What if Lisa Picked The Oscar Nominees — 2016 Edition


With the Oscar nominations due to be announced tomorrow, now is the time that the Shattered Lens indulges in a little something called, “What if Lisa had all the power.” Listed below are my personal Oscar nominations. Please note that these are not the films that I necessarily think will be nominated. The fact of the matter is that the many of them will not. Instead, these are the films that would be nominated if I was solely responsible for deciding the nominees this year. Winners are starred and listed in bold.

(You’ll also note that I’ve added four categories, all of which I believe the Academy should adopt — Best Voice-Over Performance, Best Casting, Best Stunt Work, and Best Overall Use Of Music In A Film.)

(Click on the links to see my nominations for 20152014, 2013, 2012, 2011, and 2010!)

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Best Picture

*American Honey*

Arrival

Hell or High Water

Kubo and the Two Strings

La La Land

Love & Friendship

A Monster Calls

Moonlight

The Neon Demon

The Nice Guys

andrea-arnold

Best Director

*Andrea Arnold for American Honey

Shane Black for The Nice Guys

Barry Jenkins for Moonlight

David MacKenzie for Hell or High Water

Nicholas Winding Refn for The Neon Demon

Denis Villeneuve for Arrival

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Best Actor

Andrew Garfield in Hacksaw Ridge

Ryan Gosling in The Nice Guys

Tom Hanks in Sully

Chris Pine in Hell or High Water

Ryan Reynolds in Deadpool

*Denzel Washington in Fences

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Best Actress

*Amy Adams in Arrival

Kate Beckinsale in Love & Friendship

Viola Davis in Fences

Sasha Lane in American Honey

Emma Stone in La La Land

Anya Taylor-Joy in The Witch

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Best Supporting Actor

*Mahershala Ali in Moonlight

Tom Bennett in Love & Friendship

Jeff Bridges in Hell or High Water

Alden Ehrenreich in Hail Caesar!

John Goodman in 10 Cloverfield Lane

Patrick Stewart in Green Room

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Best Supporting Actress

*Naomie Harris in Moonlight

Felicity Jones in A Monster Calls

Riley Keough in American Honey

Jena Malone in The Neon Demon

Helen Mirren in Eye in the Sky

Angourie Rice in The Nice Guys

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Best Voice Over and/or Stop Motion Performance

Auli’i Cravalho in Moana

Ellen DeGeneres in Finding Dory

Ginnifer Goodwin in Zootopia

*Liam Neeson in A Monster Calls

Art Parkinson in Kubo and the Two Strings

Charlize Theron in Kubo and the Two Strings

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Best Original Screenplay

American Honey

*Hell or High Water

Kubo and the Two Strings

La La Land

The Nice Guys

The Witch

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Best Adapted Screenplay

*Arrival

The Jungle Book

Love & Friendship

Moonlight

A Monster Calls

Sully

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Best Animated Film

Finding Dory

*Kubo and the Two Strings

Moana

Sausage Party

The Secret Life of Pets

Zootopia

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Best Documentary Feature

The Confessions of Thomas Quick

Holy Hell

O.J.: Made in America

Rigged 2016

Weiner

*The Witness

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Best Casting

*American Honey

Everybody Wants Some!!

La La Land

Moonlight

Hell or High Water

Green Room

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Best Cinematography

American Honey

Arrival

Hell or High Water

La La Land

Moonlight

*The Neon Demon 

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Best Costume Design

The Conjuring 2

Hail, Caesar!

La La Land

*Love & Friendship

The Nice Guys

The Witch

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Best Editing

Arrival

Hell or High Water

Kubo and the Two Strings

*La La Land

Moonlight

A Monster Calls

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Best Makeup and Hairstyling

Captain America: Civil War

Deadpool

Doctor Strange

Everybody Wants Some!!

Hail, Caesar!

*The Neon Demon

Best Original Score

Hell or High Water

Kubo and the Two Strings

*La La Land

Moana

Moonlight

The Neon Demon

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Best Original Song

*”Audition (The Fool Who Dreams)” from La La Land

“How Far I’ll Go” from Moana

“Waving Goodbye” from The Neon Demon

“I’m so Humble” from Pop Star: Never Stop Never Stopping

“Drive It Like You Stole It” from Sing Street

“Go Now” from Sing Street

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Best Overall Use Of Music

*American Honey

The Conjuring Part Two

Hell or High Water

La La Land

The Neon Demon

Sing Street

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Best Production Design

Arrival

Don’t Breathe

Green Room

The Neon Demon

La La Land

*10 Cloverfield Lane

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Best Sound Editing

Captain America: Civil War

Deadpool

*Hacksaw Ridge

La La Land

A Monster Calls

Sully

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Best Sound Mixing

Captain America: Civil War

Deadpool

Hacksaw Ridge

A Monster Calls

La La Land

*Sully

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Best Stunt Work

Captain America: Civil War

*Deadpool

Doctor Strange

Hacksaw Ridge

Jason Bourne

The Legend of Tarzan

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Best Visual Effects

Arrival

*Doctor Strange

The Jungle Book

Kubo and the Two Strings

A Monster Calls

Rogue One: A Star Wars Story

Films Listed By Number of Nominations:

13 Nominations — La La Land

1o Nominations — Hell or High Water

9 Nominations — Moonlight, The Neon Demon

8 Nominations — American Honey, Arrival, Kubo and the Two Strings, A Monster Calls

6 Nominations — The Nice Guys

5 Nominations — Deadpool, Love & Friendship

4 Nominations — Captain America: Civil War, Hacksaw Ridge, Hail Caesar!, Moana, Sully

3 Nominations — Doctor Strange, Green Room, Sing Street

2 Nominations — The Conjuring 2, Everybody Wants Some!!, Fences, Finding Dory, The Jungle Book, 10 Cloverfield Lane, The Witch, Zootopia

1 Nomination — The Confessions of Thomas Quick, Don’t Breathe, Eye in the Sky, Holy Hell, Jason Bourne, The Legend of Tarzan, O.J.: Made in America, Pop Star: Never Stop Never Stopping, Rigged 2016, Rogue One: A Star Wars Story, Sausage Party, The Secret Life of Pets, Weiner, The Witness

Films Listed By Number of Oscars Won:

4 Oscars — American Honey

3 Oscars — La La Land

2 Oscars — Arrival, Moonlight, The Neon Demon

1 Oscar — Deadpool, Doctor Strange, Fences, Hacksaw Ridge, Hell or High Water, Kubo and the Two Strings, Love & Friendship, A Monster Calls, Sully, 10 Cloverfield Lane, The Witness

Will the Academy agree with my predictions?  Probably not but we’ll find out on Tuesday!

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2016 in Review: Lisa Marie Picks The 26 Best Films of 2016!


Well, the time is here!  It’s time for me to reveal my picks for the best 26 films of 2016!

If there’s been any theme that I’ve found myself constantly returning to while looking back at the previous year, it’s that 2016 just wasn’t as good as 2015.  That’s certainly true as far as movies are concerned.  Whereas 2015 provided us with an embarrasment of riches, 2016 was — overall — a pretty bland year as far as cinema is concerned.

That doesn’t mean there weren’t some great films released in 2016.  I’m proud of this list below.  At the same time, I’m also a little bit frustrated.  As happens every year, there are a few films that, as of this writing, I have yet to see.  Weather permitting, I will see Silence and Jackie tomorrow and on Monday.  If I feel that they need to be included in my top 26, I will come back and edit this list.  And, of course, I still need to see some of the films that are no longer playing in theaters — Captain Fantastic, Hunt for the Wilderpeople, and some others.  The list below should be considered my picks for the best 2016 films that I actually got to see.

Also, I still need to write reviews for two of the films listed below.  Hopefully, I’ll be able to do that today.  As soon as those reviews are posted, I’ll add links.

With all that in mind, here’s the list!

american_honey_poster

  1. American Honey
  2. Arrival
  3. Kubo and the Two Strings
  4. The Neon Demon
  5. La La Land
  6. Moonlight
  7. The Nice Guys
  8. Hell or High Water
  9. A Monster Calls
  10. Love & Friendship
  11. Sing Street
  12. The Witch
  13. Hacksaw Ridge
  14. Sully
  15. The Green Room
  16. 10 Cloverfield Lane
  17. Captain America: Civil War
  18. Finding Dory
  19. Popstar: Never Stop Never Stopping
  20. Fences
  21. Manchester By The Sea
  22. Eye in the Sky
  23. Hush
  24. The Conjuring 2
  25. Hail Caesar
  26. Everybody Wants Some!!

Hail,_Caesar!_Teaser_poster

You can check out my picks for previous years by clicking on 2010, 2011, 2012, 2013, 2014, and 2015!

Agree?  Disagree?  Have a list of your own?  Let us know in the comments!

Previous Entries In The Best of 2016:

  1. TFG’s 2016 Comics Year In Review : Top Tens, Worsts, And Everything In Between
  2. Anime of the Year: 2016
  3. 25 Best, Worst, and Gems I Saw In 2016
  4. 2016 in Review: The Best of SyFy
  5. 2016 in Review: The Best of Lifetime
  6. 2016 in Review: Lisa Picks the 16 Worst Films of 2016!
  7. Necromoonyeti’s Top Ten Albums of 2016
  8. 2016 In Review: Lisa Marie’s 14 Favorite Songs of 2016
  9. 2016 In Review: 10 Good Things I Saw On Television in 2016
  10. 2016 in Review: Lisa Marie’s 10 Favorite Non-Fiction Books of 2016
  11. 2016 in Review: Lisa Marie’s 20 Favorite Novels of 2016

The Indiana Film Journalists Honor Moonlight and Rebecca Hall!


moonlight

The Indiana Film Journalists announced their picks for the best of 2016 on the 19th!  Along with picking Moonlight for best film, they also gave best actress to the destined-to-be-nominated-some-day Rebecca Hall for Christine!

Best Film
Winner: “Moonlight”
Runner-up: “Hell or High Water”
Other Finalists (listed alphabetically):
American Honey”
“Arrival”
“Deadpool”
“Everybody Wants Some!!”
“La La Land”
“The Lobster”
“Manchester by the Sea”
“Sing Street”

Best Animated Feature
Winner: “Kubo and the Two Strings”
Runner-Up: “Sausage Party”

Best Foreign Language Film
Winner: “The Handmaiden”
Runner-Up: “A Man Called Ove”

Best Documentary
Winner: “O.J.: Made in America”
Runner-Up: “Weiner”

Best Original Screenplay
Winner: Kenneth Lonergan, “Manchester by the Sea”
Runner-up: Taylor Sheridan, “Hell or High Water”

Best Adapted Screenplay
Winner: Barry Jenkins, “Moonlight”
Runner-up: Eric Heisserer, “Arrival”

Best Director
Winner: Damien Chazelle, “La La Land”
Runner-up: Kenneth Lonergan, “Manchester by the Sea”

Best Actress
Winner: Rebecca Hall, “Christine”
Runner-up: Natalie Portman, “Jackie”

Best Supporting Actress
Winner: Viola Davis, “Fences”
Runner-up: Naomie Harris, “Moonlight”

Best Actor
Winner: Casey Affleck, “Manchester by the Sea”
Runner-up: Ethan Hawke, “Born to Be Blue”

Best Supporting Actor
Winner: Mahershala Ali, “Moonlight”
Runner-up: Jeff Bridges, “Hell or High Water”

Best Vocal/Motion Capture Performance
Winner: Alan Tudyk, “Rogue One: A Star Wars Story”
Runner-up: Nick Kroll, “Sausage Party”

Best Ensemble Acting
Winner: “Everybody Wants Some!!”
Runner-up: “Don’t Think Twice”

Best Musical Score
Winner: Mica Levi, “Jackie”
Runner-up: Justin Hurwitz, “La La Land”

Breakout of the Year
Winner: Robert Eggers, “The Witch”
Runner-up: Sasha Lane, “American Honey”

Original Vision Award
Winner: “The Lobster”
Runner-up: “Sausage Party”

The Hoosier Award 
Winner: Andrew Cohn, “Night School”

Here Are The Nominees of the Detroit Film Critics Society!


hell-or-high-water

The winners will be announced on the 19th!

BEST PICTURE

BEST DIRECTOR

BEST ACTOR

  • CASEY AFFLECK – MANCHESTER BY THE SEA
  • JOEL EDGERTON – LOVING
  • ANDREW GARFIELD – HACKSAW RIDGE
  • RYAN GOSLING – LA LA LAND
  • DENZEL WASHINGTON – FENCES

BEST ACTRESS

  • AMY ADAMS – ARRIVAL
  • ANNETTE BENING – 20TH CENTURY WOMEN
  • REBECCA HALL – CHRISTINE
  • RUTH NEGGA – LOVING
  • NATALIE PORTMAN – JACKIE
  • EMMA STONE – LA LA LAND

BEST SUPPORTING ACTOR

BEST SUPPORTING ACTRESS

  • VIOLA DAVIS – FENCES
  • ELLE FANNING – 20TH CENTURY WOMEN
  • GRETA GERWIG – 20TH CENTURY WOMEN
  • FELICITY JONES – A MONSTER CALLS
  • MICHELLE WILLIAMS – MANCHESTER BY THE SEA

BEST ENSEMBLE

BEST BREAKTHROUGH

  • MAHERSHALA ALI – MOONLIGHT, HIDDEN FIGURES – ACTOR
  • KELLY FREMON CRAIG – EDGE OF SEVENTEEN – DIRECTOR/WRITER
  • LUCAS HEDGES – MANCHESTER BY THE SEA – ACTOR
  • BARRY JENKINS – MOONLIGHT – DIRECTOR/WRITER
  • TREVANTE RHODES – MOONLIGHT – ACTOR
  • TREY EDWARD SHULTS – KRISHA – DIRECTOR/WRITER

BEST SCREENPLAY

  BEST DOCUMENTARY

  • 13TH
  • GLEASON
  • LIFE, ANIMATED
  • O.J.: MADE IN AMERICA
  • TICKLED
  • WEINER

Weiner_(film)

What If Awards Season Began And Lisa Totally Missed It? Here Are The Gotham Nominations!


The_Witch_poster

As proof of how busy I’ve been over the past few days, just consider this: On October 20th, awards season kicked off and I totally missed it!

That’s right.  On October 20th, the nominations for the 2016 Gotham Awards were announced.  The Gothams honor independent films and they actually have some pretty strict guidelines regarding what they consider to be independent.  So, a lot of this year’s potential Oscar nominees are not eligible for the Gotham Awards.

That said, over the past few years, the Gothams have slowly emerged as a somewhat helpful precursor.  While getting a Gotham nomination does not guarantee any film an Oscar nomination, it certainly doesn’t hurt.  That may especially be true this year as 2016 has, for the most part, not been the great cinematic year that 2015 was.  With no real favorites having yet to emerge, every precursor counts.

So, with that in mind and just a few days late, here are the Gotham nominations!

Best Feature

Certain Women
Kelly Reichardt, director; Neil Kopp, Vincent Savino, Anish Savjani, producers (IFC Films)

Everybody Wants Some!!
Richard Linklater, director; Megan Ellison, Ginger Sledge, Richard Linklater, producers (Paramount Pictures)

Manchester by the Sea
Kenneth Lonergan, director; Kimberly Steward, Matt Damon, Chris Moore, Lauren Beck, Kevin J. Walsh, producers (Amazon Studios)

Moonlight
Barry Jenkins, director; Adele Romanski, Dede Gardner, Jeremy Kleiner, producers (A24)

Paterson
Jim Jarmusch, director; Joshua Astrachan, Carter Logan, producers (Amazon Studios)

Best Documentary

Cameraperson
Kirsten Johnson, director; Marilyn Ness, producer (Janus Films)

I Am Not Your Negro
Raoul Peck, director; Rémi Grellety, Raoul Peck, Hébert Peck, producers (Magnolia Pictures)

O.J.: Made in America
Ezra Edelman, director; Caroline Waterlow, Ezra Edelman, Tamara Rosenberg, Nina Krstic, Deirdre Fenton, Erin Leyden, producers (ESPN Films)

Tower
Keith Maitland, director; Keith Maitland, Megan Gilbride, Susan Thomson, producers (Kino Lorber, Independent Lens)

Weiner
Josh Kriegman, Elyse Steinberg, directors and producers (Sundance Selects and Showtime Documentary Films)

Weiner_(film)

Bingham Ray Breakthrough Director Award

Robert Eggers for The Witch (A24)

Anna Rose Holmer for The Fits (Oscilloscope Laboratories)

Daniel Kwan & Daniel Scheinert for Swiss Army Man (A24)

Trey Edward Shults for Krisha (A24)

Richard Tanne for Southside with You (Roadside Attractions and Miramax)

Best Screenplay

Hell or High Water, Taylor Sheridan (CBS Films)

Love & Friendship, Whit Stillman (Amazon Studios)

Manchester by the Sea, Kenneth Lonergan (Amazon Studios)

Moonlight, Story by Tarell Alvin McCraney; Screenplay by Barry Jenkins (A24)

Paterson, Jim Jarmusch (Amazon Studios)

Best Actor*

Casey Affleck in Manchester by the Sea (Amazon Studios)

Jeff Bridges in Hell or High Water (CBS Films)

Adam Driver in Paterson (Amazon Studios)

Joel Edgerton in Loving (Focus Features)

Craig Robinson in Morris from America (A24)

Best Actress*

Kate Beckinsale in Love & Friendship (Amazon Studios)

Annette Bening in 20th Century Women (A24)

Isabelle Huppert in Elle (Sony Pictures Classics)

Ruth Negga in Loving (Focus Features)

Natalie Portman in Jackie (Fox Searchlight Pictures)

Breakthrough Actor*

Lily Gladstone in Certain Women (IFC Films)

Lucas Hedges in Manchester by the Sea (Amazon Studios)

Royalty Hightower in The Fits (Oscilloscope Laboratories)

Sasha Lane in American Honey (A24)

Anya Taylor-Joy in The Witch (A24)

* The 2016 Best Actor/Best Actress and Breakthrough Actor nominating panels also voted to award a special Gotham Jury Award for ensemble performance to Moonlight, “in which actors at all levels of experience give outstanding performances that speak eloquently to one another both within and across each chapter of the story.” The awards will go to actors Mahershala Ali, Naomie Harris, Alex Hibbert, André Holland, Jharrel Jerome, Janelle Monáe, Jaden Piner, Trevante Rhodes, and Ashton Sanders.

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(AWARDS SEASON HAS BEGUN!!!)

 

Back to School Part II #56: Everybody Wants Some!! (dir by Richard Linklater)


(For the past three weeks, Lisa Marie has been in the process of reviewing 56 back to school films!  She’s promised the rest of the TSL staff that this project will finally wrap up by the end of today, so that she can devote her time to helping to prepare the site for its annual October horrorthon!  Will she make it or will she fail, lose her administrator privileges, and end up writing listicles for Buzzfeed?  Keep reading the site to find out!)

everybody_wants_some_poster

Well, here we are!  It’s taken nearly four weeks but we have reached the conclusion of Back to School Part II!  I started this series by taking a look at Teenage Devil Dolls.  Along the way, I’ve reviewed everything from Andy Warhol’s Vinyl, A Clockwork Orange, Animal House, and Can’t Hardly Wait to Hollywood High and Keith.  I’ve even found an excuse to review four different Degrassi films!  I’ve had a lot of fun but, with October approaching, I’m happy to be finishing up this series of reviews so that I can concentrate on the TSL’s annual horrorthon!

So, without further ado, let’s take a look at Richard Linklater’s Everybody Wants Some!!

Everbody Wants Some!! generated a small flurry of excitement when it was first released back in March.  Not only was it Linklater’s first narrative film since the critically acclaimed Boyhood but it was also advertised as being a spiritual sequel to Dazed and Confused.  Like Dazed and Confused, Everybody Wants Some!! was a period piece that would follow an ensemble of Texas teenagers over the course of one long weekend, the big difference being that Everybody Wants Some!! would take place in 1980 (as opposed to 1976) and it would deal with college freshmen (instead of high school juniors).  There were even a few articles that pointed out that several of the actors in Everybody Wants Some!! physically resembled some of the actors in Dazed and Confused.

(Seriously, Glen Powell looks like he could be Matthew McConaughey’s younger brother.)

The film was well-reviewed by critics, even though few of the reviews were as rapturous as the reviews that greeted previous Linklater films like Boyhood and Before Midnight.  As for the audience reaction … well, Everybody Wants Some!! was not exactly embraced by audiences.  I saw it at the Alamo Drafthouse and the theater was nearly deserted.  (Considering that the Alamo’s audience prides itself on embracing independent film, a near-empty theater for a showing of a Linklater film is not a good sign.)  The few people in the theater seemed to feel that the film went on for too long and that it needed a stronger plot.  That’s a complaint that I’ve heard a lot of people make against Everybody Wants Some!!

It’s not a complaint that I agree with.  Those who complained that Everybody Wants Some!! was essentially plotless obviously haven’t seen many Richard Linklater films.  Though Linklater has made his share of commercial films, his more personal work — like Everybody Wants Some!! — is often plotless.  That’s actually one the keys to Linklater’s aesthetic.  He’s more interested in recreating a specific time and place and observing how different characters react to their environment than he is in telling conventional stories.  A film like Everybody Wants Some!! is less about telling a story with a definite beginning and end and more about capturing a very specific experience.

And, on that level, the film definitely succeeds.  Watching Everybody Wants Some!!, you literally do feel as if you’ve stepped into a time machine and you’ve been transported to the past.  Jake (Blake Jenner), a college freshman who is attending fictional Southeast Texas College on a scholarship, may be the main character but, ultimately, he’s not that important.  More important is seeing how people lived, interacted, and thought in 1980.  Everybody Wants Some!! is a time capsule film.

(Apparently, it’s a bit of an autobiographical film as well.  Cinema snobs like me tend to forget that, before he became a filmmaker, Linklater was a jock who, like Jake, attended college on a baseball scholarship.  As much as we may not want to admit it, not all artistic geniuses spent high school writing angsty poetry about eating disorders.  Some of them played sports.)

Everybody Wants Some!! follows Jake and his fellow baseball players over the course of the weekend before classes begin.  One night, they end up in a redneck bar.  Another night, they end up at a punk club.  They go to a drama department party.  They practice baseball.  They all drink.  Some of them smoke weed.  Some of them get laid.  And, at the end of the weekend, two of them sit down in their first class of the semester and promptly fall asleep.

One problem that I did have with Everybody Wants Some!! is that, as good as job as it does of creating a time and place, it didn’t necessarily convince me that it was a time in which I would want to live in.  As I stated earlier, Everybody Wants Some!! was promoted as being a spiritual sequel to Dazed and Confused.  However, Dazed and Confused featured a greater variety of characters.  Practically everyone of note in Everybody Wants Some!! is a member of the school’s baseball team.  True, some of them are smarter than others.  Some of them smoke weed.  Some of them are ultra religious.  But, ultimately, they’re all jocks and they’re all frat boys.  How much you enjoy hanging out with these characters will depend on how much tolerance you have for jocks, frat boys, and their hyper-masculine rituals.  Whenever I’ve seen Dazed and Confused, I’ve thought to myself that if I had been alive and in high school in 1976, I would have wanted to be friends with at least a few of the characters.  On the other hand, if I had been alive and in college in 1980, I would have gone out of my way to avoid that baseball team.

(And, as a result, I probably would have missed a chance to meet Richard Linklater!  There’s a lesson to be learned there.)

Ultimately, though, Everybody Wants Some!! succeeds because, even if the characters aren’t particularly likable, the film itself does capture the feeling and the excitement of having your entire future ahead of you.  Admittedly, there’s a hint of melancholy running through the film.  One character is revealed to be a 30-something imposter who regularly uses a false identity to enroll in different colleges because he loves to play baseball but he knows that he’ll never succeed in the major leagues.  Throughout the film, there are hints that none of these baseball players are ever going to be as successful as they are during that one particular weekend.  But, ultimately, the film tells us that the future doesn’t matter.  What matters is that, for that one weekend, they had their entire future ahead of them and it seemed like anything was possible.

Everybody Wants Some!! may not be Linklater’s best but it definitely deserves to be seen!

(And that concludes Back to School!  Thank you everyone for reading!  Love you!)