Spider-Man: No Way Home (dir. by Jon Watts)


This is basically where we are.

If you haven’t seen a film on the Thursday preview night, chances are every online publisher is going to share spoilers by Friday Evening. I get it. It’s the Nature of the Beast. It makes for news, and there are people out there who either don’t mind being spoiled or need to know what they’re seeing going into a film. It’s partially why sites like Movie Pooper, and Does The Dog Die are popular. I usually try not to say anything about a movie on Twitter because of this. Everyone deserves to feel that sense of awe and surprise when the lights come down in their cinema.

These are as spoiler free as I can make them. I may write something else to focus on my thoughts with spoilers down the road.

If you managed to stay off the Internet and avoid any spoilers to Spider-Man: No Way Home (outside of the trailers themselves), then you are in for some grand fun that is almost on the level of Avengers: Endgame. I’ve been to the theatres a few times during the pandemic. Perhaps because it was an After-Midnight showing, but the audience was fantastic. The film comes full circle, with an adventure that celebrates Spider-Man’s guest appearance in the MCU for Disney/Marvel, while still building on the character for Sony’s purposes in the future. As a Trilogy, Jon Watts and the team deserve a round of applause for sticking the landing so very well here. The third film in a series is never easy, and even Sam Raimi found that out with Spider-Man 3. By the time the movie was done, I was soaking up the applause like Colin Robinson in What We Do In the Shadows.

The film picks up right at the last end credit from Spider-Man: Far From Home with Quentin Beck’s Mysterio (Jake Gyllenhaal) proclaiming to the world (through J. Jonah Jameson, played by J.K. Simmons as usual) that Spider-Man was in control of the Stark Drones and that he is really Peter Parker. Normally, my first thought here would be to own it – like Stark did. However, with murders tied in, it’s a bad rap for our webbed hero and anyone associated with him. Peter decides to make things right by visiting Doctor Strange (Benedict Cumberbatch, Power of the Dog) to make everyone forget that Spider-Man is Peter Parker. This gets botched and pulls through some villains that our Peter (Tom Holland) isn’t quite ready for.

As you’ve seen in the posters and trailers, Dr. Otto Octavius (Alfred Molina, Spider-Man 2), and Norman Osborn (Willem Dafoe, Spider-Man) along with a few others are pulled from their universe into Peter’s. When Peter discovers their fates in their own universes, he makes an attempt to save them, which puts him at odds with Doctor Strange. Can Peter find a way to change their futures, and clear his name in the process?

Of course, the gang’s all here. Zendaya, Jacob Batalon, Tony Revolori, Angourie Rice, Marisa Tomei, and Jon Favreau are all on hand for this third one. Everyone has something to offer, with Zendaya, Batalon, and Tomei carrying the most weight. The only awkward character in the whole bunch is Favreau’s Happy Hogan, who is regulated into kind of a silly comic relief here. I don’t know. I just remember Happy being a bit more capable than they way they have him this time around.

From a writing standpoint, it’s somewhat innovative. If we didn’t already have the 2019’s Academy Award winning Spider-Man: Into the Spider Verse, I’d say No Way Home was walking into uncharted territory. The film makes up for this by allowing our Peter to choose differently, compared to what we historically know about Spider-Man and these villains. I honestly enjoyed that angle and thought it helped to drive home the whole “With Great Power, Comes Great Responsibility” motto that defines Spider-Man.

Musically, Michael Giacchino weaves his own form of magic here. Pulling themes both from Doctor Strange and what he’s done with the previous films, there are a number of great sequences. When all is said and done, the score for this film may very well rival Shirley Walker’s Batman: Mask of the Phantasm score for me.

At the time of this writing, it sounds like NYC is headed for another lockdown. I’m hoping that’s not the case. If this is the last movie I get to see in a theatre for a while, I’m thankful for it. Spider-Man: No Way Home completes a great handoff from Disney/Marvel to Sony. The character did what he needed for Disney/Marvel’s MCU, and Sony still holds the movie rights to the character for where they want to take him. I’m hopeful for Spider-Man’s cinematic future.

Our Friendly Neighborhood Spider-Man’s going to be okay.

Spider-Man: Far From Home Teaser and International Trailers


spider-man far from home

Spider-Man: Homecoming was the Spider-Man that fans have been waiting for. It was able to balance the character of Peter Parker and his alter-ego of Spider-Man. Where the Sam Raimi version was able to make the former stand-out at the cost of the Spider-Man alter, the Marc Webb version swapped the two dynamics. Webb’s version had a great Spider-Man but had a Peter Parker whose moral compass was a bit skewed.

Jon Watt’s Spider-Man and Peter Parker were a nice balance. It helped that the character was now free (to a degree) to play in the huge cinematic sandbox that is the Marvel Cinematic Universe.

Last we saw Spider-Man and Peter Parker, he was dusted just like half the living things in the universe following the Thanos Snap. The question that gets brought up whenever Spider-man: Far From Home, the sequel to Spider-Man: Homecoming, gets talked about is does this film take away from the emotional sucker punch that was Avengers: Infinity War and it’s upcoming sequel, Avengers: Endgame.

From this teaser trailer and it’s international version has shown, the question still remains as both teasers mention nothing about the Avengers and keeps the timeline of the film vague enough to make one wonder if this sequel happens before Avengers: Infinity War.

I guess fans will find out on July 5, 2019 when the film is released worldwide.

….and here’s the International Teaser trailer

Lisa Reviews Avengers: Infinity War (dir by Joe and Anthony Russo)


(Warning: There are spoilers in this review.  They’re not necessarily huge spoilers but they’re there.  Read at your own risk.)

Avengers: Infinity War is a lot of things.  It’s big, it’s thrilling, it’s emotional, it’s colorful, it’s loud, it’s flamboyant, and, clocking in at two and a half hours, it’s occasionally a bit exhausting.  It’s overwhelming but it’s never boring.  It’s a nearly perfect example of pure cinema, where the story is less about what happens and more how it’s told. It’s a tribute to not just the Marvel Cinematic Universe but also to the audiences who have been flocking to each movie since Iron Man was first released way back in 2008.  Avengers: Infinity War is a pop art masterpiece, one that provides the first part of a climax to a saga that’s been unfolding for ten years.

In the days leading up to the release of Avengers: Infinity War, the main selling point was the assumption that this movie would feature every single character that’s been introduced as a citizen of the MCU so far.  Though the film comes close to including everyone, there are still a few characters who are notable for their absence.  Ant-Man and the Wasp are nowhere to be seen.  None of the Marvel Television characters show up, which is a shame because I’m sure Jessica Jones would have had some choice words about the potential end of the universe.  Two familiar SHIELD agents make a brief appearance, though you have to wonder where they were when New York and Wakanda were being invaded.

That said, all of the big heroes show up.  Tony Stark (Robert Downey, Jr.) flies into space with Dr. Strange (Benedict Cumberbatch) and Spider-Man (Tom Holland).  Thor (Chris Hemsworth) teams up with Rocket Racoon and Groot (voiced by Bradley Cooper and Vin Diesel, respectively).  When Wakanda is attacked, Black Panther (Chadwick Boseman), Captain America (Chris Evans), The Falcon (Anthony Mackie), White Wolf (Sebastian Stan), the Hulk (Mark Ruffalo), Rhodey (Don Cheadle), and Natasha (Scarlett Johansson) are all present to defend it.  Meanwhile, Vision (Paul Bettany) and Wanda (Elizabeth Olsen) continue to pursue their odd relationship while Peter Quill (Chris Pratt) and Gamora (Zoe Saldana) search for Gamora’s father, Thanos (Josh Brolin).

It’s a packed film and the fact that it works as well as it does is a testament to the power of perfect casting and movie star charisma.  At this point, we feel as if we know these characters.  We know that Tony Stark is going to be haunted by what happened the last time Thanos’s minions involved New York.  We know that Spider-Man is going to be desperate to prove that he belongs with the adults, just as we know that Dr. Strange isn’t going to be particularly impressed with anyone he meets.  Needless to say, some characters get more screen time than others.  Despite a good deal of the film taking place in Wakanda, Black Panther largely stays in the background.  I personally wish that both Natasha and Captain America had been given a bit more to do.  Considering just how talented both Anthony Mackie and Don Cheadle are, it’s a shame that neither one of them ever gets to do much in these films.  At the same time, Infinity Wars allows both Elizabeth Olsen and Paul Bettany to come into their own and Chris Hemsworth again shows that he may be the most underrated star in the MCU.  I’ve read a lot of criticism of certain actions taken by Peter Quill towards the end of the film but actually, it’s exactly what you would expect his character to do in the situation and, up until that moment, Chris Pratt is a welcome presence.  It’s important to have someone around who appreciates good music and who can make you laugh, especially considering that Thanos is planning to wipe out 50% of the universe’s population…

Oh yes, Thanos.  After spending years lurking in the background, Thanos finally steps forward in Infinity War.  In fact, it can be argued that Avengers: Infinity War is actually much more of a Thanos film than an Avengers film.  While our heroes are continually spending the film trying to catch up to Thanos and reacting to his latest action, Thanos is always one step ahead.  Thanos is the one who steers the narrative and, for once, you really do believe that an MCU villain views the heroes as being mere distractions.  Thanos is the one on a quest and the film follows him through every step of his search.  In fact, the film’s most emotional moments belong to Thanos.  For all the death and destruction to be found in the film’s surprisingly dark narrative, Thanos is the only character to ever shed a tear.  Like all great villains, Thanos doesn’t view himself as being evil.  Instead, Thanos speaks very sincerely of his desire to bring balance to the universe.  The scary thing about Thanos isn’t that he claims that he’s being merciful when he slaughters millions of beings.  The scary thing about Thanos is that believes it.

Thanos, you see, is a bit of an intergalactic environmentalist.  As he explains it, the universe only has a finite number of resources.  By killing half of the universe’s population, he is ensuring that the other half will be able to survive in peace and harmony.  Most people would call Thanos’s actions genocidal but Thanos would probably say that he’s merely making the difficult decisions that others don’t have the courage or intelligence to make.  It may all sound rather far-fetched and melodramatic until you consider that, just last week, bureaucrats and doctors in the UK decided it would be better to starve a sick infant to death rather than allow his parents to take him to be treated in another country.  With his mix of narcissism and absolutely belief in his own moral certitude, Thanos is a far more familiar villain than a lot of viewers might want to admit.  As opposed to the forgettable villains who have appeared in so many MCU films, Thanos is a compelling and complicated figure.  It’s interesting to note that two of the best performances of the year so far were given by actors appearing as villains in MCU films, Michael B. Jordan in Black Panther and Josh Brolin in this one.

As befits the film’s subject matter, Infinity War is a sprawling film, one that skips from world to world.  The visuals are frequently spectacular, as are the many battles.  From the opening attack on New York to the final battles in Wakanda and in space, the action is non-stop and thrilling.  (It helps that, as opposed to some of the previous MCU films, it’s always clear who is fighting who and why they’re fighting.)  For me, though, the most memorable scenes are the scenes where Thanos looks and considers the worlds that he’s destroyed.  There’s a scene where an exhausted Thanos rests on a placid planet and it’s one of the strongest images in the history of the MCU.

I’ve been told that I shouldn’t worry too much about all of the characters who are killed over the course of Infinity War.  From what I’ve been told, it’s apparently something of a tradition in Marvel comics to kill off a bunch of recognizable characters and then have them come back to life an issue or two later.  And the fact that the sequel to Infinity War has already been filmed and is set to released next year leads me to suspect that nothing’s permanent.  I mean, if all of these people are really dead, there aren’t going to be many heroes left to make any more movies about.  That said, I still got far more emotional than I probably should have at some of the unexpected demises.  Especially … well, no.  I won’t say the name.  But seriously, it was upsetting.

2018 is shaping up to be the year of Marvel.  So far, Marvel has released two of the best films of the year.  To be honest, a film as huge as Infinity War shouldn’t have worked and yet, it does.  It’s a masterpiece of pop art.*

* For a totally different response to Avengers: Infinity War, check out Ryan’s review by clicking here!

Spider-Man: Homecoming Slings In With Two Official Trailers


spider-man-homecoming

It’s been rumored that the Spider-Man: Homecoming trailer will appear in front of Rogue One: Star Wars Story. It’s logical considering Sony has let Spider-Man to play in the Marvel Cinematic Universe sandbox which also happens to share spot in the Walt Disney Empire with Lucasfilm. Yet, we don’t have to wait for next week’s Rogue One to see this trailer. Like all superhero blockbuster films the trailers themselves get their premiere on-line (after a live premiere on Jimmy Kimmel Live) and this is no different with the first official trailer for Spider-Man: Homecoming.

So, without further ado, here’s not one, but two trailers for Spider-Man: Homecoming.

Domestic: this one definitely focuses more on the high school aspect of Spider-Man’s life.

International: this one a bit more action-packed with a focus on Spider-Man’s heroics and more time showcasing the villains.