4 Shots From 4 Films: Special Clint Eastwood Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

Happy birthday, Clint Eastwood!

4 Shots From 4 Clint Eastwood Films

A Fistful of Dollars (1964, directed by Sergio Leone)

A Fistful of Dollars (1964, dir by Sergio Leone)

The Outlaw Josey Wales (1976, dir by Clint Eastwood)

The Outlaw Josey Wales (1976, dir by Clint Eastwood)

Tightrope (1984, dir by Richard Tuggle and Clint Eastwood)

Tightrope (1984, dir by Richard Tuggle and Clint Eastwood)

A Perfect World (1993, dir by Clint Eastwood)

A Perfect World (1993, dir by Clint Eastwood)

Song of the Day: The Good, The Bad, and the Ugly — Main Theme (composed by Ennio Morricone)


Today’s song of the day is the main theme from Leone’s best-known film, The Good, The Bad, and The Ugly.

Ennio Morricone’s score is as much of a character in this film as the ones played by Clint Eastwood, Eli Wallach, and Lee Van Cleef.  It perfectly sets the moods, telling us that we’re about to see something that is truly epic.  The opening notes, which have so often been parodied but which have never lost their power, truly capture the feel of Sergio Leone’s mythical vision of the old west.

Scenes That I Love: Once Upon A Time In America


(SPOILERS BELOW)

The final moments of Sergio Leone’s epic 1984 gangster film, Once Upon A Time in America, are filled with questions and mysteries.

The final moments of Sergio Leone’s epic 1984 gangster film, Once Upon A Time in America, are filed with questions and mysteries.

In 1968, who did Noodles (played by Robert De Niro) see standing outside of Max’s mansion?  When the garbage truck pulled up, did the mysterious man get in the truck or was he thrown in by some unseen force?

Why, in 1968, did Noodles see a car from the 1920s, one that was full of people who appeared to be celebrating the end of prohibition?  Was the car really there, in 1968, or was it an element of Noodles’s past as a gangster suddenly popping into his mind?

Once Upon A Time In America (1984, dir by Sergio Leone, DP: Tonino Delli Colli)

When we then see a young Noodles in an opium den, are we flashing back to the 1920s?  Is Noodles remembering the past or is it possible that we’ve been in the 20s the whole time and all of the scenes set in 1968 were actually only a drug-induced dream?

Why, with men looking to kill him and all of his friends apparently dead, does Noodles suddenly smile at the end of the film?  Is that sudden smile a result of the drugs or is there something else going on?

Once Upon A Time In America was Sergio Leone’s final film.  It’s one that he spent decades trying to get made and, once it was finally produced, it was butchered and re-edited by a studio hacks who demanded that the film tell its story in a linear style.  Leone was reportedly heart-broken by how his film was treated.  Some have speculated that his disappointment may have even contributed to the heart attack that eventually killed him.  It was only after Leone passed that his version of Once Upon A Time In America became widely available in the U.S.  This enigmatic epic continues to spark debate.  One thing that can’t be denied is that it’s a brilliant film.

As today is Leone’s birthday, it only seems appropriate to share a pair of scenes that I love, from the ending of Once Upon A Time In America.

4 Shots From 4 Films: Special Sergio Leone Edition


Sergio Leone (1929 — 1989)

4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

97 years ago today, Sergio Leone was born in Rome, Italy.  The son of actor/screenwriter Vincenzo Leone and silent actress Edvige Valcarenghi, Sergio was born into the Italian film industry.  He began his career in the post-war rebuilding period, working as an assistant to Vittorio De Sica and, as an assistant director, for American films that were shot in Italy.  (Albeit uncredited, he worked on two Oscar-nominated Biblical epics, Quo Vadis and Ben-Hur.)

After making his directorial debut with The Colossus of Rhodes, Leone went on to direct the films that would change the face of international cinema.  Though he was hardly the first director of Spaghetti westerns, he was was the first to achieve far-reaching acclaim.  With the Dollars Trilogy, he made Clint Eastwood a star and Eastwood has often said that the majority of what he knows about directing, he learned from working with Leone and later Don Siegel.  Leone went on to direct the brilliant Once Upon A Time In The West and Once Upon A Time in America, two epic visions of American history that, sadly, were not initially treated well by their distributors.

Though Leone is only credited with directing eight films, his influence cannot be underestimated.  As both a visual artist and a cultural and political commentator, his films continue to influence directors to this day.

For that reason, it’s time for….

4 Shots From 4 Sergio Leone Films

The Good, The Bad, and the Ugly (1966, dir by Sergio Leone, DP: Tonino Delli Colli)

Once Upon A Time In The West (1968, dir by Sergio Leone, DP: Tonino Delli Colli)

Duck, You Sucker (1971, dir by Sergio Leone, DP: Giuseppe Ruzzolini)

Once Upon A Time In America (1984, dir by Sergio Leone, DP: Tonino Delli Colli)

Lisa Marie’s Six Favorite Charles Bronson Films


Brad listed his top Bronson films so I guess I should list mine!  Below are my six favorite Bronson films.  (Why 6?  Because Lisa doesn’t do odd numbers!)

Now, to make clear, I’m not the Bronson expert that Brad is so I will picking from a smaller pool of selections.  But no matter!  Let’s do this!

6. Death Wish III (1985, dir by Michael Winner) 

Yes, I have to start with Death Wish III.  The Death Wish sequels are definitely a mixed bag but Death Wish III was wonderfully over-the-top, a film that cheerfully dropped Bronson in the middle of an absurd circus and allowed him to tame the lions, as it were.  I will always love this film for the presence of Plunger Guy, a bad guy who heads into battle carrying a plunger.

5. Breakheart Pass (1975, dir by Tom Gries)

This is an enjoyable mix of a western, a murder mystery, and an adventure film.  Charles Bronson is a mysterious man on a snowbound train.  Charles Durning, Ben Johnson, Richard Crenna, Jill Ireland, and Ed Lauter co-star and everyone — especially Johnson and Durning — bring a lot to their roles.  This may not be one of Bronson’s best-known films but it is one of his most enjoyable and Bronson himself is at his most likable.

4. Death Wish (1973, dir by Michael Winner)

“My heart bleeds a little for the less fortunate,” Bronson’s Paul Kersey says at the start of the film and those of us watching immediately say, “C’mon, Charlie, really?”  That said, one reason why Death Wish works as well as it does is because Bronson actually gives a very good and very emotionally honest performance as a man who finally snaps and starts to take the law into his own hands.  (I love the barely veiled contempt that’s present whenever Paul talks to his son-in-law.)  Not surprisingly, considering that it was directed by Michael Winner, Death Wish is an often-sordid film that doesn’t have a hint of subtlety.  But it’s also brutally effective, a film that captures the way a lot of people feel when they hear about reports of out-of-control crime.  Even today, it’s easy to see why Death Wish was the film that finally Bronson a star in the United States.

3. Once Upon A Time In The West (1968, dir by Sergio Leone)

Bronson plays Harmonica in the most epic of all of Sergio Leone’s spaghetti westerns.  Leone pays homage to the American western while also gleefully subverting it.  The quiet and unemotional Bronson is the film’s hero.  Henry Fonda is the sadistic villain who guns down a child.  Jason Robards is an outlaw.  While I don’t consider it to be quite as good as either The Good, The Bad, or the Ugly or Once Upon A Time In America, Once Upon A Time In The West is still one of Leone’s masterpieces.

2. From Noon Till Three (1976, dir by Frank D. Gliroy)

For all of his reputation for being a tough guy who didn’t show much emotion, there was no denying Bronson’s love for his second wife, Jill Ireland.  From Noon Till Three brings Bronson and Ireland together in a film that is a third western, a third romantic comedy, and a third social satire.  It’s a film that gives Bronson a chance to show off his romantic side and it might leave you surprised!  The film also featured Jill Ireland’s best performance in a Bronson film.  I always highly recommend this one.  It’s proof that there was more to Bronson than just shooting the bad guys.

  1. Ten To Midnight (1983, dir by J. Lee Thompson)

This is the ultimate 80s Bronson film and one that I like for a reason that might surprise you.  On the one hand, you’ve got Bronson as a tough cop, Andrew Stevens as his liberal partner, and Gene Davis as the disturbingly plausible serial killer, Warren Stacy.  Bronson is great as the world weary cop.  His scenes with Stevens are amusing and, at times, even poignant.  (It helps that Stevens was the rare co-star that Bronson liked.)  Davis is terrifying and the film’s final moments are very emotionally satisfying.  (“No, we won’t.”)  But the reason why I love this film is because of the relationship between Bronson’s cop and his daughter, who played by Lisa Eilbacher.  Their scenes together — testy but loving — are well-acted by both actors and they always make me think of me and my Dad.  Ten To Midnight is the Bronson film that actually makes me cry.

Brad’s 2nd “Scene of the Day” – Harmonica arrives in ONCE UPON A TIME IN THE WEST (1968)! Happy Birthday, Charlie!!


On the precipice of becoming an international superstar, director Sergio Leone gave Charles Bronson one of the coolest introduction scenes in film history in ONCE UPON A TIME IN THE WEST. Enjoy my friends!

4 Shots From 4 Films: Special Robert De Niro Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy birthday to actor Robert De Niro.  It’s time for….

4 Shots From 4 Robert De Niro Films

Taxi Driver (1976, dir. Martin Scorsese, DP: Michael Chapman)

The King of Comedy (1982, dir by Martin Scorsese, DP; Fred Schuler)

Once Upon A Time In America (1984, dir by Sergio Leone, DP: Tonino Delli Colli)

Casino (1995, dir by Martin Scorsese, DP: Robert Richardson)

 

Have A Scandalous Bikini Day With These Paperback Covers


by Al Rossi

Who wants to go to the beach?

by Al Rossi

Since today is the anniversary of the introduction of the bikini and it is summer time, this seems like the perfect time for some beach fun!  And here to help is a sampling of pulp paperbacks that are perfect for Bikini Day!  Grab one of these and head down to the beach.  Be sure to wear sun screen.

Artist Unknown
by Don Neiser
by Harry Barton
by Robert McGinnis
by Sergio Leone
by John Richards
Unknown Artist
Unknown Artist