Retro Television Review: Baywatch 2.1 and 2.2 “Nightmare Cove”

Posted on May 2, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001. The entire show can be viewed on Tubi.

This week, we start season 2 of Baywatch. Canceled by NBC, Baywatch found a new home in syndication. The show was re-launched with a special two-hour premiere. (For subsequent re-airings, the premiere was split into two episodes.)

Episode 2.1 and 2.2 “Nightmare Cove”

(Dir by Gregory J. Bonnan, originally aired on September 23rd, 1991)

A year and half after the final episode of Bayside’s network run, the show returns to the beach.

On the one hand, the basic idea is the same. David Hasselhoff plays Mitch Buchanan, a divorced father who loves nothing more than being a lifeguard. Eddie (Billy Warlock) and Shauni (Erika Eleniak) are two young lifeguards who are in love (though their engagement from the previous season is not mentioned). Don Thorpe (Monte Markham) is Mitch’s no-nonsense boss. The sunsets are still beautiful. The beaches are still inviting.

And yet, there are a few differences:

Craig, Cort, Gina, Garner, and Trevor are nowhere to be seen. (Craig, Cort, and Garner will all eventually return. Gina and Trevor will never be mentioned again.)
Hobie, Mitch’s son, is now played by Jeremy Jackson.
Richard Jaeckel, who played doomed life guard Al Edwards in the pilot film, is now playing Ben Edwards, who apparently is meant to be the same character as Al. (Mitch specifically mentions that Ben broke his leg when the pier collapsed, retconning Al’s heroic death into a mere injury.)
Cort may be gone but there’s a new money-hungry lifeguard named Harvey (Tim McTigue).
The second season premiere features even more musical montages than appeared in the first season.
The second season premiere features a lot of random shots of women in skimpy bikinis.
The red Baywatch one-piece swimsuits are back but now, they’re considerably tighter and more high-cut.
The new Baywatch was airing in syndication.

I get the feeling that the Baywatch cameraman probably got together and all chanted, “Syndication, baby!” before running out onto the beach. Even though the second season premiere is still far from what Baywatch would eventually become, one can already see the development of the aesthetic that led to it becoming the number one show for 90s frat boys and dads suffering from a midlife crisis.

As for this episode, there are rumors of an underwater monster and everyone wants in on the action. Mitch saves an underwater photographer and falls in love for an episode. Hasslehoff’s then-wife, Pamela Bach, plays a reporter whose editor wants sensationalized stories about the “beast of the bay.” Of course, the beast of the bay is actually just the creation of an offshore oil company who wants to drill and ruin the environment because why not? Luckily, one of the lifeguard, Devon (Andrea Thompson), is also an environmental activist. Of course, Andrea Thompson is not listed in the opening credits so I imagine we’ll never see Devon again.

While Mitch is investigating the monster, Shauni rescues a little girl from drowning and then gets involved in the family’s life. The family is black and the little girl’s brother is being recruited by a street gang so the very white Shauni arranges from him to join the junior lifeguards instead. Shauni’s critical father (Albert Stratton) is impressed but I have to admit that I found the storyline to be a bit condescending. Like a lot of 90s shows, Baywatch was at its weakest when it tried to deal with real-life issues. It’s hard not to notice that whenever a guest actor who wasn’t white showed up on episode of Baywatch, they were always either being tempted or pressured to join a gang or they were trying to get out of the gang lifestyle.

In this episode, there’s an odd moment when Hobie decides to go into a storm drain and pretend to be the monster, which leads to a panic on the beach and monster hunters showing up with guns. Mitch shows up and ends the situation before it gets too out-of-hand but you really do have to wonder if maybe Hobie would be better off with his mother. I mean, seriously, Mitch — what are you doing here? Your son is apparently an idiot who never learned anything from the dozen or so times his life was put in danger during the first season.

Finally, Thorpe gets promoted and he wants Mitch to take his place as chief. Mitch argues that the new chief should be Ben Edwards. Since apparently Ben has the power to come back from the dead, I can see Mitch’s logic. In the end, Thorpe agrees.

And that’s it for this episode. It’s definitely Baywatch but it’s still not quite as fun as the show would eventually become once it fully embraced just how ludicrous things could get in syndication. This episode — and I imagine the rest of this season — feels like a show that is still making the transition from network television to anything-goes syndication. Eventually, the show will get David Charvet, Pamela Anderson, and David “The Bulge” Chokachi. During season 2, it was still just Billy Warlock and Erika Eleniak.

Retro Television Review: Baywatch 1.12 “Armored Car”

Posted on February 7, 2026 by Lisa Marie Bowman

This week …. it’s times for volleyball!

Episode 1.12 “Armored Car”

(Dir by Michael Ray Rhoades, originally aired on January 5th, 1990)

Another pier on the verge of collapse!

(Seriously, what was the deal with California in the 90s? Why were all the piers on the verge of collapse? Was California just not investing in infrastructure?)

A local businessman is holding a carnival to raise funds to save the pier! Yay! He’s also decided that it would be a smart idea to park an extremely heavy armored car on the edge of the pier so that people can see all the money sitting inside of it. Hey, wait a minute. That seems kind of dumb. Why would anyone be that stupid? The businessman says that the armored car is sitting on the pier so that people can have their picture taken with the money. (It’s five dollars per picture.) That seems like a pretty stupid promotion but, beyond that, is there a reason why it has to be done on a pier that’s on the verge of collapsing?

Needless to say, the pier does start to collapse, which leaves the armored car teetering right on the edge. A little girl is trapped in the car so Eddie and Shauni — despite it being their off-day — jump into the back of the car and save the little girl. But then the door slams shut and the armored car falls into the ocean below. Eddie cracks several ribs. Shauni declares her love for him as they wait to be rescued.

Have no fear, they are rescued. This is one of those Baywatch episodes where the emphasis is on a bunch of people working together as a team to save not only two lives but also all the money in the armored car. This episode celebrates first responders, many of whom seem to be playing themselves. Most of the heroes in this episode have never been seen on the show before and will probably never be seen again but they still come together to accomplish the impossible. If you ask David Hasselhoff, episodes like this are what Baywatch was all about. The Hoff may have a point, though I think the red swimsuits probably had more to do with the show’s eventual popularity than the earnest initial intentions.

One person who is not working to rescue Eddie and Shauni is Jill. Jill is on the other side of the beach, taking part in a volleyball tournament. Her partner is Trevor, the arrogant Australian lifeguard and her motivation for playing is to defeat her ex-boyfriend Chris Barron (Jon Lindstrom). Jill aggravates an old shoulder injury while playing but she refuses to withdraw from the tournament because defeating an ex is totally worth a serious injury that could cause her to lose her job as a lifeguard. Needless to say, Jill and Trevor win the tournament. There’s a lot of slow motion volley ball scenes, which would probably have been more effective if not for the weird faces that Jill made whenever she had to spike the ball. Still, seeing as how Jill is going to get eaten by a shark in just a few more episodes, we should probably be happy that she got to have a moment of triumph.

This was an average Baywatch episode. If I cared about Jill and Trevor, their storyline would have perhaps been more effective. As for the armored car stuff, it would have been more effective if the reason for the car being on the pier wasn’t so dumb to begin with.

Forget it, it’s Baywatch.

Retro Television Review: Baywatch 1.4 “Message In A Bottle”

Posted on November 1, 2025 by Lisa Marie Bowman

Save me!

Episode 1.4 “Message In A Bottle”

(Dir by Kim Manners, originally aired on October 20th, 1989)

Hobie’s such a dumbass.

For the second time in like four episodes (and that’s not counting the pilot), the entire Baywatch team is mobilized to search for him after he goes missing. This time, Hobie overhears Mitch and his ex-wife arguing over who should have custody of him so Hobie and two of his stupid little friends head off to an island that’s also being used by a couple of murderous modern-day pirates.

Seriously, Hobie — stuff like this isn’t going to look good when Craig is in court and trying to argue that you should stay in California with your Dad. So far, Hobie has nearly been killed by a collapsing pier, he’s ended up getting chased by a murderer on a jet ski and, in this episode, he’s menaced by two other murderers. It’s time to send Hobie to Indiana or some place else where there’s no ocean.

In other news, Shauni accidentally drives over Eddie’s foot so Mitch orders them to work the 24-hour shift together so that they can learn how to work as a team. Truth be told, Eddie is a bit of whiny punk and he definitely needs to learn how to work with other people. That said, I think Mitch is overlo0king the fact that Shauni, a trained lifeguard, drove over someone’s foot. (Shauni was apparently backing out and didn’t realize Eddie was behind her, which is even worse.) Mitch finds the whole thing to be amusing and, later, Shauni has a good laugh when she nearly runs over Eddie a second time. I don’t think any of these people should be anywhere near anyone who needs help. Sometimes, people really should just stand in the darkness.

This episode was supposed to make me appreciate the efforts of the Baywatch lifeguards to protect the beach and to find missing kids like Hobie. Instead, it just made everyone look incompetent and irresponsible. Halfway through this episode, I wanted someone to get attacked by a shark. It hasn’t happened yet but at least the show has given me something to which to look forward.

The TSL Horror Grindhouse: The Fifth Floor (dir by Howard Avedis)

Posted on October 22, 2025 by Lisa Marie Bowman

In 1977’s The Fifth Floor, Dianne Hull plays Kelly McIntyre.

Kelly is a college student by day and a disco dancer by night! Unfortunately, after someone spikes her drink at the discotheque and she suffers an overdose, she becomes a full-time patient at a mental asylum. Neither the head doctor (Mel Ferrer) nor the head nurse (Julia Adams, who once swam with The Creature From The Black Lagoon) believes her claim that her drink was spiked. Judged to be suicidal and delusional, Kelly is sent to the Fifth Floor!

While her boyfriend (John David Carson) tries to convince the authorities that she’s not insane, Kelly adjusts to life on the Fifth Floor. She befriend Cathy (Patti D’Arbanville). She encourages her fellow patients to dance and enjoy themselves. She tries to escape on multiple occasions. She draws the unwanted attention of a male orderly named Carl (Bo Hopkins, giving a wonderfully sinister performance). A sadist equipped with down-home country charm, Carl has got all of his co-workers convinced that he’s a great guy. The patients, though, know that Carl is a petty authoritarian who enjoys showing off his power. (“I’m just doing my job,” is the excuse whenever he’s challenged.) Carl takes an obsessive interest in Kelly and soon, Kelly is not only trying to get her life back but also trying to escape from Carl’s cruel intentions.

Most film directories list The Fifth Floor as being a horror film and certainly, there are elements of the horror genre to be found in the film. The smooth-talking and nonchalantly cruel Carl is certainly a horrific character and Kelly’s attempts to escape from the asylum capture the very primal fear of not having any control over one’s life. That said, The Fifth Floor owes greater debt to One Flew Over The Cuckoo’s Nest than to the typical slasher film. Kelly is a rebel who brings the patients in the ward together. Much as in Cuckoo’s Nest, the nurses and the orderlies use the threat of electro-shock treatment to keep the patients under control.

It’s not a bad film, though it definitely has its slow spots and I do wish the film had embraced its own sordidness with a bit more style. I’m a history nerd so I appreciated the fact that The Fifth Floor was so obviously a product of its time. Any film that features the heroine showing off her disco moves before being taken to a mental hospital is going to hold my interest. That said, the most interesting thing about the film are some of the familiar faces in the cast. For instance, Earl Boen — who played so many authority figures over the course of his career and appeared as a psychiatrist in the early Terminator films — plays a patient who wears a NASA jacket. The always intimidating Anthony James plays the most violent patient. Michael Berryman and Tracey Walter appear as background patients.

And then you’ve got Robert Englund, cast here as Benny. Benny is the most gentle of the patients, a prankster who befriends Kelly. It’s always so interesting to see the type of roles that Englund played before he was cast as Freddy Krueger in A Nightmare On Elm Street. In this film, Englund is so goofy and friendly that you actually find yourself worrying about something happening to him. Englund’s role is small but his amiable nerdiness definitely makes an impression.

The Fifth Floor opens and ends with a title card telling us that the film is based on a true story. Sure, it was.

Retro Television Review: Baywatch 1.1 “In Deep”

Posted on October 11, 2025 by Lisa Marie Bowman

This week, Hobie’s a snitch!

Episode 1.1 “In Deep”

(Dir by Peter H. Hunt, originally aired on September 22nd, 1989)

Hobie, you idiot!

Mitch’s young son is spending the summer with his father and he’s supposed to be concentrating on summer school. Instead, he hanging out with two older guys, Scott (Christopher Murphy) and Ron (Lance Gilbert), and basically letting himself be used as a slave in return for jet ski lessons.

Mitch is not a fan of jet skis. They’re unregulated and they’re dangerous, he says. As if to prove Mitch’s point, Scott collides with a windjammer! The woman on the windjammer is killed. (Craig and Eddie pull her body out of the ocean, which is the type of sad thing that Baywatch would eventually stop featuring.) Hobie, realizing Scott is guilty, tries to find the evidence to prove it and nearly gets himself killed as a result. Fortunately, Mitch is able to save him and Scott is arrested. I have to say that, after this episode, I kind of found myself agreeing with Mitch’s ex-wife. The beach is too dangerous!

Meanwhile, Craig caught Eddie sleeping in his lifeguard tower and realized that Eddie, who I assume is getting paid to be a lifeguard, doesn’t have a home. Did he ever have a home? Has he been sleeping on the beach all this time? How did he apply for Lifeguard School without an address? Anyway, Craig takes Eddie back to his Venice loft, where Craig’s wife (now played by Holly Gagnier, replacing the pilot’s Gina Hecht) decides that they should let Eddie rent their storage room. It’s even got a view of the beach, if you ignore all the other buildings in the way and instead just find that one unobstructed alley to look down. (Actually, Eddie finding and looking down that alley was cute and likable. He was so excited!) I have to say that, for a lawyer, Craig’s loft really sucked. It was pretty impressive for a lifegaurd, though.

The other big development this week is that Garner Ellerbee (Gregory Alan Williams) made his first appearance as the beach cop who hates sand. (Then why become a beach cop?) He and Mitch appear to be old friends. Little do they know that they will eventually open up a detective agency together.

This episode was predictable but the cast was super likable. The earnestness of it all carried the day.

Late Night Retro Television Review: Baywatch Nights 1.16 “The Curator”

Posted on February 28, 2024 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Baywatch Nights, a detective show that ran in Syndication from 1995 to 1997. The entire show is currently streaming on Youtube!

Yep, it’s another late review. Sorry, I was exhausted last night.

Episode 1.16 “The Curator”

(Dir by Georg Fenady, originally aired on March 9th, 1996)

When Garth Youngblood (Steven Culp) threatens to shoot himself in her lifeguard tower, Caroline Holdren (Yasmine Bleeth) begs him not to and tells him that he not only has a lot to live but his name isn’t half as stupid as he thinks that it is. Deciding that Caroline is in love with him, Garth turns into a full-on psycho, the type of guy who chases Caroline across the beach, puts Lifeguard Newman (Michael Newman) in the hospital, flirts with Donna, and ultimately ends up locking Caroline in a cage made to resemble an apartment, much as what happened to Billy Pilgrim in Slaughter-House Five.

Caroline turns to Mitch and his detective agency for protection. Of course, as head lifeguard, Mitch is already Caroline’s boss so he already should be looking out for her. Unfortunately, even after Garth is arrested, he’s released after he explains that he forgot to take his Prozac. (That’s the actual excuse that they give! Never mind that everyone’s favorite lifeguard, Newmie!, is in the hospital because Garth smashed his head through a window.) Garth is given a restraining but, because Caroline works on the beach, it’s easy for Garth to watch her while standing 100 feet away.

Now, on the plus side, Steven Culp was believably creepy as Garth and this episode had no fear of embracing the storyline for all of the macabre melodrama that it could. Yasmine Bleeth also does a good job portraying Caroline’s growing fear as Garth grows more and more unstable. As an actress on Baywatch, I’m sure she had to deal with a lot of real-life Garths and, speaking as someone who has been stalked, I appreciated that both Bleeth and the show itself took her fears seriously. The scene in which Caroline runs across the beach with Garth in pursuit was far more effective and scary than you would ever expect to find on an episode of Baywatch Nights.

That said, this episode highlighted one of the big problems with the second half of Baywatch Night‘s debut season. This was essentially just an episode of Baywatch, with the extra addition of Angie Harmon flirting with Mitch and Eddie Cibrian’s Griff standing the background. (I guess Griff is a part of the detective agency now.) Baywatch Nights originally started as a show about Mitch spending his nights as a private investigator but this episode took place largely during the day and featured Mitch as a lifeguard. Baywatch Nights without the nights is just Baywatch.

Fear not, though! We’re just a few episodes away from one of the most radical reboots in television history!