Lisa Reviews An Oscar Nominee: The Thin Man (dir by W.S. Van Dyke)


the_thin_man_1934_poster

Last night, I rewatched the classic 1934 mystery-comedy, The Thin Man.

And you know what?

Nick and Nora Charles should be everyone’s relationship goal.

Technically, The Thin Man is a murder mystery and it’s actually a pretty good one.  While I was rewatching the film, I was surprised to see that the whodunit aspect of the plot held up far better than I remembered.  But, ultimately, the movie is really a portrait of the ideal romance.  Every couple should aspire to be like Nick and Nora.

Nick Charles (William Powell) is a retired private detective, an unflappable gentleman who speaks exclusively in quotable quips.  Nick is the type who can apparently spend every hour of the day drinking without ever getting stupidly drunk.  He has beautiful homes on both coasts and a list of friends that would make anyone jealous.  Whether cop or crook, everyone loves Nick.

Nora Charles (Myrna Loy) is Nick’s wife.  She’s independently wealthy.  She’s beautiful.  She’s always chic.  She is always the smartest and funniest person in the room.  And she’s probably the only person who can outquip Nick.  Nora loves Nick’s lifestyle, whether they’re throwing a party or literally shooting ornaments off of a Christmas tree.  As Nora says at the end of one crowded party, “Oh, Nicky, I love you because you know such lovely people.”

And, of course, there’s Asta.  Asta is their terrier.  If Nick and Nora are the ideal couple, Asta is the ideal pet.  Asta is just as quick to investigate a mystery as Nick and Nora.  Asta may be a playful dog but he’s also remarkably well-behaved.  No insistent yapping.  No accidents on the carpet.  No growling at visitors.  As I’ve mentioned many times on this site, I’m not a dog person but I love Asta.

It’s not just that Nick and Nora are obviously in love and, in this pre-code film, they’re actually allowed to express that love.  And it’s not just that they say things in The Thin Man that they wouldn’t be allowed to get away with in the film’s sequels.  (If you have any doubt that this is a pre-code film, just check out the scene where the police are going through Nora’s dresser.  “What’s that man doing in my drawers?” Nora demands while Nick does a double take.)  It’s that Nick and Nora seem to be having so much fun.  They’re wealthy.  Other than to themselves, they really have no commitments.  (Nick only comes out of retirement because Nora say she thinks a mystery sounds like it would be fun to solve.)  They have no children to worry about.  Even if you don’t want to be either Nora or Nick by the end of this film, you’ll still definitely want to hang out with them.

The Thin Man is a murder mystery.  In fact, it’s probably one of the most enjoyable movies ever made about a double murder.  Dorothy Wynat (Maureen O’Sullivan) asks Nick to help find her father (Edward Ellis), the thin man of the title.  The investigation leads to a rather complicated mystery, one in which everyone that Nick and Nora meets is a suspect.  I have to admit that, with my ADD, I always have a hard time following all of the clues.

Of course, so does Nick.  That truly is part of the appeal of The Thin Man.  Nick is often confused about what it all the clues and evidence add up to but that never seems to upset him.  He and Nora are too busy enjoying themselves to get upset. That’s one reason why, even after you know who the murderer is, The Thin Man is a movie that’s enjoyable to watch over and over again.  The Thin Man is less about the mystery and more about the way Nick and Nora manage to throw the perfect dinner party even as they reveal who the murderer is.

1934 was a good year for comedy.  The Thin Man was nominated for best picture but it lost to another charming little comedy, It Happened One Night.

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