What if Lisa Picked The Oscar Nominees — 2016 Edition


With the Oscar nominations due to be announced tomorrow, now is the time that the Shattered Lens indulges in a little something called, “What if Lisa had all the power.” Listed below are my personal Oscar nominations. Please note that these are not the films that I necessarily think will be nominated. The fact of the matter is that the many of them will not. Instead, these are the films that would be nominated if I was solely responsible for deciding the nominees this year. Winners are starred and listed in bold.

(You’ll also note that I’ve added four categories, all of which I believe the Academy should adopt — Best Voice-Over Performance, Best Casting, Best Stunt Work, and Best Overall Use Of Music In A Film.)

(Click on the links to see my nominations for 20152014, 2013, 2012, 2011, and 2010!)

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Best Picture

*American Honey*

Arrival

Hell or High Water

Kubo and the Two Strings

La La Land

Love & Friendship

A Monster Calls

Moonlight

The Neon Demon

The Nice Guys

andrea-arnold

Best Director

*Andrea Arnold for American Honey

Shane Black for The Nice Guys

Barry Jenkins for Moonlight

David MacKenzie for Hell or High Water

Nicholas Winding Refn for The Neon Demon

Denis Villeneuve for Arrival

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Best Actor

Andrew Garfield in Hacksaw Ridge

Ryan Gosling in The Nice Guys

Tom Hanks in Sully

Chris Pine in Hell or High Water

Ryan Reynolds in Deadpool

*Denzel Washington in Fences

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Best Actress

*Amy Adams in Arrival

Kate Beckinsale in Love & Friendship

Viola Davis in Fences

Sasha Lane in American Honey

Emma Stone in La La Land

Anya Taylor-Joy in The Witch

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Best Supporting Actor

*Mahershala Ali in Moonlight

Tom Bennett in Love & Friendship

Jeff Bridges in Hell or High Water

Alden Ehrenreich in Hail Caesar!

John Goodman in 10 Cloverfield Lane

Patrick Stewart in Green Room

giphy

Best Supporting Actress

*Naomie Harris in Moonlight

Felicity Jones in A Monster Calls

Riley Keough in American Honey

Jena Malone in The Neon Demon

Helen Mirren in Eye in the Sky

Angourie Rice in The Nice Guys

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Best Voice Over and/or Stop Motion Performance

Auli’i Cravalho in Moana

Ellen DeGeneres in Finding Dory

Ginnifer Goodwin in Zootopia

*Liam Neeson in A Monster Calls

Art Parkinson in Kubo and the Two Strings

Charlize Theron in Kubo and the Two Strings

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Best Original Screenplay

American Honey

*Hell or High Water

Kubo and the Two Strings

La La Land

The Nice Guys

The Witch

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Best Adapted Screenplay

*Arrival

The Jungle Book

Love & Friendship

Moonlight

A Monster Calls

Sully

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Best Animated Film

Finding Dory

*Kubo and the Two Strings

Moana

Sausage Party

The Secret Life of Pets

Zootopia

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Best Documentary Feature

The Confessions of Thomas Quick

Holy Hell

O.J.: Made in America

Rigged 2016

Weiner

*The Witness

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Best Casting

*American Honey

Everybody Wants Some!!

La La Land

Moonlight

Hell or High Water

Green Room

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Best Cinematography

American Honey

Arrival

Hell or High Water

La La Land

Moonlight

*The Neon Demon 

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Best Costume Design

The Conjuring 2

Hail, Caesar!

La La Land

*Love & Friendship

The Nice Guys

The Witch

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Best Editing

Arrival

Hell or High Water

Kubo and the Two Strings

*La La Land

Moonlight

A Monster Calls

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Best Makeup and Hairstyling

Captain America: Civil War

Deadpool

Doctor Strange

Everybody Wants Some!!

Hail, Caesar!

*The Neon Demon

Best Original Score

Hell or High Water

Kubo and the Two Strings

*La La Land

Moana

Moonlight

The Neon Demon

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Best Original Song

*”Audition (The Fool Who Dreams)” from La La Land

“How Far I’ll Go” from Moana

“Waving Goodbye” from The Neon Demon

“I’m so Humble” from Pop Star: Never Stop Never Stopping

“Drive It Like You Stole It” from Sing Street

“Go Now” from Sing Street

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Best Overall Use Of Music

*American Honey

The Conjuring Part Two

Hell or High Water

La La Land

The Neon Demon

Sing Street

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Best Production Design

Arrival

Don’t Breathe

Green Room

The Neon Demon

La La Land

*10 Cloverfield Lane

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Best Sound Editing

Captain America: Civil War

Deadpool

*Hacksaw Ridge

La La Land

A Monster Calls

Sully

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Best Sound Mixing

Captain America: Civil War

Deadpool

Hacksaw Ridge

A Monster Calls

La La Land

*Sully

deadpool

Best Stunt Work

Captain America: Civil War

*Deadpool

Doctor Strange

Hacksaw Ridge

Jason Bourne

The Legend of Tarzan

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Best Visual Effects

Arrival

*Doctor Strange

The Jungle Book

Kubo and the Two Strings

A Monster Calls

Rogue One: A Star Wars Story

Films Listed By Number of Nominations:

13 Nominations — La La Land

1o Nominations — Hell or High Water

9 Nominations — Moonlight, The Neon Demon

8 Nominations — American Honey, Arrival, Kubo and the Two Strings, A Monster Calls

6 Nominations — The Nice Guys

5 Nominations — Deadpool, Love & Friendship

4 Nominations — Captain America: Civil War, Hacksaw Ridge, Hail Caesar!, Moana, Sully

3 Nominations — Doctor Strange, Green Room, Sing Street

2 Nominations — The Conjuring 2, Everybody Wants Some!!, Fences, Finding Dory, The Jungle Book, 10 Cloverfield Lane, The Witch, Zootopia

1 Nomination — The Confessions of Thomas Quick, Don’t Breathe, Eye in the Sky, Holy Hell, Jason Bourne, The Legend of Tarzan, O.J.: Made in America, Pop Star: Never Stop Never Stopping, Rigged 2016, Rogue One: A Star Wars Story, Sausage Party, The Secret Life of Pets, Weiner, The Witness

Films Listed By Number of Oscars Won:

4 Oscars — American Honey

3 Oscars — La La Land

2 Oscars — Arrival, Moonlight, The Neon Demon

1 Oscar — Deadpool, Doctor Strange, Fences, Hacksaw Ridge, Hell or High Water, Kubo and the Two Strings, Love & Friendship, A Monster Calls, Sully, 10 Cloverfield Lane, The Witness

Will the Academy agree with my predictions?  Probably not but we’ll find out on Tuesday!

2-ten

Playing Catch-Up: The Nice Guys (dir by Shane Black)


the-nice-guys

Last night, along with seeing Trainspotting at the Alamo Drafthouse and watching The BFG at home, I also rewatched The Nice Guys.

Now, I saw The Nice Guys when it was first released last May and I absolutely loved it.  However, before I started rewatching it, I was a little worried .  I remembered that The Nice Guys was a stylish and often hilarious action film, one that featured a great comedic turn from Ryan Gosling and a performance from Russell Crowe that showed why he deserves to make a comeback as a leading man.  I also remembered that, for all of its graphic violence and often profane dialogue, The Nice Guys was also an unexpectedly sweet-natured movie.  I loved not only the rapport shared between Gosling and Crowe but also the relationship between Gosling and Angourie Rice, the actress playing his daughter.  In fact, I remembered enjoying The Nice Guys so much that I was worried that it wouldn’t hold up to a second viewing.

It often happens when you love a film the first time that you see it.  On a second viewing, you start to notice all the little flaws that you didn’t notice the first time.  Lines that you remembered as being brilliant are no longer impressive, largely because you know they’re coming.  All too often, the films that blow you away fail to hold up over time.

(Anyone tried to rewatch Inherent Vice lately?)

But you know what?

The Nice Guys is not one of those films.  I watched the film for a second time and I loved it even more than the first time.

The Nice Guys takes place in Los Angeles in 1977.  It’s a time of wide lapels, leisure suits, tacky interior design, porno chic, and concerns that the L.A. air is so full of smog that not even bumble bees are willing to fly around in it.  Ryan Gosling is Holland March, a well-meaning if somewhat sleazy private investigator who has been hired to track down a porn star named Misty Mountains.  Of course, Holland know that Misty is dead.  Everyone knows that she’s dead.  She died in a car crash, one that made all the headlines.  But Misty’s aunt swears that she saw Misty after Misty’s supposed death.

Holland thinks that Misty’s aunt may have mistaken her niece for Amelia Kutner (Margaret Qualley), the daughter of Judith Kutner (Kim Basinger, whose presence is meant to remind audiences of L.A. Confidential), an official at the Justice Department who has been leading a crusade against pornography.  Holland starts to search for Amelia which leads to Amelia paying Jackson Healy (Russell Crowe) to intimidate Holland.

Who is Jackson Healy?  Well, he’s not a licensed private investigator, though he’d certainly like to be.  Instead, he’s a professional enforcer.  If you pay him enough money, he’ll beat people up for you.  Usually, he beats up stalkers and ex-boyfriends.  When he discovers that Holland is a private investigator, Jackson is intrigued.  Jackson would like to be a private investigator.  Of course, that doesn’t stop Jackson from breaking Holland’s arm.  Jackson’s a professional, after all.  As Jackson leaves Holland’s house, he runs into Holly (Angourie Rice), Holland’s twelve year-old daughter.  She gives him a bottle of Yoohoo.

Later, Jackson is confronted by two men.  Keith David plays Older Guy and he’s intimidating because he’s Keith David.  His partner is a giggly sociopath played by Beau Knapp.  For reasons that are too much fun for me to spoil, he is known as Blue Face.  The two men demand to know where Amelia is.  After Jackson manages to chase them off with a shotgun, he teams up with Holland to try to track down Amelia and find out what’s going on…

Got all that?

The mystery — which eventually expands to involve everything from porn to political protest to the Detroit auto industry — is deliberately and overly complex but at the same time, it’s actually rather clever.  And, as I can now say after rewatching the film, it actually holds up quite well.  But, to be honest, the mystery is not as important as the whip smart dialogue, the frequently over the top action, and the chemistry between Gosling, Crowe, and Rice.  As good as the action may be, the film’s best scenes are simply the ones that feature the three leads talking to each other.

(Upon discovering that Jackson both broke her father’s arm and that he beats people up for a living, Holly immediately asks how much it would cost to have one of her friends beat up.)

And you know what?  As played by Gosling and Crowe, they really are the nice guys.  Holland tries to be cynical but, for the most part, he’s just an overprotective father.  Jackson may beat people up for a living but he’s not a sadist.  He’s a lot like the film, violent but with a good heart.

The Nice Guys is full of wonderful set pieces, like when Gosling, Crowe, and Rice infiltrate a sleazy 70s party or the film’s explosive finale.  For me though, I love the little details and the quieter moments.  I love the fact that even one of the worst people in the movie responds postively to having someone innocently hold his hand.

(I also love that Matt Bomer shows up, playing a totally terrifying hitman.  It’s a small role but Bomer does so much with it.)

It’s a shame that The Nice Guys came out as early in the year as it did.  It’s also a shame that it didn’t do better at the box office.  The Oscars could use a little action and a little comedy this year, don’t you think?