The Boston Online Film Critics Are Mad for Max!!!!


The Boston Online Film Critics announced their picks for the best of 2015 earlier today and once again, my expectations have been defied!  I figured that since Spotlight is a Boston-story, it would be an easy pick for the Boston critics.

But no!  The Boston Online Critics went for … MAD MAX: FURY ROAD!  According to Awards Circuit, Creed was the runner-up.  (Though, to be clear, the Boston Online Critics definitely did like Spotlight, naming it the 5th best film of 2015 and giving it awards for screenplay and ensemble.)  Now again, that doesn’t mean that either Fury Road or Creed is going to be Oscar-nominated.  But, every bit helps.  With each victory, the idea of a Fury Road best picture nomination becomes just a little more plausible.

Here’s my question — one month ago, would you have believed that the early critics awards would be dominated by Mad Max, Sylvester Stallone, and Kristen Stewart?

Here are the winners!

BEST PICTURE:
MAD MAX: FURY ROAD

BEST DIRECTOR:
George Miller, MAD MAX: FURY ROAD

BEST ACTOR:
Michael B. Jordan, CREED

BEST ACTRESS:
Saoirse Ronan, BROOKLYN

BEST SUPPORTING ACTOR:
Sylvester Stallone, CREED

BEST SUPPORTING ACTRESS:
Kristen Stewart, CLOUDS OF SILS MARIA

BEST ENSEMBLE:
SPOTLIGHT

BEST SCREENPLAY:
Tom McCarthy & Josh Singer, SPOTLIGHT

BEST FOREIGN LANGUAGE FILM:
SON OF SAUL

BEST DOCUMENTARY:
AMY

BEST ANIMATED FILM:

INSIDE OUT

BEST CINEMATOGRAPHY:
John Seale, MAD MAX: FURY ROAD

BEST EDITING:
Margaret Sixel, MAD MAX: FURY ROAD

BEST ORIGINAL SCORE:
Junkie XL, MAD MAX: FURY ROAD

THE TEN BEST FILMS OF THE YEAR:

  1. MAD MAX: FURY ROAD
  2. CREED
  3. BROOKLYN
  4. CAROL
  5. SPOTLIGHT
  6. CLOUDS OF SILS MARIA
  7. BRIDGE OF SPIES
  8. THE MARTIAN
  9. ANOMALISA
  10. TANGERINE

Film Review: Creed (2015, directed by Ryan Coogler)


CreedOn Wednesday, I saw the movie Creed and what can I say?  Creed is exactly the film that we were hoping it would be.  Not only does it continue the story of Rocky Balboa but it proves that Ryan Coogler is a major directing talent and that Michael B. Jordan is a film star in the making.  Ever since Creed was first screened for critics, we’ve been hearing that “Creed is the best Rocky since the first one.”  I would go even further to say that Creed is one of the best boxing films to be released since the first Rocky.  Though the story may be formulaic, Creed is a film that will take you by surprise.  No one — not even the biggest Rocky fans — was expecting it to be this good.

When the movie opens, Adonis Johnson, the illegitimate son of the legendary boxer Apollo Creed, is just another kid in foster care.  His mother has recently died and Apollo was killed in the ring before Adonis was even born.  Adonis is adopted by Apollo’s widow, Mary Anne (Phylicia Rashad).  Fifteen years later, Adonis is working in an office and has just gotten a big promotion but he spends his weekends boxing in cheap venues in Mexico.  Eventually, over Mary Anne’s objections, Adonis quits his job and moves to Philadelphia.  Adonis wants to box professionally and he wants his father’s greatest opponent and best friend, Rocky Balboa (Sylvester Stallone), to train him.

But Rocky is no longer the man he used to be.  He stills owns his restaurant and he still goes out to the cemetery to visit the grave of his wife, Adrian.  Since the end of Rocky Balboa, Rocky’s best friend, Paulie, has died and his son has moved to Canada.  (Paulie still gets an affectionate shout out when Adonis comes across his old porn stash at Rocky’s house.)  Rocky is older, sadder, wiser, and more alone than he has ever been.  He is also still haunted by Apollo’s death in the ring.  At first, Rocky does not want to train Adonis but eventually, the younger man wins him over.  Under Rocky’s tutelage, Adonis wins his first professional fight.  When the news gets out that Adonis is Apollo’s son, he is given a chance to fight the reigning world champion, Ricky Conlan (Tony Bellew).

Creed 2Watching Creed, it is obvious that Ryan Coogler knows his Rocky films.  Creed features call backs to every entry in the series, even the ones that have not received the positive reviews of the first Rocky and Creed.   Of course, the entire film is haunted by Apollo’s death at the hands of Ivan Drago in Rocky IV.  The restaurant and Rocky’s visits to Adrian’s grave were first introduced in Rocky Balboa.  When Rocky shows Adonis a picture of him and his son, it is a still photo of Sylvester and Sage Stallone in Rocky V.  When Adonis first meets Rocky, he asks him who won the fight that ended Rocky III.   Adonis’s fight against Conlan is a call back to Rocky’s fights against Apollo in the first two Rocky films.  When Adonis thinks about his father, a clip of Carl Weathers flashes across the screen.  Finally, just as Rocky fell in love with Adrian, Adonis falls for a singer named Bianca (Tessa Thompson).

Even though Creed is steeped in the history of Rocky, it still manages to establish its own identity.  Creed is not just a film about boxing.  It is also about a son’s effort to escape the shadow of his famous father and establish his own identity.  Michael B. Jordan gives a performance that feels so real and so honest that it constantly takes us by surprise.

StalloneSpeaking of surprising performances, Sylvester Stallone has never been better.  This is not only his best performance in the role of Rocky Balboa but the best performance of his underrated career.  It is a performance that is totally devoid of ego and Stallone has never been this vulnerable on screen.  If Stallone is not, at the very least, nominated for an Oscar for his performance here, it will be an injustice.

Coogler does a good job of capturing the mean streets of Philadelphia and watching Adonis’s training montage is an inspiring experience.  (It would not be a Rocky film without an inspiring training montage.)  Coogler also does a good job filming the action inside the ring.  The second fight, which is shown in almost one entirely unbroken take, is especially exciting.

Creed is a stunningly effective film.  When I saw it, the audience broke out in applause at the film’s final shot.  Rocky Balboa’s story may be close to finished but Adonis Creed’s has just begun.  I can not wait to see where it goes.

Creed 4

Face Front, True Believers! The New Fantastic Four Is As Bad As The Old Fantastic Four!


FFFace front, true believers!

This is the one you’ve been waiting for!  There’s a new Fantastic Four movie out, looking to cash in on this cozy crazy comic book fad!  It’s been getting terrifyingly terrible reviews and the ravenous reviewers at Rotten Tomatoes have given it a scintillating score of 9%.  But don’t let my manic misplaced modifiers put you off, pilgrim!  The ancient prophecy is true!  Fantastic Four is as boldly bad as everyone says!  Not even the merriest members of the Merry Marvel Marching Society will find much to marvel at here!

This is the latest attempt to start a Fantastic Four film franchise.  This time Reed Richards (Miles Teller) and Ben Grimm (Jamie Bell) are both unlikely teenagers.  Dr. Franklin Storm (Reg E. Cathey) recruits Reed to help work on a “Quantum Gate” that will transport explorers to the Negative Zone.  Instead of being transformed by gamma rays, Reed and his friends become super human as a result of going to Planet Zero and getting splashed by green goo.  Reed has the power to stretch.  Ben develops a rock-like hide.  Dr. Storm’s son, Johnny (Michael B. Jordan), becomes a human torch while his adopted daughter, Sue (Kate Mara), is given the power of invisibility.

Doctor-DoomIt takes over an hour for Reed and friends to become fantastic and, even after they do, there’s no sense of wonder or excitement to Fantastic Four.  It’s obvious that a lot of money was spent on special effects but there is not a single scene that can match the power or imagination of a Jack Kirby illustration.  Worst of all is what is done to Dr. Doom (Toby Kebbell).  One of Marvel’s most complex and iconic characters is reduced to being just another vaguely motivated movie bad guy.  Fantastic Four feels like a throwback to the worst comic book movies of the 90s.  Nuff said?

This version of Fantastic Four was directed by Josh Trank, who previously directed the excellent ChronicleFantastic Four is so joyless and rudimentary in its approach that it feels like the anti-Chronicle.  After the initial negative reviews came out, Trank tweeted, “A year ago I had a fantastic version of this. And it would’ve received great reviews. You’ll probably never see it. That’s reality though.”  (He later deleted the tweet.)  Perhaps studio interference explains why Fantastic Four feels so disjointed.  It seems to be missing key scenes.  For instance, do you remember all of those cool moments from the trailer?  Most of them are not in the actual movie.

fant_fourIf you count the never released Roger Corman-produced 1994 film, this is the fourth attempt to reboot The Fantastic Four.  When I was growing up and reading comics, I never really cared about The Fantastic Four.  The only time I ever read Fantastic Four was if they were doing a crossover with the X-Men or Spider-man.  I knew they were important to the history of the Marvel Universe but they also seemed old-fashioned and almost corny.  It’s hard to take seriously a scientific genius who can not come up with a better name than Mr. Fantastic.  As characters, the Thing, the Human Torch, the Invisible Woman, and Mr. Fantastic all feel like they still belong in 1961 and maybe that is why all the recent film adaptations of The Fantastic Four have failed.   Perhaps the fifth attempt should take a retro approach and set the story in the 1960s.

Perhaps then the flashy, fulsome, and far-out Fantastic Four will get the marvelous movie masterpiece that they deserve!

Excelsior!

031611_ff

 

Coogler, Jordan, and Stallone return with Creed!


The first trailer for Creed was released earlier today!  Now, I have to admit that I’m not a huge fan of boxing.  Nor did I exactly love Rocky when I watched it on TCM.   (That said, I’ve always secretly felt that I was a bit too glibly dismissive of it in my review.)

But you know what film I did really admire?  Fruitvale Station.  Ryan Coogler’s directorial debut was a powerful and disturbing look at race relations in America.  It had its flaws but overall, Coogler crafted one of the best films of the decade.  Equally impressive was the film’s star, Michael B. Jordan.

So for me, my interesting has been piqued because Creed is another chapter in the careers of both Ryan Coogler and Michael B. Jordan and I can not wait to see where they go.

However, I think a lot more people will want to see the film because it is another chapter in the story of Sylvester Stallone’s Rocky.  So, before seeing Creed, be sure to check out our own Jedadiah Leland’s look back at the history of the Rocky franchise!

And watch the trailer for Creed below!

The Measure of a Man: The Life and Career of Rocky Balboa


rocky-and-apollo-02

Have you heard the rumor?

Rocky Balboa, also know as the Italian Stallion and the former heavyweight champion of the world, is going to die.

2013Rocky_SylvesterStallone_PA-14110031250713At least that is what some people think after reading the official plot synopsis of the upcoming boxing film Creed.  Here is the press release from MGM and Warner Brothers:

From Warner Bros. Pictures and Metro-Goldwyn-Mayer Pictures comes award-winning filmmaker Ryan Coogler’s “Creed.” The film explores a new chapter in the “Rocky” story and stars Academy Award nominee Sylvester Stallone in his iconic role. The film also reunites Coogler with his “Fruitvale Station” star Michael B. Jordan as the son of Apollo Creed.

Adonis Johnson (Jordan) never knew his famous father, world heavyweight champion Apollo Creed, who died before he was born. Still, there’s no denying that boxing is in his blood, so Adonis heads to Philadelphia, the site of Apollo Creed’s legendary match with a tough upstart named Rocky Balboa.

Once in the City of Brotherly Love, Adonis tracks Rocky (Stallone) down and asks him to be his trainer. Despite his insistence that he is out of the fight game for good, Rocky sees in Adonis the strength and determination he had known in Apollo—the fierce rival who became his closest friend. Agreeing to take him on, Rocky trains the young fighter, even as the former champ is battling an opponent more deadly than any he faced in the ring.

With Rocky in his corner, it isn’t long before Adonis gets his own shot at the title…but can he develop not only the drive but also the heart of a true fighter, in time to get into the ring?

Sylvester-Stallone-creedMany have interpreted that to mean that, while training Adonis, Rocky will be battling cancer.  With the exception of the first one and Rocky V, every installment in the Rocky franchise has featured a character either dying or coming close.  Since Paulie will apparently not be appearing in Creed, that leaves Rocky himself as the most likely candidate to tragically pass away before or after the big fight.  In death, Rocky would not only pass on his legacy Adonis Creed but Sylvester Stallone would pass on the Rocky franchise to Ryan Coogler and Michael B. Jordan.

With his days possibly numbered, I decided to take a look back at Rocky Balboa’s amazing career.

Rocky (1976)

Sylvester Stallone was just another out-of-work actor when, one night in 1975, he saw a little known boxer named Chuck Wepner go 15 rounds against the reigning heavyweight champion, Muhammad Ali.  Inspired by the fight, Stallone wrote the first draft of Rocky in three days.  When he sold his script, he did so with one condition: that he be allowed to play Rocky Balboa.  You know the rest of the story: Directed by John G. Avildsen, Rocky became a huge box office hitwon the Oscar for best picture of the year, and made Sylvester Stallone into an unlikely star.

618_movies_rocky_10Rocky Balboa is an aging boxer and a collector for Philadelphia loan shark, Tony Gazzo (Joe Spinell).  The current heavyweight champion, Apollo Creed (Carl Weathers), is scheduled to fight a match in Philadelphia in honor of America’s bicentennial.  When his opponent injures his hand, Apollo decides to give a local boy a chance and the unknown Rocky gets a once-in-a-lifetime shot at the title.  Nobody gives Rocky a chance, except for Rocky.  With the help of grizzled trainer Mickey (Burgess Meredith) and alcoholic best friend, Paulie (Burt Young), Rocky prepares for the fight.  After a training montage (the first of many) that ends with Rocky running up the steps of the Philadelphia Museum of Art, Rocky shocks everyone by going the distance against Apollo.  Though he loses by a split decision, Rocky wins both his self-respect and the love of Paulie’s sister, Adrian (Talia Shire).

Rocky holds up as one of the best boxing movies ever made and it set the standard by which almost all future underdog sports movies have been judged.  Rocky may have ended with Rocky ready to take off his gloves and concentrate on his life with Adrian but the box office demanded that Rocky get another once-in-a-lifetime shot.

Rocky II (1979)

The first Rocky may have ended with Apollo saying there would be no rematch and Rocky replying that he did not want one but the film’s box office success said otherwise.  In Rocky II, Apollo is stung by criticism over how he nearly lost his first fight against Rocky and demands a rematch.  At first, Rocky refuses but, with no prospects and a wife, son, and alcoholic brother-in-law to support, Rocky finally agrees to a rematch.  What follows is largely a repeat of the first film, except this time Rocky has a lot more fans following him through the streets of Philadelphia during his training montage and Rocky actually wins the fight, becoming the heavyweight champion of the world.

rocky-ii-1979-01-gThe best thing about Rocky II is that it fleshes out the character of Apollo.  No longer is he just the cocky villain from the first film.  Instead, he is revealed to be a proud man, a fierce competitor, and a worthy opponent. Though he may lose the final fight, Apollo regains the respect that he sacrificed as the end of the first film.

Rocky II is also notable for being the first film in the franchise to be directed by Sylvester Stallone.  Stallone would direct all of the subsequent installments, with the exception of the John G. Avildsen-directed Rocky V.

Rocky III (1982)

mr-t-plays-clubber-in-rocky-iiiRocky III has the best opening of the franchise.  While Rocky does commercials and trades jokes with Kermit and Miss Piggy on The Muppet Show, Clubber Lang (Mr. T) relentlessly trains and savagely knocks out every opponent that he faces in the ring.  The premise of the first two films has been reversed.  Now, Rocky is the overconfident champion who does not take his latest fight seriously while Clubber Lang is the challenger who is hungry for victory.  Clubber has the “eye of the tiger” and is determined to win.  Rocky is busy doing charity events with Hulk Hogan and bailing alcoholic freeloader Paulie out of jail.

Rocky III features the first death of the franchise, when Clubber shoves Mickey so hard that Mickey ends up having a heart attack and dying almost immediately after Clubber defeats Rocky and becomes the new heavyweight champion of the world.  As if Rocky needed another reason to demand a rematch, Mickey’s death makes it personal.  Unfortunately, Rocky has lost his hunger.  He no longer has the eye of the tiger.

Fortunately, Rocky’s former rival, Apollo Creed, is there to help him get it back.  Taking over as Rocky’s trainer, Apollo gets the former champion back into fighting shape.  This means that it is time for a training montage!  This one ends with a great moment in bromance history as Rocky and Apollo embrace while jumping up and down in the ocean.

2009654-rocky_iii_l_oeil_du_tigre_1983_07_gRocky III ends with what may be the best fight in the history of the franchise.  It is also the only fight to be shown straight from beginning to end, without jumping to future rounds.  From the start of the fight, it is obvious that Clubber is stronger than Rocky but, taking a page from the rope-a-dope strategy that Muhammad Ali used on George Foreman in Zaire, Rocky knows that Clubber is so aggressive that he will tire himself out before the end of the fight.  Once Clubber has exhausted himself, Rocky sends him down to the canvas.

At the end of the film, Rocky and Apollo square off one last time to see who is truly the best boxer.  The film ends before the first punch is thrown and we never find out who won.  I like to think that it was Apollo, if just because I know what is going to happen to him in Rocky IV.

Rocky IV (1985)

Ivan_kills_ApolloHaving defeated every contender in the U.S., it only made sense that Rocky’s next opponent would come from the evil empire itself, the Soviet Union.  But before Rocky could battle Ivan Drago (Dolph Lundgren), someone had to die.  This installment’s sacrificial victim was none other than Apollo Creed.  Apollo dies in the ring, beaten to death by the robotic Russian.  Of all the deaths in the Rocky franchise, Apollo’s was the most shocking and the most traumatic.  After Apollo falls face forward onto the mat, his body is still twitching even as Ivan says, “If he dies, he dies.”

Knowing that he should have been in the ring instead of Apollo, Rocky challenges Drago to a rematch, to be held in Moscow on, of all days, Christmas.  Leaving behind his mansion, his son, and his robot (yes, Rocky owns a robot in this one), Rocky goes to Siberia and that means that it is time for a training montage!  While Drago trains with machines and shoots steroids, Rocky trains by chopping wood and running in the snow.

lXRPTbIt’s a tough fight.  At first, Drago does not even seem to feel Rocky’s punches.  The Soviet audience (including someone who looks a lot like Mikhail Gorbachev) chants Drago’s name.  Just like in Philadelphia, Rocky refuses to go down.  The crowd starts to chant Rocky’s name.  When Drago’s manager demands that he win the fight in the name of communism, Drago shouts that he does not fight for the Soviet Union, he fights for himself.  Finally, with seconds left in the final round, Rocky knocks Drago out.

Lundgren_Ivan_DragoAs a bloody Drago looks on, Rocky literally wraps himself in an American flag and gives a speech.  Rocky thanks the Americans and the Soviets for supporting him and then says, “”If I can change, and you can change, then everybody can change!”  Gorbachev stands and applauds.  Is it just a coincidence that, four years later, the Berlin Wall fell and the Cold War ended?

Rocky IV may be the best remembered of all of the Rocky films.  Ivan Drago was Rocky’s greatest and most imposing opponent and it is not surprising that, despite killing Apollo, he still has a strong fan base.  Unlike Clubber Lang, Ivan is a cold and methodical machine.  Rocky’s improbable win over him is not just a victory for America but a victory for humanity as well.

Rocky V (1990)

Is Rocky V canonical?  A lot of fans consider this to be the weakest film in the franchise.  Despite writing the film’s screenplay, Sylvester Stallone reportedly hates Rocky V and ignored it when he made Rocky Balboa.

rocky-5Rocky V starts with Rocky retiring after being told that his battle with Drago has left him with permanent brain damage.  Paulie, proving once again that he’s the worst best friend that anyone could hope for, loses all of Rocky’s money.  Rocky, Adrian, and Rocky, Jr. (now played by Sage Stallone) move back to the old neighborhood.  Following in the footsteps of Mickey and Apollo, Rocky trains a mulletheaded young boxer named Tommy Gunn (Tommy Morrison).  Instead of a training montage, we get a fight montage as Tommy becomes a champion but rejects Rocky’s management and signs with Don King George Washington Duke (Richard Gant).  Tommy and Rocky eventually face off in a street fight.  Originally, the plan was for Rocky to die at the end of the fight but, fortunately, someone in production realized that nobody would want to see Rocky Balboa beaten to death by Tommy Morrison.

551-3Tommy Morrison was a real-life boxer.  Rocky V was his only film role and he’s almost too convincing as the dim-witted Tommy Gunn.  In the real world, Tommy Morrison was suspended from boxing in 1996 when he tested positive for HIV.  He spent the rest of his life loudly insisting that the test was a false positive and trying to make a comeback.  He was 44 years old when he died of AIDS in 2013.

Rocky V suffers because Tommy Gunn and George Washington Duke cannot begin to compare to great Rocky opponents like Clubber Lang and Ivan Drago.  However, Rocky V does feature one of the franchise’s best endings.  Rocky and Rocky, Jr. jog up the steps of the Philadelphia Museum of Art and, father and son together, they finally decide to enter the building and discover what’s inside.

Rocky Balboa (2006)

After the critical and box office failure of Rocky V, it seemed like Rocky Balboa had retired for good.  However, after 16 years of well-deserved retirement, Rocky followed the path of George Foreman, Larry Holmes, and Riddick Bowe and decided to make a comeback.

guide_cemeteryAs Rocky Balboa begins, Rocky is a widower and owns an Italian restaurant named Adrian’s, where he spends most of his time telling patrons stories about his fighting career.  He is estranged from his son, who now wants to be called Robert and is played by Milo Ventimiglia, but Rocky still has his best friend Paulie.  If not for Rocky, Paulie would probably be living in a cardboard box.  After a computer simulation suggests that Rocky, in his prime, could have defeated the reigning heavyweight champion, Mason Dixon (Antonio Tarver), Rocky comes out of retirement for one last fight.  With the help of Apollo’s former trainer, Duke (Tony Burton), Rocky proves that he can still go the distance, even though he ultimately loses the fight in a split decision.

At the start of the film, Adrian has been dead for four years.  However, her ghost haunts the film.  Rocky regularly visits her grave and the film ends with him at her grave and saying, one last time, “Yo Adrian, we did it.”  Stallone may be the battered face of the Rocky franchise but Talia Shire was the heart.  Though she’s only seen in flashback, Rocky Balboa is a tribute to the way that Talia Shire brought Adrian to life.

Sentimental and nostalgic, Rocky Balboa felt like the perfect way to end the franchise.  However, Rocky will be returning for at least one more fight when Creed is released on November 25th.

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Trailer: The Fantastic Four


Here’s the official trailer for Interstellar 2!

Oh wait…sorry…

This film is called The Fantastic Four.  Apparently, somebody realized just how bad the previous Fantastic Four films were and decided to just reboot the whole franchise.

Anyway, judging from this trailer, it looks like this film might be more like Man of Steel than Guardians of the Galaxy.

The National Board of Review Falls For Her


The National Board of Review announced their picks for the best films and performance of 2013 earlier today and the results are a bit … unexpected.

For best picture, they picked Spike Jonze’s Her, a film that has not exactly been seen as being an Oscar front-runner.  Meanwhile, the two presumptive frontrunners — 12 Years A Slave and Gravity — had to make due with just being mentioned in the NBR’s Top Ten list.  Also, it’s interesting to note that the NBR totally snubbed American Hustle which, just yesterday, was named best film of the year by the NYCC.

Despite the impression that one might get from a lot of breathless film bloggers (like me, to cite just one example), winning a critic’s prize does not automatically translate into Academy recognition.  It’ll be interesting to see if the acclaimed but reportedly offbeat Her manages to turn the NBR prize into Oscar momentum.

BEST PICTURE
“Her”

BEST DIRECTOR
Spike Jonze, “Her”

BEST ACTOR
Bruce Dern, “Nebraska”

BEST ACTRESS
Emma Thompson, “Saving Mr. Banks”

BEST SUPPORTING ACTOR
Will Forte, “Nebraska”

BEST SUPPORTING ACTRESS
Octavia Spencer, “Fruitvale Station”

BEST ORIGINAL SCREENPLAY
Joel and Ethan Coen, “Inside Llewyn Davis”

BEST ADAPTED SCREENPLAY
Terence Winter, “The Wolf of Wall Street”

BEST ENSEMBLE
“Prisoners”

BEST ANIMATED FEATURE
“The Wind Rises”

BEST FOREIGN LANGUAGE FILM 
“The Past”

BEST DOCUMENTARY
“Stories We Tell”

SPOTLIGHT AWARD
Career collaboration of Martin Scorsese and Leonardo DiCaprio

BREAKTHROUGH PERFORMANCES
Adele Exarchopoulos, “#Blue is the Warmest Colo#r”
Michael B. Jordan, “Fruitvale Station”

DEBUT DIRECTOR
Ryan Coogler, “Fruitvale Station”

CREATIVE INNOVATION IN FILMMAKING 
“Gravity”

FREEDOM OF EXPRESSION
“Wadjda”

BEST PICTURE NOMINEES (alphabetical)
“12 Years a Slave”
“Fruitvale Station”
“Gravity”
“Inside Llewyn Davis”
“Lone Survivor”
“Nebraska”
“Prisoners”
“Saving Mr. Banks”
“The Secret Life of Walter Mitty”
“The Wolf of Wall Street”

BEST FOREIGN LANGUAGE NOMINEES (alphabetical)
“Beyond the Hills”
“Gloria”
“The Grandmaster”
“A Hijacking”
“The Hunt”

BEST DOCUMENTARY NOMINEES (alphabetical)
“20 Feet from Stardom”
“The Act of Killing”
“After Tiller”
“Casting By”
“The Square”

BEST INDEPENDENT FILMS (alphabetical)
“Ain’t Them Bodies Saints”
“Dallas Buyers Club”
“In a World…”
“Mother of George”
“Much Ado About Nothing”
“Mud”
“The Place Beyond the Pines”
“Short Term 12”
“Sightseers”
“The Spectacular Now”

Here Are The Winners of the 2013 Gotham Awards


Inside-Llewyn-Davis(1)

The Gotham Awards were awarded earlier tonight.  Here are the winners:

X = Winner

BEST PICTURE
“12 Years a Slave”
“Ain’t Them Bodies Saints”
“Before Midnight”
X – “Inside Llewyn Davis”
“Upstream Color”

BEST ACTOR
Chiwetel Ejiofor in “12 Years a Slave”
Oscar Isaac in “Inside Llewyn Davis”
X – Matthew McConaughey in “Dallas Buyers Club”
Robert Redford in “All Is Lost”
Isaiah Washington in “Blue Caprice”

BEST ACTRESS
Cate Blanchett in “Blue Jasmine”
Scarlett Johansson in “Don Jon”
X – Brie Larson in “Short Term 12”
Amy Seimetz in “Upstream Color”
Shailene Woodley in “The Spectacular Now”

BEST BREAKTHROUGH ACTOR
Dane DeHaan in Kill Your Darlings
Kathryn Hahn in Afternoon Delight
X – Michael B. Jordan in “Fruitvale Station”
Lupita Nyong’o in “12 Years a Slave”
Robin Weigert in “Concussion”

BEST BREAKTHROUGH DIRECTOR
X – Ryan Coogler for “Fruitvale Station”
Adam Leon for “Gimme the Loot”
Alexandre Moors for “Blue Caprice”
Stacie Passon for “Concussion”
Amy Seimetz for “Sun Don’t Shine”

BEST DOCUMENTARY
X – “The Act of Killing”
“The Crash Reel”
“First Cousin Once Removed”
“Let the Fire Burn”
“Our Nixon”

The Gothams themselves are not considered to be that strong of a precursor to the Oscars.  However, 12 Years A Slave has been so widely perceived as being such a lock for Best Picture that any time it loses to another film, it’s going to be noticed.

It’s The 2014 Independent Spirit Nominations!


46-frances-ha

The nominees for the 2014 Independent Spirit Awards were announced earlier today.  While the Spirit noms aren’t exactly the most accurate of Oscar precursors (and the rules of Indie Spirit Awards are pretty much specifically designed to honor the type of low-budget films that are often ignored by the Academy), more than a few of the Spirit nominees are usually remembered when the Oscar nominations are announced.

The winners will be announced, by Patton Oswalt, on March 1st.

Myself, I’m just happy to see Frances Ha and Upstream Color’s Shane Carruth nominated.

Best Feature:
“12 Years a Slave”
“All Is Lost”
“Frances Ha”
“Inside Llewyn Davis”
“Nebraska”

Best Director:
Shane Carruth, “Upstream Color”
J.C. Chandor, “All is Lost”
Steve McQueen, “12 Years a Slave”
Jeff Nichols, “Mud”
Alexander Payne, “Nebraska”

Best Screenplay:
Woody Allen, “Blue Jasmine”
Julie Delpy, Ethan Hawke and Richard Linklater, “Before Midnight”
Nicole Holofcener, “Enough Said”
Scott Neustadter & Michael H. Weber, “The Spectacular Now”
John Ridley, “12 Years a Slave”

Best Female Lead:
Cate Blanchett, “Blue Jasmine”
Julie Delpy, “Before Midnight”
Gaby Hoffman, “Crystal Fairy”
Brie Larson, “Short Term 12″
Shailene Woodley, “The Spectacular Now”

Best Male Lead:
Bruce Dern, “Nebraska”
Chiwetel Ejiofor, “12 Years a Slave”
Oscar Isaac, “Inside Llewyn Davis”
Michael B. Jordan, “Fruitvale Station”
Matthew McConaughey, “Dallas Buyers Club”
Robert Redford, “All Is Lost”

Best Supporting Female:
Melonie Diaz, “Fruitvale Station”
Sally Hawkins, “Blue Jasmine”
Lupita Nyong’o, “12 Years a Slave”
Yolonda Ross, “Go for Sisters”
June Squibb, “Nebraska”

Best Supporting Male:
Michael Fassbender, “12 Years a Slave”
Will Forte, “Nebraska”
James Gandolfini, “Enough Said”
Jared Leto, “Dallas Buyers Club”
Keith Stanfield, “Short Term 12”

Best First Feature:
“Blue Caprice”
“Concussion”
“Fruitvale Station”
“Una Noche”
“Wadjda”

Best First Screenplay:
“In a World,” Lake Bell
“Don Jon,” Joseph Gordon-Levitt
“Nebraska,” Bob Nelson
“Afternoon Delight,” Jill Soloway
“The Inevitable Defeat of Mister and Pete,” Michael Starrbury

John Cassavetes Award:
“Computer Chess”
“Crystal Fairy”
“Museum Hours”
“Pit Stop”
“This Is Martin Bonner”

Best Cinematography:
Sean Bobbit, “12 Years a Slave”
Benoit Debie, “Spring Breakers”
Bruno Delbonnel, “Inside Llewyn Davis”
Frank G. DeMarco, “All Is Lost”
Matthias Grunsky, “Computer Chess”

Best Editing:
Shane Carruth & David Lowery, “Upstream Color”
Jem Cohen & Marc Vives, “Museum Hours”
Jennifer Lame, “Frances Ha”
Cindy Lee, “Una Noche”
Nat Sanders, “Short Term 12”

Best Documentary:
“20 Feet From Stardom”
“After Tiller”
“Gideon’s Army”
“The Act of Killing”
“The Square”

Best International Film:
“A Touch of Sin”
“Blue Is the Warmest Color”
“Gloria”
“The Great Beauty”
“The Hunt”

Robert Altman Award (given to a film’s director, casting director and ensemble cast)
“Mud”

Piaget Producers Award:
Toby Halbrooks & James M. Johnston
Jacob Jaffke
Andrea Roa
Frederick Thornton

Someone to Watch Award:
“My Sister’s Quinceanera,” Aaron Douglas Johnston
“Newlyweeds,” Shake King
“The Foxy Merkins,” Madeline Olnek

Truer Than Fiction Award:
“A River Changes Course,” Kalvanee Mam
“Let the Fire Burn,” Jason Osder
“Manakamana,” Stephanie Spray & Pacho Velez

The Oscar Season Begins With The Gotham Nominations!


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Can you guess what my favorite time of year is?

If you guessed November, you’re right!  My birthday is on November 9th, our own Dazzling Erin’s birthday is on November 24th, and then Arleigh’s birthday is on November 27th!  November is a big month here at the Shattered Lens.

My second favorite time of year?  October, of course!  How can you go wrong with so much horror?

And then, of course, my third favorite time of year is December because that’s when I get most of my presents.

Along with being my favorite three months of the year, another thing that all three of those months have in common is that they comprise what is known as Oscar Season.  Oscar Season is the period of time when the majority of the Best Picture contenders are released and all of the critic groups give out their awards in the hope of influencing the Academy’s nominations.  I love movies and I love awards so how can I not love Oscar Season?

Well, I’m happy to say that Oscar Season officially began earlier today when the nominations for the 23rd annual Gotham Independent Film Awards were announced.  The Gotham nominations aren’t exactly the best precursor of what’s going to be nominated in January but, nonetheless, they usually manage to include at least a few legitimate contenders.

This year, for example, Oscar front-runner 12 Years A Slave managed to collect the most Gotham nominations.  Personally, I’m just happy to see that my favorite film of 2013, Upstream Color, collected two nominations.

The Gothams will be awarded on December 2nd.

Here are the nominations:

Best Feature

12 Years a Slave

Steve McQueen, director; Brad Pitt, Dede Gardner, Jeremy Kleiner, Bill Pohlad, Steve McQueen, Arnon Milchan, Anthony Katagas, producers. (Fox Searchlight Pictures)

Ain’t Them Bodies Saints

David Lowery, director; Tony Halbrooks, James M. Johnston, Jay Van Hoy, Lars Knudsen, Amy Kaufman, Cassian Elwes, producers (IFC Films)

Before Midnight

Richard Linklater, director; Richard Linklater, Christos V. Konstantakopoulos, Sara Woodhatch, producers (Sony Pictures Classics)

Inside Llewyn Davis

Joel Coen and Ethan Coen, directors; Scott Rudin, Joel Coen, Ethan Coen, producers (CBS Films)

Upstream Color

Shane Carruth, director; Shane Carruth, Casey Gooden, Ben LeClair, producers. (erbp)

 

Best Documentary

The Act of Killing

Joshua Oppenheimer, director; Signe Byrge, Joshua Oppenheimer, producers (Drafthouse Films)

The Crash Reel

Lucy Walker, director; Julian Cautherly, Lucy Walker, producers (HBO Documentary Films)

First Cousin Once Removed

Alan Berliner, director and producer (HBO Documentary Films)

Let the Fire Burn

Jason Osder, director and producer (Zeitgeist Films)

Our Nixon

Penny Lane, director; Brian L. Frye, Penny Lane, producers (Cinedigm and CNN Films)

 

Bingham Ray Breakthrough Director Award

Ryan Coogler for Fruitvale Station (The Weinstein Company)

Adam Leon for Gimme the Loot (Sundance Selects)

Alexandre Moors for Blue Caprice (Sundance Selects)

Stacie Passon for Concussion (RADiUS-TWC)

Amy Seimetz for Sun Don’t Shine (Factory 25)

 

Best Actor

Chiwetel Ejiofor in 12 Years a Slave (Fox Searchlight Pictures)

Oscar Isaac in Inside Llewyn Davis (CBS Films)

Matthew McConaughey in Dallas Buyers Club (Focus Features)

Robert Redford in All Is Lost (Lionsgate and Roadside Attractions)

Isaiah Washington in Blue Caprice (Sundance Selects)

 

Best Actress

Cate Blanchett in Blue Jasmine (Sony Pictures Classics)

Scarlett Johansson in Don Jon (Relativity Media)

Brie Larson in Short Term 12 (Cinedigm)

Amy Seimetz in Upstream Color (erbp)

Shailene Woodley in The Spectacular Now (A24)

 

Breakthrough Actor

Dane DeHaan in Kill Your Darlings (Sony Pictures Classics)

Kathryn Hahn in Afternoon Delight (The Film Arcade and Cinedigm)

Michael B. Jordan in Fruitvale Station (The Weinstein Company)

Lupita Nyong’o in 12 Years a Slave (Fox Searchlight Pictures)

Robin Weigert in Concussion (RADiUS-TWC)

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