Film Review: The Circle (dir by James Ponsoldt)


Earlier today, I got off work early and I finally saw The Circle!

The Circle is a film that I’ve been curious about for a while.  It’s based on a novel by Dave Eggers, a book that I absolutely loved when I first read it.  It stars Emma Watson, Tom Hanks, Patton Oswalt, and John Boyega.  It’s directed by James Ponsoldt, who may not be a household name but who has previously directed such beloved films as The Spectacular Now and The End of The Tour.  It sounded like a film to which everyone should have been looking forward but instead, even with Watson appearing in the blockbuster Beauty and the Beast at the same time, The Circle opened with very little fanfare.

Then the reviews came out and, with a few notable exceptions, they were all negative.  I did a little research and I discovered that, though filming was initially completed in 2015, The Circle spent a year and a half sitting on the shelf.  In January of this year, 16 months after shooting wrapped, a few scenes were refilmed.  That’s never a good sign.  One gets the feeling that, if not for John Boyega’s role in Star Wars: The Force Awakens and the excitement over Emma Watson starring in Beauty and the Beast, The Circle probably would have ended up going straight to VOD.

But here’s the thing.  I loved the book.  The book managed to put a new spin on the otherwise tired topic of how social media has changed our way of looking at the world.  The book was an Orwellian masterpiece, an homage to 1984 by a writer who, as opposed to most people who are currently claiming to appreciate the novel’s dark vision, understood what George Orwell was actually saying.

In fact, the more I thought about it, the easier it was for me to assume that most critics probably missed the point of the movie.  It was entirely possible, I decided, that the negative reaction to The Circle had to do with audiences not knowing how to deal with a movie that truly challenged their assumptions.  Naively, I assumed that the story and the themes of the novel had been brought to the screen and the critics couldn’t handle it.

Well, as I said earlier, I finally saw The Circle for myself and it turns out that I was wrong.  The Circle is an absolute mess.  Despite being co-written by Dave Eggers, this film actually has very little in common with the novel that it’s based on.  The novel was a sharply satiric portrait of a world that has become brainwashed by technology and social media.  The movie is a nagging anti-internet screed that would have felt out-of-touch in 2002.  The book ends with a powerful “and he loved Big Brother” moment.  The movie ends on a note that feels so completely false that you just know it was studio mandated.

Emma Watson plays Mae Hubbard, a recent college grad whose degree in Art History is pretty much going to waste.  (Speaking as the proud recipient of an Art History degree, I can verify that the film gets this detail absolutely right.)  Through a college friend named Annie (Karen Gillian, for once not having to disguise her Scottish accent), Mae gets a job working for The Circle, an all-powerful internet company that is pretty obviously based on Google Plus.  Through a series of silly events, Mae becomes the public face of The Circle.  The Circle wants to use technology (cameras everywhere, social media addiction, everyone carries tablet, you must have a credit card to join The Circle, oh my!) to do away with the concept of privacy.  When everyone is a member of the Circle, no one will be a stranger.  No one will have any privacy.  Anyone can be found.  Anyone can be watched.  And, of course, it’ll be easier to tell everyone what to think and who to support…

…and all of this would be shocking if The Circle had been made in a time before Twitter and Facebook.

Anyway!  The Circle was founded by three men.  Two of them (Tom Hanks, Patton Oswalt) are totally sinister.  Oswalt glowers in the background.  Hanks appears to channeling Christoph Waltz.  Meanwhile, the third man (John Boyega) has become disillusioned with The Circle.  He shows up occasionally, standing in the background and watching as Mae does stuff.

Throughout the film, Tom Hanks gives lectures to his employees.  They all applaud as he introduced the latest technology from The Circle.  These scenes are fun because it looks like Tom Hanks is appearing in a commercial for The Criterion Collection.

Anyway, Mae loves the brave new world but a few people don’t.  Her parents (Bill Paxton and Glenne Headly) are skeptical.  Though his role is small, Bill Paxton gave a good performance in this, his latest released film.  I got a bit emotional watching him, especially as he was playing a character struggling with his own poor health.  Ellar Coltrane, of Boyhood fame, plays the other voice of skepticism, Mae’s childhood friend who wants to live off the grid.  Coltrane is supposed to be the voice of reason but he gives such a strange and awkward performance that the main thing that comes across is that Luddites are weird.

Actually, with the exception of Bill Paxton and Karen Gillan, it’s hard to think of anyone who actually gives a good performance in The Circle.  (This is especially shocking when you consider that, in the past, Ponsoldt has proven himself to be an excellent director when it comes to getting noteworthy work from his cast.)  Everyone comes across like they were wishing that they were somewhere else.  Emma Watson, in particular, is bad.  That said, in her defense, Watson is also totally miscast.  Mae is meant to be someone searching for an identity in an overly complicated world but Watson plays her as just being dourly earnest.  As played by Watson, Mae’s just the boring person that you dread having to take a class with.  Neither Watson nor the film, as a whole, seems to be sure who exactly Mae is.  (In the novel, the character works because Mae isn’t meant to be likable.  The film, however, tries to have it both ways, making her both a true believer in the Circle and a sympathetic character.  It doesn’t work.)

For that matter, the film also appears to be confused as to just why exactly Hanks and Oswalt are villains.  We know that we’re supposed to distrust them because Hanks is way too quick to smile and Oswalt is always standing in the background and looking like he’s just deliberately killed all of his Sims.  But how evil are they actually supposed to be?  What are the stakes?  The film doesn’t appear to be sure.

Now, I’m not totally trashing The Circle.  There were a few moments that I did like.  I enjoyed the scenes that were meant to illustrate the cult-like atmosphere at the Circle.  There’s a hilarious scene where two enthusiastic Circle employees interrogate Mae as to why she never told them that she enjoys kayaking.  (“I enjoy kayaking!  We could have kayaked together!”)  And there’s another scene where Hanks and Oswalt talk about how, if countries allow The Circle to run their elections, they could then require everyone to join The Circle and then make voting mandatory.  Mandatory Voting is a really terrible idea, the type that is always embraced by people who should know better.  I appreciated seeing the idea exposed for being the ticket to totalitarianism that it truly is.

But, for the most part, The Circle was just a mess.  Like a lot of cautionary tales (especially ones dealing with the internet), The Circle will probably eventually become a bit of a camp classic.  But for now, everyone involved with the film has done better work in the past and, hopefully, will continue to do so in the future.

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Film Review: Guardians of the Galaxy Vol. 2 (dir by James Gunn)


(MINOR SPOILERS!  SPECIFICALLY, THE IDENTITY OF THIS FILM’S MAIN VILLAIN WILL BE REVEALED)

The Guardians of the Galaxy are back!

And this time, they’ve brought some new friends with them, friends with names like Kurt Russell, Sylvester Stallone, and … David Hasselhoff?

That’s right.  David Hasselhoff is now a part of the Marvel Cinematic Universe and somehow, it feels totally appropriate.  For all the words that have been written comparing Guardians of the Galaxy to the Star Wars franchise, it’s true ancestor is the 1978 Italian film, Starcrash.  (Perhaps not coincidentally, Starcrash was Hasselhoff’s film debut.)  Watch the trailer below and just try to tell me that you can’t imagine Chris Pratt and Zoe Saldana in the lead roles.

But enough about my obsession with Italian exploitation films.  I know the question that you want answered.  Is Guardians of the Galaxy Vol. 2 as good as the first one?

Well, it depends on how you look at it.  Guardians of the Galaxy Volume 2 is an absolute blast, a wonderfully entertaining film that mixes subversive comedy with sci-fi action.  Everyone from the first film — Chris Pratt, Zoe Saldana, Dave Bautista, Karen Gillan, Michael Rooker, and the voices of Bradley Cooper and Vin Diesel — is back and they’ve still got the same winning chemistry that made the first film so much fun.  Everyone is still committed to their roles, delivering even the strangest of dialogue with undeniable flair.  Nobody’s gotten bored with saving the universe yet.  The new additions to the cast are all well selected.  Kurt Russell totally disproves the assumption that MCU villains are never as interesting as their heroic opponents but, then again, it helps that he’s playing a character who has a memorable and odd backstory.  Once again, director James Gunn combines crowd-pleasing moments with his own sharp sense of humor.  If the pompous tone of Man of Steel and Batman v Superman made you sick, Guardians of the Galaxy Volume 2 is the perfect antidote.

Unfortunately, Volume 2 doesn’t provide the same thrill of discovery as the first film.  It’s easy to forget that, before the first film came out, a lot of people were predicting that Guardians of the Galaxy would be the first MCU film to flop at the box office.  The conventional wisdom was that, as opposed to a character like Captain America, no one, outside of a few comic book readers, knew who the Guardians of the Galaxy were.  Chris Pratt was just the goofy guy from Parks and Recreation.  A talking raccoon?  A walking tree?  It was all way too weird, the naysayers proclaimed, to appeal to a mainstream audience.

However, James Gunn proved them wrong.  Guardians of the Galaxy was not only the most successful MCU film to that date but it was also my pick for the best film of 2014.  I can still remember watching it for the first time and immediately falling in love with both the film’s skewered sensibility and Chris Pratt’s funny but soulful performance.  As opposed to a lot of films that were nominated for and won Oscars that year, Guardians of the Galaxy actually holds up after repeat viewings.

(Seriously, has anyone tried to rewatch Birdman lately?)

Going into the sequel, everyone now knows who the Guardians are and Chris Pratt is now a beloved film star.  Volume 2 has a lot to live up to and, for the most part, it succeeds.  It’s a tremendous amount of fun and, at the same time, it has a heart.  (The heart at the center of the Guardian of the Galaxy films is perhaps the biggest heart in the MCU.)

What is the film about?  Much like the first film, it’s about family.  After years of telling everyone that his father was David Hasselhoff, Peter Quill (Chris Pratt) finally meets his real father (Kurt Russell), a God-like figure named Ego.  Charismatic, cheerful, and just a little bit odd, Ego seems like the perfect father figure but he has some secrets of his own.  Russell gives a wonderful performance, making Ego one of the few MCU villains to be as interesting as the heroes.

While Peter is bonding with his dad, he is also being pursued by his adoptive father, the blue-skinned space pirate named Yondu (Michael Rooker).  Yondu has been rejected by both his adopted son and the rest of his adopted family.  The other space pirates are no longer loyal to him.  His former boss (Sylvester Stallone) wants nothing to do with him.  As silly as it all may sound, it’s also unexpectedly poignant, thanks to Michael Rooker’s performance.  Rooker has appeared in several of Gunn’s films.  He’s almost the Cary Grant to Gunn’s Alfred Hitchcock.  Rooker gives one of the best performances of his careeer in the role of Yondu.  It’s tempting to be dismissive of Yondu, with his blue-skin and his Alabama accent, but Rooker makes him one of the most compelling characters to ever be found in an MCU film.

Meanwhile, Rocket Raccoon (voiced again by Bradley Cooper) has become a surrogate father figure to Groot (voice by Vin Diesel), who is still just a baby tree.  (Groot, a living tree, was reduced to just a twig at the end of the first film.  Fortunately, Rocket planted the twig and, in another few movies, we’ll hopefully have a fully grown Groot.)  Yes, Baby Groot does get to dance, again.  At one point, one of the film’s villains forbids any of his henchmen from attacking Baby Groot because he’s just too adorable to destroy.  And he’s right!  After this movie, everyone will want a Baby Groot of their own.

Gamora (Zoe Saldana) has been reunited with her sister, Nebula (Karen Gilliam) and, once again, they spend most of the movie trying to kill each other.  I have three older sisters so I related to their relationship.

And finally, Drax (Dave Bautista) is still mourning his family.  Fortunately, he gets to spend some quality time with Ego’s odd assistant, an empath named Mantis (Pom Klementieff).  Drax and Mantis both have no idea how social interaction is supposed to work and their scenes together are definitely a highlight of the film.  Bautista and Klementieff share a really likable chemistry.  Bautista is one of those actors who can make you laugh just be giving the camera a quizzical look.  Drax may not be as a complicated as the other Guardians but that simplicity often makes him as interesting as his more complex compatriots.

The film’s not only about family.  It’s also a strike against elitism and a celebration for freedom.  Over the course of two films, the Guardians have battled against both an actual god and a fanatic who claimed to speak for God.  At a time when so many movie heroes are tools of authoritarianism, the Guardians of the Galaxy stand for freedom.  In many ways, Peter Quill is as much of a symbol for liberty as Captain America.  Captain America makes his point with a shield while Peter Quill makes his case by dancing.

As might be expected from an MCU film, Guardians of the Galaxy Volume 2 is full of thrilling visuals, exciting battles, and quotable one liners.  Even if it never reaches the heights of the first one, it’s a blast of a film and, as Arleigh told me it would, the finale brought tears to my mismatched eyes.  See it and have a good time.

Also, be sure to stick around through the entire end credits.  Along with a lot of clues about what might happen in the future of the MCU, there’s also one final Groot joke that made me laugh out loud.

Enjoy!

 

Guardians of the Galaxy Vol. 2 Teaser Trailer Arrives


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“I am Groot.”

James Gunn finally unleashes the first full teaser trailer for his upcoming space opera superhero film out on May 2017. Guardians of the Galaxy Vol. 2 remains one of the 2017’s highly-anticipated films and looking back at how the first film there’s a great chance this band of galactic misfits’ next adventure could join the billion-dollar club. Not bad for a film that earned its popularity on the shoulders of a talking, psychotic raccoon and a talking tree (if I remember correctly, that tree made Lisa Marie cry).

This teaser trailer definitely focuses on the smallest member of the team in Baby Groot and from the reaction on the internet since the teaser trailer’s release it might have just broken the internet in some fashion. The humor from the first film looks to return as well with the cast staying the same and more in tuned with one another.

As all teaser trailer should do, this one doesn’t reveal much of the film’s plot. Just enough action and great visuals to whet the appetites of those already eagerly awaiting the film to arrive.

Consider appetites to be whetted.

Guardians of the Galaxy Vol. 2 is set for release on May 5, 2017 in 3D and IMAX everywhere in the galaxy.

A Sneak Peek At Guardians of the Galaxy Vol. 2


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“There are two types of beings in the universe. Those who dance and those who do not.”

Another brief break from our regularly scheduled horror programming courtesy of Marvel Studios and James Gunn (and the rockin’ sweet poster of the whole Guardians looking like they’re about to drop the hottest 80’s rock album in history).

Guardians of the Galaxy was a surprise hit for Marvel Studios in 2014. It was an obscure Marvel Comics property that many thought would finally end the long streak of box-office success for Marvel Studios and it’s growing and ever-expanding Cinematic Universe. Instead, it was a huge hit with audiences and critics, alike.

This was the film that finally cemented the arrival of a juggernaut blockbuster studio. One that ended up tying Warner Bros. and DC Studios into so many knots in trying to keep up. If Marvel Studios could make a film that had a talking raccoon and tree who spoke only one phrase into a major hit then surely a film with Batman and Superman sharing the screen would be a mega-success.

Now, we have to wait until the start of the 2017 Summer film season to see what new cosmic adventures and hi-jinks Star-Lord and his Guardians of the Galaxy have been getting into.

Until then James Gunn has released this sneak peek (pretty much a teaser trailer) into Guardians of the Galaxy Vol. 2 (he did promise there will be an official trailer coming soon).

Guardians of the Galaxy Vol. 2 is set for a May 5, 2017 in theaters everywhere.

Playing Catch-Up: The Big Short (dir by Adam McKay)


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The Big Short is a film that is so critically acclaimed and that has been so passionately embraced by those who enjoyed it that it’s a bit intimidating to admit that it really didn’t do much for me.  (It’s even more intimidating for me to admit that I nearly included it on my list of the 16 worst films of 2015.)  It’s a big, angry movie and, even though it’s not really that good, it definitely taps into the zeitgeist.  It captures the anger, the frustration, and the fears that people (including me) are feeling right now.  It didn’t do much for me but I can understand why others have so passionately embraced it.

As for the film itself, it’s about the housing collapse and the financial crisis of 2008.  The main characters are all people who realized that the economy was about to collapse and who managed to make a profit off of the crisis.  For the most part, everyone gets at least two scenes where they get to rail about how angry they are that they’re making a profit off of other people’s misery.  However, they all still collect their money at the end of the film.

For the most part, our main characters are the type of quirky eccentrics who always tend to pop up in ensemble films like this.  They’re all played by recognizable actors and they all have an identifiable trait or two so we can keep them straight.  For instance, Christian Bale has trouble relating to people socially, plays drums, and looks like he probably has terrible body odor.  Steve Carell has a bad haircut and spends a lot of time yelling at people.  He’s also haunted by the suicide of his brother and he’s married to Marisa Tomei but she only gets to appear in two scenes and doesn’t really do much because this is a film about menfolk, dagnabit.  (I love Steve Carell but this is probably the least interesting performance that he’s ever given.)  John Magaro and Finn Wittrock are two young investors and they especially get upset when they realize that the economy is about to collapse.  Their mentor is played by Brad Pitt.  Since this is an important film, Brad Pitt plays his role with his important actor beard.

And then there’s Ryan Gosling.  Gosling plays a trader and he also narrates the film.  And really, Gosling probably gives the best performance in the film, perhaps because his character is the only one who is actually allowed to enjoy making money.  I think we’re supposed to be outraged when he brags about making money while people lose their houses but Gosling’s so charismatic and the character is so cheerful that it’s hard to dislike him.

(Of course, listening to Gosling’s narration, it’s impossible not to be reminded of The Wolf of Wall Street.  And it’s appropriate because The Big Short is kind of like The Wolf of Wall Street for people who don’t want to have to deal with ambiguity or nuance.)

The film has gotten a lot of attention for Adam McKay’s direction, which is flashy and always watchable but, at the same time, also rather shallow.  For the most part, McKay’s directorial tricks only served to remind me of other movies.  The narration, of course, made me think about The Wolf of Wall Street.  The scenes where characters look straight at the camera and say, “This isn’t the way it really happened,” only reminded me of how much more effective it was when the same thing happened in Michael Winterbottom’s 24 Hour Party People.

And then there’s the celebrity cameos.  These are the scenes where a special guest celebrity is brought on screen to explain to us how Wall Street actually works.  The first time, it’s Margot Robbie in a bubble bath and it works well because it admits the debt that The Big Short owes to Wolf of Wall Street.  (Plus, it ends with Robbie telling the viewers to “fuck off,” which is probably what I would do if a huge group of strangers interrupted my bubble bath.)  If McKay had limited himself to just doing it once, it would have been brilliant.  But McKay drags out three more celebs and, with repeated use, the technique gets less and less interesting.

But I guess it’s debatable whether any of that matters.  The Big Short taps into the way people are feeling now.  It’s a zeitgeist film.  People are rightfully angry and The Big Short is all about that anger.  A decade from now, it’ll probably be as forgotten as Gabriel Over The White House.  But for now, it’s definitely the film of the moment.

For Your Consideration #10: Guardians of the Galaxy (dir by James Gunn)


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As of right now, as far as I’m concerned, Guardians of the Galaxy is the best film of 2014.

Now please understand, I live in fly-over country and that means that there’s still quite a few films that I need to see.  Next week and through the new year, I plan to see Foxcatcher, Inherent Vice, Into the Woods, Wild, and quite a few other films.  And any one of those films could, potentially, become my new favorite of 2014.

But, as of right now, Guardians of the Galaxy is my favorite.

Of course, Guardians of the Galaxy is not the type of film that will ever get a major Oscar nomination.  It’s unfairly dismissed as being pure entertainment or just a summer blockbuster.  A few critics group have been nice enough to mention it but, for the most part, Guardians of the Galaxy is not the type of film that’s going to be given serious consideration for the big awards.

Except, of course, by me.

Below are ten reasons why I think Guardians of the Galaxy deserves serious consideration:

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1) Never underestimate the importance of escapism.

Usually, when a film is described as being “escapist entertainment,” it’s a back-handed compliment.  The implication is that the film may be entertaining but it has nothing to do with real world issues and therefore, it’s not as important as other films.  We’re allowed to enjoy it but we’re supposed to feel guilty about it.

But you know what?

Sometimes, we need to be able to escape.  That was certainly true this year.  2014 will not be remembered as a great year for humanity.  From January to December, it’s been an endless parade of cruelty and intolerance.  And no, we should never pretend that we live in a perfect world.  We need to be aware of what’s happening outside of our own little corner of the world.

But that doesn’t mean that we haven’t earned the right to escape for 122 minutes.  In fact, I would argue that 122 minutes of pure entertainment is something that we need to make time for if we are going to remain strong enough to face and perhaps change the realities of the world.

In short, when I walked out of the theater after watching Guardians of the Galaxy, I felt better than when I had first taken my seat.  I felt happy.  I felt enthusiastic.  I felt ready to face this fucked up world of ours.

There is a place for pure, unadulterated escapism in cinema.

Not every film has to be a somber, self-important mess like Man of Steel.

Thank God.

2) The unappreciated subtext of Ronan

However, Guardians of the Galaxy is not pure escapism.  Much as in this case of The Purge Anarchy and Capt. America: The Winter Soldier, there is a deeper subtext to the film.  You just have to be willing to look for it.

One of the more frequent complaints about Guardians of the Galaxy is that the villain, Ronan (Lee Pace), isn’t particularly interesting and it is true that, when compared to Tom Hiddleston’s Loki or Iron Man’s villains, Ronan does seem to be a bit bland.  His goals and his motivation are pretty simple.  He destroys stuff and he kills people.  Why?  Because he’s the bad guy.

But, let’s take a closer look at Ronan.  Ronan is a fanatic who believes that only his way is the correct way and only his beliefs are pure.  Anyone who has different beliefs must be unpure and therefore, if they don’t agree to convert to his way of believing, Ronan is justified in destroying them.

Does that sound familiar to anyone?

For all the complaints that Ronan was a one-dimensional villain, the same can be said of Joseph Kony, Kim Jong-un, and Jihadi John, and Fred Phelps.  The same can be said about a lot of evil people but that does not make them any less evil or dangerous.  Ronan may be a simple villain but he’s also the type of villain that we can find all over the world.

The one thing that all Ronan-style fanatics have in common is a complete lack of imagination and humor.  When Peter Quill stood up to Ronan by dancing, it was more than just a crowd-pleasing scene in a big action movie.  It was a call-to-arms to not allow ourselves to be held hostage by the Ronans of the world.  It was a plea to not let the fanatics among us steal our imagination and our right to find joy in our own individual way.

In short, it was a lesson that the entire world needs to learn.

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3) I Am Groot

Yes, yes, I know.  At this point, we’ve all had to listen to hundreds of friends, relatives, and strangers who have gotten it into their heads that they can perfectly imitate Vin Diesel saying, “I am Groot.”  But, seriously — there’s a reason why everyone fell in love with that catch phrase and that’s because both Diesel and the film do more with those three words that most actors can do with a four-page monologue.

And if you didn’t tear up when you heard, “We are Groot,” then I’m sorry.  You may be too cynical for your own good.

4) Introducing … James Gunn!

If you’ve read my review of Super or Arleigh’s review of Slither, then you know that James Gunn has long been a favorite of ours.  One of the joys of the success of Guardians of the Galaxy has been watching him become a favorite of everyone else as well.  And he deserves every bit of that success.  Working within the confines of the summer blockbuster genre, Gunn has created a film that works as both a superior action movie and as a quirky comedy.  With Guardians, James Gunn proved that it is possible to make a mainstream film without selling out your own individual style.

5) Introducing … Chris Pratt!

Even before he played Peter Quill, Chris Pratt was one of those actors who I have always been happy to see on screen.  He just has such a naturally likable presence.  But nothing he had done previously had prepared me for the pure joi de vivre that he brought to the role of Peter Quill.  Whether he was trying to convince people to call him Star-Lord or hilariously attempting to “rally the troops” or daring Ronan to a dance-off, Chris Pratt was a joy to watch.  If nothing else, Guardians of the Galaxy is the film that proves that Chris Pratt is a star (perhaps even a Star-Lord).

6) And let’s not forget Michael Rooker and Benicio Del Toro

Michael Rooker and Benicio Del Toro are both such quirky and unpredictable actors that I’m always happy to see either one of them on screen.  Having both of them in one movie is even better.  Rooker is perhaps the only actor alive who could not only be believable as a blue-skinned alien with an Alabama accent but who could also make that character into one of the most compelling in the film.  As for Del Toro, I know that his defiantly eccentric performance was controversial but personally, I loved the strange energy he brought to all of his scenes.

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7) And …. everyone else!

One thing that I really loved about Guardians of the Galaxy is that there were no wasted roles.  Every character — from Peter to Zoe Saldana’s Gamora to John C. Reilly’s upright military guy to the people who only had a line or two — felt real.  For a lot of viewers (including me), Rocket Raccoon (voiced by Bradley Cooper) was an easy favorite.

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However, if I had to pick a best performance, I’d go with Dave Bautista as Drax.  Bautista did so much with so little.  As written, Drax is a physical dynamo with a need for revenge and absolutely no sense of humor.  That’s a pretty standard character for a film like this.  However, Bautista did so much with that character that poor, literal-minded Drax ultimately became one of the most intriguing characters in the film.  My favorite Drax moment came when, in response to hearing that everything goes over his head, he explained that nothing could go over his head because he would reach up and grab it.

8) That soundtrack

I have to admit that I didn’t care as much for Interstellar as some people did.  One of my big problems with the film came down to Hans Zimmer’s score.  It was so loud and overbearing that I actually found myself covering my ears.  But what really bothered me was how unnecessary it was.  Whenever Matthew McConaughey or Anne Hathaway made a profound statement or the spaceship started to shake, the music would suddenly blast in my ear.  It was like having Hans Zimmer in my head, repeatedly shouting, “IMPORTANT!  IMPORTANT!  EXCITING!  EXCITING!”

BLEH!

And it made me appreciate how much I loved the soundtrack of Guardians of the Galaxy.  By using songs that you would never expect to see in a science fiction epic, that soundtrack both mocked the genre’s natural tendency towards self-importance and also forced us to take another look at familiar scenes.  From the minute Peter started dancing to Come and Get Your Love, I knew that I was watching a special movie.

9) The Prison Break

From planning to execution, this was without a doubt one of the best action sequences of the year.  From Rocket laying out his overly complicated plan while Groot tries a much simpler method in the background to Peter asking for the guy’s leg to the use of The Pina Colada Song, this was a perfect scene.

10) And finally … Dancing Groot!

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And those are just a few reasons why I think Guardians of the Galaxy is the best film I’ve seen this year so far.

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(For a differing opinion, check out Ryan’s review here.)

 

Guardians of the Galaxy 5-minute Extended Clip


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“Hold on…what’s a racoon?”

With just a little over a week before Marvel Studios releases it’s latest comic book film with Guardians of the Galaxy it looks like the Disney marketing machine is in full swing.

Last week saw them give a 17-minute preview on IMAX screens which was well-received by those who actually went and watched it. Then just over the weekend a select number (200 or so) film journos were invited to the Disney lot to watch an advance screening of the full film. From the reaction by those who saw this screening over on Twitter it looks like Marvel has another hit in their hands which should feed the hype machine leading up to next year’s Avengers: Age of Ultron.

I’ve already bought and reserved my seat for the early Thursday night screening next week in San Francisco’s IMAX @ the Metreon. The year-long anticipation is almost over, but for now here’s the latest offering from the Marvel and Disney marketing machine.