The Alliance of Women Film Journalists Honor Nomadland


The Alliance of Women Film Journalists have announced that their pick for the best of 2020 is Nomadland.  Just as the AWFJ did with their nominations, they announced the winners in an exclusive for Variety.  Fear not, though — my picks for the best of 2020 will be released exclusively to this site.  Two can play at this game.

(I joke, of course.  Ever since Clayton Davis took over, Variety’s Oscar coverage has been wonderful and the AWFJ deserves a lot of credit for having categories that are a bit more interesting than the usual stuff.)

Anyway, here’s the winners!

AWFJ BEST OF AWARDS

(These awards are presented to women and/or men without gender consideration)

Best Film

  • “Minari” (A24)
  • “Never Rarely Sometimes Always” (Focus Features)
  • “Nomadland” (Searchlight Pictures) – WINNER
  • “One Night in Miami” (Amazon Studios)
  • “Promising Young Woman” (Focus Features)
  • “The Trial of the Chicago 7” (Netflix)

Best Director 

  • Emerald Fennell, “Promising Young Woman” (Focus Features)
  • Regina King, “One Night in Miami” (Amazon Studios)
  • Kelly Reichardt, “First Cow” (A24)
  • Aaron Sorkin, “The Trial of the Chicago 7” (Netflix)
  • Chloé Zhao, “Nomadland” (Searchlight Pictures) – WINNER

Best Actor

  • Riz Ahmed, “Sound of Metal” (Amazon Studios)
  • Chadwick Boseman, “Ma Rainey’s Black Bottom” (Netflix) – WINNER
  • Delroy Lindo, “Da 5 Bloods” (Netflix)

Best Actress 

  • Viola Davis, “Ma Rainey’s Black Bottom” (Netflix)
  • Vanessa Kirby, “Pieces of a Woman” (Netflix)
  • Frances McDormand, “Nomadland” (Searchlight Pictures) – WINNER
  • Carey Mulligan, “Promising Young Woman” (Focus Features)

Best Actor in a Supporting Role 

  • Sacha Baron Cohen, “The Trial of the Chicago 7” (Netflix)
  • Bill Murray, “On the Rocks” (A24/Apple TV Plus)
  • Leslie Odom Jr, “One Night in Miami” (Amazon Studios) – WINNER

Best Actress in a Supporting Role

  • Maria Bakalova, “Borat Subsequent Moviefilm” (Amazon Studios)
  • Ellen Burstyn, “Pieces of a Woman” (Netflix)
  • Amanda Seyfried, “Mank” (Netflix)
  • Yuh-Jung Youn, “Minari” (A24) – WINNER

Best Screenplay, Original 

  • “Mank” (Netflix) – Jack Fincher
  • “Promising Young Woman” (Focus Features) – Emerald Fennell – WINNER
  • “The Trial of the Chicago 7” (Netflix) – Aaron Sorkin

Best Screenplay, Adapted

  • “First Cow” (A24) – Kelly Reichardt and Jonathan Raymond
  • “Nomadland” (Searchlight Pictures) – Chloé Zhao – WINNER
  • “One Night in Miami” (Amazon Studios) – Kemp Powers

Best Animated Film

  • “Over the Moon” (Netflix)
  • “Soul” (Pixar) – WINNER
  • “Wolfwalkers” (Apple TV Plus/GKIDS)

Best Cinematography 

  • “Mank” (Netflix) – Erik Messerschmidt
  • “Nomadland” (Searchlight Pictures) – Joshua James Richards – WINNER
  • “One Night in Miami” (Amazon Studios) – Tami Reiker

Best Editing 

  • “One Night in Miami” (Amazon Studios) – Tariq Anwar
  • “Nomadland” (Searchlight Pictures) – Chloé Zhao – WINNER
  • “The Trial of the Chicago 7” (Netflix) – Alan Baumgarten

Best Documentary 

  • “All In: The Fight for Democracy” (Amazon Studios) – WINNER (tie)
  • “Athlete A” (Netflix)
  • “Crip Camp” (Netflix)
  • “The Painter and the Thief” (Neon) – WINNER (tie)
  • “Time” (Amazon Studios)

Best Non-English-Language Film

  • “Another Round” – Denmark – WINNER
  • “Beanpole” – Russia
  • “The Mole Agent” – Chile
  • “The Painted Bird” – Czech Republic

Best Ensemble Cast – Casting Director

  • “Da 5 Bloods” (Netflix) – Kim Coleman
  • “One Night in Miami” (Amazon Studios) – Kimberly Hardin – WINNER (tie)
  • “The Trial of the Chicago 7” (Netflix) – Francine Maisler – WINNER (tie)

EDA FEMALE FOCUS AWARDS

(These awards honor WOMEN only, excluding women who’ve won the category in the Best Of Awards.

Best Woman Director 

  • Emerald Fennell, “Promising Young Woman” (Focus Features) – WINNER
  • Eliza Hittman, “Never Rarely Sometimes Always” (Focus Features)
  • Regina King, “One Night in Miami” (Amazon Studios)
  • Channing Godfrey Peoples, “Miss Juneteenth” (Vertical Entertainment)
  • Kelly Reichardt, “First Cow” (A24)
  • Chloé Zhao, “Nomadland” (Searchlight Pictures)

Best Woman Screenwriter 

  • Radha Blank, “The Forty-Year-Old Version” (Netflix) – WINNER
  • Emerald Fennell, “Promising Young Woman” (Focus Features)
  • Eliza Hittman, “Never Rarely Sometimes Always” (Focus Features)
  • Chloé Zhao, “Nomadland” (Searchlight Pictures)

Best Animated Female 

  • “22” in “Soul” (Pixar) – portrayed by Tina Fey – WINNER
  • “Mebh Óg MacTíre” in “Wolfwalkers” (Apple TV Plus/GKIDS) – portrayed by Eva Whittaker
  • “Robyn Goodfellowe” in “Wolfwalkers” (Apple TV Plus/GKIDS) – portrayed by Honor Kneafsey

Best Woman’s Breakthrough Performance 

  • Radha Blank, “The Forty-Year-Old Version” (Netflix)
  • Sidney Flanigan, “Never Rarely Sometimes Always” (Focus Features) – WINNER
  • Helena Zengel, “News of the World” (Universal Pictures)

Outstanding Achievement by a Woman in the Film Industry 

  • All female heads of film festivals who successfully transitioned from live to online events to sustain festival culture through the pandemic.
  • All indie female writers and directors who normalized abortion as a vital element in the cultural conversation in films such as “Saint Frances,” “Never Rarely Sometimes Always,” “Sister of the Groom,” “Once Upon a River,” The Glorias” and others. – WINNER
  • Emerald Fennell for creating a film that forces empathy to put an end to the toxic sexist rape culture pervasive through modern history.
  • Sophia Loren for a brilliant comeback at age 86 in “The Life Ahead,” the latest in her record-setting career. Loren won a Best Actress Oscar in 1962 for “Two Women” and was the first actor to win for a foreign language movie. She was also nominated in 1965 for “Marriage Italian Style.” If she’s nominated in 2021, it will be a 56-year span between her two most recent nominations – the current record is held by Henry Fonda, who had a 41-year gap between nominations.

EDA SPECIAL MENTION AWARDS

Grand Dame Award for defying ageism.

  • Ellen Burstyn, “Pieces of a Woman” (Netflix)
  • Tsai Chin, “Lucky Grandma” (Good Deed Entertainment)
  • Sophia Loren, “The Life Ahead” (Netflix) – WINNER
  • Frances McDormand, “Nomadland” (Searchlight Pictures)

Most Egregious Lovers’ Age Difference Award 

  • “The Burnt Orange Heresy” (Sony Pictures Classics) – Elizabeth Debicki and Claes Bang (23 years)
  • “Devil All the Time” (Netflix) – Riley Keough and Jason Clarke (20 years)
  • “Mank” – Amanda Seyfried and Charles Dance (39 years), Gary Oldman (27 years)
  • “Tenet” – Elizabeth Debicki and Kenneth Branagh (30 years) – WINNER

She Deserves A New Agent Award 

  • Rose Byrne, “Like a Boss” (Paramount Pictures)
  • Tiffany Haddish, “Like a Boss” (Paramount Pictures)
  • Katie Holmes, “Dare to Dream” (Gravitas Ventures)
  • Uma Thurman, “The War with Grandpa” (101 Studios) – WINNER

Most Daring Performance Award 

  • Maria Bakalova, “Borat Subsequent Moviefilm’ (Amazon Studios) – WINNER
  • Haley Bennett, “Swallow” (IFC Films)
  • Vanessa Kirby, “Pieces of a Woman” (Netflix)
  • Elisabeth Moss, “The Invisible Man” (Universal Pictures)
  • Carey Mulligan, “Promising Young Woman” (Focus Features)

Time Waster Remake or Sequel Award 

  • “The Croods: A New Age” (DreamWorks Animation)
  • “Doolittle” (Universal Pictures) – WINNER
  • “Rebecca” (Netflix)

The North Carolina Film Critics Honor Minari!


The North Carolina Film Critics Association has announced their picks for the best of 2020 and, in something of a shock for anyone who has following the awards season up to this point, they did not give the best picture award to Nomadland.

Instead, they honored Minari!

And, to be honest, I couldn’t be more thrilled.  Don’t get me wrong.  It’s not that I have anything against Nomadland or that I think Minari is the best picture of the year.  I haven’t seen either film (though I hope to correct that soon) so I really don’t have an opinion on what deserves what.  Instead, I’m just happy that the precursor love is getting spread around a little.  Nomadland winning every single precursor contest was getting boring.

It’s a bit like the 2010 awards season, when The Social Network just kept winning over and over again.  When one of the precursor groups gave their price to The Kids Are All Right instead, I was like, “Finally!  Something different!”  It didn’t matter what I personally didn’t care much for The Kids Are All Right.  What was important was that we had at least gotten some variety.

You can see North Carolina’s nominees by clicking here.  And you can find the winners below!

Best Narrative Film — Minari

Best Documentary Film — Dick Johnson is Dead

Best Animated Film — Soul

Best Foreign Language Film — Another Round

Best Director — Chloe Zhao for Nomadland

Best Cinematography — Joshua James Richards for Nomadland

Best Actor — Delroy Lindo in Da 5 Bloods

Best Actress — Frances McDormand in Nomadland

Best Supporting Actor — Sacha Baron Cohen in The Trial of the Chicago 7

Best Supporting Actress — Youn Yuh-jung in Minari

Best Original Screenplay — Lee Isaac Chung for Minari

Best Adapted Screenplay — Chloe Zhao for Nomadland

Best Special Effects — Tenet

Best Music — Soul

Ken Hanke Memorial Tar Heel Award — Will Patton (actor, Minari)

Best Restoration — The Lord of the Rings Trilogy (Warner Bros.)

Lisa’s Week In Review: 12/28/20 –1/3/21


The first three days of 2021 have come to close.

Yes, it’s a new year.  This site has now existed for 11 years, which is a thought that just kind of amazes me.  When this site started, everyone was talking about whether or not Avatar was going to be a game changer as far as movies were concerned.  Way back in 2009 when Arleigh started this site, the MCU was still a new thing and horror and fantasy fans were eagerly awaiting the premieres of The Walking Dead and Game of Thrones.  If I remember correctly, I don’t think anyone was even talking about Star Wars ever being rebooted.  Even Netflix was still kind of a luxury (as opposed to a necessity).  Today, of course, people are wondering whether or not theaters will survive the decade.  Time’s change and, if we’re going to be honest, they change a lot more quickly than we might realize.  In the grand scheme of things, 11 years is not the huge of an amount of time.

So far, my 2021 is going quite well.  You may say that it’s silly to brag about a good three days but, in those three days, I’ve read two books, watched several movies, hosted or co-hosted three very successful live tweets, and I’ve watched a handful of movies.  The year started with rain and freezing temperatures.  The weekend is ending with clear skies and the temperature in the high 50s.  Things continue and life moves forward, regardless of what the latest drama may be.  Ever since the new year, I’ve been listening to a lot of 70s disco.  (I also watched two disco films — Saturday Night Fever and Thank God It’s Friday.  If only Roller Boogie was on Prime, it would have been three.)  I love to dance and I still think the 2020s are going to have more in common with the 1970s America than with 14th Century Europe.

On a final note: last year, I watched a total of 820 films.  My goal for 2021 is a thousand!  I’ve got quite a few films from last year that I need to watch over the upcoming two days so I’m looking forward to getting started on them.

Here’s what I watched, listened to, and read last week:

Films I Watched:

2020:

  1. After The Thin Man (1936)
  2. Another Thin Man (1939)
  3. Bill & Ted Face The Music (2020)
  4. The Birds (1963)
  5. Cape Fear (1962)
  6. Hugo (2011)
  7. Of Mice and Men (1992)
  8. Onward (2020)
  9. Psycho (1960)
  10. Saturday Night Fever (1977)
  11. Shadow of the Thin Man (1941)
  12. Song of the Thin Man (1947)
  13. Tesla (2020)
  14. The Thin Man (1934)
  15. The Thin Man Goes Homes (1944)

2021:

  1. Deep Impact (1998)
  2. Fatal Fiancé (2021)
  3. The Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombies (1964)
  4. Kidnapped in Paradise (2021)
  5. Odd Thomas (2013)
  6. Shattered Glass (2003)
  7. Thank God It’s Friday (1978)
  8. The Wrong Real Estate Agent (2021)

Television Shows I Watched:

  1. A Teacher
  2. California Dreams
  3. City Guys
  4. Community
  5. Coronation Street
  6. Court Cam
  7. Degrassi
  8. The District
  9. Ghost Whisperer
  10. Hang Time
  11. Hill Street Blues
  12. King of the Hill
  13. The Love Boat
  14. The Masked Dancer
  15. The Office
  16. Parking Wars
  17. Saved By The Bell
  18. The Simpsons
  19. Temptation Island
  20. The Twilight Zone
  21. Twin Peaks: The Return

Books I Read:

  1. The Burning of the White House (2013) by Jane Hampton Cook
  2. Encyclopedia Mysteriosa (1994) by William L. DeAndrea

Music To Which I Listened:

  1. Above & Beyond
  2. Adi Ulmansky
  3. Aimee Mann
  4. Alvin Risk
  5. Amy Winehouse
  6. The Andrea True Connection
  7. Arcade Fire
  8. Arlo Guthrie
  9. Armin Van Buuren
  10. Avicii
  11. Backstreet Boys
  12. Bee Gees
  13. Big Data
  14. The Black Keys
  15. Blur
  16. Bob Dylan
  17. Britney Spears
  18. Cage the Elephant
  19. Charli XCX
  20. The Chemical Brothers
  21. The Commodores
  22. Crud
  23. The Crystal Method
  24. Dillion Francis
  25. DJ Judaa
  26. DJ Snake
  27. Edgar Allan Poets
  28. Elle King
  29. Empire of the Sun
  30. Fatboy Slim
  31. Fiona Apple
  32. Flight of the Conchords
  33. Gwen Stefani
  34. The Hues Corporation
  35. I DON’T KNOW HOW BUT THEY FOUND ME
  36. Icona Pop
  37. Jakalope
  38. Jake Bugg
  39. Jane’s Addiction
  40. Joywave
  41. Katy Perry
  42. KC and the Sunshine Band
  43. Kedr Livanskiy
  44. Kelly Clarkson
  45. Lara Snow
  46. Love & Kisses
  47. Maxine Nightengale
  48. Michael Fredo
  49. Moby
  50. Muse
  51. Nine Inch Nails
  52. Odyssey
  53. Phantogram
  54. Public Service Broadcasting
  55. Purity RIng
  56. Rich White
  57. Rolling Stones
  58. Saint Motel
  59. Siouxsie and the Banshees
  60. Skrillex
  61. Sleigh Bells
  62. Spice Girls
  63. Swedish House Mafia
  64. t.A.T.u
  65. Talking Heads
  66. Taylor Swift
  67. Thelma Houston
  68. Underground
  69. UPSHAL
  70. Walter Murphy
  71. War
  72. The White Stripes
  73. Yvonne Elliman

Trailers:

  1. WandaVision

Awards Season Links:

  1. Chicago Indie Critics Nominations
  2. North Carolina Film Critics Nominations
  3. Alliance of Women Film Journalists Nominations
  4. Greater Western New York Film Critics Winners
  5. Chicago Indie Critics Winners
  6. Columbus Film Critics Association Nominations 

Best of 2020 Links:

  1. Top 10 Ongoing Series (Ryan C.)
  2. Top 10 Special Mentions (Ryan C.)

Live Tweets:

  1. The First Day of 2021

Links From The Site:

  1. Erin shared Amazing Stories, The Ice Schooner, The Hot Kiss of Youth, Time Is Ticking Away, No Swimming, Wild and Wicked, and Only the Bed!
  2. Doc welcomed everyone to 2021!
  3. Jeff shared music videos from Eliot Sumner, King Missile, Danzig, Raydio, Crispin Glover, Kim Wilde, and Black Sabbath!  He also reviewed Cannonball Run II!
  4. I paid tribute to F.W. Murnau and Sergio Leone!  I also shared 4 Shots from 4 of my top 2020 films!  I reviewed The Wrong Real Estate Agent and Kidnapped in Paradise!  I also wrote about what’s in store for 2021!

More From Us:

  1. This twitter thread lists the 820 movies that I watched last year!
  2. At Days Without Incident, Leonard shared a song from Soul!
  3. At her photography site, Erin shared: Water Tower, Trees, Speed Limit 10, Flag, Road, Alley, Step on Through, Vintage, Vintage 2, Vintage 3, Vintage 4, Vintage 5, Vintage 6, Vintage 7, Vintage 8, Vintage 9, Vintage 10, The Backyard, Backyard 2, Security, Waiting To Be Picked Up, Shovel, Grill, Blue Sky, Renewal, Ticking, The Last Sky, Distant Light, Start of 21, The Road, and Fall/Winter!
  4. At SyFy Designs, I shared: A Resolution for 2021, Tradition Sneaks Up On You, I Love Hugo, Happy New Year’s Eve, and Happy New Year!
  5. On my dream journal, I shared: Last Night’s Extremely Weird Family Reunion Dream, Last Night’s Dancing Dream, Last Night’s Movie Dream, and No Dreams Last Night!
  6. At my music site, I shared songs from Skrillex, Empire of the Sun, MGMT, Blur, Love & Kisses, Maxine Nightingale, and Thelma Houston!
  7. Ryan has a patreon!  You should start of 2021 by subscribing!

Want to see what I did last week?  Click here!

Have a good week, everyone!  Thank you for reading and I wish the best for all of you in this upcoming year!

Here Are The Nominees of the 2020 Columbus Film Critics Association!


The Columbus Film Critics Association has announced their nominees for the best of the year and it’s pretty much all of the usual suspects.  The winners will be announced on January 7th, 2021.  I do like the fact that the CFCA gives out an award for the Overlooked Film of the Year.  Some of my top films of the year — Possessor, The Vast of Night, The Assistant — are nominated in that category.

Here are the nominees!

Best Film
First Cow
Ma Rainey’s Black Bottom
Mank
Minari
Never Rarely Sometimes Always
Nomadland
Promising Young Woman
Soul
Sound of Metal
The Trial of the Chicago 7

Best Director
Lee Isaac Chung – Minari
Emerald Fennell – Promising Young Woman
David Fincher – Mank
Darius Marder – Sound of Metal
Chloé Zhao – Nomadland

Best Actor
Riz Ahmed – Sound of Metal
Chadwick Boseman – Ma Rainey’s Black Bottom
Delroy Lindo – Da 5 Bloods
Gary Oldman – Mank
Steven Yeun – Minari

Best Actress
Viola Davis – Ma Rainey’s Black Bottom
Sidney Flanigan – Never Rarely Sometimes Always
Julia Garner – The Assistant
Frances McDormand – Nomadland
Elisabeth Moss – Shirley
Carey Mulligan – Promising Young Woman

Best Supporting Actor
Sacha Baron Cohen – The Trial of the Chicago 7
Chadwick Boseman – Da 5 Bloods
Bill Murray – On the Rocks
Paul Raci – Sound of Metal
Mark Rylance – The Trial of the Chicago 7

Best Supporting Actress
Maria Bakalova – Borat Subsequent Movie Film
Olivia Colman – The Father
Olivia Cooke – Sound of Metal
Amanda Seyfried – Mank
Youn Yuh-jung – Minari

Best Ensemble
Da 5 Bloods
Ma Rainey’s Black Bottom
Minari
Promising Young Woman
The Trial of the Chicago 7

Actor of the Year (for an exemplary body of work)
Sacha Baron Cohen (Borat Subsequent Movie Film & The Trial of the Chicago 7)
Chadwick Boseman (Da 5 Bloods & Ma Rainey’s Black Bottom)
Elisabeth Moss (The Invisible Man & Shirley)

Breakthrough Film Artist
Radha Blank – The Forty-Year-Old Version (for producing, directing, screenwriting, and acting)
Emerald Fennell – Promising Young Woman (for producing, directing, and screenwriting)
Sidney Flanigan – Never Rarely Sometimes Always (for acting)
Kitty Green – The Assistant (for producing, directing, screenwriting, and film editing)
Eliza Hittman – Never Rarely Sometimes Always (for directing and screenwriting)
Alan S. Kim – Minari (for acting)
Darius Marder – Sound of Metal (for directing and screenwriting)

Best Cinematography
Christopher Blauvelt – First Cow
Erik Messerschmidt – Mank
Lachlan Milne – Minari
Joshua James Richards – Nomadland
Hoyte Van Hoytema – Tenet

Best Film Editing
Alan Baumgarten – The Trial of the Chicago 7
Kirk Baxter – Mank
Robert Frazen – I’m Thinking of Ending Things
Mikkel E.G. Nielsen – Sound of Metal
Kelly Reichardt – First Cow

Best Adapted Screenplay
Sarah Gubbins – Shirley
Charlie Kaufman – I’m Thinking of Ending Things
Kemp Powers – One Night in Miami
Jonathan Raymond & Kelly Reichardt – First Cow
Ruben Santiago-Hudson – Ma Rainey’s Black Bottom
Chloé Zhao – Nomadland

Best Original Screenplay
Lee Isaac Chung – Minari
Emerald Fennell – Promising Young Woman
Darius Marder & Abraham Marder – Sound of Metal
Andy Siara – Palm Springs
Aaron Sorkin – The Trial of the Chicago 7

Best Score
Alexandre Desplat – The Midnight Sky
Ludovico Einaudi – Nomadland
Emile Mosseri – Minari
Trent Reznor and Atticus Ross – Mank
Trent Reznor and Atticus Ross – Soul

Best Documentary
Boys State
Collective
Crip Camp
Dick Johnson is Dead
The Painter and the Thief
Time

Best Foreign Language Film
Bacurau
Beanpole
Martin Eden
Minari
The Whistlers

Best Animated Film
The Croods: A New Age
Onward
Over the Moon
Soul
Wolfwalkers

Best Overlooked Film
The Assistant
Bloody Nose, Empty Pockets
Palm Springs
Possessor
The Vast of Night

4 Shots From 4 Films In Honor Of Sergio Leone’s Birthday


Sergio Leone (1929 — 1989)

4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

91 years ago today, Sergio Leone was born in Rome.  He went to school with future composer and collaborator, Ennio Morricone.  He saw, first hand, the horrors of living under an authoritarian regime and, though it wasn’t always appreciated at the time, all of his film had an anti-fascist political subtext that was informed by growing up under Mussolini.  He went to college to be a lawyer but quickly dropped out and instead, at the age of 18, started a long apprenticeship in the Italian film industry.  He started his career by working as an assistant to Vittorio De Sica on Bicycle Thieves, which is a pretty good way to start things.  Eventually, he went on to become one of the most influential directors of all time.

Taking into mind just how influential his work would be, it’s can be easy to forget that Leone is only credited with having directed 7 films and the majority of those films were not immediately embraced.  (Though it’s generally agreed that Leone was, for all intents and purposes, the co-director of My Name Is Nobody, he was only officially credited with coming up with the film’s story.)  In the 60s, highbrow critics turned their noses up at his spaghetti westerns, even while audiences ate them up and made Clint Eastwood into a film star.  (Eastwood would later dedicate his Oscar-winning Unforgiven to Sergio Leone and Don Siegel.)  The Good, The Bad, and the Ugly and Once Upon A Time In The West are now recognized as two of the greatest westerns ever made but, at the time they were released, they were criticized for being too long and (oddly enough) thematically shallow.  Leone even had to suffer that indignity of having his final (and, in my opinion, best) film, Once Upon A Time In America, edited down by a studio that cared little about the intricate structure that Leone had crafted for his tale of greed, crime, and redemption in America.

Leone died when he was only 60, felled by a heart attack.  However, his legacy remains alive, as his films continue to inspire directors and writers and other film lovers to this day.  His two greatest films — Once Upon A Time In The West and Once Upon A Time In America — have been rediscovered and rescued from the studio hacs who previously served him so badly.  Just last year, Quentin Tarantino paid tribute to Leone with the title of his best film-to-date, Once Upon A Time In Hollywood.

On this day, we honor the legacy of a cinematic great.

4 Shots From 4 Sergio Leone Films

A Fistful of Dollar (1964, dir by Sergio Leone, DP: Massimo Dallamano)

The Good, The Bad, and the Ugly (1966, dir by Sergio Leone, DP; Tonino Delli Colli)

Once Upon A Time In The West (1968, dir by Sergio Leone, DP: Tonino Delli Colli)

Once Upon A Time In America (1984, dir by Serigo Leone, DP: Tonino Delli Colli)

Lifetime Film Review: Kidnapped in Paradise (dir by Vic Sarin)


It seemed like it should have been the perfect vacation.

Savannah (Claire van der Boom), her husband Brad (Todd Lasance), and their daughter Aria (Molly Wright) travel to an island resort off the coast of Australia.  It’s the resort that Savannah used to vacation at when she was a child and this is a chance for her to not only get in touch with her past but to also show her family a good time.

And, at first, everything seems perfect.  The island is beautiful.  The people working at the resort are friendly.  There’s a nice and attractive couple staying in the cabin next door.  Even more importantly, there’s Kidz Club, where Savannah and Brad can drop off Aria so that they can have some alone time.  Seriously, that may be the best thing about the resort because there are just times when the adults need some time to themselves.  Aria and her stuffed bunny, Mr. Pickles, are dropped off.  Unfortunately, when Savannah returns to Kidz Club to pick up her daughter, Aria is nowhere to be found.

Has Aria wandered off?  Has she gotten lost on the beach?  Has something worse happened?  Soon, everyone on the island is searching for Aria.  Mr. Pickles is found but where’s Aria?  When someone sends Savannah a picture of Aria looking happy and drawing, Savannah realizes that her daughter didn’t just wander off.  She’s been kidnapped!  Kidnapped in paradise!

For all of their trademark melodrama, the best Lifetime films deal with very real fears.  Discovering that your lover is cheating on you or that your in-laws so disapproves of you that they’re willing to go to any length to either prevent or destroy your marriage, these are very real fears for a lot of people.  For a parent, there’s no greater fear than losing a child and/or not knowing where your child is.  I mean, I may not be a parent but I am an aunt and I once lost track of my niece at the Dallas Arboretum and it was like the most terrifying 8 hours of my life.  (Actually, it was only 15 minutes but it felt like 8 hours.  Not only was I scared that I’d never see my niece again but I was also terrified of what her mother would do when she found out.  Fortunately, it turned out that my niece had just run ahead of me to another exhibit but still, I was on the verge of having a heart attack by the time I saw her running up to me.)

Kidnapped in Paradise captures that fear of losing a child and the feeling of powerlessness that goes along with it.  From the minute that Aria disappears, Savannah is searching for her and demanding that others search for her as well.  Claire van der Broom did a good job of portraying Savannah’s desperation and her anger that the resort didn’t do a better job of keeping track of her daughter.  What I liked is that whenever anyone else started tries to make excuses or started to talk about their own problems, Savannah was like, “Shut up and find my daughter.”

At the same time, as bad as I felt for Savannah, I was happy that her child was kidnapped in paradise as opposed to being kidnapped on a less photogenic island.  Seriously, the resort looked really nice and I totally want to stay there, despite the area’s history of abductions.  I mean, once you take the whole kidnapping thing out of the equation, it really was an nice place to work on your tan and take romantic walks on the beach.

My point is that the film delivered exactly what the title promised, which is perhaps the highest praise that you can give to most films.  There was a kidnapping and there was paradise.  The plot held my attention while the resort held my imagination.  It was a good combination.

The combination of The Wrong Real Estate Agent and Kidnapped in Paradise gets Lifetime off to a good start for 2021.

The Chicago Indie Critics Honor Nomadland, Da 5 Bloods, and Ma Rainey!


The Chicago Indie Critics announced their picks for the best of 2020 earlier today.

Yes, Nomadland won.  Again.  Because the CIC gives out two best picture awards — one for the best low-budget indie and another for the best big-budget studio production — Ma Rainey’s Black Bottom won as well.  And because there was a tie in the Best Big Budget Studio Production category, Da 5 Bloods won as well.

As far as the acting winners went, it was the usual suspects.  Frances McDormand took best actress for Nomadland.  Chadwick Boseman took best actor for Ma Rainey.  Boseman also won Best Supporting Actor for Da 5 Bloods.  And, of course, Maria Bakalova got another award for Best Supporting Actress.

In other words …. kinda boring.  Nomadland may be the greatest film ever made but there’s nothing more boring than an awards season where all of the critics groups vote for the same movies and the same people.  Then again, I remember that this previously happened with The Social Network.  The Social Network won over all the critics but the Academy preferred The King’s Speech.  I supposed that could happen this year, though Nomadland seems to have even more momentum than The Social Network did.

At this point, I wouldn’t be surprised to see Boseman nominated for both Best Actor and Best Supporting Actor.  Could he possibly win both?  I think he could.  I do think that, if he only wins for one, it’ll probably be for Da 5 Bloods, just because of the nature of his role in that film.  That said, it does seem inevitable that Boseman will follow Peter Finch and Heath Ledger in winning at least one posthumous Oscar.

You can see the CIC nominations here.  And the winners are listed below!

Best Independent Film (Budget Under $20,000) — Nomadland

Best Studio Film (Budget over $20,000) — Da 5 Bloods and Ma Rainey’s Black Bottom

Best Foreign Language Film — His House

Best Documentary — Boys State

Best Animated Film — Soul

Best Director — Spike Lee for Da 5 Bloods

Best Original Screenplay — Emerald Fennell for Promising Young Woman and Aaron Sorkin for The Trial of the Chicago 7

Best Adapted Screenplay — Ruben Santiago-Hudson for Ma Rainey’s Black Bottom

Best Actor — Chadwick Boseman in Ma Rainey’s Black Bottom

Best Actress — Frances McDormand in Nomadland

Best Supporting Actor — Chadwick Boseman in Da 5 Bloods

Best Supporting Actress — Maria Bakalova in Borat Subsequent Moviefilm

Best Ensemble — Ma Rainey’s Black Bottom

Best Cinematography — Nomadland

Best Production Design — Mank

Best Costume Design — Ma Rainey’s Black Bottom

Best Makeup — Ma Rainey’s Black Bottom

Best Editing — The Trial of the Chicago 7

Best Musical Score — Soul

Best Original Song — “Speak Now” from One Night In Miami

Best Visual Effects — The Invisible Man

Trailblazer Award — Steve McQueen

Impact Award — Chadwick Boseman

What Lisa Watched Last Night #214: The Wrong Real Estate Agent (dir by David DeCoteau)


Last night, I watched the first Lifetime premiere of 2021, The Wrong Real Estate Agent!

Why Was I Watching It?

It was the first Lifetime film of 2021 so how couldn’t I watch it?

Add to that, I love the “Wrong” series.  The “Wrong” films are all directed by David DeCoteau and they all feature Vivica A. Fox in a supporting (or, in this case, a lead) role.  These films are always a lot of fun and, since they’re all filmed in Canada, there’s always chance you might spot someone from Degrassi in the cast.

(Admittedly, The Wrong Real Estate Agent is the rare “Wrong” film to feature no one from Degrassi.  But it’s the first Lifetime film of 2021 so we won’t hold that against it.)

What Was It About?

Julie (Vivica A. Fox) and her daughter Maddie (Alaya Lee Walton) have just moved into a wonderful, beautiful house but, unfortunately, they’re renting from the wrong real estate agent!  Charles (Andres Londono) used to date Julie and it’s obvious that he wants to win her back.  However, Charles’s idea of how to win someone back involves a lot of lies and a lot of murder.

Soon after moving into their new home, Julie and Maddie begin hearing strange sounds and seeing weird movement in the shadows.  Most disturbingly to me, someone has been using the shower when Julie’s not home.  Seriously, you don’t use someone else’s shower without asking first!

And let’s not even get started on the mysterious room that’s always locked off….

What Worked?

Vivica A. Fox has appeared in all of the “Wrong” films but usually, she’s cast in a supporting role.  She usually plays some sort of no nonsense authority figure who shows up at the end of the film to announce, “He messed with the wrong cheerleader” or “He was the wrong wholesale jewelry importer” or something like that.  In The Wrong Real Estate Agent, she played the lead role and it was a nice change of pace.  I thought she did a good job in the lead role, even if Julie sometimes seemed to be impossibly naïve.

Alaya Lee Walton also did a good job as Julie’s daughter, Maddie.  She and Fox were very believable as mother and daughter and their relationship rang true.

Finally, I loved the house!  That may sound like a small compliment but seriously, a good Lifetime film always features a great house.  So far, the “Wrong” series has been very good about using the right house.  If I ever do move to Canada, it’s going to be because of both Degrassi and the numerous Canadian produced Lifetime films that have left me convinced that every house in Toronto is a mansion.

What Did Not Work?

Charles was just a little bit too obviously crazy.  In general, it’s a good idea to suspend your disbelief when it comes to a Lifetime film and to just kind of go with whatever happens but, in this case, Charles really was so obviously unstable that you kind of wondered how anyone played by Vivica A. Fox could be naïve enough to trust him.

“Oh my God!  Just like me!” Moments

I related to Maddie, particularly when she argued with her mom about whether or not she should shut the window in her bedroom.  Her mom thought the open window was an invitation to sickness and danger.  Maddie knew that she had to keep the window so her boyfriend could sneak in and out of the house.  Of course, Maddie couldn’t explain that was the reason why the window needed to be open but, to her credit, Maddie stayed her calm and talked her mom into letting her keep the window open until it was time for bed.  Good job, Maddie!  I wish I had been that good at winning arguments when I was that age.

Lessons Learned

When it comes to renting or buying a house, make sure you’ve got the right real estate agent.  Because the wrong real estate agent will not only try to get you to go out of your price range (that’s something I learned from watching House Hunters) but he’ll eventually try to kill you as well.

The other thing I learned is that every profession has at least one wrong person.  Someday, I’m hoping to see a film called The Wrong Administrative Assistant or maybe The Wrong Stunt Double.  Seriously, this series can go on until the end of time.

The Shattered Lens Live Tweets The First Day of 2021


Happy 2021, everyone!  However you chose to welcome the new year, I hope you’ve managed to recover.

Today was the first day of the New Year and, for me, it was also a day to start a new list of films.  It’s something I and a lot of people do every year.  We keep a list of every film that we watch and, of course, the idea is to see as many possible.  In 2020, I watched 820 films at least once.  (Some films, like It’s A Wonderful Life, I watched several times but, for list purposes, I only counted the first time.)  This year, I’m hoping to watch at least 1,000.

I watched Thank God It’s Friday as a part of #FridayNightFlix, which is a weekly live tweet that I host.  Every Friday, at 10 pm et, we watch a movie.  So far, we’ve watched Starcrash, Ator, Split Image, Santa and the Ice Cream Bunny, Robot Monster, and now Thank God It’s Friday.  If you’re reading this and you’re on twitter, consider yourself invited to next Friday’s film.

As always, the work here at the TSL Bunker is never done.

Still, for the most part, the first day of 2021 was a rather mellow and peaceful one and, after 2020, I don’t think anyone can complain about that.  One thing about almost everything being on hold right now is that it gives us a chance to reflect and think about both the past and the future.  For instance, I spent a good deal of today staring at my film collection and realizing that I need to spend this entire year watching every piece of physical media that I own, if just to make sure that they all still work.  So, you can consider that one of my resolutions for 2021.  I will sit down and watch all of the movies that I own.  And maybe I’ll even review them!

I wasn’t the only one making resolutions around here, of course.  Patrick also set himself up for a challenge:

That was pretty much it for today.  I watched some movies.  I listened to some music.  And I made some last-minute resolutions for the new year.  It was a quiet day but it was a good day.  I can’t complain about that.  Instead, we can all sing along:

Have a good year everyone.  Keep reading.  Keep listening to music.  And as always, keep watching, talking, debating, discussing, and making your opinions known!  Let’s make 2021 a year to be remembered!

 

Here’s The Latest Trailer for WandaVision!


Well, it’s a new day and I guess that means that it’s time for another enigmatic trailer for WandaVision.  It’s been interesting to note that, even with all the trailers that Disney Plus has released for this show, it’s still hard to get a definite feel for just what exactly WandaVision is going to be.  That’s not a bad thing, of course.  The enigmatic is intriguing.

Judging from the trailers that have been released so far, this is either going to be brilliant or a disaster.  I don’t really see much room in between those two extremes. I am going to guess that Wanda and Vision are living in some sort of alternate reality, one that Wanda constructed from a lifetime of watching old TV shows.  That’s my guess, anyways.  I’ve come across a few people online who have a much darker interpretation — i.e., Wanda is actually in some sort of coma and the entire show is her dying fantasy of having a perfect life with Vision.  I mean, seriously — that would be like a Marvel show from the darkest timeline.  I would have to put a blue streak in my hair if that happened!  (“Life got dark!” to quote Britta Perry.)

Anyway, this latest trailer continues to mix comedy with darkness.  I’ll definitely give this show a try, if just because I love both Paul Bettany and Elizabeth Olsen and I don’t feel that either one of them has really gotten all of the opportunities that they deserve.  Disney Plus, obviously, is hoping that they’ll have another Mandalorian-style hit with this one and it is interesting to consider that, with the pandemic and all, this will be the first new MCU release in a year.  To a certain extent, the reception of this show will answer the question of whether or not the MCU can continue to thrive after the apocalyptic conclusion of Avengers: Endgame.  The show will be available on Disney Plus on January 15th so we should have our answers in just another two weeks!

Here’s the latest trailer: