Retro Television Review: Baywatch 3.3 “Tequila Bay”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001.  The entire show can be viewed on Tubi.

This week, two new regulars join the cast.

Episode 3.3 “Tequila Bay”

(Dir by Lyndon Chubbuck, originally aired on September 27th, 1992)

Despite not having graduated from lifeguard school yet, Brody is given an undercover assignment by Mitch. Someone has been attacking surfers who try to surf the waters off Tequila Bay, and Brody is sent in to find out who is responsible.

Gee, who could it be? How about that gang of angry-looking teenagers standing on the rocks and glaring as Matt and another surfer, Jimmy Slade (Kelly Slater), greet each other in the water? It is pretty easy to see that the gang is trying to keep other surfers off “their” beach. What I find strange is that the gang consists of about seven people, but only two of them are carrying surfboards. What are the other five getting out of this?

As for Jimmy Slade, he is a philosophical surfer who thinks the water belongs to everyone. He lives in a van. He does not have a phone, but he does have a board, and his life is all about the waves. When he sees Brody paddling in the ocean, he greets him not as a potential rival but as a fellow surfer. And when the evil surf gang tries to run Brody and Slade off, Slade throws a few hard punches of his own.

Jimmy Slade is played by Kelly Slater, a professional surfer who joined Baywatch for its third season. In the Summerfest special, Slater said he joined the cast because he wanted to introduce surfing to the world. I have read a more recent interview in which he says he joined at the urging of his agent and regretted it almost immediately. Not only did fellow surfers give him a hard time about selling out, but Slater also read a script for an episode that featured a surfboard-stealing octopus.

And indeed, Slater gives a performance in this episode that suggests he had already figured out acting was not for him. He delivers his lines stiffly and without much personality. Slater himself abandoned acting after his time on Baywatch. He is a far better surfer than an actor.

Slade does agree to teach Summer how to surf, though the Tequila Bay gang again tries to ruin things by putting barbed wire in the ocean. Slade ends up with a few bad cuts, but it looks as if he will also get a girlfriend. As for the gang, they are arrested by Garner and Mitch.

Meanwhile, the new lieutenant shows up at Baywatch to replace the promoted Captain Thorpe. Mitch is stunned when his new boss turns out to be Stephanie Holden (Alexandra Paul), a woman with whom he once had a torrid affair. She broke his heart when she failed to meet him at Catalina. How badly did she hurt Mitch? Badly enough that he tells Ben he feels like Humphrey Bogart in Casablanca. Wow, Mitch. Overdramatic much?

Overdramatic is the word for David Hasselhoff in this episode. If the first two seasons featured Hasselhoff as an easygoing beach bum, this one features him as an angry, emotionally wounded ex-lover. Unfortunately, Hasselhoff is at his least convincing when he is playing anger. He comes across as petulant. Alexandra Paul may not play Stephanie with much depth, at least not in her first episode, but you still feel sorry for her, because Mitch is being such a jerk.

However, when Stephanie and Mitch work together on the beach to save a drowning man, Mitch realizes that Stephanie is good at her job. He has been asked to write a letter to Captain Thorpe about whether Stephanie should be assigned to Baywatch. Mitch writes that she should definitely be his boss. Could this mean love for Mitch? Let’s hope so!

This episode was way too overdramatic to be taken seriously. The Tequila Bay gang was made up of some of the least intimidating baddies ever to show up on Baywatch. Seriously: the ocean is for everyone.

Retro Television Review: Baywatch 3.1 and 3.2 “River of No Return”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001.  The entire show can be viewed on Tubi.

This week, we start the third season!

Episodes 3.1 and 3.2 “River of No Return”

(Dir by Douglas Schwartz, originally aired on September 14th, 1992)

The third season of Baywatch begins with Mitch learning of the death of his uncle, an eccentric old prospector who always claimed that he was going to find gold. Mitch and Hobie decide to head to Northern California to investigate, and Eddie and Shauni agree to join them. For Eddie, it’s a chance to have one last adventure with Mitch before he heads off to Australia as part of the lifeguard exchange program. For Shauni, it’s a chance to reveal to Eddie that he knocked her up. For the show, it’s a chance to introduce CJ Parker (Pamela Anderson), a river guide who plays the saxophone and who gives good relationship advice.

Yes, this episode was Pamela Anderson’s first appearance on Baywatch. It turns out that, before she was a sax-playing river guide, CJ was a lifeguard, and Mitch would love it if she would return to the beach. Oddly, even though everyone already knows CJ, no one has ever mentioned her before. Considering that she was apparently a legendary lifeguard, you would think that she would have been mentioned in the past.

However, before CJ can return to the beach, she has to help Mitch and the gang find the gold mine that Mitch’s uncle found shortly before he died. Unfortunately, Drew (Bill McKinney) and Lonny (Mickey Jones), two no-good rednecks, also want to find the mine.

Meanwhile, back at the beach, Summer Quinn (Nicole Eggert) and her mother, Jackie (Susan Anton), have moved to Los Angeles to get away from Jackie’s abusive ex, Jed (Geoffrey Scott). Jed follows them but, fortunately, he’s put in his place by Matt Brody (David Charvet), a rich kid who is hoping to become a lifeguard. Like all of the other prospective lifeguards, Matt Brody is curious about “Bobby Quinn,” who is new to California and who was apparently a champion swimmer back in Pennsylvania. At the lifeguard try-out, Summer tells Matt that Summer is just a nickname and her first name is actually Roberta.

This two-part episode largely exists to introduce Pamela Anderson, Nicole Eggert, and David Charvet as regulars. All three of them do pretty well for their first episode. They all seem like they actually want to be there, which is quite a contrast to Billy Warlock and Erika Eleniak, both of whom have subsequently been pretty vocal about not being happy with the direction the show took during the second season. Of course, as soon as Eggert and Charvet show up, it’s easy to see that there’s no longer going to be room for Warlock and Eleniak. So, it’s not a shock when this episode ends with Shauni and Eddie marrying and leaving Baywatch.

This was a good way to start the season. Yes, the whole gold mine thing was a bit silly, but it gave David Hasselhoff a chance to do the earnest action hero thing, and it also introduces Pamela Anderson, who—in this episode at least—comes across as being surprisingly natural and down-to-earth in the role of CJ.

Next week, Matt goes undercover and meets even more new characters!

 

Retro Television Review: Baywatch 3.0 “Summerfest Special”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001.  The entire show can be viewed on Tubi.

This week, the third of Baywatch begins with a special!

Episode 3.0: “Summerfest Special”

(Originally aired September 13, 1992)

“Hi, I’m David Hasselhoff, here to welcome you to the Summerfest special.”

The third season of Baywatch starts not with a story about Mitch Buchannon and his fellow lifeguards, but with a breezy special about the California lifestyle and what viewers can expect from the upcoming season. David Hasselhoff stands on the beach in his Baywatch uniform and earnestly talks about how important lifeguards are and how the show is all about celebrating their heroism.

“Life’s a beach,” Hasselhoff says, “and everyone’s life is at the beach.”

“We’ll be back with the latest in barely legal swimwear!” announcer Sean “Hollywood” Hamilton says as the special goes to commercial. Yes, that is the actual line.

In between shots of beachgoers in bikinis, the Summerfest Special features interviews with the cast members joining Baywatch in season 3. Susan Anton talks about being dramatically taller than her on-screen daughter, Nicole Eggert. David Charvet is introduced as “Baywatch’s newest bad boy.” Alexandra Paul says that maybe her character and Mitch will hook up, then laughs. Kelly Slater says that he’s not really an actor, but he joined the cast to show the world what “surfing is all about.” Pamela Anderson says that she’s looking forward to playing a “metaphysical character” because she’s very metaphysical herself. Gregory Alan Williams, who is being promoted to regular status in season 3, talks about saving a bystander during a riot because “I don’t like mobs.”

In between even more shots of beachgoers in bikinis, Hasselhoff talks about his music career and says that Baywatch is a show the entire family can watch. He adds, “Skimpy apparel is a part of the appeal.” This is followed by a montage of women in bikinis.

The Summerfest Special isn’t streaming on Tubi or Prime, but it is available on YouTube. The version I watched included all of the commercials that aired with the show. There weren’t any pharma commercials, which I appreciated. In America, we don’t really realize how bombarded we are with commercials for medicine with potentially deadly side effects until we get a chance to watch a complete broadcast from a time when no one in their right mind would think of advertising prescription medication on television.

Instead, I got a lot of commercials for local businesses and special musical compilation albums. There was a commercial for a Dodge dealership that bragged about how their vehicles came with airbags. In the middle of a commercial for a gospel album, a preacher said, “Who the hell left the gate open?” and everyone in the church cheered. A woman quit her job with confidence because of her Secret deodorant. “I’ll borrow my mother’s scarf,” a young woman who reminded me of myself declared, “but my mother’s tampons? No way!” A bunch of teen soccer players announced they’d rather drink “Sunny D” than “soda” or “purple stuff.” I’m from the South, so it always sounds weird to hear people refer to Coke as soda. It’s even weirder to see people preferring an orange drink to it.

If I seem to be spending a lot of time on the commercials, that’s because they felt like little mini time machines. Watching them was like taking a 30-second trip back to the early ’90s. As for the rest of the special, it was essentially a lengthy commercial for Baywatch and bikinis, but everyone interviewed seemed to be in a really good mood. They were having fun, and that’s the important thing.

 

Lisa Marie’s Oscar Predictions For July


As you look over my latest Oscar predictions, you may notice that I’ve dropped two films that I originally had listed as major contenders.  Disclosure Day opened to mixed reviews and it really seems to have vanished from the cultural conversation in the wake of the release of The Odyssey.  Digger has not opened yet but I just get the feeling that this is going to be another pretentious Alejandro Iñárritu film.  Whenever anyone mentions the previous victory of Birdman, it always seems to be done with a slight bit of embarrassment.  I think Iñárritu’s time as an Oscar favorite might be over.

These predictions below are based on what’s been released, what will be playing at the major festivals, which trailers generated excitement (hello I Play Rocky!), which films are most likely to appeal to the Academy’s political biases (hello Ink and The Social Reckoning) and, as always, a lot of wishful thinking on my part.  (Hello I Play Rocky again!)

To see how my thinking has or has not evolved, check out my picks for March, April, May, and June!

Best Picture

The Adventures of Cliff Booth

Being Heumann

The Debut

Dune: Part Three

Fjord

Ink

The Odyssey

Project Hail Mary

The Social Reckoning

Wild Horse Nine

Best Director

David Fincher for The Adventures of Cliff Booth

Phil Lord and Christopher Miller for Project Hail Mary

Cristian Mungiu for Fjord

Christopher Nolan for The Odyssey

Denis Villeneuve for Dune: Part Three

Best Actor

David Corenswet in Mr. Irrelevant

Ryan Gosling in Project Hail Mary

Anthony Ippolito in I Play Rockly

John Malkovich in Wild Horses

Robert Pattinson in Primetime

Best Actress

Ellen Burstyn in Place To Be

Sandra Huller in Fatherland

Ruth Madeley in Being Heumann

Julianne Moore in The Debut

Renate Reinsve in Fjord

Best Supporting Actor

Steve Buscemi in Wild Horse Nine

Matt Dillon in I Play Rocky

Paul Giamatti in The Debut

Guy Pearce in Ink

Jeremy Strong in The Social Reckoning

Best Supporting Actress

Pamela Anderson in Place To Be

Anne Hathaway in The Odyssey

Samantha Morton in The Odyssey

Parker Posey in Wild Hose Nine

AnnaSophia Robb in I Play Rocky

Sinners Wins In Indiana


Yesterday, the Indiana Film Journalists Association announced its picks for the best of 2025.  The winners are listed in bold.

BEST FILM
28 Years Later
Black Bag
Bob Trevino Likes It
Bugonia
Frankenstein
Friendship
Hamnet
Jay Kelly
The Life of Chuck
Marty Supreme
No Other Choice
One Battle After Another (RUNNER-UP)
The Phoenician Scheme
The Plague
Sinners (WINNER)
Splitsville
Superman
Train Dreams
Wake Up Dead Man: A Knives Out Mystery
Weapons

Other Best Film Finalists / Top 10 Films: (listed alphabetically)
Bob Trevino Likes It
Hamnet
The Life of Chuck
Marty Supreme
No Other Choice
Train Dreams
Wake Up Dead Man: A Knives Out Mystery
Weapons

BEST ANIMATED FILM
In Your Dreams
KPop Demon Hunters (WINNER)
The Legend of Hei 2 (RUNNER-UP)
Little Amélie Or The Character Of Rain
Ne Zha 2
Predator: Killer of Killers
Zootopia 2

BEST FOREIGN LANGUAGE FILM
Cloud
It Was Just an Accident
Left-Handed Girl
No Other Choice (WINNER)
Reflection In A Dead Diamond
Rental Family
The Secret Agent
Sentimental Value (RUNNER-UP)
Universal Language
The Voice of Hind Rajab

BEST DOCUMENTARY
Are We Good?
Deaf President Now!
Disposable Humanity
Grand Theft Hamlet
Hacking at Leaves
Orwell: 2+2=5 (RUNNER-UP)
Pavements
The Perfect Neighbor
The Tenderness Tour (WINNER)

BEST ORIGINAL SCREENPLAY
Noah Baumbach and Emily Mortimer – Jay Kelly
Mary Bronstein – If I Had Legs I’d Kick You
Ronald Bronstein and Josh Safdie – Marty Supreme (RUNNER-UP)
Ryan Coogler – Sinners (WINNER)
Michael Angelo Covino and Kyle Marvin – Splitsville
Zach Cregger – Weapons
David Koepp – Black Bag
Tracie Laymon – Bob Trevino Likes It
Jafar Panahi – It Was Just an Accident
Charlie Polinger – The Plague

BEST ADAPTED SCREENPLAY
Paul Thomas Anderson – One Battle After Another (WINNER)
Clint Bentley and Greg Kwedar – Train Dreams
Guillermo del Toro – Frankenstein
Mike Flanagan – The Life of Chuck (RUNNER-UP)
Alex Garland – 28 Years Later
Dan Gregor, Doug Mand, and Akiva Schaffer – The Naked Gun
James Gunn – Superman
Rian Johnson – Wake Up Dead Man: A Knives Out Mystery
Park Chan-wook, Lee Kyoung-mi, Don McKellar and Lee Ja-hye – No Other Choice
Will Tracy – Bugonia

BEST DIRECTOR
Paul Thomas Anderson – One Battle After Another (WINNER)
Clint Bentley – Train Dreams
Ryan Coogler – Sinners (RUNNER-UP)
Michael Angelo Covino – Splitsville
Zach Cregger – Weapons
James Gunn – Superman
Park Chan-wook – No Other Choice
Charlie Polinger – The Plague
Josh Safdie – Marty Supreme
Steven Soderbergh – Black Bag

BEST LEAD PERFORMANCE
Everett Blunck – The Plague
Jessie Buckley – Hamnet (RUNNER-UP)
Rose Byrne – If I Had Legs I’d Kick You
Timothée Chalamet – Marty Supreme (WINNER)
David Corenswet – Superman
Leonardo DiCaprio – One Battle After Another
Joel Edgerton – Train Dreams
Michael Fassbender – Black Bag
Barbie Ferreira – Bob Trevino Likes It
Ethan Hawke – Blue Moon
Michael B. Jordan – Sinners
Liam Neeson – The Naked Gun
Josh O’Connor – Wake Up Dead Man: A Knives Out Mystery
Jesse Plemons – Bugonia
Emma Stone – Bugonia

BEST SUPPORTING PERFORMANCE
Pamela Anderson – The Naked Gun
Miles Caton – Sinners
Benicio del Toro – One Battle After Another (WINNER)
Jacob Elordi – Frankenstein
Nicholas Hoult – Superman
Chase Infiniti – One Battle After Another
John Leguizamo – Bob Trevino Likes It
Amy Madigan – Weapons (RUNNER-UP)
Paul Mescal – Hamnet
Sean Penn – One Battle After Another
Adam Sandler – Jay Kelly
Stellan Skarsgård – Sentimental Value
French Stewart – Bob Trevino Likes It
Teyana Taylor – One Battle After Another

BEST VOCAL / MOTION-CAPTURE PERFORMANCE
Oona Chaplin – Avatar: Fire And Ash
Ebon Moss-Bachrach – The Fantastic Four: First Steps (RUNNER-UP)
Will Patton – Train Dreams (WINNER)
Dimitrius Schuster-Koloamatangi – Predator: Badlands
Zhu Jing – The Legend of Hei 2

BEST ENSEMBLE ACTING
Black Bag
Bugonia
The Life of Chuck
Marty Supreme
One Battle After Another (RUNNER-UP)
The Plague
Sinners (WINNER)
Superman
Wake Up Dead Man: A Knives Out Mystery
Weapons

BEST EDITING
Ronald Bronstein and Josh Safdie – Marty Supreme
Barry Alexander Brown and Allyson C. Johnson – Highest 2 Lowest
Mike Flanagan – The Life of Chuck
Jon Harris – 28 Years Later
Andy Jurgensen – One Battle After Another (RUNNER-UP)
Kim Sang-bum – No Other Choice
Brian Scott Olds – The Naked Gun
Sara Shaw – Splitsville
Michael P. Shawver – Sinners (WINNER)
Steven Soderbergh – Black Bag

BEST CINEMATOGRAPHY
Autumn Durald Arkapaw – Sinners (WINNER)
Michael Bauman – One Battle After Another (RUNNER-UP)
Steven Breckon – The Plague
Darius Khondji – Marty Supreme
Dan Laustsen – Frankenstein
Anthony Dod Mantle – 28 Years Later
Larkin Seiple – Weapons
Steven Soderbergh – Black Bag
Fraser Taggart – Mission: Impossible – The Final Reckoning
Adolpho Veloso – Train Dreams

BEST MUSICAL SCORE
Jerskin Fendrix – Bugonia
Ludwig Göransson – Sinners (WINNER)
Jonny Greenwood – One Battle After Another (RUNNER-UP)
Ryan Holladay, Hays Holladay and Zach Cregger – Weapons
David Holmes – Black Bag
Johan Lenox – The Plague
Daniel Lopatin – Marty Supreme
John Murphy and David Fleming – Superman
Nine Inch Nails – Tron: Ares
Young Fathers – 28 Years Later

BEST STUNT / MOVEMENT CHOREOGRAPHY
Wade Eastwood (second unit director / stunt coordinator) – Mission: Impossible – The Final Reckoning (WINNER)
Timothy Eulich (stunt coordinator) – Eddington
Tyler Hall (stunt coordinator / stunt driver) and Dave McKeown (stunt coordinator) – Splitsville
Brian Machleit (stunt coordinator) – One Battle After Another (RUNNER-UP)
Mandy Moore (choreographer) – The Life of Chuck
Alain Moussi (stunt coordinator), Brahim Chab (fight coordinator), László Kósa (stunt coordinator, Hungary) and Balázs Lengyel (fight coordinator, Hungary) – Fight or Flight
Celia Rowlson-Hall (choreographer) – The Testament of Ann Lee
Jacob Tomuri (stunt coordinator) – Predator: Badlands

BEST SPECIAL EFFECTS
Dennis Berardi, Ayo Burgess and Ivan Busquets (VFX supervisors) and José Granell (miniatures / models supervisor) – Frankenstein (WINNER)
Jeff Capogreco (VFX supervisor), Dave Funston (VFX supervisor, OPSIS), Ross McCabe (VFX supervisor, Image Engine), Abishek Nair (VFX supervisor, Industrial Light and Magic / VFX supervisor, second unit), Vincent Papaix (VFX supervisor, Industrial Light and Magic) and Cameron Waldbauer (SFX supervisor) – Tron: Ares
Stephane Ceretti, Enrico Damm, Stéphane Nazé and Guy Williams (VFX supervisors) – Superman
Olivier Dumont and Sheldon Stopsack (VFX supervisors, Wētā), Kathy Siegel (VFX producer / co-producer) and Karl Rapley (animation supervisor, Wētā) – Predator: Badlands
Dan Glass, Chris McLaughlin and Stuart Penn (VFX supervisors) and Dominic Tuohy (SFX supervisor) – Mickey 17
Joe Letteri (senior VFX supervisor), Richard Baneham (VFX supervisor, Lightstorm / virtual second unit director), Eric Saindon (senior VFX supervisor, Wētā Digital) and Daniel Barrett (senior animation supervisor, Wētā Digital) – Avatar: Fire And Ash
Charlie Noble (VFX supervisor), David Zaretti (VFX supervisor, ILM), Russell Bowen (VFX supervisor, beloFX) and Brandon K. McLaughlin (SFX coordinator) – The Lost Bus
Michael Ralla, Espen Nordahl and Guido Wolter (VFX supervisors) and Donnie Dean (SFX coordinator) – Sinners (RUNNER-UP)
Scott Stokdyk (VFX supervisor, Marvel), Robert Allman (VFX supervisor, Framestore), Daniele Bigi (VFX supervisor, ILM), Theodore Bialek (VFX supervisor, SPI) and Alistair Williams (SFX supervisor) – The Fantastic Four: First Steps

BREAKOUT OF THE YEAR
Clint Bentley (director / co-writer) – Train Dreams
Everett Blunck (performer) – The Plague
Miles Caton (performer) – Sinners (RUNNER-UP)
Aidan Delbis (performer) – Bugonia
Chase Infiniti (performer) – One Battle After Another (WINNER)
Jacobi Jupe (performer) – Hamnet
Tracie Laymon (director / writer) – Bob Trevino Likes It
Charlie Polinger (director / writer) – The Plague
Eva Victor (director / writer / performer) – Sorry, Baby
Alfie Williams (performer) – 28 Years Later

ORIGINAL VISION
Good Boy (WINNER)
If I Had Legs I’d Kick You
One Battle After Another
The Plague
Reflection In A Dead Diamond
The Testament of Ann Lee (RUNNER-UP)
Train Dreams

The Edward Johnson-Ott Hoosier Award
Chase Infiniti – One Battle After Another 

Here Are The 2025 Nominations Of The Indiana Film Journalists Association!


Here are the 2025 nominations of the Indiana Film Journalists Association.

There’s a lot of them.

BEST FILM
28 Years Later
Black Bag
Bob Trevino Likes It
Bugonia
Frankenstein
Friendship
Hamnet
Jay Kelly
The Life of Chuck
Marty Supreme
No Other Choice
One Battle After Another
The Phoenician Scheme
The Plague
Sinners
Splitsville
Superman
Train Dreams
Wake Up Dead Man: A Knives Out Mystery
Weapons

BEST ANIMATED FILM
In Your Dreams
KPop Demon Hunters
The Legend of Hei 2
Little Amélie Or The Character Of Rain
Ne Zha 2
Predator: Killer of Killers
Zootopia 2

BEST FOREIGN LANGUAGE FILM
Cloud
It Was Just an Accident
Left-Handed Girl
No Other Choice
Reflection In A Dead Diamond
Rental Family
The Secret Agent
Sentimental Value
Universal Language
The Voice of Hind Rajab

BEST DOCUMENTARY
Are We Good?
Deaf President Now!
Disposable Humanity
Grand Theft Hamlet
Hacking at Leaves
Orwell: 2+2=5
Pavements
The Perfect Neighbor
The Tenderness Tour

BEST ORIGINAL SCREENPLAY
Noah Baumbach and Emily Mortimer – Jay Kelly
Mary Bronstein – If I Had Legs I’d Kick You
Ronald Bronstein and Josh Safdie – Marty Supreme
Ryan Coogler – Sinners
Michael Angelo Covino and Kyle Marvin – Splitsville
Zach Cregger – Weapons
David Koepp – Black Bag
Tracie Laymon – Bob Trevino Likes It
Jafar Panahi – It Was Just an Accident
Charlie Polinger – The Plague

BEST ADAPTED SCREENPLAY
Paul Thomas Anderson – One Battle After Another
Clint Bentley and Greg Kwedar – Train Dreams
Guillermo del Toro – Frankenstein
Mike Flanagan – The Life of Chuck
Alex Garland – 28 Years Later
Dan Gregor, Doug Mand, and Akiva Schaffer – The Naked Gun
James Gunn – Superman
Rian Johnson – Wake Up Dead Man: A Knives Out Mystery
Park Chan-wook, Lee Kyoung-mi, Don McKellar and Lee Ja-hye – No Other Choice
Will Tracy – Bugonia

BEST DIRECTOR
Paul Thomas Anderson – One Battle After Another
Clint Bentley – Train Dreams
Ryan Coogler – Sinners
Michael Angelo Covino – Splitsville
Zach Cregger – Weapons
James Gunn – Superman
Park Chan-wook – No Other Choice
Charlie Polinger – The Plague
Josh Safdie – Marty Supreme
Steven Soderbergh – Black Bag

BEST LEAD PERFORMANCE
Everett Blunck – The Plague
Jessie Buckley – Hamnet
Rose Byrne – If I Had Legs I’d Kick You
Timothée Chalamet – Marty Supreme
David Corenswet – Superman
Leonardo DiCaprio – One Battle After Another
Joel Edgerton – Train Dreams
Michael Fassbender – Black Bag
Barbie Ferreira – Bob Trevino Likes It
Ethan Hawke – Blue Moon
Michael B. Jordan – Sinners
Liam Neeson – The Naked Gun
Josh O’Connor – Wake Up Dead Man: A Knives Out Mystery
Jesse Plemons – Bugonia
Emma Stone – Bugonia

BEST SUPPORTING PERFORMANCE
Pamela Anderson – The Naked Gun
Miles Caton – Sinners
Benicio del Toro – One Battle After Another
Jacob Elordi – Frankenstein
Nicholas Hoult – Superman
Chase Infiniti – One Battle After Another
John Leguizamo – Bob Trevino Likes It
Amy Madigan – Weapons
Paul Mescal – Hamnet
Sean Penn – One Battle After Another
Adam Sandler – Jay Kelly
Stellan Skarsgård – Sentimental Value
French Stewart – Bob Trevino Likes It
Teyana Taylor – One Battle After Another

BEST VOCAL / MOTION-CAPTURE PERFORMANCE
Oona Chaplin – Avatar: Fire And Ash
Ebon Moss-Bachrach – The Fantastic Four: First Steps
Will Patton – Train Dreams
Dimitrius Schuster-Koloamatangi – Predator: Badlands
Zhu Jing – The Legend of Hei 2

BEST ENSEMBLE ACTING
Black Bag
Bugonia
The Life of Chuck
Marty Supreme
One Battle After Another
The Plague
Sinners
Superman
Wake Up Dead Man: A Knives Out Mystery
Weapons

BEST EDITING
Ronald Bronstein and Josh Safdie – Marty Supreme
Barry Alexander Brown and Allyson C. Johnson – Highest 2 Lowest
Mike Flanagan – The Life of Chuck
Jon Harris – 28 Years Later
Andy Jurgensen – One Battle After Another
Kim Sang-bum – No Other Choice
Brian Scott Olds – The Naked Gun
Sara Shaw – Splitsville
Michael P. Shawver – Sinners
Steven Soderbergh – Black Bag

BEST CINEMATOGRAPHY
Autumn Durald Arkapaw – Sinners
Michael Bauman – One Battle After Another
Steven Breckon – The Plague
Darius Khondji – Marty Supreme
Dan Laustsen – Frankenstein
Anthony Dod Mantle – 28 Years Later
Larkin Seiple – Weapons
Steven Soderbergh – Black Bag
Fraser Taggart – Mission: Impossible – The Final Reckoning
Adolpho Veloso – Train Dreams

BEST MUSICAL SCORE
Jerskin Fendrix – Bugonia
Ludwig Göransson – Sinners
Jonny Greenwood – One Battle After Another
Ryan Holladay, Hays Holladay and Zach Cregger – Weapons
David Holmes – Black Bag
Johan Lenox – The Plague
Daniel Lopatin – Marty Supreme
John Murphy and David Fleming – Superman
Nine Inch Nails – Tron: Ares
Young Fathers – 28 Years Later

BEST STUNT / MOVEMENT CHOREOGRAPHY
Wade Eastwood (second unit director / stunt coordinator) – Mission: Impossible – The Final Reckoning
Timothy Eulich (stunt coordinator) – Eddington
Tyler Hall (stunt coordinator / stunt driver) and Dave McKeown (stunt coordinator) – Splitsville
Brian Machleit (stunt coordinator) – One Battle After Another
Mandy Moore (choreographer) – The Life of Chuck
Alain Moussi (stunt coordinator), Brahim Chab (fight coordinator), László Kósa (stunt coordinator, Hungary) and Balázs Lengyel (fight coordinator, Hungary) – Fight or Flight
Celia Rowlson-Hall (choreographer) – The Testament of Ann Lee
Jacob Tomuri (stunt coordinator) – Predator: Badlands

BEST SPECIAL EFFECTS
Dennis Berardi, Ayo Burgess and Ivan Busquets (VFX supervisors) and José Granell (miniatures / models supervisor) – Frankenstein
Jeff Capogreco (VFX supervisor), Dave Funston (VFX supervisor, OPSIS), Ross McCabe (VFX supervisor, Image Engine), Abishek Nair (VFX supervisor, Industrial Light and Magic / VFX supervisor, second unit), Vincent Papaix (VFX supervisor, Industrial Light and Magic) and Cameron Waldbauer (SFX supervisor) – Tron: Ares
Stephane Ceretti, Enrico Damm, Stéphane Nazé and Guy Williams (VFX supervisors) – Superman
Olivier Dumont and Sheldon Stopsack (VFX supervisors, Wētā), Kathy Siegel (VFX producer / co-producer) and Karl Rapley (animation supervisor, Wētā) – Predator: Badlands
Dan Glass, Chris McLaughlin and Stuart Penn (VFX supervisors) and Dominic Tuohy (SFX supervisor) – Mickey 17
Joe Letteri (senior VFX supervisor), Richard Baneham (VFX supervisor, Lightstorm / virtual second unit director), Eric Saindon (senior VFX supervisor, Wētā Digital) and Daniel Barrett (senior animation supervisor, Wētā Digital) – Avatar: Fire And Ash
Charlie Noble (VFX supervisor), David Zaretti (VFX supervisor, ILM), Russell Bowen (VFX supervisor, beloFX) and Brandon K. McLaughlin (SFX coordinator) – The Lost Bus
Michael Ralla, Espen Nordahl and Guido Wolter (VFX supervisors) and Donnie Dean (SFX coordinator) – Sinners
Scott Stokdyk (VFX supervisor, Marvel), Robert Allman (VFX supervisor, Framestore), Daniele Bigi (VFX supervisor, ILM), Theodore Bialek (VFX supervisor, SPI) and Alistair Williams (SFX supervisor) – The Fantastic Four: First Steps

BREAKOUT OF THE YEAR
Clint Bentley (director / co-writer) – Train Dreams
Everett Blunck (performer) – The Plague
Miles Caton (performer) – Sinners
Aidan Delbis (performer) – Bugonia
Chase Infiniti (performer) – One Battle After Another
Jacobi Jupe (performer) – Hamnet
Tracie Laymon (director / writer) – Bob Trevino Likes It
Charlie Polinger (director / writer) – The Plague
Eva Victor (director / writer / performer) – Sorry, Baby
Alfie Williams (performer) – 28 Years Later

ORIGINAL VISION
Good Boy
If I Had Legs I’d Kick You
One Battle After Another
The Plague
Reflection In A Dead Diamond
The Testament of Ann Lee
Train Dreams

Brad reviews THE NAKED GUN (2025), starring Liam Neeson!


When I first saw that THE NAKED GUN was being rebooted with Liam Neeson as Frank Drebin, Jr., I must admit that I was quite skeptical. You see, the original THE NAKED GUN (1988) with Leslie Nielsen came out when I was 15 years old, and I remember watching it at the movie theater on a field trip with our high school’s Future Business Leaders of America (FBLA) club. I loved it so much! I eagerly watched THE NAKED GUN 2 1/2 (1991) and NAKED GUN 33 1/3 (1994) at the theaters as well. To be completely honest, this series is one of my favorites of my “growing into an adult” years, and I didn’t want to see it screwed up. When the trailer was released a couple of months ago my reaction was cautious optimism as I must admit it looked quite funny, and I decided that I would go watch it in the theater when it came out. Well, tonight my wife and I headed to the Cinemark in Little Rock to see what director Akiva Schaffer and his crew had come up with…

In THE NAKED GUN (2025), dedicated Detective Lt. Frank Drebin Jr. (Liam Neeson) follows in his father’s footsteps by leading Police Squad and causing an endless array of problems for Police Chief Davis (CCH Pounder). When a bank heist is staged by Sig Gustafson (Kevin Durand) in order to obtain a mysterious P.L.O.T. Device, Drebin teams up with his partner, Captain Ed Hocken Jr. (Paul Walter Hauser), and the beautiful crime novelist Beth Davenport (Pamela Anderson) to investigate. Their subsequent probe leads them to tech mogul Richard Cane (Danny Huston) and his sinister plot to use the device to revert humanity to a base barbaric state as the balls drop on New Year’s Eve. With the help of his deceased father’s spirit that’s being housed in the body of a large owl, Drebin goes all out to foil Cane’s plans while simultaneously falling in love with Beth! 

I’m going to go ahead and alleviate any suspense and state that I love the new NAKED GUN movie. I laughed out loud throughout the entire film, including the end credits, and I wasn’t the only one as there were people in our showing that were laughing much louder than me. It was a fun “crowd experience,” and I’m so glad we caught it in the theater. Not every joke is funny, but in the tradition of the original series, they come so fast and furious that there’s a good chance the next joke will be hilarious. Liam Neeson does a great job as Frank Drebin, Jr., infusing the character with just the right amount of seriousness to allow the absurdity all around him to be played for laughs. I told a friend a few months ago that I’d be really impressed if Neeson was able to pull this role off, and I’m glad to report that he passes with flying colors. He doesn’t make you forget the comedic genius of Leslie Nielsen, but he’s darn good. And Pamela Anderson is perfect in the crime novelist / love interest role. I haven’t seen her in anything in a long time, but she’s truly hilarious in the film. After watching her performance, I honestly don’t think any actress could have done any better. The rest of the game cast, including Paul Walter Hauser, Danny Huston and Kevin Durand each have good moments that add to the fun. I also enjoyed some of the specific throwbacks to the original series, including brief appearances by Priscilla Presley, Weird Al Yankovic, and especially the stuffed beaver, which got a big laugh out of me, just like it did when I was 15! 

Overall, I had a great time at the movie theater with THE NAKED GUN (2025). Director Akiva Schaffer delivers a hilarious, 85 minute film that’s a worthy follow-up to the original Zucker-Abrahams-Zucker / Leslie Nielsen classics. What else could you ask for?!!

Brad’s “Trailer of the Day” – THE NAKED GUN (2025), starring Liam Neeson!


When I first heard that Liam Neeson would be playing Frank Drebin, Jr. in a reboot of THE NAKED GUN series, I thought it might be a joke. Turns out it was the absolute truth! I’ll admit that I love the original NAKED GUN movies starring Leslie Nielsen. I watched every one of them at the movie theater and proudly own the DVD box set. Based on that love, I certainly hope that Neeson’s version will be a fun movie, and I’ll probably watch it at the movie theater sometime after it opens on August 1st as well. Check out the trailer for THE NAKED GUN (2025) below!

Raw Justice (1994, directed by David Prior)


When his daughter is strangled, New Orleans Mayor David Stiles (Charles Napier) hires ex-cop-turned-bounty-hunter Mace (David Keith) to keep an eye on the main suspect, Mitch McCullum (Robert Hays).  What the mayor doesn’t know is that his daughter’s murder was ordered by Deputy Mayor Jenkins (Stacy Keach) and now, both Mace and Mitch are being stalked by a crooked cop named Atkins (Leo Rossi).  Also getting involved in this mess is a hooker with a heart of gold named Sarah (Pamela Anderson), who is angry because Mace earlier stole his clothes while trying to get the jump on a bail jumper.  Sarah and Mitch soon fall in love.  Mace is good with a gun and Mitch turns out to know karate (because he watched a lot of Bruce Lee movies growing up) but the film’s high point is when one of the bad guys is taken out with a giant novelty dart.

The plot is dumb and David Keith comes across as being a discount version of Patrick Swayze but this film does give the always likable Robert Hays a good role and fans of Pamela Anderson (and you know who you are) will definitely appreciate at least two scenes in the movie.  Actually, Pamela Anderson isn’t bad in Raw Justice.  She’s mostly there for her looks but she still has a likable and energetic screen presence.  Otherwise, this is a typical low-rent David Prior production, complete with action scenes featuring guns that never run out of bullets (unless it’s convenient for the plot) and a score that is pretty much the same guitar riff over and over again.  It’s not exactly good but it is entertaining if you’re in the right mood.

This film was also released under the title Good Cop Bad Cop, which doesn’t make much sense because neither Keith nor Hays is playing  a cop.

Lisa Marie’s Final 2024 Oscar Predictions


The Oscar nominations are due to be announced tomorrow so I guess I should post my final predictions.  2024 has been a rough year for me and my sisters.  Our Dad was in a car accident in May and, after two months of physical rehab, passed away in August while in home hospice care.  Needless to say, going to the movies was the last thing on my mind for much of 2024.

(I’m very thankful that my fellow contributors who kept the site going during our frequent absences.  Their hard work not only kept TSL alive but it also rekindled my own passion for the Shattered Lens.  I am still very much in mourning but writing for this site and sharing my thoughts with our readers has definitely helped me to regain some semblance of stability.)

So, there’s a lot of Oscar hopefuls that I have not seen.  That’s one reason why I haven’t done a best of 2024 list this year or my usual “If Lisa Marie Had All The Power” posts because there’s still a lot that I need to watch.  (I may publish them at some point in February, by which point everyone will have moved on but it will make me feel happy.)  I’m flying blind here with a lot of the potential nominees.  But I’ve been following the guilds and the critic awards and I feel reasonably confident about the predictions below.

Tomorrow morning, we’ll find out how right or wrong I am.

Best Picture

Anora

The Brutalist

A Complete Unknown

Conclave

Dune Part II

The Brutalist

A Real Pain

September 5

The Substance

Wicked

Best Director

Jacques Audiard for Emilia Perez

Sean Baker for Anora

Edward Berger for Conclave

Brady Corbet for The Brutalist

Coralie Fargeat for The Substance

Best Actress

Pamela Anderson in The Last Showgirl

Cynthia Erivo in Wicked

Karla Sofia Gascon in Emilia Perez

Mikey Madison in Anora

Demi Moore for in Substance

Best Actor

Adrien Brody in The Brutalist

Timothee Chalamet in A Compete Unknown

Domingo Colman in Sing Sing

Daniel Craig in Queer

Ralph Fiennes in Conclave

Best Supporting Actress

Jamie Lee Curtis in The Last Showgirl

Ariana Grande in Wicked

Margaret Qualley in The Substance

Isabella Rossellini in Conclave

Zoe Saldana in Emilia Perez

Best Supporting Actor

Yura Borisov in Anora

Kieran Culkin in A Real Pain

Edward Norton in A Complete Unknown

Guy Pearce in The Brutalist

Jeremy Strong in The Apprentice