Icarus File No. 4: Captive State (dir by Rupert Wyatt)


Does anyone remember Captive State?

Captive State came out in March and, before it was released, it seemed like it had the potential to be something special.  The trailer looked good.  The cast was impressive.  Perhaps even more importantly, the film was directed by Rupert Wyatt, who did such a good job with Rise Of The Planet Of The Apes.  Surely, if anyone had the talent to create a convincing film about life under an alien dictatorship, it would be Rupert Wyatt!

In fact, my only reason for concern had to do with when the film was being released.  March seemed like a very strange time to be releasing a big “event” film.  Don’t get me wrong.  A March release isn’t as bad as a January or even a February release.  I mean, unless your film is a romantic comedy, you definitely do not want it to be released in either one of those two months.  Those months are where studios dump their worst films so that they can die a quiet death.  March, on the other hand, is when the studio releases films that have the potential to be a success but which they’re still not expecting to set the world on fire.

Of course, there have been exceptions to that rule, as both Wes Anderson (Grand Budapest Hotel) and Jordan Peele (Get Out) can tell you.  So, as Captive State’s release date approached, we were left to wonder.  Would this be another case of a film being better than it’s release date or would this be just another forgettable but not terrible movie that the studio probably spent a bit too much money on?

Captive State, sadly, turned out to be more of a case of the latter than the former.

The film opens with Chicago being invaded in 2019.  Significantly, unlike other recent invasion films, this one doesn’t spend too much time on the invasion itself or Earth’s initial attempts to fight back.  Instead, it jumps forward eight years, to 2027.  The aliens are in control of Earth, though the aliens themselves claim to only be “legislators” who are governing the planet for our own good.  While the majority of Earthlings just seem to be resigned to accepting being conquered as their new normal, there are a few resistors.  There’s also quite a few collaborators.  The tricky part of life in 2027 is figuring out who you can and can not trust.

There’s a lot of characters in Captive State and, at times, it can be difficult to keep track of how everyone’s related and who is working for who.  However, that seems to be intentional on the film’s part.  Rather than telling a conventional tale of alien conquest, Captive State sets out to be a serious exploration of what life would be like for the people living under the thumb of not just an intergalactic dictatorship but actually any dictatorship.  The Legislators rule by fear.  The collaborators have their own individual reasons for collaborating but, now that they’ve declared which side they’re on, there’s no going back for them.  One way or another, they’ve sealed their fate.  The same can be said for those in the rebellion.  Meanwhile, most people are just trying to not get caught in the crossfire.

And the thing is …. you want the film to work.  It’s an intriguing idea and how can you not respect that fact that Wyatt wanted to try to do something a little bit different with his story of alien invasion?  But sadly, the film never works the way that you’re hoping it will.  The film tries to do a lot in just 109 minutes.  In fact, it probably tries to do too much and, as a result, there’s little time to get to know the characters, the majority of whom come across as being underwritten and with murky motivations.  Captive State hinges on the actions of a detective played by John Goodman but the film itself doesn’t seem to be sure of who Goodman’s supposed to be.  Hence, the film’s final twist seems to come out of nowhere.  It’s hard not to feel that the ideal way for Captive State to have told its story would have been as a 10-episode miniseries on HBO.  Trying to stuff all of this into under two hours of running time just doesn’t work.

And it’s a shame, that it doesn’t.  Ambition should never be faulted.  If only the results, in this case, lived up to the ambition.

Previous Icarus Files:

  1. Cloud Atlas
  2. Maximum Overdrive
  3. Glass

Black Panther Dominates The Black Reel Nominations


The Black Reel Nominations were announced today, with Black Panther picking up a record 17 nominations!  Coming in second was If Beale Street Could Talk, which received 14 nominations while Spike Lee’s BlackKklansman received 11 nominations.

Here’s a full list of the nominees:

Outstanding Motion Picture
Black Panther
BlacKkKlansman
Green Book
If Beale Street Could Talk
Widows

Outstanding Actor
Chadwick Boseman | Black Panther
Stephan James | If Beale Street Could Talk
Michael B. Jordan | Creed II
LaKeith Stanfield | ​Sorry to Bother You
John David Washington | BlacKkKlansman

Outstanding Actress
Viola Davis | Widows
Regina Hall | Support the Girls
Kiki Layne | If Beale Street Could Talk
Zoe Renee | Jinn
Amandla Stenberg | ​The Hate U Give

Outstanding Director
Ryan Coogler | Black Panther
Barry Jenkins | If Beale Street Could Talk
Spike Lee | BlacKkKlansman
Steve McQueen | Widows
Boots Riley | ​Sorry to Bother You

Outstanding Supporting Actor
Mahershala Ali | Green Book
Brian Tyree Henry | If Beale Street Could Talk
Russell Hornsby | The Hate U Give
Michael B. Jordan | Black Panther
Daniel Kaluuya | Widows

Outstanding Supporting Actress
Danai Gurira | Black Panther
Regina King | If Beale Street Could Talk
Simone Missick | Jinn
Lupita Nyong’o | Black Panther
Letitia Wright | Black Panther

Outstanding Screenplay
Black Panther
BlacKkKlansman
If Beale Street Could Talk
​Sorry to Bother You
Widows

Outstanding Ensemble
Black Panther
BlacKkKlansman
If Beale Street Could Talk
​Sorry to Bother You
Widows

Outstanding Documentary
Amazing Grace
Hale County This Morning, This Evening
Minding the Gap
Quincy
Whitney

Outstanding Foreign Language/ World Cinema Motion Picture
Green Days by the River (Trinidad & Tobago)
Lionheart (Nigeria)
Rafiki (Kenya)
Vaya (South Africa)
Where Hands Touch (UK)

Outstanding Voice Performance
Mahershala Ali | Spider-Man: Into the Spider-Verse
Taraji P. Henson | Ralph Breaks the Internet
Brian Tyree Henry | Spider-Man: Into the Spider-Verse
Samuel L. Jackson | Incredibles 2
Shamiek Moore | Spider-Man: Into the Spider-Verse

Outstanding Score
Black Panther
BlacKkKlansman
Creed II
The Hate U Give
If Beale Street Could Talk

Outstanding Original Song
“All the Stars” (Black Panther) | Kendrick Lamar & SZA
“I’ll Fight” (RBG) | Jennifer Hudson
“Love Lies” (Love, Simon) | Khalid & Normani
“Pray For Me” (Black Panther) | The Weeknd & Kendrick Lamar
“We Won’t Move” (The Hate U Give) | Arlissa

Outstanding Independent Feature
A Boy. A Girl. A Dream.
Jinn
Monsters and Men
Roxanne Roxanne
Yardie

Outstanding Independent Documentary
Basquiat: Rage to Riches
Lorainne Hansberry: Sighted Eyes/ Feeling
Sammy Davis Jr.: I’ve Gotta Be Me

Outstanding Short
Funk Force | Desmond Levi Jackson
Hair Wolf | Mariama Diallo
Jump | Kofi Siriboe, director
The Tale of Four | Gabourey Sidibe, director
WTFIMH: What the F*ck Is Mental Health | Kofi Siriboe, director

Outstanding Emerging Director
Idris Elba | Yardie
Reinald Marcus Green | Monsters and Men
Rashida Jones | Quincy
Nijla Mu’min | Jinn
Boots Riley | ​Sorry to Bother You

Outstanding Breakthrough Performance, Male
Daveed Diggs | Blindspotting
Winston Duke | Black Panther
Donald Glover | Solo: A Star Wars Story
Brian Tyree Henry | If Beale Street Could Talk
John David Washington | BlacKkKlansman

Outstanding Breakthrough Performance, Female
Cynthia Erivo | Bad Times at the El Royale
Laura Harrier | BlacKkKlansman
Kiki Layne | If Beale Street Could Talk
Zoe Renee | Jinn
Letitia Wright | Black Panther

Outstanding First Screenplay
Blindspotting
Jinn
Monsters and Men
Roxanne Roxanne
Sorry to Bother You

Outstanding Cinematography
Black Panther
BlacKkKlansman
If Beale Street Could Talk
Widows
A Wrinkle In Time

Outstanding Costume Design
Black Panther
BlacKkKlansman
If Beale Street Could Talk
Sorry to Bother You
A Wrinkle In Time

Outstanding Production Design
Black Panther
BlacKkKlansman
Green Book
If Beale Street Could Talk
A Wrinkle In Time

It’s Always Sunny As The Philadelphia Film Critics Pick Roma!


On Saturday, The Philadelphia Film Critics announced their picks for the best of 2018.  And, once again, it was Roma that picked up the top prize.  However, the Philadelphians did break with tradition by not selecting Ethan Hawke for Best Actor or Lady Gaga for Best Actress.  Instead, those prizes went to Christian Bale (Vice) and Viola Davis (Widows).

Best Movie: ROMA

Best Director: Barry Jenkins, If Beale Street Could Talk

Best Actor: Christian Bale, Vice

Best Actress: Viola Davis, Widows 

Best Supporting Actor: Richard E. Grant, Can You Ever Forgive Me

Best Supporting Actress: Regina King, If Beale Street Could Talk

Best Foreign Film: ROMA (Mexico)

Best Animated Film: Incredibles 2

Best Documentary: Won’t You Be My Neighbor? 

Best Cinematography: ROMA (Alfonso Cuarón)

Best Breakthrough Performance: Kiki Layne, If Beale Street Could Talk 

Best Directorial Debut: Boots Riley, Sorry To Bother You 

Best Script: Audrey Wells, The Hate U Give 

Best Score/Soundtrack: Suspiria (Thom Yorke)

Elaine May Award: RBG

Steve Friedman Award: Black Panther