Lisa’s Week In Television: 7/18/21 — 7/24/21


The Olympics are here! I know what I’m going to be watching for the next two weeks.

Seriously, don’t ask me to explain it. I just get excited about the Olympics. Admittedly, I do usually prefer the winter games to the summer games but still, I’m just glad that the Olympics are finally being held. This is the year that I discovered that badminton is an Olympics sport and I have to admit that I’m kind of upset that I didn’t know that earlier. My sisters and I used to play badminton all the time. WE COULD HAVE GONE TO THE OLYMPICS!

Anyway, here’s my thoughts on what I watched this week:

Allo Allo (PBS, Sunday Night)

“I have the spy camera! It is disguised as a potato!”

Allo Allo opened with Rene escapes from the Colonel’s dungeon and then being sent on a mission to take photographs of a safe. As usual, it was overly complicated and funny. I think what I like about this show is that some of the humor is very complex and very clever and then an equal amount of the humor just comes from silly things like Crabtree and his greeting of “Good moaning,” regardless of the time of day. It’s a mix of sophistication and stupdity and it’s a good combination.

The Bachelorette (ABC, Monday Night)

And now we’re down to four! The highlight this week was Katie sending Andrew home, then changing her mind and asking him to stay, just for Andrew to turn her down. And that’s why Andrew will probably be the next Bachelor.

Big Brother 23 (CBS and Paramount Plus, 24/7)

You can read my thoughts on the show that everyone love to hate over at the Big Brother Blog.

Court Cam (A&E, Wednesday Night)

More courtroom drama! I complain about this show, some would say nonstop. And yet, it is addictive. Or, at the very least, it makes for good background noise. It’s one of those shows that you don’t really have to pay too much attention to. Each 30 minutes episode is full of so many little stories that it’s basically tailor-made for people with ADD like me. That said, I still stand by my claim that this show is a sign of the decline of civilization in general. We live in dangerous times. Or actually, I guess we just live in increasingly stupid times. Dangerous is such a dramatic word.

Dragnet (MeTV, weekday mornings)

Monday’s two-episode block of Dragnet 1968 started with an episode in which an ex-con called the police to let them know that someone had solicited him to commit a murder. The solicitation happened as a result of an ad that the ex-con put in a “hippy newspaper.” Joe Friday went undercover as the ex-con to catch the killer. Somehow, he was able to do this despite the fact that there is absolutely nothing about Joe Friday that suggests that he would even know what a hippy newspaper was, let alone put an ad in one. Episodes of Dragnet where Friday goes undercover are some of my absolute favorites because it’s not like Friday puts any effort into changing his behavior or his style of speaking. He just takes off his tie! He’s still obviously a cop, no matter what he claims. This was followed by an episode in which Friday and Gannon investigated the murder of a real estate agent. Interestingly enough, for a show from 1968, the victim and all of the suspects were black but no mention of race was made during the episode. Instead, the emphasis was on Friday and Gannon treating everyone exactly the same as they treated white suspects. I imagine that was a deliberate decision on the part of the producers, as Dragnet always went out of its way to present the LAPD in the best light possible.

Tuesday started with a somewhat silly episode about a gang of dogs that had been trained to snatch purses. For those who love campy Dragnet, the highlight of the episode was Friday and Gannon interviewing a victim who was also a hippie and who carried a gigantic flower with her and who explained that she “like(d) the fuzz because you’re all flowers too.” This was followed by an episode where Friday and Gannon once again went undercover, this time to bust a con artist who was responsible for a pyramid scheme. Uniquely, this episode ended with a lengthy and rather dull courtroom scene.

Wednesday started off with Friday and Gannon pursuing another set of con artists. This time the con involved impersonating police officers and selling people cards that were said to extend special privileges. Soon, Los Angeles was full of swindled people tearing up traffic tickets. Fortunately, the LAPD were able to get the fake cops off the streets and once again, Friday and Gannon took of their ties and went undercover to make the arrest. One of the con artists was played by G.D. Spradlin, who would later go on to memorably play Sen. Pat Geary in The Godfather, Part II. This was followed by an episode where Friday and Gannon investigated whether a patrolman had taken a bribe. As usual, the emphasis was put on the police force doing things by the book.

Thursday stated off with a Christmas episode, in which Friday and Gannon worked hard to recover a stolen statue of Jesus. This is actually a classic episode, one that is aired by the retro stations every Christmas season. The statue was recovered and no one went to jail. This was followed by an episode in which Friday and Gannon searched for a drug smuggler whose plane had crashed in the San Fernando Valley. Many people went to jail at the end of that episode.

Finally, Friday’s episodes started off with Joe and Gannon investigating the disappearance of two little girls. It turned out the parents of the girls were divorced, which led to Joe giving their mother a lot of attitude, as if it was solely her fault that her daughters were missing. And indeed, the show ended with the girls being recovered safely (it turned out that they had just run off to see their old dog) and a hearing in which the father was given “reasonable visitation rights.” It was an awkward episode that didn’t really sit well with me. Fortunately, it was followed by a much more enjoyable episode, in which Joe and Gannon investigated a cult leader who was giving his followers LSD. It was Joe Friday vs. the counter culture! Brother William, who thought everyone should embrace LSD, was well-played by a distinguished actor named Liam Sullivan. For 20 minutes or so, Brother William and Joe Friday debated whether or not drugs should be legal. “How many times have you taken LSD?” Friday demanded. “Several hundred times!” Brother William exclaimed, “and look at me! I’m as sane as you are!” In the end, no one learned anything but Brother William did eventually got to prison.

Fasten Your Seat Belts (A&E, Wednesday Night)

Hey, who doesn’t love chaos at airports and on airplanes, right?

Actually, hold on. Both of those things would totally make me and a lot of other people nervous. The last place most of us would ever want to be would be on an airplane where someone is losing it during mid-flight.

Regardless, Fasten Your Seat Belts is a the new, ultra-cheap reality show that features footage of people acting up on airplane and in airports. It’s basically like watching YouTube for 30 minutes, except for the fact that Robert Hays (star of the Airplane! films) is the host. I guess if you’re into YouTube videos of people acting like jackasses and inconveniencing their fellow travelers, this show might be for you.

Hell’s Kitchen (Fox, Monday Night)

For me, the funniest part of any Gordon Ramsay show, from Hell’s Kitchen to Kitchen Knightmares to that motel hell show, is when everyone sits around and talks about how attractive they find Chef Ramsay to be. It happens at least once every season. This week’s episode of Hell’s Kitchen featured Chef Ramsay talking to all the chefs one-and-one and then all of the chefs talking amongst themselves about how sexy they found Chef Ramsay to be. Eventually, Keona was sent home but Ramsay told her to keep her head up high and to keep growing as a chef and, the show seemed to be saying, who couldn’t appreciate those words coming from someone as amazingly handsome as Gordon Ramsay?

Hunter (ZLiving, Weekday Mornings)

Hunter is an extremely 80s cop show about a 7 foot detective named Hunter who shoots criminals in Los Angeles. His partner is Dee Dee McCall, who is just as quick to shoot as Hunter is. This is one of those shows that always appears to be playing on at least one retro station. I’d never actually watched a full episode until Monday morning, when I used two of them for background noise. The show looked fun in a silly 80s cop show sort of way — a lot of tough talk, car chases, and gunplay. At one point, Hunter casually tossed a man off a roof and then said, “Works for me.” That pretty much sums up the show.

Moone Boy (PBS, Sunday Night)

Martin wanted the latest game system but his father couldn’t afford it and was sure that “this whole computer thing is just a fad.” (Remember, Moone Boy takes place in the early 90s.) To raise the money himself, Martin got a job as a “golf ball hunter” at the local country club. Eventually, Martin got struck in the head by an errant golf ball and his imaginary friend, Sean, was briefly transformed into a 1920s style golf pro. Meanwhile, Martin’s father reached into the past and remembered his time as a table tennis champ to win his son’s respect. It was a sweet and funny episode, as most episodes of Moone Boy tend to be.

Open All Hours (PBS, Sunday Night)

Apparently, PBS has re-started Open All Hours, showing the very first episode this week. Arkwright looked about the same but Granville was obviously much younger this week than he was last week. That said, even at a young age, he still seemed like he had been utterly defeated by life. Poor Granville. No wonder he’s always trying to figure out a way to kill Arkwright.

Perry Mason (MeTV, Weekday Mornings)

I was back at the office on Monday and I needed a little background noise while getting my desk organized so I turned on MeTV and I watched an episode of the old, 1950s Perry Mason. This was the one with Raymond Burr as Perry. Unfortunately, because I was working and organizing while the show was on, I couldn’t pay much attention to it but I did see that Perry did manage to not only win an acquittal for his client but he also exposed the real murderer, who just happened to be sitting in the courtroom when Mason announced his name! He confessed and everything! Yay!

Rachael Ray (Channel 21, Weekday Mornings)

On Monday, I turned over to Rachael Ray for background noise while I was at work. She discussed how to make the perfect hot dog. It all looked very complicated but I will say that, if I was one to spend a lot of time in the kitchen, I would probably totally trust Rachael. She seems to know what she’s talking about.

Silk Stalkings (ZLiving, Weekday Afternoons)

This is a cop show from the 90s, an exercise in pure style that followed two beautiful cops as they arrested beautiful (and often half-naked) people for committing ugly crimes in Florida. On Monday, I watched two episodes. The first one was about killer frat boys and somewhat inevitably featured William McNamara as one of the bad guys. The second featured an investigation of murder among the rich, famous, and unclothed. It was a fun, largely because nearly everyone in it was oversexed and naked for the majority of the episode.

Tokyo Olympics (NBCSN, Saturday Afternoon)

I watched badminton and a bit of beach volleyball. I noticed that professional badminton moves a bit more quickly than what I’m used to. Still, I think if I had made the Olympic team, I could have adjusted at brought home the bronze.

Tokyo Olympics Opening Ceremonies (NBC, Friday Morning and Night)

I caught the final half of Friday’s opening ceremony during the morning broadcast and the first half when NBC reshowed it later that night. I can’t help it — I love the Olympics, though I prefer the winter games to the summer games. I was really upset when they were cancelled last year so I’m glad to see them back this year. As for who I’m rooting for — my father’s side of the family is Irish, my maternal grandmother was born in Spain, and one set of great-great grandparents came to this country from Italy. And my best friend was born in Israel. So, I’m cheering for Ireland, Israel, Italy, Spain, and maybe the United States. I don’t know. The U.S. has been getting on my nerves lately.

Upstart Crow (PBS, Sunday Night)

While trying to write a new comedy called The Merchant of Venice, Shakespeare struggles to come up with a big issue that could set the play apart from other plays. Christopher Marlowe, who is sleeping on Shakespeare’s couch after having faked his own death, is of no help. Things start to look up when the intense actor Wolf Hall joins the theater (“I’m a member of the Wolf Pack!” Kate exclaims) but the ever sneaky Robert Greene plots to ruin Shakespeare’s new play by tricking Wolf into making an ill-thought political statement. This was another funny episode, featuring a great turn by Ben Miller as Wolf Hall.

Here Are The 78th Annual Golden Globe Nominations!


I’m totally turned off by the self-importance of the Golden Globes and I resent every time that I have to write about them.

That said, despite the fact that no one is quite sure who actually votes for the damn things and stories of corruption in the Hollywood Foreign Press Association have been rampant for years, the Golden Globes have still emerged as one of the main Oscar precursors.  So, you kind of have to pay attention to them.  Bleh.

There really aren’t any huge shocks in the list of nominees below, with the exception of maybe Jared Leto for Best Supporting Actor and James Corden’s Prom nomination.  I mean, if you’re that determined to nominate someone for The Prom, why would you go for James Corden as opposed to Meryl Streep?  That’s just odd.

Anyway, here are the nominations:

Best Motion Picture, Drama
“The Father”
“Mank”
“Nomadland”
“Promising Young Woman”
“The Trial of the Chicago 7”

Best Motion Picture, Musical or Comedy
“Borat Subsequent Moviefilm”
“Hamilton”
“Music”
“Palm Springs”
“The Prom”

Best Director, Motion Picture
Emerald Fennell, “Promising Young Woman”
David Fincher, “Mank”
Regina King, “One Night In Miami”
Aaron Sorkin, “The Trial of the Chicago 7”
Chloé Zhao, “Nomadland”

Best Performance by an Actress in a Motion Picture, Drama
Viola Davis, “Ma Rainey’s Black Bottom”
Andra Day, “The United States vs. Billie Holiday”
Vanessa Kirby, “Pieces of a Woman”
Frances McDormand, “Nomadland”
Carey Mulligan, “Promising Young Woman”

Best Performance by an Actress in a Motion Picture, Musical or Comedy
Maria Bakalova, “Borat Subsequent Moviefilm”
Kate Hudson, “Music”
Michelle Pfeiffer, “French Exit”
Rosamund Pike, “I Care a Lot”
Anya Taylor-Joy, “Emma”

Best Performance by an Actress in a Supporting Role in any Motion Picture
Glenn Close, “Hillbilly Elegy”
Olivia Colman, “The Father”
Jodie Foster, “The Mauritanian”
Amanda Seyfried, “Mank”
Helena Zengel, “News of the World”

Best Performance by an Actor in a Motion Picture, Drama
Riz Ahmed, “Sound of Metal”
Chadwick Boseman, “Ma Rainey’s Black Bottom”
Anthony Hopkins, “The Father”
Gary Oldman, “Mank”
Tahar Rahim, “The Mauritanian”

Best Performance by an Actor in a Motion Picture, Musical or Comedy
Sacha Baron Cohen, “Borat Subsequent Moviefilm”
James Corden, “The Prom”
Lin-Manuel Miranda, “Hamilton”
Dev Patel, “The Personal History of David Copperfield”
Andy Samberg, “Palm Springs”

Best Performance by an Actor in a Supporting Role in any Motion Picture
Sacha Baron Cohen, “The Trial of the Chicago 7”
Daniel Kaluuya, “Judas and the Black Messiah”
Jared Leto, “The Little Things”
Billy Murray, “On the Rocks”
Leslie Odom Jr., “One Night In Miami”

Best Screenplay, Motion Picture
Emerald Fennell, “Promising Young Woman”
Jack Fincher, “Mank”
Aaron Sorkin, “The Trial of the Chicago 7”
Florian Zeller and Christopher Hampton, “The Father”
Chloé Zhao, “Nomadland”

Best Original Score, Motion Picture
Alexandre Desplat, “The Midnight Sky”
Ludwig Göransson, “Tenet”
James Newton Howard, “News of the World”
Trent Reznor and Atticus Ross, “Mank”
Trent Reznor, Atticus Ross and Jon Batiste, “Soul”

Best Original Song, Motion Picture
“Fight For You,” Judas and the Black Messiah”
“Hear My Voice,” The Trial of the Chicago 7”
“Io Sì (Seen),” The Life Ahead”
“Speak Now,” One Night In Miami”
“Tigress & Tweed,” The United States Vs. Billie Holiday”

Best Motion Picture, Animated
“The Croods: A New Age”
“Onward”
“Over the Moon”
“Soul”
“Wolfwalkers”

Best Motion Picture, Foreign Language
“Another Round”
“La Llorona”
“The Life Ahead”
“Minari”
“Two Of Us”

Best Television Series, Drama
“The Crown”
“Lovecraft Country”
“The Mandalorian”
“Ozark”
“Ratched”

Best Television Series, Musical or Comedy
“Emily in Paris”
“The Flight Attendant”
“The Great”
“Schitt’s Creek”
“Ted Lasso”

Best Limited Series, Anthology Series or a Motion Picture made for Television
“Normal People”
“The Queen’s Gambit”
“Small Axe”
“The Undoing”
“Unorthodox”

Best Performance by an Actress in a Television Series, Drama
Olivia Colman, “The Crown”
Jodie Comer, “Killing Eve”
Emma Corrin, “The Crown”
Laura Linney, “Ozark”
Sarah Paulson, “Ratched”

Best Performance by an Actress in a Television Series, Musical or Comedy
Lily Collins, “Emily In Paris”
Kaley Cuoco, “The Flight Attendant”
Elle Fanning, “The Great”
Jane Levy, “Zoey’s Extraordinary Playlist”
Catherine O’Hara, “Schitt’s Creek”

Best Performance by an Actress in a Limited Series, Anthology Series or a Motion Picture Made for Television
Cate Blanchett, “Mrs. America”
Daisy Edgar Jones, “Normal People”
Shira Haas, “Unorthodox”
Nicole Kidman, “The Undoing”
Anya Taylor-Joy, “The Queen’s Gambit”

Best Performance by an Actress in a Television Supporting Role
Gillian Anderson, “The Crown”
Helena Bonham Carter, “The Crown”
Julia Garner, “Ozark”
Annie Murphy, “Schitt’s Creek”
Cynthia Nixon, “Ratched”

Best Performance by an Actor in a Television Series, Drama
Jason Bateman, “Ozark”
Josh O’Connor, “The Crown”
Bob Odenkirk, “Better Call Saul”
Al Pacino, “Hunters”
Matthew Rhys, “Perry Mason”

Best Performance by an Actor in a Television Series, Musical or Comedy
Don Cheadle, “Black Monday”
Nicholas Hoult, “The Great”
Eugene Levy, “Schitt’s Creek”
Jason Sudeikis, “Ted Lasso”
Ramy Youssef, “Ramy”

Best Performance by an Actor in a Limited Series or a Motion Picture Made for Television
Bryan Cranston, “Your Honor”
Jeff Daniels, “The Comey Rule”
Hugh Grant, “The Undoing”
Ethan Hawke, “The Good Lord Bird”
Mark Ruffalo, “I Know This Much is True”

Best Performance by an Actor in a Television Supporting Role
John Boyega, “Small Axe”
Brendan Gleeson, “The Comey Rule”
Daniel Levy, “Schitt’s Creek”
Jim Parsons, “Hollywood”
Donald Sutherland, “The Undoing”