selflessness and the moral center in a modern world that was steeped in shades of grey. It helped that writing team of Stephen McFeely and Christopher Markus (who wrote The First Avenger) finally found a pair of directors in the Russo Brothers (Anthony and Joe) who understood just what made Captain America relevant in this day and age of cynical anti-heroes.
It’s no surprise that the Russo Brothers were tasked with continuing the work they began in the Winter Soldier with McFeely and Markus with the film that would complete the Captain America trilogy in the Marvel Cinematic Universe. It would be quite a task in getting Captain America: Civil War off the ground and moving forward under all the weight of nearly every MCU superhero (minus Thor, Hulk and Nick Fury) in attendance and the introduction of two new ones to the universe.
Did the Anthony and Joe Russo pull off this massive undertaking? Or did they stumble to not just the huge cast and many storyline threads the way Joss Whedon did with the ambitious, but flawed The Avengers: Age of Ultron?
I’m happy to say that the Russo Brothers did better than succeed but may have just made the best film in the Marvel Cinematic Universe and proved that Marvel Studios head honcho Kevin Feige was correct in placing the brothers as the new captain of the massive thing called the Marvel Cinematic Universe as it enters Phase 3.
Captain America: Civil War is set just a year after the events of Age of Ultron where the Avengers barely defeated Tony Stark’s mad A.I. Ultron and it’s decision to wipe humanity from the planet. While the team did save the world from global extinction they also didn’t save everyone. there were still hundreds, if not, thousands of Sokovians who died during the battle. The same could be said for all the battles since the alien invasion over New York. The Avengers, led by Captain America, have saved the world from invading aliens, world-dominating terrorist group and killer A.I robots. Yet, the collateral damage caused by these battles have begun to weigh not just on some of the Avengers, but has made the governments of the world see the team as a sort of super-powered private military group who don’t obey international laws and borders. Yes, they’ve saved humanity many times from destruction, but at what cost.
It’s during a battle early in the film as Captain America and his team stop the theft of a biological weapon in the city of Lagos, Nigeria that collateral damage and deaths rear it’s head once more as Wanda Maximoff (aka the Scarlet Witch) accidentally allows a suicide bomb vest explode too close to a nearby high-rise causing the deaths of several aide workers from Wakanda.
It’s from this event that the world finally have reached a tipping point and want to put the team under U.N. control with Tony Stark agreeing to the plan to help assuage his guilt over the deaths caused by him creating Ultron. Some of the team understands that government oversight that the Sokovian Accords puts on the team is the right thing to do. While others, especially Captain America, think it’s best to leave the team to continue to be their own masters instead of beholden to a bureaucracy whose agenda may not be conducive to saving lives.
It’s a subject matter that was explored in some fashion in an earlier superhero mash-up but one that failed to stick the landing. Yet, even this battle of differing ideologies between Captain America and Iron Man only becomes part of the foundation to the true narrative for Civil War. It’s the friendship between Captain America and Bucky aka the Winter Soldier and how the former must try to prove the latter innocent of another terrorist attack the world thinks he’s responsible for. Those Avengers who signed the Accords must now bring in Bucky dead or alive while Captain America with the help of those who didn’t sign try to prove his innocence and find the true architect of the terrorist bombing.
Captain America: Civil War succeeds where the earlier superhero film failed because of the groundwork laid down by the 12 previous films released to make up the current Marvel Cinematic Universe. From Iron Man all the way up to Age of Ultron, these twelve films flesh out the backstory and characters that make up these heroes. We’ve gotten to know what motivates them to risk their lives for the greater good, but we also see glimpses of the inter-personal conflicts that looks to tear the team apart from within.
There’s not enough that could be said about the masterful work done by the Russo Brothers in juggling the personalities of twelve superheroes (two getting their initial introduction to the MCU) and giving them enough to do in the film to make them relevant to the proceedings instead of just becoming glorified cameos. The actors playing these characters have had many films to own the roles and each and everyone hits it out of the park. The stand out from the veterans in the ensemble cast still remains Chris Evans and Robert Downey, Jr as Captain America and Iron Man, respectively. Yet, it would be the arrival of the two new heroes into the mix with Chadwick Boseman as the newly-crowned king of the technologically-advanced nation of Wakanda, T’Challa and Tom Holland as the teenage chatterbox and dumpster diving tech genius Peter Parker aka Spider-Man.
Boseman as the Black Panther adds a certain level of gravitas and regal fury to the proceedings which balances the edge between serious to comedic. His Black Panther has his own agenda in getting involved in this intra-familial squabble. He has his own agenda and if it means siding with Iron Man against Captain and his team then he would do so if it succeeds in helping him finish his mission. It helps that he looks damn cool in what has to be the best superhero costume thought up by the designers in Marvel Studios.
It would be Tom Holland as the young Peter Parker and Spider-Man who steals the show whenever he’s on-screen. This is the Peter Parker and Spider-Man that comic book fans have been waiting for. While Tobey Maguire and Andrew Garfield succeeded in portraying some of the character’s personality, they could never fully capture what made Spider-Man such a favorite amongst comic book readers. This Spider-Man is geeky and not at all hip and cool, but with a sense of right and wrong that comes having great power means shouldering the responsibility to use it for good.
Captain America: Civil War, with its exploration of many profound ideas and themes, is still a superhero film and a tentpole blockbuster at that and audiences still want to see the action up on the big screen. Boy, does this film have action and enough of them to spare. The action scenes range from the grounded hand-to-hand fighting the Russo Brothers used to great effect in The Winter Soldier (this time around with the help from Chad Stahelski and David Leitch, directors of John Wick to provide 2nd Unit Directing help) up to the superhero battle that raises the bar on such things set at an evacuated airport in Leipzig, Germany.
This 6-on-6 tête-à-tête between friends and colleagues takes the climactic battles in both Avengers films and does them better. With each hero using their abilities to great effect in conjunction with their allies and against those they are fighting. There was never a time during this near on 20-minute action scene did it ever get confusing. Many filmmakers doing superhero (or just plain old action films) could learn a thing or two from how the Russo Brothers and 2nd Unit directors Spiros Razatos, Stahelski and Leitch choreographed and filmed all the action sequences in Civil War. It was near-perfect with only wishful thinking that Gareth Evans from The Raid films could’ve been asked to help out to make things perfect.
As huge and bombastic the film gets with this airport fight, it would be the final throw down between Captain America and Iron Man at the end of the film that we get the emotional heft the film needs to keep itself from becoming just another loud and explosive superhero film. This fight becomes personal and shows how fights between close friends become the most brutal and heartbreaking. Neither combatants are wrong about their stances in the fight, but they’re also wrong in not being able to think things through. These two alpha males who have a friendship full of respect but also combativeness throughout the years of the MCU that finally explodes into all-out war when a tragic secret from both Tony Stark’s and Bucky’s past come to light.
It’s a fight that has no winners and for a superhero film that is a major change from the usual narrative (especially within the MCU storytelling playbook). The film ends with the very team created to save the world from all threats even more unsure of their place in the ever-changing and ever-judging world. It’s a bold move by Marvel Studios to start their Phase 3 that would culminate in the battle to end all battles with the two Avengers: Infinity War films (soon to be retitled) which happen to be under the master-class guiding hands of the Russo Brothers in the directors’ chair and the writing duo Stephen McFeely and Christopher Markus.
In the end, Captain America: Civil War manages to capture not just what made comic books and films adapted from them fun and exhilarating, but also able to tackle some serious ideas and themes both existential and personal. It just goes to show that one doesn’t need to sacrifice one to have the other. One can have serious and dark but also be fun. It’s a balance that’s difficult to do, but when the people involved in creating such a story stick the landing then we a classic in the making. It bodes well for the rest of the films in Phase 3 to have such a great beginning, but also raises the bar for the other filmmakers following in the wake of what Anthony and Joe Russo have concocted. Let’s hope they are all up to the task.