The San Diego Film Critics Society Gives Some Love To Buster Scruggs!


On Firday, the San Diego Film Critics Society announced their nominations for the best of 2018 and, to their credit, they showed a lot of love to the Coen Brother’s fascinatingly strange western anthology film, The Ballad of Buster Scruggs!

(That’s Buster up at the top of the post.  He’s only in the movie for about 20 minutes but you’ll never forget him.)

Here are the nominations from San Diego!

Best Picture
THE BALLAD OF BUSTER SCRUGGS
THE FAVOURITE
GREEN BOOK
LEAVE NO TRACE
A QUIET PLACE

Best Director
Bo Burnham, EIGHTH GRADE
Debra Granik, LEAVE NO TRACE
John Krasinski, A QUIET PLACE
Peter Farrelly, GREEN BOOK
Yorgos Lanthimos, THE FAVOURITE

Best Actor, Male
Christian Bale, VICE
Ethan Hawke, FIRST REFORMED
Viggo Mortensen, GREEN BOOK
John C. Reilly, THE SISTERS BROTHERS
Lucas Hedges, BOY ERASED

Best Actor, Female
Carey Mulligan, WILDLIFE
Glenn Close, THE WIFE
Lady Gaga, A STAR IS BORN
Melissa McCarthy, CAN YOU EVER FORGIVE ME?
Elsie Fisher, EIGHTH GRADE

Best Supporting Actor, Male
Joel Edgerton, BOY ERASED
Mahershala Ali, GREEN BOOK
Richard E. Grant, CAN YOU EVER FORGIVE ME?
Sam Elliott, A STAR IS BORN
Timothée Chalamet, BEAUTIFUL BOY

Best Supporting Actor, Female
Alia Shawkat, BLAZE
Nicole Kidman, BOY ERASED
Nina Arianda, STAN & OLLIE
Thomasin McKenzie, LEAVE NO TRACE
Zoe Kazan, THE BALLAD OF BUSTER SCRUGGS

Best Comedic Performance
Awkwafina, CRAZY RICH ASIANS
Hugh Grant, PADDINGTON 2
Jason Bateman, GAME NIGHT
Jesse Plemons, GAME NIGHT
Ryan Reynolds, DEADPOOL 2

Best Original Screenplay
Bo Burnham, EIGHTH GRADE
Bryan Woods, Scott Beck, John Krasinski, A QUIET PLACE
Joel Coen, Ethan Coen, THE BALLAD OF BUSTER SCRUGGS
Nick Vallelonga, Brian Hayes Currie, Peter Farrelly, GREEN BOOK
Wes Anderson, ISLE OF DOGS

Best Adapted Screenplay
Armando Iannucci, David Schneider, Ian Martin, Peter Fellows, Fabien Nury, THE DEATH OF STALIN
David Lowery, THE OLD MAN & THE GUN
Debra Granik, Anne Rosellini, LEAVE NO TRACE
Joel Edgerton, BOY ERASED
Nicole Holofcener, Jeff Whitty, CAN YOU EVER FORGIVE ME?

Best Documentary
FREE SOLO
LOVE, GILDA
RBG
THREE IDENTICAL STRANGERS
WON’T YOU BE MY NEIGHBOR?

Best Animated Film
HAVE A NICE DAY
INCREDIBLES 2
ISLE OF DOGS
RALPH BREAKS THE INTERNET
SPIDER-MAN: INTO THE SPIDER-VERSE

Best Foreign-language Film
CAPERNAUM
COLD WAR
THE GUILTY
ROMA
SHOPLIFTERS

Best Costume Design
Sandy Powell, THE FAVOURITE
Guy Speranza, STAN & OLLIE
Lindy Hemming, PADDINGTON 2
Mary E. Vogt, CRAZY RICH ASIANS
Mary Zophres, THE BALLAD OF BUSTER SCRUGGS

Best Editing
Christopher Tellefsen, A QUIET PLACE
Jamie Gross, David Egan, GAME NIGHT
Joel Coen, Ethan Coen, THE BALLAD OF BUSTER SCRUGGS
Patrick J. Don Vito, GREEN BOOK
Yorgos Mavropsaridis, THE FAVOURITE

Best Cinematography
Alexander Dynan, FIRST REFORMED
Alfonso Cuarón, ROMA
Bruno Delbonnel, THE BALLAD OF BUSTER SCRUGGS
Joshua James Richards, THE RIDER
Magnus Nordenhof Jønck, LEAN ON PETE

Best Production Design
Adam Stockhausen, READY PLAYER ONE
Fiona Crombie, THE FAVOURITE
Hannah Beachler, BLACK PANTHER
John Paul Kelly, STAN & OLLIE
Tim Galvin, GREEN BOOK

Best Visual Effects
BLACK PANTHER
CHRISTOPHER ROBIN
ISLE OF DOGS
PADDINGTON 2
READY PLAYER ONE

Best Use Of Music In A Film
BAD TIMES AT THE EL ROYALE
BLAZE
BOHEMIAN RHAPSODY
GREEN BOOK
A STAR IS BORN

Best Ensemble
THE BALLAD OF BUSTER SCRUGGS
BOY ERASED
THE FAVOURITE
GAME NIGHT
GREEN BOOK

Best Breakout Artist
Thomasin McKenzie, LEAVE NO TRACE
Elsie Fisher, EIGHTH GRADE
Rami Malek, BOHEMIAN RHAPSODY
Charlie Plummer, LEAN ON PETE
Bo Burnham, EIGHTH GRADE

Some thoughts on the Golden Globe Nominations


Well, it happens every year.

The precursor season always starts with some unexpected winners and you start to think that maybe some of the year’s best indie films might be able to get some Oscar love.  This season, for instance, I was excited to see the attention being given to Eighth Grade and, to a lesser extent, First Reformed.  I was also excited to see that A Quiet Place and Black Panther were being remembered.

“Oh my God!” I thought, “Even if we already know that either Green Book or A Star is Born are going to win everything this year, the Oscar nominations could still be interesting!”

And then, as they do every year, the Hollywood Foreign Press Association had to come along and basically fuck everything up.  For some reason, the HFPA have become one of the biggest of the precursor awards.  Getting nominated for a Golden Globe is considered to be a major step for any Oscar contender.  Getting ignored by the Golden Globes is enough to knock a previously strong contender out of the contest.  Why is this?  I’m not sure.  The HFPA is a notorious bunch of star fuckers and it’s pretty much an open secret that almost anyone can buy a Golden Globe nomination if they’ve got enough money.  But, for some reason, the annually mediocre Golden Globe nominations carry a lot of weight in Hollywood.

Anyway, this year’s nominations pretty much ignored all of the cool indie films that have come out this year.  Elsie Fisher was nominated for Best Actress but otherwise, Eighth Grade was ignored.  First Reformed was nominated for nothing.  Hereditary was nominated for nothing.  I am happy to see that Black Panther was nominated.  That’s a step in the right direction in that film’s quest to be the first comic book movie to be nominated for best picture.

I guess what really bugs me is that Vice — a film that I have no desire to see — received the most nominations and is now definitely an Oscar contender.  I’ve been told that Vice is even more smug and shallow than The Big Short.  And now, I guess I have to see it.  AGONY!

Anyway, here are the nominees.  (Below are the film nominees.  For the TV nominees, click here.)

Best Motion Picture – Drama
Black Panther
BlacKkKlansman
Bohemian Rhapsody
If Beale Streat Could Talk
A Star Is Born

Best Motion Picture – Comedy or Musical
Crazy Rich Asians
The Favourite
Green Book
Mary Poppins Returns
Vice

Best Director
Bradley Cooper (A Star Is Born)
Alfonso Cuaron (Roma)
Peter Farrelly (Green Book)
Spike Lee (BlacKkKlansman)
Adam McKay (Vice)

Best Actor in a Motion Picture – Drama
Bradley Cooper (A Star Is Born)
Willem Dafoe (At Eternity’s Gate)
Lucas Hedges (Boy Erased)
Rami Malek (Bohemian Rhapsody)
John David Washington (BlacKkKlansman)

Best Actress in a Motion Picture – Drama
Glenn Close (The Wife)
Lady Gaga (A Star Is Born)
Nicole Kidman (Destroyer)
Melissa McCarthy (Can You Ever Forgive Me?)
Rosamund Pike (A Private War)

Best Actor in a Motion Picture – Comedy or Musical
Christian Bale (Vice)
Lin-Manuel Miranda (Mary Poppins Returns)
Viggo Mortensen (Green Book)
Robert Redford (The Old Man & the Gun)
John C. Reilly (Stan & Ollie)

Best Actress in a Motion Picture – Comedy or Musical
Emily Blunt (Mary Poppins Returns)
Olivia Colman (The Favourite)
Elsie Fisher (Eighth Grade)
Charlize Theron (Tully)
Constance Wu (Crazy Rich Asians)

Best Supporting Actor in a Motion Picture
Mahershala Ali (Green Book)
Timothée Chalamet (Beautiful Boy)
Adam Driver (BlacKkKlansman)
Richard E. Grant (Can You Ever Forgive Me?)
Sam Rockwell (Vice)

Best Supporting Actress in a Motion Picture
Amy Adams (Vice)
Claire Foy (First Man)
Regina King (If Beale Street Could Talk)
Emma Stone (The Favourite)
Rachel Weisz (The Favourite)

Best Screenplay
Alfonso Cuaron (Roma)
Deborah Davis and Tony McNamara (The Favourite)
Barry Jenkins (If Beale Street Could Talk)
Adam McKay (Vice)
Peter Farrelly, Nick Vallelonga, Brian Currie (Green Book)

Best Score
Marco Beltrami (A Quiet Place)
Alexandre Desplat (Isle of Dogs)
Ludwig Göransson (Black Panther)
Justin Hurwitz (First Man)
Marc Shaiman (Mary Poppins Returns)

Best Original Song
“All the Stars” (Black Panther)
“Girl in the Movies” (Dumplin’)
“Requiem For A Private War” (A Private War)
“Revelation’ (Boy Erased)
“Shallow” (A Star Is Born)

Best Motion Picture – Animated
Incredibles 2
Isle of Dogs
Mirai
Ralph Breaks the Internet
Spider-Man: Into the Spider-Verse

Best Motion Picture – Foreign Language
Capernaum (Lebanon)
Girl (Belgium)
Never Look Away (Germany)
Roma (Mexico)
Shoplifters (Japan)

 

Lisa’s Oscar Predictions For October


And now, we take a short break from TSL’s annual horrorthon to bring you Lisa Marie’s Oscar predictions for October!

Be sure to check out my predictions for January, February, March, April, May. June. July, August and September!

Best Picture

Black Panther

Boy Erased

Can You Ever Forgive Me?

First Man

Green Book

If Beale Street Could Talk

The Mule

Roma

A Star is Born

Vice

Best Director

Damien Chazelle for First Man

Bradley Cooper for A Star Is Born

Alfonso Cuaron for Roma

Peter Farrelly for Green Book

Barry Jenkins for If Beale Street Could Talk

Best Actor

Christian Bale in Vice

Bradley Cooper in A Star is Born

Clint Eastwood in The Mule

Robert Redford in Old Man and the Gun

John C. Reilly in Stan & Ollie

Best Actress

Glenn Close in The Wife

Lady Gaga in A Star is Born

Felicity Jones in On The Basis of Sex

Nicole Kidman in Destroyer

Melissa McCarthy in Can You Ever Forgive Me?

Best Supporting Actor

Mahershala Ali in Green Book

Timothee Chalamet in Beautiful Boy

Bradley Cooper in The Mule

Sam Elliott in A Star is Born

Michael B. Jordan in Black Panther

Best Supporting Actress

Claire Foy in First Man

Nicole Kidman in Boy Erased

Regina King in If Beale Street Could Talk

Sissy Spacek in Old Man and the Gun

Michelle Yeoh in Crazy Rich Asians

 

 

 

Weekly Trailer Round-Up: Dark Phoenix, Holmes & Watson, Bumblee, Fantastic Beasts: The Crimes of Grindenwald, They Shall Not Grow Old


The biggest trailer that dropped this week was the trailer for Creed II, which Lisa shared on Wednesday.  Here’s the best of the rest.

The X-Men franchise has seen so,e impressive highs (First Class, Days of Future Past) and some astounding lows (Last Stand, Apocalypse).  Hopefully, the upcoming Dark Phoenix will be another high.  Based on one of the comic’s best known storylines, Dark Phoenix would seem to have all the ingredients for success with the only question mark being first time director Simon Kinberg.  Dark Phoenix will be released on February 14th.

Will Ferrell and John C. Reilly are together again as Holmes & Watson.  Holmes & Watson will be released on November 9th, just in time to help you laugh away your Election Day blues.

Everyone’s favorite transformer gets a brand new trailer for his upcoming solo project, Bumblebee.  Bumblebee will be released this Christmas.

For those who have still not gotten over the conclusion of the Harry Potter films, Fantastic Beasts: The Crimes of Grindelwald will be coming for your money on November 16th.

Finally, we have the trailer for Peter Jackson’s upcoming documentary, They Shall Not Grow Old.  Jackson has taken footage that was actually shot during World War I, colorized it, and added sound, in order to let modern audiences experience, for themselves, the infamous War to End All Wars.  They Shall Not Grow Old will be released on October 16th in the UK.

Weekly Trailer Round-Up: Joker, Stan & Ollie, Ralph Breaks The Internet, The Oath, Solis, The Haunting of Hill House, The Twilight Zone


Despite the success of Wonder Woman, DC Entertainment has still struggled when it comes to crafting a compelling cinematic universe.  The upcoming Joker is not an official part of the DCEU but that could change if the film is a success.  An origin story, Joker features Joaquin Phoenix taking on the role of the clown prince of crime.  Though it will be over a year before we see the final results, director Todd Phillips has released a teaser, showing us Phoenix in his Joker makeup.

In Stan & Ollie, Stan Laurel and Oliver Hardy finally get the biopic treatment, with John C. Reilly in the role of Hardy and Steve Coogan as Laurel.

Along with playing Oliver Hardy, John C. Reilly will also be returning to the role of Ralph in Ralph Breaks The Internet: Wreck-It Ralph 2.  The mayhem continues on November 2nd.

In The Oath, all Americans are required to sign a loyalty oath the day after Thanksgiving.  A new red band trailer for this dark comedy was released this week.

In Solis, Steven Ogg plays an astronaut who is trapped on a spacecraft that is on a collision course with the sun.  That’s not a good place to be.

Just in time for Halloween, Netflix will be reimagining The Haunting of Hill House as a ten-episode television series.  The show drops on October 12th.

Finally, The Twilight Zone is returning once again, this time under the direction of Jordan Peele.  The CBS All Access show will premiere in 2019.

Other trailers that were released this week:

Scenes That I Love: The Awards Ceremony From Boogie Nights


I would like to think that when the Palme d’Or is awards in Cannes, it’ll be half as exciting as when Dirk Diggler (Mark Wahlberg) picked up his second Best Actor trophy in Paul Thomas Anderson’s Boogie Nights.

Now, the scene below is actually the extended version of the scene that actually appeared in the movie.  In the movie, you just see Jack Horner (Burt Reynolds) watching his latest film and then cut to Dirk picking up his award.  In the extended version, we get to see everyone’s reaction to Dirk winning.  They’re all there — Burt Reynolds, William H. Macy, Nina Hartley, John C. Reilly, Melora Waters, Luis Guzman, Julianne Moore, Heather Graham, Don Cheadle, Robert Ridgely (as the memorably corrupt Colonel), and, of course, the dearly missed Philip Seymour Hoffman.

I can understand why Anderson chose to go with a shortened version of this scene.  Boogie Nights is a long film and obviously, it wasn’t totally necessary to see how everyone reacted to Diggler’s victory.  (By that point, in the film, we already knew how everyone felt about him.)  That said, I do prefer the extended version.  If nothing else, it’s a reminder that Boogie Nights was more than just the story of Dirk Diggler.  Instead, it was the story of a group of outcasts who became a family.

Anyway, let’s hope that whoever wins the Palme d’Or will be a bit more enthusiastic about it than Dirk.

Catching Up With The Films of 2017: The Little Hours (dir by Jeff Baena)


You don’t necessarily have to be from a Catholic background to find The Little Hours to be hilarious but it probably helps.  You also don’t have to be an expert in satirical Italian literature from the Medieval era but, again, it probably helps.  Of course, what helps the most is to have a good sense of humor.

Technically, The Little Hours is based on The Decameron, though not even that famously bawdy  book featured dialogue like, “Don’t fucking talk to us!” and “Stop fucking looking at us!”  Both of those lines are delivered by Aubrey Plaza, who plays a nun in a medieval convent.  The fact that Plaza is playing a nun tells you a lot about the humor in The Little Hours.  The sets and the costumes are meticulously accurate. It’s easy to imagine that, if you got your hands on a time machine and traveled back to the Fourteenth Century, what you would see would look a lot like The Little Hours.  But the dialogue and the attitudes are all straight from the 21st century.

The Little Hours tells the story of three nuns and the people who get in their way.  Aubrey Plaza plays Sister Fernanda, the sarcastic nun who is willing to beat up anyone who looks at her for too long.  Ginerva (Kate Micucci) is the repressed nun who can’t wait to get everyone else in trouble.  Alessandra (Alison Brie) is the nun who is only a nun because her father (Paul Reiser) is making her.

When you’re bored and stuck in a convent, you find interesting ways to keep yourself amused.  For instance, gossip is always a fun way to pass the time.  Or you can get drunk on communion wine.  If you get really bored, you can always join the local coven and dance around a fire.  Or you can lust after the new handyman, a handsome deaf-mute named Massetto (Dave Franco).  Of course, Massetto isn’t really a deaf-mute.  He’s just pretending because he doesn’t want to be executed for having sex with his former master’s wife.  Life was never easy in medieval Italy.

The film may be based on The Decameron but all of the dialogue was improved.  Whenever I hear that anything’s been improvised, I always know that the end result is either going to be hilarious or it’s simply going to be unbearable.  Fortunately, the cast of The Little Hours is full of comedic pros.  They all play off of each other well.  Each line of dialogue seems like a challenge being delivered by both the character and the performer.  Behind every joke is a subtext of “Try to top this.”  Supporting roles are played by everyone from Molly Shannon to Nick Offerman to John C. Reilly.  Fred Armisen plays the Bishop who has the unenviable task of trying to keep straight everything that’s happened and his display of exasperation is absolutely brilliant.

As you can probably guess, I enjoyed The Little Hours.  It’s probably not a film for everyone.  As I said, it helps to not only have a Catholic background but to also have a sense of humor about it.  But, for those in the right mood, it’s a hilarious film.