A Movie A Day #208: War Party (1988, directed by Franc Roddam)


On the hundredth year anniversary of a battle between the U.S. Calvary and the Blackfeet Indians, the residents of small Montana town decide to reenact the battle and hopefully bring in some tourist dollars.  The white mayor (Bill McKinny) and the sheriff (Jerry Hardin) both think that it is a great idea.  Even the local Indian leader, Ben Cowkiller (Dennis Banks, in real-life a founder and leader of the American Indian Movement), thinks that it will be a worthwhile for the Indians to participate.  The Calvary’s guns will be full of blanks.  The Indians will play dead.  However, as the result of a bar brawl the previous night, one of the local rednecks, Calvin Morrisey (Kevyn Major Howard), shows up with a gun full of bullets.  After he shoots one of the Indians, Calvin ends up with a tomahawk buried in his head.  Three Indian teenagers, Warren (Tim Sampson), Skitty (Kevin Dillon), and Sonny (Billy Wirth), flee into the wilderness.  Thirsty for revenge, a white posse heads off in pursuit.

War Party is an underrated and surprisingly violent movie.   Franc Roddam brings the same sensitivity to his portrayal of alienated Indians that he brought to portraying alienated Mods in Quadrophenia.  Though, at first, Kevin Dillon seems miscast as an Indian, he, Wirth, and Sampson all give good performances, as does Dennis Banks.  The movie is often stolen by M. Emmett Walsh and Rodney A. Grant, playing renowned trackers who are brought in to help the posse chase down the three youths.  That Grant’s character is a member of the Crow adds a whole extra layer of meaning to his role. Even though the setup often feels contrived and heavy-handed and anyone watching should be able to easily guess how the movie is going to end, War Party still packs a punch.

Movie A Day #178: Kinjite: Forbidden Subjects (1989, directed by J. Lee Thompson)


This is the one where Charles Bronson sodomizes a guy with a dildo.

Don’t worry, though.  Bronson does it off-screen and the guy was abusing Nicole Eggert so he had it coming.

In Kinjite, Bronson plays Lt. Crowe, a tough LAPD vice cop who hates two groups of people: pedophiles (which is cool, who doesn’t hate them?) and the Japanese (which is not cool).  Not only does Crowe sodomize a pervert but he also forces a pimp to eat a gold watch and later, with the help of his partner, he holds another man over the edge of a balcony, just to have that man accidentally slip out of his shoes and plunge to his death.  Finally, Crowe tosses a convict into a prison cell, where another prisoner (played by Danny Trejo, in what may have been his film debut) announces that he’s “got something big and long for you.”  Crowe chuckles, “That’s justice” and then walks away.

Danny Trejo in Kinjite

Of the many strange films that Bronson made for Cannon Films, Kinjite may be the strangest.  The main plot involves Crowe searching for and rescuing the kidnapped daughter of a Japanese businessman (James Pax).  Before his daughter was kidnapped, the businessman groped Crowe’s fifteen year-old daughter on a city bus.  The entire movie seems to be building up to the moment that Crowe, who is portrayed as being overprotective of his daughter, discovers what the businessman did but that moment never comes.  There are numerous scenes of the businessman in Japan but they do not have anything to do with the rest of the plot.  Strangely, neither Crowe’s daughter nor his wife (played by Peggy Lipton) are ever menaced by the bad guys.  What type of Charles Bronson movie is this?

In Bronson’s defense, he was 71 year-old when he made this movie and, off screen, his wife Jill Ireland was battling the cancer that would eventually take her life.  Bronson can be excused for not appearing to be overly invested in Kinjite: Forbidden Subjects.  (Since Kinjite means Forbidden Subjects in Japanese, the actual title of this movie is Forbidden Subjects: Forbidden Subjects.)  No one appears to have made much of an effort on Kinjite, though Bronson’s stunt double gets a good work out.  Kinjite is full of scenes where Bronson throws a punch in close-up but his first in never actually shown connecting with anyone.  Most of the action scenes are clumsily filmed so that Crowe keeps his back to the camera.   All Kinjite needs is a supporting turn from Troy McClure and a cameo from McGarnagle and it would be perfect viewing for The Simpsons.

Kinjite would be the final film that Bronson made for Cannon Films.  It would also be the last Bronson film to be directed by J. Lee Thompson.  After Kinjite, Bronson appeared in two more feature films: Sean Penn’s The Indian Runner (which, if not for Penn’s pretentious direction, could have launched Bronson on a second career as a first-rate character actor) and a final Death Wish film.  Bronson returned to television, appearing in three made-for-TV movies before retiring in 1999.  Bronson died in 2003 but, as long as there are people who enjoy a good action movie, he will never be forgotten.

This scene is not from Kinjite but it’s still pretty fucking cool.

A Movie A Day #141: Breakheart Pass (1975, directed by Tom Gries)


California.  The 1870s.  Sheriff Pearce (Ben Johnson) boards a train with his prisoner, an alleged outlaw named John Deakin (Charles Bronson).  The train is mostly full of soldiers, under the command of Major Claremont (Ed Lauter), who are on their way to Fort Humboldt.  The fort has suffered a diphtheria epidemic and the soldiers are supposedly transporting medical supplies.

However, it’s not just soldiers on the train.  There’s also Gov. Fairchild (Richard Crenna) of Nevada, his fiancée (Jill Ireland), the Reverend Peabody (Bill McKinney), and a conductor named O’Brien (Charles Durning).  As the train continues on its journey, it becomes obvious that all is not as it seems.  People start to disappear.  A man is thrown from the train.  Two cars full of soldiers are separated from the train and plunge over a cliff.  There is also more to Deakin than anyone first realized and soon, he is the only person who can bring the murderers to justice.

In both real life and the movies, Charles Bronson was the epitome of a tough guy, so it’s always interesting to see him playing a more cerebral character than usual.  There are some exciting and surprisingly brutal action scenes, including a scene where Bronson fights a cook (played by former professional boxer Archie Moore) on top of the speeding train, but Breakheart Pass is more of a murder mystery than a typical action film.  If Louis L’Amour and Agatha Christie had collaborated on a story, the end result would be much like Breakheart Pass.  Bronson spends as much time investigating as he does swinging his fists or shooting a gun.  It’s not a typical Bronson role but he does a good job, showing that he could think as convincingly as he could kill.  Acting opposite some of the best character actors around in the 70s, Bronson more than holds his own.

Apparently, back in 1975, audiences were not interesting in watching Bronson think so Breakheart Pass was a disappointment at the box office and it is still not as well known as Bronson’s other films.  However, even if you’re not already a fan of the great Bronson, Breakheart Pass is worth discovering.

A Dying Man, Scared of the Dark: John Wayne in THE SHOOTIST (Paramount 1976)


cracked rear viewer

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THE SHOOTIST is John Wayne’s valedictory statement, a final love letter to his many fans. The Duke was now 69 years old and not in the best of health. He’d had a cancerous lung removed back in 1964, and though the cancer was in remission, Wayne must’ve knew his days were numbered when he made this film. Three years later, he died from cancer of the stomach, intestines, and spine. There were worries about his ability to make this movie, but Wayne loved the script and was determined to do it. The result is an elegy to not only the aging actor, but to the Western genre as a whole.

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The movie begins with footage of older Wayne westerns (EL DORADO, HONDO, RED RIVER, RIO BRAVO) narrated by Ron Howard (Gillom). “His name was J.B. Books…he wasn’t an outlaw. Fact is, for a while he was a lawman…He had a credo that…

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