Icarus File No. 3: Glass (dir by M. Night Shyamalan)


Oh, Glass.  We all had such hopes for you.

Glass, as you may remember, came out in January and was one of the first big cinematic disappointments of the 2019.  People were certainly excited about it before the film was released.  Glass was a sequel to not only Split but also Unbreakable.  James McAvoy, Samuel L. Jackson, and Bruce Willis would all be returning to the roles that they played in those original films.  Glass was viewed as being the film that would establish whether director M. Night Shyamalan was truly back after the critical and commercial success of Split or if he was going to return to being the kinda hacky director who we all remembered from the mid to late-aughts.

Actually, it can probably be argued that, as a director, M. Night Shyamalan managed to go from being slightly overrated to being wildly underrated.  Even his worse films aren’t exactly terrible.  Even the incredibly silly The Happening had a few effective scenes.  Shyamalan wasn’t a bad director as much as he was a director who, at times, seemed to be way too convinced of his own cleverness.  The Shyamalan twist became both his trademark and his curse.  I can still remember an entire theater audibly groaning during The Village, not because the twist was necessarily bad as much as just because it was so expected.  Was Shyamalan capable of making a film that didn’t end with a gimmicky twist?  Interestingly, for most of its running time, Split seemed like a straight forward story about a psychotic man with multiple personalities.  It was only at the last minute, when Bruce Willis showed up in that bar, the people realized that Split had a Shyamalan twist.

Glass has a few twists of its own, most of them dealing with how Kevin Wendell Crumb (James McAvoy) became the killer known as The Beast.  It’s all connected to Elijah Price (Samuel L. Jackson), who is also the supervillain named Mr. Glass.  Kevin, Elijah, and David Dunn (Bruce Willis) all end up in a mental asylum together.  Dr. Ellie Staple (Sarah Paulson) insists that the three of them do not have any super powers and instead, they’re all suffering from a shared delusion.  Of course, Dr. Staple has an agenda of her own.  It’s not a particularly interesting agenda but then again, who cares, right?  I mean, the main reason people are going to watch this movie is so they can watch James McAvoy and Bruce Willis square off against each other, right?

Well, those people are out of luck.  The audience may not care about Dr. Staple’s agenda but Shyamalan certainly does and, as a result, McAvoy, Jackson, and Willis often seem to be bystanders in their own film.  When the long-promised confrontations between our three main characters finally do occur, it all leads to a finale that leaves a rather sour aftertaste.  You can’t help but feel that the characters (and their actors) deserved better.  What ultimately happens to David Dunn in Glass feels almost like an extended middle finger to anyone who has ever defended Unbreakable.  One gets the feeling that Shyamalan was so eager to work in one of his trademark surprises that he never stopped to consider whether the film’s storyline was strong enough to support his ambition.

The other problem is that Bruce Willis’s David Dunn and James McAvoy’s The Beast really don’t belong in the same movie together.  Willis gives an understated and rather haunted performance as David but McAvoy is so flamboyantly evil as the Beast that it destroys whatever gritty reality Willis had managed to develop.  Both McAvoy and Willis give good performances but they appear to be performing in different films.  As for Jackson, nobody glowers with the power of Samuel L. Jackson.  But, oddly, he never seems to have much to do.  Glass may be named after his character but Mr. Glass often feels superfluous to the overall plot.

Glass is ultimately a rather forgettable movie.  One gets the feeling that Shyamalan was truly trying to say something profound about heroism and pulp mythology in the final part of the trilogy that began with Unbreakable.  But, ultimately, Glass‘s message is too muddled to have much of an effect.  In the end, Glass leaves Shyamalan’s ambitions unfulfilled.

Previous Icarus Files:

  1. Cloud Atlas
  2. Maximum Overdrive

Spider-Man Meets Mysterio In The New Spider-Man: Far From Home Trailer


The new trailer for Spider-Man: Far From Home opens with a warning from Tom Holland.  Do not watch this trailer if you have not seen Avengers: Endgame and you want to avoid spoilers.  It should also go without saying that, if you are avoiding Endgame spoilers, do not read any further on this post.

Spoilers below:

Judging from the trailer, Spider-Man: Far From Home finds Peter Parker mourning the loss of his mentor, Tony Stark.  Looking to get away from the pressures of crime fighting and saving the world and also wanting to pursue his crush on Zendaya’s MJ, Peter joins his classmates on a trip to Europe.  Were all of Peter’s classmates from Spider-Man: Homecoming wiped out by the Snap?  According to Avengers: Endgame, bringing everyone back did not change anything that happened over the previous five years.  Peter got lucky that MJ apparently wasn’t around to graduate high school and move away while he was non-existent.

Peter may want to escape from it all but Samuel L. Jackson’s Nick Fury has other ideas.  Judging from the trailer, it appears that Peter has replaced Tony with three new mentors, Nick Fury, Happy Hogan (Jon Favreau, making the transition over from the Iron Man films), and Jake Gyllenhaal’s Mysterio.  Of course, anyone who is familiar with Mysterio’s history knows that Peter should be careful about trusting him.

The trailer also introduces the concept of the Multiverse.  With all the questions that Endgame raised about time travel and alternate realities, the Multiverse is surely going to be an important factor moving forward.  For instance, it may explain how there’s both a Loki TV show and a Black Widow movie in production when both of those characters were apparently very dead at the end of Avengers: Endgame.

Spider-Man: Far From Home opens on July 2nd.

 

Film Review: Avengers: Endgame (dir by the Russo Brothers)


(Minor Spoilers Below!  Read at your own risk.)

So, how long does the no spoiler rule for Avengers: Endgame apply?  There’s so much that I want to say about this film but I know that I shouldn’t because, even though it had a monstrous opening weekend, there are still people out there who have not had a chance to see the film.  And while this review will have minor spoilers because, otherwise, it would be impossible to write, I’m not going to share any of the major twists or turns.

I will say this.  I saw Avengers: Endgame last night and it left me exhausted, angry, sad, exhilarated, and entertained.  It’s a gigantic film, with a plot that’s as messy and incident-filled as the cinematic universe in which it takes place.  More than just being a sequel or just the latest installment in one of the biggest franchises in cinematic history, Avengers: Endgame is a monument to the limitless depths of the human imagination.  It’s a pop cultural masterpiece, one that will make you laugh and make you cheer and, in the end, make you cry.  It’s a comic book film with unexpected emotional depth and an ending that will bring a tear to the eye of even the toughest cynic.  By all logic, Avengers: Endgame is the type of film that should collapse under its own weight but instead, it’s a film that thrives on its own epic scope.  It’s a three-hour film that’s never less than enthralling.  Even more importantly, it’s a gift to all of us who have spent the last ten years exploring the Marvel Cinematic Universe.

The film itself starts almost immediately after the “Snap” that ended Avengers: Infinity War and we watch as Clint Barton (Jeremy Renner, returning to the franchise after being absent in the previous film) finds himself powerless to keep his family from disintegrating.  After often being dismissed as the Avengers’s weak link, both Clint Barton and Jeremy Renner come into their own in the film.  As one of two members of the Avengers who does not have super powers, Clint serves as a everyperson character.  He’s a reminder that there’s more at stake in Endgame than just the wounded pride of a few super heroes.  When Thanos wiped out half the universe, he didn’t just wipe out Spider-Man, Doctor Strange, and Groot.  He also left very real wounds that will never be healed.

When the film jumps forward by five yeas, we discover that the world is now a much darker place.  When we see New York, the once vibrant city is now gray and deserted.  Our surviving heroes have all dealt with the Snap in their own way.  Clint is now a vigilante, killing anyone who he feels should have been wiped out by Thanos but wasn’t.  Thor (Chris Hemsworth) drinks and eats and feels sorry for himself.  Captain America (Chris Evans) attends support groups and, in one nicely done scene, listens as a man talks about his fear of entering into his first real relationship in the years since “the Snap.”  Tony Stark (Robert Downey, Jr.) is living as a recluse and is still blaming himself.  Hulk (Mark Ruffalo) is now an avuncular, huge, and very green scientist.  Only Natasha (Scarlett Johansson) remains convinced that the Snap can somehow be undone.  She’s right, of course.  But doing so will involve some unexpected sacrifices and a lot of time travel….

And that’s as much as I can tell you, other than to say that the film takes full advantage of both the time travel aspects (yes, there are plenty of Back to the Future jokes) and its high-powered cast.  With our heroes — which, along with the usual Avengers, also include Ant-Man (Paul Rudd) and Rocket Racoon (Bradley Cooper) — hopping through time and space, we get a chance to revisit several of the films that led up to Endgame and it’s a thousand times more effective than it has any right to be.  Yes, one could argue that the cameos from Robert Redford, Tom Hiddleston, Hayley Atwell, and others were essentially fan service but so what?  The fans have certainly earned it and the MCU has earned the chance to take a look back at what it once was and what it has since become.

Indeed, Avengers: Endgame would not work as well as it does if it hadn’t been preceded by 21 entertaining and memorable movies.  It’s not just that the MCU feels like a universe that it as alive as our own, one that is full of wonder, mystery, sadness, and love.  It’s also that we’ve spent ten years getting to know these characters and, as a result, many of them are much more than just “super heroes” to us.  When Tony Stark and Captain America argue over whether it’s even worth trying to undo the Snap, it’s an effective scene because we know the long and complicated history of their relationship.  When the Avengers mourn, we mourn with them because we know their pain.  We’ve shared their triumphs and their failures.  Tony Stark may be a guy in an iron suit but he’s also a man struggling with his own demons and guilt.  Steve Rogers may be a nearly 100 year-old super solider but he’s also every single person who has struggled to make the world a better place.  As strange as it may be to say about characters known as Iron Man, Captain America, and the Black Widow, we feel like we know each and every one of them.  We care about them.

Needless to say, the cast is huge and one of the great things about the film is that previously underused or underestimated performers — like Jeremy Renner, Scarlett Johansson, Paul Rudd, Don Cheadle, and Karen Gillan — all finally get a chance to shine.  As always, the heart of the film belongs to Chris Evans while Robert Downey, Jr. provides just enough cynicism to keep things from getting to superficially idealistic.  Chris Hemsworth and Mark Ruffalo get most of the film’s big laughs, each playing their borderline ludicrous characters with just the right combination of sincerity and humor.  Of course, Josh Brolin is back as well and he’s still perfectly evil and arrogant as Thanos.  But whereas Thanos was the focus of Infinity War, Endgame focuses on the heroes.  If Infinity War acknowledged that evil can triumph, Endgame celebrates the fact that good never surrenders.

As Endgame came to an end, I did find myself wondering what the future is going to hold for the MCU.  A part of me wonders how they’re going to top the past ten years or if it’s even possible to do so.  Several mainstays of the MCU say goodbye during Endgame and it’s hard to imagine the future films without their presence.  It’s been hinted that Captain Marvel is going to be one of the characters holding the next phase of the  MCU together and, fortunately, Brie Larson is a quite a bit better in Endgame than she was in her previous MCU film.  Hopefully, regardless of what happens in the future, Marvel and Disney will continue to entrust their characters to good directors, like the Russo Brothers, James Gunn, and Taika Waititi.  (Wisely, Disney reversed themselves and rehired James Gunn for the next Guardians of the Galaxy film.  Of course, Gunn never should have been fired in the first place….)

And that’s really all I can say about Avengers: Endgame right now, other than to recommend that you see it.  In fact, everyone in the world needs to hurry up and see it so we can finally start talking about the film without having to post spoiler warnings!

For now, I’ll just say that Avengers: Endgame is a powerful, emotional, and entertaining conclusion to one of the greatest cinematic sagas ever.

Film Review: Captain Marvel (dir by Anna Bolden and Ryan Fleck)


Captain Marvel was …. well, it was okay.

I know that’s potentially a controversial opinion.  Since the movie was released last week, I’ve seen it described as being the greatest comic book movie ever made.  I’ve also seen it described as being, if not the worst film of all time, than certainly the worst chapter in the Marvel Cinematic Universe.  Really, it depends on who you ask and how they voted in 2016.  Myself, I would argue that both sides are incorrect.  Captain Marvel is neither the greatest nor the worst movie ever made.  Instead …. it’s okay.  It’s a middle of the road MCU film, one that has more in common with the first Thor, Ant-Man, and The Incredible Hulk than with Black Panther or Doctor Strange.  It has its moments but there’s a reason why everyone’s favorite character is a cat who only has about 15 minutes of screen time.

Brie Larson plays Vers, who is an elite warrior for the Kree Empire.  The Kree are an alien race.  We know they’re aliens because they have blue blood and their planet looks like a more cheerful version of Blade Runner.  The Kree are at war with another group of aliens, the Skrulls.  The Skrulls are green shape-shifters and, for some reason, they have Australian accents.

Anyways, Vers can’t remember anything about her past but she’s haunted by nightmares that suggest that she might not be a Kree at all.  Instead, she might be an Earthling!  Vers gets a chance to investigate that possibility when, while escaping the forces of the Skrull general Talos (Ben Mendelsohn), Vers plummets to Earth and ends up crashing into a Blockbuster Video.  Working with a youngish Nick Fury (Samuel L. Jackson), Vers sets out to discover the truth about her past.

Ever since this film was first announced, Brie Larson has been the target of a lot of unfair criticism.  A lot of it has centered around the fact that Larson rarely smiles in the film but you know what?  Brie Larson’s resting bitch face is the most empowering thing about Captain Marvel.  Vers is a warrior and she’s on a mission.  She has no reason to smile and giggle and jump around like some sort of manic pixie dream girl.  When Vers responded to a man telling her to smile by stealing his motorcycle, I wanted to jump up and cheer.  I mean, hell yeah!  Not only did she refuse to be pushed around but she also got a sweet ride out of it!  Seriously, the next guy who tells me that I need to smile more is losing his car.

Actually, regardless of what some people on twitter seem to believe, Vers does smile in the film.  She smiles when she’s talking to her best friend, Maria Rambeau (Lashanna Lynch).  She smiles when she’s talking to Maria’s daughter, Monica (Akira Akbar).  She smiles when there aren’t any men — or Skrulls — around, demanding all of the attention.  Both Maria and Vers are smiling because, finally, they can both be themselves.  It’s a scene that, like Vers stealing that motorcycle, feels far more honest and empowering than some of the film’s other more obvious and on-the-nose girl power moments.  Maria is a rather underused character, which is a shame because the brief scenes between Maria and Vers are some of the best scenes in the film.

That said, I still had mixed feelings about Brie Larson’s overall performance.  As good as Larson has been in so many other films, she often comes across as rather wooden and awkward here.  Larson delivers almost all of her lines in a rather flat monotone and she’s not helped by some painfully clunky dialogue.  Larson’s awkwardness is painfully obvious whenever she shares a scene with more experienced co-stars like Jackson, Mendelsohn, Jude Law, or Annette Bening.  Bening practically steals the entire film, to the extent that I would have preferred the film has been about her rather than Vers.

(Again, it’s easy to compare this film to the first Thor.  Just as it took the MCU a while to figure out what to do with Thor, one gets the feeling that they’re still not quite sure who Captain Marvel is supposed to be.)

The film’s main weakness is that, when compared to the more recent MCU films. there’s no sense of wonder to Captain Marvel.  Compare the blandness of the Kree homeworld to the vivid worlds of Guardians of the Galaxy or Thor: Ragnarok.  Ben Mendelsohn brings a little bit of depth to General Talos but, beyond the shape-shifting, there’s not much to the Skrulls, either.  When Captain Marvel flies into space, there’s nothing transcendent about the moment.  It’s actually kind of boring.  Whereas previous MCU films made space feel alive, the universe feels flat in Captain Marvel.

To cite just one example, one of the film’s biggest battle scenes is over the possession of a lunchbox.  The villains think that there’s something important in the lunchbox.  However, what they don’t know is that Vers has already emptied the lunchbox and is just using it to distract them.  For some reason, directors Ryan Fleck and Anna Bolden show Captain Marvel emptying the lunchbox before the big battle.  As a result, there’s no stakes to the battle and, from the start, we know that it doesn’t matter who wins.  When, after a lengthy fight, the lunchbox is revealed to be empty, Brie Larson mutters a weak one liner that has no impact because there was never any suspense to begin with.  This is pretty basic stuff and it’s somewhat shocking that this film manages to screw it up.

Despite those flaws, Captain Marvel is occasionally diverting.  Samuel L. Jackson brings flair to even the lamest of lines and Clark Gregg has a welcome cameo as Phil Coulson.  Annette Bening plays two different roles and she kicks major ass in both of them.  (One of her characters is named Intelligence, which leads to this hilariously awkward exchange of dialogue between Larson and Bening: “Vers.”  “Intelligence.”)  Despite being buried under a ton of makeup and prosthetics, Ben Mendelsohn does a good job and Jude Law is amusingly arrogant as Vers’s mentor.  Hopefully, Lashawn Lynch will get a bigger role in a future MCU film.

And then there’s the cat.

The cat is named Goose and …, well, look, I won’t spoil it.  Let’s just say that he’s a very special cat and he steals every scene.  In this film, we discover that Nick Fury loves cats, as well he should!

Anyway, Captain Marvel is okay.  There’s a few good scenes and there’s a few clunky ones and finally, there’s Goose and that stolen motorcycle.  One gets the feeling that the most remembered scenes will probably be the ones that were inserted during the end credits.  Captain Marvel will return in Avengers: Endgame and I hope that she doesn’t smile once.

 

Here’s The Captain Marvel Super Bowl Spot!


Marvel Studios is being a little bit mean this Super Bowl, offering us intriguing hints of what’s to come, as opposed to full scale trailers.  Earlier, they gave us about 19 seconds of Avengers: Endgame.  And now, here’s 30 seconds of Captain Marvel.

If you don’t have 30 seconds to spare, this teaser features Brie Larson being a badass and Samuel L. Jackson with hair and two eyes.

Spider-Man: Far From Home Teaser and International Trailers


spider-man far from home

Spider-Man: Homecoming was the Spider-Man that fans have been waiting for. It was able to balance the character of Peter Parker and his alter-ego of Spider-Man. Where the Sam Raimi version was able to make the former stand-out at the cost of the Spider-Man alter, the Marc Webb version swapped the two dynamics. Webb’s version had a great Spider-Man but had a Peter Parker whose moral compass was a bit skewed.

Jon Watt’s Spider-Man and Peter Parker were a nice balance. It helped that the character was now free (to a degree) to play in the huge cinematic sandbox that is the Marvel Cinematic Universe.

Last we saw Spider-Man and Peter Parker, he was dusted just like half the living things in the universe following the Thanos Snap. The question that gets brought up whenever Spider-man: Far From Home, the sequel to Spider-Man: Homecoming, gets talked about is does this film take away from the emotional sucker punch that was Avengers: Infinity War and it’s upcoming sequel, Avengers: Endgame.

From this teaser trailer and it’s international version has shown, the question still remains as both teasers mention nothing about the Avengers and keeps the timeline of the film vague enough to make one wonder if this sequel happens before Avengers: Infinity War.

I guess fans will find out on July 5, 2019 when the film is released worldwide.

….and here’s the International Teaser trailer

Here’s The New Captain Marvel TV Spot!


What could inspire the entire world to obsess over 30 seconds of video?

Why, it must be the latest installment in the MCU!

A new 30-second TV spot for Captain Marvel was released earlier today.  It’s …. well, to be honest, it’s pretty much more of the same.  Hopefully, Captain Marvel will be as powerful as everyone says she is because 50% of the universe was wiped out at the end of the last two MCU films.  Seriously, someone needs to do something about that.

Anyway, here’s the new Captain Marvel TV spot, Born Free!