10 Oscar Snubs From The 2010s

Posted on March 12, 2023 by Lisa Marie Bowman

And now, we reach the present day! A lot has changed over the past few decades but one thing has remained consistent. No matter how hard the Academy tries, some good movies and performances are always going to get snubbed. Here are ten snubs from the previous decade.

2011: Shame Is Totally Ignored

Despite being critically acclaimed and receiving nominations from other groups, Steve McQueen’s Shame was totally ignored by the Academy. My theory is a lot of people looked at Michael Fassbender playing an emotionally detached, self-destructive sex addict and they basically saw aspects of themselves that they didn’t want to acknowledge. Shame caused too much shame amongst the voters.

2012: The Master Is Not Nominates For Best Picture

When The Master was first released, a lot of people didn’t really know what to make of Paul Thomas Anderson’s barely disguised portrait of Scientology. The film received only three nominations, for Joaquin Phoenix, Philip Seymour Hoffman, and Amy Adams. It deserved quite a bit more but, in 2012, I imagine the film’s portrait of a charismatic cult leader taking advantage of his wealthy followers seemed a bit too familiar to some voters.

2013: Tom Hanks Is Not Nominated For Best Actor For Captain Phillips

Looking over today’s list of snubs, a recurring theme seems to be actors who were not nominated because the Academy took them and their talent for granted. That’s the only possible reason that I can come up with for the Academy to have not nominated Tom Hanks for his outstanding lead performance in Captain Phillips. Just consider the scene at the end of the film, when the shellshocked and exhausted Captain Phillips is examined by a nurse and he can’t stop talking about the blood on his clothes. It’s a devastating scene, largely because the audience doesn’t feel as if they’re watching Tom Hanks give a performance. At that moment, they feel that they are watching a man who has just been through the worst experience of his life and who, even though he is now safe, will be forever haunted by what he has witnessed.

2014: Guardians of the Galaxy Is Not Nominated For Best Picture

Seriously, if any MCU film deserved to be nominated for Best Picture, it was Guardians of the Galaxy. It was a fun movie with a charismatic cast and, despite what some critics claimed, it actually did have something to say about the importance of tolerance and individual freedom. It even holds up well to repeat viewings, which is not exactly something that you can say about a few of the other MCU film.

2016: Amy Adams Is Not Nominated For Best Actress For Arrival

Much as they did with Tom Hanks and his performance in Captain Phillips, the Academy took Amy Adams for granted and failed to nominate her for Arrival, despite the fact that it was her best performance to date. At this point, if I’m Amy Adams, I would be wondering just what it is that I’m going to have to do to finally get my Oscar.

2017: Ethan Hawke Is Not Nominates For Best Actor For First Reformed

This is another snub that I can’t get my head around. Ethan Hawke has been nominated in the past. The Academy is obviously not resistant to honoring Ethan Hawke. So how was it that one of his best performances went unnominated? For that matter, how is it that First Reformed itself only received one Oscar nomination?

2019: The Souvenir Is Ignored

Despite being one of the best films of the past ten years, The Souvenir was ignored by Academy. The things that made the film work, like its low-key but honest performances and its refusal to pass easy judgment on its characters, are probably the same things that caused the Academy to overlook it.

2020: The Assistant Is Ignored

This was a powerful film and it featured an award-worthy performance from Julia Garner. It was also about Harvey Weinstein so I guess I shouldn’t be too shocked that the Academy snubbed it. The Assistant is a film that probably hit too close to home for many members of the Academy.

2021: Val Is Not Nominated For Best Documentary Feature

Val is one of the most affecting documentaries that I’ve ever seen but the Documentary Branch failed to even give it a nomination. Maybe, like The Assistant, Val just hit too close to home for some of the voters.

2021: Mass Is Ignored

Again, I will never understand how the Academy can fail to give even one nomination to a film as good as Mass. As with The Souvenir, I can only guess that the Academy did not know how to react to Mass’s honest approach to its subject matter. Mass worked because it avoided easy judgments and solutions. That’s probably the same thing that led to the Academy ignoring both the film and its outstanding cast.

Agree? Disagree? Do you have any bigger Oscar snub that you’d like to mention? Let us know in the comments!

And now, get ready to enjoy the show! And, if you don’t care about the Oscars, fear not! My review of The Black Godfather will be posting in an hour.

Lisa Reviews An Oscar Nominee: Captain Phillips (dir by Paul Greengrass)

Posted on February 7, 2017 by Lisa Marie Bowman

Here’s an interesting and often overlooked fact:

It has been 17 years since Tom Hanks was last nominated for Best Actor.

When I discovered this fact, I was shocked because Tom Hanks is one of those actors who has a reputation for always getting nominated. We tend to think of him as almost being a male Meryl Streep, an actor who will be nominated simply for showing up. But, actually, the Academy last nominated Tom Hanks, for his performance in Cast Away, in the year 2000.

Hanks has given plenty of strong performances since then and he’s continued to appear in acclaimed and Oscar-nominated films. And you would think, considering his apparent popularity in Hollywood, Tom Hanks would have been nominated for everything from Charlie Wilson’s War to Bridge of Spies. But no.

Personally, I think Hanks should have been nominated this year for Sully. But you know what Hanks performance truly deserved some Oscar recognition?

Captain Phillips.

Playing the title role in this 2013 Best Picture nominee, Hanks gave perhaps the best performance of his career. That he was snubbed by the Academy is not only shocking but it’s actually a bit unforgivable. Perhaps Hanks was so good that the Academy took him for granted. Perhaps they thought that since both Hanks and Richard Phillips are decent, down-to-Earth guys, that Hanks was just playing himself. For whatever reason, Tom Hanks deserved, at the very least, a nomination.

Captain Phillips was based on a true story. This is another docudrama from director Paul Greengrass, filmed in his signature (and potentially nausea-inducing) handheld style. (Actually, if any aspiring director wants to understand how to effectively use the handheld style, Greengrass is the filmmaker to study.) In 2009, a four Somali pirates hijacked the Maersk Alabama and took its captain, Richard Phillips, hostage. Captain Phillips was eventually rescued by a group of Navy SEALS. Three of the pirates were killed while their leader, Muse (Barkhad Abdi), was captured and is currently serving a 33 year sentence in a federal penitentiary.

This was a huge news story in 2009 with the rescue being described as being the first major foreign policy victory for the new presidential administration. When Phillips was rescued, people took to the streets and the “USA! USA!” chant was heard. “That’s right,” the media and the government and the chanters seemed to be exclaiming in unison, “America’s back! We were abused and it’s never going to happen again!”

A lot of that jubilation was because, at the time, the term “Somali pirates” conjured up visions of cinematic villains who would be more at home in Mad Max: Fury Road than in the real world. The reality of the situation, of course, was that the “pirates,” whose deaths were celebrated as some sort of political victory for the government, were actually poverty-stricken Somali teenagers, the majority of which worked for warlords who remained (and still remain) safely hidden away.

One of the more interesting things about Captain Phillips is that it devotes almost as much time to the Somali pirates as it does to Phillips and his crew. Rather than presenting them as a nameless and personalityless threat, the film allows Muse and his men to emerge as individuals. Much as Phillips spends the movie trying to keep both himself and his crew safe, Muse spends much of the movie trying to keep an increasingly out-of-control situation stable. Both Phillips and Muse are in over their heads. Barkhad Abdi gives a smart and intimidating performance as Muse. The film never makes the mistake of excusing the actions of Muse or the other pirates but, at the same time, it does provide a more nuanced view of them than one would normally expect.

But really, this film totally belongs to Tom Hanks. Captain Phillips works because of Tom Hanks. It earned its best picture nomination on the strength of Hanks’s performance. As an actor, Hanks could have easily coasted on the good will that the audience would have already had for him but instead, he fully commits himself to playing not Tom Hanks but instead Captain Richard Phillips. The film’s final scene — in which Phillips goes into a state of shock and can’t stop talking — is a masterclass in great acting. How the Academy ignored it, I will never understand.

Captain Phillips was nominated for best picture of 2013. However, it lost to 12 Years a Slave.

Here Are The WGA Winners!

Posted on February 1, 2014 by Lisa Marie Bowman

Hey, Oscar watchers! The WGA Awards were handed out earlier tonight and the Oscar race has gotten even murkier! The fact that Her won for best original screenplay isn’t all the unexpected, though a lot of observers had predicted American Hustle would win. However, the victory of Captain Phillips over The Wolf of Wall Street and Before Midnight was definitely an upset.

(Take note that the acclaimed and Oscar-nominated screenplay for 12 Years A Slave was not eligible for a WGA nomination.)

Below are the winners in the film category. If you want to see the TV winners, click here.

ORIGINAL SCREENPLAY

“American Hustle,” Eric Warren Singer and David O. Russell

“Blue Jasmine,” Woody Allen

“Dallas Buyers Club,” Craig Borten & Melisa Wallack

X – “Her,” Spike Jonze

“Nebraska,” Bob Nelson

ADAPTED SCREENPLAY

“August: Osage County,” screenplay by Tracy Letts based on his play
“Before Midnight,” by Richard Linklater & Julie Delpy & Ethan Hawke; based on characters created by Richard Linklater & Kim Krizan
X – “Captain Phillips,” by Billy Ray; based on the book “A Captain’s Duty” by Richard Phillips with Stephan Talty
“Lone Survivor,” by Peter Berg; based on the book by Marcus Luttrell with Patrick Robinson
“The Wolf of Wall Street,” by Terence Winter; based on the book by Jordan Belfort

DOCUMENTARY SCREENPLAY

“Dirty Wars,” Jeremy Scahill & David Riker
“Herblock – The Black & The White,” Sara Lukinson & Michael Stevens
“No Place on Earth,” Janet Tobias & Paul Laikin
X – “Stories We Tell,” Sarah Polley
“We Steal Secrets: The Story of WikiLeaks,” Alex Gibney

What If Lisa Marie Picked The Oscar Nominees…

Posted on January 13, 2014 by Lisa Marie Bowman

With the Oscar nominations due to be announced this week, now is the time that the Shattered Lens indulges in a little something called, “What if Lisa had all the power.” Listed below are my personal Oscar nominations. Please note that these are not the films that I necessarily think will be nominated. The fact of the matter is that the many of them will not. Instead, these are the films that would be nominated if I was solely responsible for deciding the nominees this year. Winners are listed in bold.

You can check out my picks for 2010 by clicking here.

My picks for 2011 can be found here.

And, finally, here are my picks for 2012.

Best Picture

12 Years A Slave

American Hustle

Before Midnight

Blue Is The Warmest Color

Frances Ha

Fruitvale Station

Her

Inside Llewyn Davis

Spring Breakers

Upstream Color

Best Director

Noah Baumbach for Frances Ha

Shane Carruth for Upstream Color

Spike Jonze for Her

Harmony Korine for Spring Breakers

David O. Russell for American Hustle

Best Actor

Bruce Dern in Nebraska

Leonardo DiCaprio in The Wolf Of Wall Street

Matthew McConaughey in Dallas Buyers Club

Joaquin Phoenix in Her

Dennis Quaid in At Any Price

Best Actress

Cate Blanchett in Blue Jasmine

Julie Delpy in Before Midnight

Adèle Exarchopoulos in Blue Is The Warmest Color

Greta Gerwig in Frances Ha

Amy Seimetz in Upstream Color

Best Supporting Actor

Barkhad Abdi in Captain Phillips

Kyle Chandler in The Spectacular Now

Bradley Cooper in American Hustle

James Franco in Spring Breakers

Jared Leto in Dallas Buyers Club

Best Supporting Actress

Jennifer Lawrence in American Hustle

Eva Mendes in The Place Beyond The Pines

Lupita Nyong’o in 12 Years A Slave

Léa Seydoux in Blue Is The Warmest Color

Octavia Spencer in Fruitvale Station

Best Original Screenplay

American Hustle

Blue Jasmine

Her

Inside Llewyn Davis

Upstream Color

Best Adapted Screenplay

12 Years A Slave

Before Midnight

Blue Is The Warmest Color

The Spectacular Now

The Wolf of Wall Street

Best Animated Feature

The Croods

Despicable Me 2

Ernest and Celestine

Frozen

Monsters University

Best Documentary Feature

20 Feet From Stardom

The Armstrong Lie

Pussy Riot: A Punk Prayer

Stories We Tell

Tim’s Vermeer

Best Foreign Language Film

(Please note that I do things differently for this category than the Academy. For this award, I am nominating the best foreign language films to be released in the United States in 2013.)

Beyond the Hills

Blue Is The Warmest Color

Renoir

White Elephant

Best Production Design

12 Years A Slave

Gravity

The Great Gatsby

The Hobbit: The Desolation of Smaug

Oz: The Great and Powerful

Best Cinematography

Frances Ha

Inside Llewyn Davis

Nebraska

Spring Breakers

Upstream Color

Best Costume Design

12 Years A Slave

American Hustle

The Copperhead

The Great Gatsby

The Hunger Games: Catching Fire

Best Film Editing

12 Years A Slave

American Hustle

Gravity

Her

Upstream Color

Best Makeup and Hairstyling

12 Years A Slave

American Hustle

Dallas Buyers Club

The Hobbit: The Desolation of Smaug

Warm Bodies

Best Original Score

Gravity

Her

Maniac

Trance

Upstream Color

Best Original Song

“Let it Go” from Frozen

“A Little Party Never Killed Nobody (All We Got)” from The Great Gatsby

“Young and Beautiful” from The Great Gatsby

“The Moon Song” from Her

“I See Fire” from The Hobbit: The Desolation of Smaug

“Atlas” from The Hunger Games: Catching Fire

“Please Mr. Kennedy” from Inside Llewyn Davis

“So You Know What It’s Like” from Short Term 12

“Becomes The Color” from Stoker

“Here It Comes” from Trance

Best Sound Editing

All Is Lost

Iron Man 3

Pacific Rim

Rush

Upstream Color

Best Sound Mixing

All Is Lost

Iron Man 3

Pacific Rim

Rush

Upstream Color

Best Visual Effects

Gravity

The Hobbit: The Desolation of Smaug

Iron Man 3

Oz: The Great and Powerful

Pacific Rim

List of Films By Number of Nominations:

9 Nominations — Upstream Color

8 Nominations — American Hustle

7 Nominations — 12 Years A Slave, Her

5 Nominations — Blue Is The Warmest Color

4 Nominations — Frances Ha, Gravity, The Great Gatsby, Inside Llewyn Davis, Spring Breakers

3 Nominations — Before Midnight, Dallas Buyers Club, Iron Man 3, Pacific Rim

2 Nominations — All Is Lost, Blue Jasmine, Frozen, Fruitvale Station, Nebraska, Oz The Great and Powerful, Rush, The Spectacular Now, Trance, The Wolf of Wall Street

1 Nominations — 20 Feet From Stardom, The Armstrong Lie, At Any Price, Beyond The Hills, Captain Phillips, The Copperhead, The Counselor, The Croods, Despicable Me 2, Ernest and Celestine, The Hunger Games: Catching Fire, Maniac, Monsters University, No, The Place Beyond The Pines, Pussy Riot: A Punk Prayer, Renoir, Short Term 12, Stoker, Stories We Tell, Tim’s Vermeer, Warm Bodies, White Elephant

List of Films By Number of Oscars Won

3 Oscars — American Hustle, Upstream Color

2 Oscars — The Great Gatsby

1 Oscar — Before Midnight, Blue is The Warmest Color, Frances Ha, Frozen, Gravity, Her, Iron Man 3, Maniac, Pacific Rim, The Spectacular Now, Spring Breakers, Stories We Tell, The Wolf of Wall Street

Here Are The Writer’s Guild Nominations!

Posted on January 3, 2014 by Lisa Marie Bowman

Earlier today, The Writer’s Guild of America announced their nominations for the best screenplays of 2013. While it’s only natural to look at these nominations and try to use them as an Oscar oracle, it should be remembered that only 95 of the 289 Oscar-eligible films were also eligible for a WGA nomination.* Among those films not eligible to be nominated: 12 Years A Slave, Philomena, Fruitvale Station, and Rush.

Here are the nominees:

Original Screenplay:

American Hustle,

Blue Jasmine,

Dallas Buyers Club,

Her,

Nebraska

Adapted Screenplay:

August: Osage County,

Before Midnight,

Captain Phillips,

Lone Survivor,

The Wolf of Wall Street

—–

* As much as I wish I could say that I was responsible for coming up with that statistic, all credit should actually go toGoldderby.

Here Are The Producer’s Guild Nominations!

Posted on January 2, 2014 by Lisa Marie Bowman

Earlier today, the Producer’s Guild of America announced its ten nominees for best picture of 2013. Here they are:

12 Years A Slave

American Hustle

Blue Jasmine

Captain Phillips

Dallas Buyers Club

Gravity

Her

Nebraska

Saving Mr. Banks

The Wolf of Wall Street

There are two big shocks here: 1) Inside Llewyn Davis was not nominated and 2) Blue Jasmine was. As critically acclaimed as Blue Jasmine was, it’s mostly been viewed as a vehicle for Cate Blanchett to pick up her second Oscar.

Some people are also surprised that The Butler didn’t pick up a nomination. I’m not.

The PGA also nominated five films for Best Animated Feature:

The Croods,

Despicable Me 2,

Epic,

Frozen,

Monsters University

Last year, the PGA correctly predicted 4 of the 5 eventual nominees for the Oscar for Best Animated Film. It wouldn’t surprise me to see that happen again, with The Wind Rises replacing Epic.

Here Are The 2013 SAG Nominations!

Posted on December 11, 2013 by Lisa Marie Bowman

This morning the SAG Award nominees were announced and, perhaps not surprisingly, the story is less who was nominated and more who was snubbed. For instance, Oscar front-runner Robert Redford’s performance in All Is Lost was ignored while Forest Whitaker’s rather one-note turn in The Butler was nominated. Tom Hanks was not nominated for Saving Mr. Banks but the late and missed James Gandolfini picked up a nomination for Enough Said. Myself, I’m more surprised that Octavia Spenser was not nominated for her performance in Fruitvale Station.

As has been pointed out over at Goldderby, the SAG Awards are no longer the fool-proof Oscar prediction tool that they used to be. Getting a SAG nomination no longer guarantees you an Oscar nomination and, by that same standard, getting snubbed is no longer an automatic cause for concern.

That said, the SAG winners do typically end up receiving an Oscar nomination in January.

The film nominees can be found below:

BEST FILM ENSEMBLE
“12 Years a Slave”
“American Hustle”
“August: Osage County”
“The Butler”
“Dallas Buyers Club”

BEST FILM ACTOR
Bruce Dern, “Nebraska”
Chiwetel Ejiofor, “12 Years a Slave”
Tom Hanks, “Captain Phillips”
Matthew McConaughey, “Dallas Buyers Club”
Forest Whitaker, “The Butler”

BEST FILM ACTRESS
Cate Blanchett, “Blue Jasmine”
Sandra Bullock, “Gravity”
Judi Dench, “Philomena”
Meryl Streep, “August: Osage County”
Emma Thompson, “Saving Mr. Banks”

BEST FILM SUPPORTING ACTOR
Barkhad Abdi, “Captain Phillips”
Daniel Bruhl, “Rush”
Michael Fassbender, “12 Years a Slave”
James Gandolfini, “Enough Said”
Jared Leto, “Dallas Buyers Club”

BEST FILM SUPPORTING ACTRESS
Jennifer Lawrence, “American Hustle”
Lupita Nyong’o, “12 Years a Slave”
Julia Roberts, “August: Osage County”
June Squibb, “Nebraska”
Oprah Winfrey, “The Butler”

BEST FILM STUNT ENSEMBLE*
“All is Lost”
“Fast & Furious 6”
“Lone Survivor”
“Rush”
“The Wolverine”

The full list of nominees can be found here.

—-

* Isn’t it about time that stunt performers get an Oscar category all their own?

12 Years A Slave Wins In Boston

Posted on December 8, 2013 by Lisa Marie Bowman

The Boston Society Of Film Critics voted earlier today and 12 Years A Slave — which, so far, has been underperforming with the critics’ groups — swept the awards. The Wolf of Wall Street came in second for most of the major awards.

BEST PICTURE
“12 Years a Slave”
Runner-up: “The Wolf of Wall Street”

BEST DIRECTOR
Steve McQueen (“12 Years a Slave”)
Runner-up: Martin Scorsese (“The Wolf of Wall Street”)

BEST ACTOR
Chiwetel Ejiofor (“12 Years a Slave”)
Runner-up: Leonardo DiCaprio (“The Wolf of Wall Street”)

BEST ACTRESS
Cate Blanchett (“Blue Jasmine”)
Runner-up: Judi Dench (“Philomena”)

BEST SUPPORTING ACTOR
James Gandolfini (“Enough Said”)
Runner-ups:
Barkhad Abdi (“Capt. Phillips”) and Jared Leto (“Dallas Buyers Club”) tie for second.

BEST SUPPORTING ACTRESS
June Squibb (“Nebraska”)
Runner-up:
Lupita Nyong’o (“12 Years a Slave”)

BEST SCREENPLAY
Nicole Holofcener (“Enough Said”)
Runner-up:
“The Wolf of Wall Street”

BEST FOREIGN LANGUAGE FILM
“Wadjda”
Runner-up: “Blue Is the Warmest Color”

BEST DOCUMENTARY
“The Act of Killing,” Josh Oppenheimer
Runner-ups:
“Blackfish,” “Leviathan,” “At Berkeley,” “Crash Reel,” “20 Feet from Stardom ”

BEST ANIMATED FEATURE
“The Wind Rises,” Hayao Miyazaki
Runner-up:
“Frozen”

BEST NEW FILMMAKER
Ryan Coogler (“Fruitvale Station”)
Runner-up: Josh Oppenheimer (“Act of Killing”)

BEST CINEMATOGRAPHY
Emmanuel Lubezki (“Gravity”)
Runner-up:
Phillippe Le Sourd (“The Grandmaster”)

BEST EDITING
Daniel P. Hanley, Mike Hill (“Rush”)
Runner-up: Thelma Schoonmaker (“The Wolf of Wall Street”)

BEST USE OF MUSIC IN A FILM
“Inside Llewyn Davis”
Runner-up: “Nebraska”

Poll: Which Films Are You Most Looking Forward To Seeing In October?

Posted on August 31, 2013 by Lisa Marie Bowman

It’s in the end of the month and you know what that means!

It’s time to combine two of my favorite things: a poll and a list of film titles.

Which four films are you most looking forward to seeing in October? Let us know by voting below. You can vote up to four times and, as always, write-ins are accepted!

Happy voting!