Lisa’s Too Early Oscar Predictions For May


It’s that time of the month again!

It’s time for me to offer up my early Oscar predictions!

These will be my first set of predictions since the Cannes Film Festival.  It’s always debatable just how much of an influence Cannes will actually have on the Oscar voting.  A victory at Cannes pretty much led to Tree of Life receiving an Oscar nomination and it certainly didn’t harm the chances of BlackKklansman last year.  While Once Upon A Time In Hollywood and Terrence Malick’s A Hidden Life may not have picked up any major awards at Cannes, the positive critical reception that both of those films received can only help.  The same can be said of The Lighthouse, which was shown out of competition.  Finally, the Cannes jury gave its best actor award to Antonio Banderas and, for now, that’s enough for me to add him to my list of predicted nominees.

So, without any further ado, here are my predictions for May!  If you want to see how my thinking has evolved over the year, be sure to also check out my predictions for January, February, March, and April!

Best Picture

1917

A Beautiful Day In The Neighborhood

Fair and Balanced

The Goldfinch

Harriet

A Hidden Life

The Irishman

Jojo Rabbit

Little Women

Once Upon A Time In Hollywood

Best Director

Kasi Lemmons for Harriet

Terrence Malick for A Hidden Life

Sam Mendes for 1917

Martin Scorsese for The Irishman

Quentin Tarantino for Once Upon A Time In Hollywood

Best Actor

Antonio Banderas in Pain & Glory

Willem DaFoe in The Lighthouse

Leonardo DiCaprio in Once Upon A Time In Hollywood

Tom Hanks in A Beautiful Day In the Neighborhood

John Lithgow in Fair and Balanced

Best Actress

Amy Adams in The Woman in the Window

Cynthia Erivo in Harriet

Blake Lively in The Rhythm Section

Saoirse Ronan in Little Women

Alfre Woodard in Clemency

Best Supporting Actor

Matt Damon in Ford v. Ferrari

Malcolm McDowell in Fair and Balanced

Ian McKellen in Cats

Sam Neill in Blackbird

Brad Pitt in Once Upon A Time In Hollywood

Best Supporting Actress

Annette Bening in The Report

Laura Dern in Little Women

Scarlett Johansson in Jojo Rabbit

Nicole Kidman in The Goldfinch

Margot Robbie in Once Upon A Time In Hollywood

 

 

Lisa’s Way Too Early Oscar Predictions for April


To repeat what I say every month, it’s pretty much a fool’s errand to try to guess what’s going to be nominated for an Oscar this early in the year.  Some of the choices below — A Beautiful Day In The Neighborhood, The Irishman, Little Women,Once Upon A Time In Hollywood — are there because of their directors or their stars.  Some — like Cats and 1917 — are there because they sound like they’re either going to be brilliant or total disasters.  Call of the Wild and Fair and Balanced are listed because of my own instincts, for whatever they’re worth.  Harriet is listed because Clayton Davis over at Awards Circuit is currently predicting that it will be nominated and he’s got a pretty good track record as far as predicting these things is concerned.  Queen & Slim is listed because I saw a few people on twitter raving about a preview of it that they were lucky enough to see.  Myself, I have no idea what Queen & Slim is about, beyond the fact that it deals with two people on a date who are pulled over by the police.  (That’s according to the imdb.)  See how random this is?

So, I guess what I’m saying is that you should take these predictions with a grain of salt.  In fact, you should pour salt all over these predictions.  The Oscar race usually doesn’t even start to become clear until around September.

The Cannes Film Festival will be held next month.  Sometimes, Cannes lends some clarity to the Oscar race.  (Tree of Life and BlackKklansman both stated their Oscar campaigns at Cannes.)  Just as often, Cannes turns out to be totally useless as far as being  predictive tool is concerned.  Though the official lineup has not yet been announced, it seems probable that Once Upon A Time In Hollywood and perhaps a few more contenders will be screened at Cannes next month.  We’ll see what happens!

If you’re interested in more predictions that you shouldn’t pay too much attention to, be sure to check out my Oscar predictions for January, February, and March!  See how my thinking has progressed.  Check out just how random my guesses occasionally are.

Best Picture

1917

A Beautiful Day In The Neighborhood

Call of the Wild

Cats

Fair and Balanced

Harriet

The Irishman

Little Women

Once Upon A Time In Hollywood

Queen & Slim

Best Director

Tom Hooper for Cats

Kassi Lemmons for Harriet

Sam Mendes for 1917

Martin Scorsese for The Irishman

Quentin Tarantino for Once Upon A Time In Hollywood

Best Actor

Ben Affleck in Torrance

Tom Hanks in A Beautiful Day In the Neighborhood

John Lithgow in Fair and Balanced

Eddie Murphy in My Name Is Dolemite

Edward Norton in Motherless Brooklyn

Best Actress

Amy Adams in The Woman In The Window

Cynthia Erivo in Harriet

Blake Lively in The Rhythm Section

Saoirse Ronan in Little Women

Alfre Woodard in Clemency

Best Supporting Actor

Matt Damon in Ford v Ferrari

Harrison Ford in Call of the Wild

Malcolm McDowell in Fair and Balanced

Sir Ian McKellen in Cats

Brad Pitt in Once Upon A Time In Hollywood

Best Supporting Actress

Dame Judi Dench in Cats

Laura Dern in Little Women

Tiffany Haddish in The Kitchen

Nicole Kidman in The Goldfinch

Margot Robbie in Once Upon A Time In Hollywood

Lisa’s Far Too Early Oscar Predictions For March


So, it’s that time of the month again!

No, not that time.  I meant, that it’s time for me to share my Oscar predictions.  Here are the usual disclaimers: I haven’t seen any of these films, it’s way too early in the year for me to attempt to do this, this list is all about instinct and wishful thinking, blah blah blah blah.

To see how my thinking has evolved, be sure to check out my predictions for January and February!

Best Picture

A Beautiful Day In The Neighborhood

Call of the Wild

Fair and Blanced

Ford v. Ferrari

Harriet

The Irishman

The Last Black Man in San Francisco

Little Women

Once Upon A Time In Hollywood

Torrance

Best Director

Greta Gerwig for Little Women

Kasi Lemmons for Harriet

Martin Scorsese for The Irishman

Joe Talbot for The Last Black Man In San Francisco

Quentin Tarantino for Once Upon A Time In Hollywood

Best Actor

Ben Affleck in Torrance

Robert De Niro in The Irishman

Tom Hanks in A Beautiful Day In the Neighborhood

John Lithgow in Fair and Balanced

Eddie Murphy in My Name Is Dolemite

Best Actress

Amy Adams in The Woman In The Window

Cynthia Erivo in Harriet

Blake Lively in The Rhythm Section

Saoirse Ronan in Little Women

Afre Woodard in Clemency

Best Supporting Actor

Matt Damon in Ford v Ferrari

Harrison Ford in Call of the Wild

Danny Glover in The Last Black Man in San Francisco

Malcolm McDowell in Fair and Balanced

Brad Pitt in Once Upon A Time In Hollywood

Best Supporting Actress

Laura Dern in Little Women

Tiffany Haddish in The Kitchen

Nicole Kidman in The Goldfinch

Janelle Monae in Harriet

Margot Robbie in Once Upon A Time In Hollywood

A few notes on the predictions:

A Beautiful Day In The Neighborhood is a biopic about Mr. Rogers.  Mr. Rogers is played by Tom Hanks and this sounds like the type of role that could get him his first Oscar nomination since …. well, forever.

Call of the Wild is an adaptation of Jack London’s novel.  It apparently features a CGI wolf.  It also has a potentially good supporting role for Harrison Ford, who has only one previous nomination to his name.

Fair and Balanced is about the history of Fox News and it was directed by Jay Roach.  It sounds terrible but if Vice and Adam McKay could get a nomination just for attacking Dick Cheney, I wouldn’t be surprised if Fair and Balanced manages to do the same.  John Lithgow plays Roger Ailes while the never-nominated Malcolm McDowell plays Rupert Murdoch.

Ford v Ferrari is a film about cars and competition and, if it’s a box office success, it sounds like it could pick up some nominations.  The film stars Christian Bale and Matt Damon.  I placed Damon in the supporting category because he plays Bale’s boss and his character is described as being “eccentric.”

Harriet is a biopic of Harriet Tubman.  It just sounds like it should be an Oscar nominee.  Cynthia Erivo plays Harriet while Janelle Monae …. well, I’m not sure who she plays.  But I’m going to predict she’ll get a supporting actress nomination.  What can I say?  It’s early in the year and supporting actress is always hard to predict.

The Irishman is directed by Martin Scorsese and it has a cast to die for: Robert De Niro, Al Pacino, Joe Pesci, Harvey Keitel, Anna Paquin, Bobby Cannavale, Ray Romano, and more!  The Irishman should also have the full force of Netflix behind it.  My one concern is that the film is apparently going to use CGI to “de-age” its cast so that they can play characters who are in their 30s and 40s.  If it works, it’ll be great.  If it doesn’t, it’s going to be a huge distraction from whatever else is going on in the movie.

The Last Black Man in San Francisco was a big hit at Sundance.  Can Joe Talbot get a nomination for his directorial debut?  Can Danny Glover score his first ever nomination?  We’ll find out!

Little Women is Greta Gerwig’s follow-up to Lady Bird.  Previous adaptations of Little Women have done well at the Oscars.  I’m predicting acting nominations for Saoirse Ronan and Laura Dern but Meryl Steep is also in this film so she’s definitely a possibility as well.  At this point, Meryl could get nominated for appearing in a two-minute video on YouTube.

Once Upon A Time In Hollywood is Quentin Taranino’s 9th film.  Tarantino’s film usually do well with the Oscars and Once Upon A Time In Hollywood is about Hollywood’s favorite subject, itself.  Some would say that Brad Pitt is overdue for an acting win.  Margot Robbie, meanwhile, is a rising star and some feel that she should have won for I, Tonya.

Torrance features Ben Affleck in what sounds like an Oscar bait role.  Affleck plays an alcoholic who ends up coaching a high school basketball team.  Director Gavin O’Connor previously worked wonders with Warrior so Torrance sounds right up his alley.

My Name is Dolemite is a biopic of the comedian and blaxploitation film star, Rudy Ray Moore.  Eddie Murphy plays Moore and the role sounds like it could allow him to display both his comedic and dramatic skills.  In theory, the Academy loves a comeback.

The Woman In The Window is based on an excellent novel and features Amy Adams as an agoraphobic woman who thinks that she may have witnessed a murder.  Adams is definitely a bit overdue for an Oscar.

The Rhythm Section is also based on a novel.  While it’s thriller plot doesn’t sound like typical Oscar bait, the film’s release was moved from February to November.  That would seem to indicate that Paramount has faith in both it and Blake Lively’s lead performance.

Clemency was another hit at Sundance.  Alfre Woodard is an acclaimed actress who has only been twice nominated for an Oscar.  A nomination here would honor not just Woodard’s performance but her entire career.

The Kitchen is a crime drama.  Tiffany Haddish, who is definitely an up-and-coming star, plays the wife of a Irish mobster who, when her husband is sent to prison, takes over his rackets.  It sounds like a good role and there are a lot of people who think Haddish’s performance in Girls Trip was unfairly snubbed.

The Goldfinch is based on a novel by Donna Tartt.  Nicole Kidman plays a wealthy widow who adopts the survivor of a terrorist bomber.  It just sounds like the type of role for which Kidman would be nominated.

In the end, nobody knows anything.  Especially me!  We’ll see how all of this plays out over the next few months!

 

 

 

What If Lisa Picked The Oscar Nominees: 2018 Edition


With the Oscar nominations due to be announced tomorrow, now is the time that the Shattered Lens indulges in a little something called, “What if Lisa had all the power.” Listed below are my personal Oscar nominations. Please note that these are not the films that I necessarily think will be nominated. The fact of the matter is that the many of them will not. Instead, these are the films that would be nominated if I was solely responsible for deciding the nominees this year. Winners are starred and listed in bold.

(You’ll also note that I’ve added four categories, all of which I believe the Academy should adopt — Best Voice-Over Performance, Best Casting, Best Stunt Work, and Best Overall Use Of Music In A Film.)

(Click on the links to see my nominations for 2017201620152014201320122011, and 2010!)

Best Picture

Avengers: Infinity War

The Ballad of Buster Scruggs

Blindspotting

*Eighth Grade

The Favourite

Leave No Trace

The Other Side of the Wind

Roma

A Simple Favor

Support the Girls

 

Best Director

*Bo Burnham for Eighth Grade

The Coen Brothers for The Ballad of Buster Scruggs

Alfonso Cuaron for Roma

Debra Granik for Leave No Trace

Yorgos Lanthimos for The Favourite

Orson Welles for The Other Side of the Wind

 

Best Actor

John Cho in Searching

Jason Clarke in Chappaquiddick

Bradley Cooper in A Star is Born

Daveed Diggs in Blindspotting

*Ethan Hawke in First Reformed

Joaquin Phoenix in You Were Never Really Here

 

Best Actress

Yalitza Aparicio in Roma

Elsie Fisher in Eighth Grade

Lady Gaga in A Star is Born

*Regina Hall in Support the Girls

Anna Kendrick in A Simple Favor

Thomason McKenzie in Leave No Trace

 

Best Supporting Actor

Peter Bogdonavich in The Other Side of the Wind

*Ben Foster in Leave No Trace

Michael B. Jordan in Black Panther

Josh Hamilton in Eighth Grade

Tim Blake Nelson in The Ballad of Buster Scruggs

Michael Palin in The Death of Stalin

 

Best Supporting Actress

Emily Blunt in A Quiet Place

*Olivia Colman in The Favourite

Zoe Kazan in The Ballad of Buster Scruggs

Blake Lively in A Simple Favor

Emma Stone in The Favourite

Rachel Weisz in The Favourite

 

Best Voice Over or Motion-Capture Performance

*Josh Brolin in Avengers: Infinity War

Jake Johnson in Spider-Man: Into the Spider-Verse

Holly Hunter in The Incredibles 2

Shamiek Moore in Spider-Man: Into the Spider-Verse

John C. Reilly in Ralph Breaks The Internet

Ben Whishaw in Paddington 2

 

Best Original Screenplay

Blindspotting

The Death of Stalin

*Eighth Grade

The Favourite

Game Night

Support the Girls

 

Best Adapted Screenplay

Avengers: Infinity War

The Ballad of Buster Scruggs

If Beale Street Could Talk

Leave No Trace

*A Simple Favor

A Star is Born

 

Best Animated Feature

Early Man

Have A Nice Day

The Incredibles 2

Isle of Dogs

Ralph Breaks the Internet

*Spider-Man: Into the Spider-Verse

 

Best Documentary Feature

Avicii: True Stories

Recovery Boys

Shirkers

They’ll Love Me When I’m Dead

*Three Identical Strangers

Won’t You Be My Neighbor?

 

Best Foreign Language Film

Battle

Gun City

Happy as Lazzaro

Have A Nice Day

The Most Assassinated Woman In The World

*Roma

 

Best Casting

Blindspotting

Eighth Grade

Mandy

Mid90s

Roma

*Support the Girls

 

Best Cinematography

Aquaman

Avengers: Infinity Wars

The Ballad of Buster Scruggs

Black Panther

*Mandy

Roma

Best Costume Design

The Ballad of Buster Scruggs

*Black Panther

The Favourite

Lizzie

Mary, Queen of Scots

A Simple Favor

 

Best Film Editing

Avengers: Infinity Wars

Eighth Grade

Mission Impossible: Fallout

*The Other Side of the Wind

Roma

Searching

Best Makeup and Hair Styling

*The Favourite

Lizzie

Mandy

Mary, Queen of Scots

A Simple Favor

Support the Girls

Best Original Score

Avengers: Infinity War

The Ballad of Buster Scruggs

The Death of Stalin

If Beale Street Could Talk

*Mandy

The Other Side of the Wind

Best Original Song

*“When a Cowboy Trades His Spurs For Wings” from The Ballad of Buster Scruggs

“All the Stars” from Black Panther

“Limitless” from Second Act

“I’ll Never Love Again” from A Star is Born

“Is that Alright” from A Star is Born

“Shallow” from A Star is Born

 

Best Overall Use of Music

Bohemian Rhapsody

Eighth Grade

Mamma Mia: Here We Go Again

Mid90s

*A Star is Born

Three Identical Strangers

 

Best Production Design

Avengers: Infinity War

Black Panther

The Commuter

*The Favourite

Mary, Queen of Scots

A Quiet Place

Best Sound Editing

Annihilation

*Avengers: Infinity War

Mission Impossible: Fallout

The Other Side of the Wind

Roma

12 Strong

Best Sound Mixing

Annihilation

Avengers: Infinity War

Mission Impossible: Fallout

The Other Side of the Wind

Roma

*A Star is Born

Best Stuntwork

Avengers: Infinity War

Beirut

Black Panther

*Mission Impossible: Fallout

12 Strong

Upgrade

Best Visual Effects

Annihilation

Ant-Man and the Wasp

Aquaman

*Avengers: Infinity War

Black Panther

First Man

Films Listed By Number of Nominations:

11 Nominations – Avengers: Infinity War

9 Nominations – The Ballad of Buster Scruggs, The Favourite, Roma

8 Nominations – Eighth Grade, A Star is Born

7 Nominations – Black Panther, The Other Side of the Wind

6 Nominations – A Simple Favor

5 Nominations – Leave No Trace, Support the Girls

4 Nominations – Blindspotting, Mandy, Mission Impossible: Fallout

3 Nominations – Annihilation, The Death of Stalin, Mary Queen of Scots, Spider-Man: Into the Spider-Verse

2 Nominations – Aquaman, Have A Nice Day, If Beale Street Could Talk, The Incredibles 2, Lizzie, Mid90s, A Quiet Place, Ralph Breaks the Internet, Searching, Three Identical Strangers, 12 Strong

1 Nomination – Ant-Man and the Wasp, Avicii: True Stories, Battle, Beirut, Bohemian Rhapsody, Chappaquiddick, The Commuter, Early Man, First Man, First Reformed, Game Night, Gun City, Happy as Lazzaro, Isle of Dogs, Mamma Mia 2: Here We Go Again, The Most Assassinated Woman In The World, Paddington 2, Recovery Boys, Second Act, Shirkers, They’ll Love Me When I’m Dead, Upgrade, Won’t You Be My Neighbor?, You Were Never Really Here

Films Listed By Number of Oscars Won:

3 Oscars – Eighth Grade, The Favourite

2 Oscars – Mandy, A Star is Born, Support the Girls

1 Oscar – The Ballad of Buster Scruggs, Black Panther, First Reformed, Leave No Trace, Mission Impossible: Fallout, The Other Side of the Wind, Roma, Spider-Man: Into the Spider-Verse, Three Identical Strangers

As for the real nominations, they’ll be announced on Tuesday morning!

Weekly Trailer Round-Up: Mary Queen of Scots, Colette, The Miseducation of Cameron Post, The Favourite, Goosebumps 2, A Simple Favor, The Extinction, The Package, Life Itself, Along Came The Devil, Little Italy, Unfriended: Dark Web, Wonder Park, Castle Rock


It’s time for the weekly trailer round-up!  We’ve got fourteen today so let’s get down to business:

First off, we have the trailer for one of the most anticipated films of the year: Mary, Queen of Scots.  This movie brings together two of last year’s nominees for best actress, with Saoirse Ronan playing the title character and Margot Robbie playing Queen Elizabeth I.  It is set to be released in December for Oscar consideration.

Also getting early Oscar buzz is Keira Knightley for her performance in Colette.  Colette premiered at the Sundance Film Festival this year and will be released on September 21st.

Another film that generated buzz at Sundance was The Miseducation of Cameron Post, which stars Chloe Grace Moretz as a teenage girl forced into gay conversation therapy.  The Miseducation of Cameron Post will be released into theaters on August 3rd.

Following the arthouse success of The Lobster, Yorgos Lanthimos returns with The Favourite.  Rachel Weisz and Emma Stone play cousins who compete to be the favorite of Queen Anne.  The Favourite will be released on November 23rd.

The books and the monsters are back but Jack Black is nowhere to be seen in the trailer for Goosebumps 2: Haunted Halloween.  This film will be released on October 12th.

When Blake Lively disappears, her new best friend, Anna Kendrick, teams up with Lively’s husband to find her.  Directed by Paul Feig of Ghostbusters and Bridesmaids fame, A Simple Favor will be released on September 14th.

Everyone’s favorite sidekick, Michael Pena, finally gets the leading role in The Extinction, a sci-fi thriller that will be premiering on Netflix on July 27th.

Also coming to Netflix is The Package, a teen comedy from the creators of Workaholics.  The Package will be delivered on August 10th.

The second film to be directed by This Is Us creator Dan Fogelman, Life Itself will be released on September 21st.

According to this trailer, Along Came The Devil is “an exorcism film for a new generation.”  This film will be released on August 10th.

Have you ever wondered what happened to Danny Aiello?  He’s in Little Italy, with Emma Roberts and Hayden Christensen.  Little Italy will be released in August.

The internet is still the most dangerous place on Earth in the second trailer for Unfriended: Dark Web.  See for yourself on July 20th.

After a long and troubled production that saw original director Dylan Brown fired for “inappropriate conduct,” the animated film Wonder Park will finally be released on March 15th, 2019.

Finally, here is the long-awaited official trailer for Castle Rock, the new Hulu series from J.J. Abrams and Stephen King.  Castle Rock premieres on July 25th.

 

Film Review: The Shallows (dir by Jaume Collet-Serra)


The_Shallows_poster

Have you seen The Shallows yet?

The Shallows was released last week, to strong box office and surprisingly good reviews.  Ever since it came out, people have been telling me, “You have got to see The Shallows!”  Well, I finally did see it earlier today and you know what?  I should have seen it earlier.  The Shallows is one of the best films of the year so far.

Now, I have to admit that, even before I saw the film, I was pretty sure that I was going to like it.  Just from watching the trailer, The Shallows looked like a big-budget Asylum film or maybe a mainstream version of Shark Exorcist.  After all, here we had a movie about a blonde in bikini being menaced by a giant shark while stranded on a rock in the middle of the ocean.  It looked like it would be one of those big, over-the-top nature-gone-crazy movies that I always enjoy watching on SyFy.

And, to a certain extent, it is.  The Shallows was directed by Jaume Collet-Serra, a Spanish director whose previous work would seem to indicate an appreciation for old school grindhouse and drive-in cinema.  There’s really not a subtle moment to be found in The Shallows.  The shark is huge and whenever it finds something to eat, the ocean turns red with blood and while this grudge-holding shark may not behave like a real-life shark, it does behave like a movie shark.  When, at the start of the film, Lively is on her surfboard and blissfully unaware of the danger under the sea, girl power anthems blast on the soundtrack.  Whenever the camera briefly pans underwater for a shot from the shark’s point of view, the music suddenly becomes ominous and full of menace.  The action is nearly non-stop, pausing only occasionally for a few moments when the camera lingers on Lively either stretching on the beach or resting on the rock and yet the cinematography is so stunning and Lively’s performance is so great that these shots don’t feel exploitive but instead celebrate her both her outer and her inner strength.  Undoubtedly, a lot of people are buying tickets because Blake Lively spends most of the movie in a bikini but The Shallows is still one of the most empowering films of the summer.

That’s right, I just said that Blake Lively gives a great performance.  I have to admit that, despite loving Gossip Girl, I was never really sold on Blake Lively as an actress until I saw her in The Shallows.  I thought she was wasted in The Town and her performance in Savages left me so annoyed that I was literally screaming in the theater.  But no matter — Blake Lively proves herself to truly be a talented actress in The Shallows.  From the minute she appears onscreen, you’re on her side.  You’re happy for her when she finally gets to surf the beach that her recently deceased mother surfed when she was young.  You fear for her when the shark makes its first blink-and-you’ll-miss-it appearance.  And when she’s stranded on that rock, fighting for her own survival and trying to figure out a way to close a huge gash on her leg (and this was a scene that I literally watched through my fingers), you find yourself truly fearful that she’ll never be rescued.  (One of the strengths of the film is that you’re never fully convinced that Lively is going to survive her ordeal.)  Blake Lively gives a performance here that I would compare to James Franco’s breakthrough work in 127 Hours.

Actually, a lot of the scenes in The Shallows reminded me of 127 Hours.  For that matter, there were also a few scenes that reminded me of Wild and, of course, the Jaws influence was obvious as well.  The Shallows is a derivative film but, to its credit, it borrows from the best and Collet-Serra always manages to add his own individual spin to even the film’s most predictable moments.

Along with Lively’s performance and Collet-Serra’s direction, there are three other things that make The Shallows special.

Number one, it features an amazing seagull.  The seagull, which has an injured wing, spends most of the movie hanging out with Blake Lively on that rock and provides her with some much needed companionship.  The seagull also happens to be a helluva actor and, at times, I found myself even more worried about the seagull’s survival than Lively’s.  According to the credits, the seagull’s name is Sully and he better get some love from the Academy next January.

Number two, there’s a scene in which two soon-to-be-doomed surfers ask Blake Lively if she’s from California.  “No,” Lively replies, “Texas!”  From the minute she said that, all of us at the Alamo Drafthouse were on her side.  And, just in case any of you northerners have any doubts, people do surf in Texas.  Just ask anyone who has ever spent spring break in Galveston or Corpus Christi.

Finally, The Shallows is a short movie and, after sitting through so many overlong movies, it was nice to see a movie that was direct and to the point and which did not include any unnecessary padding.  The Shallows only needed 86 minutes to tell its story and not a minute more!

(Compare the 86-minute The Shallows to the 151-minute Batman v Superman and you’ll understand what film critics mean when they complain about a film being overlong.)

With its truly breathtaking shots of the ocean and it’s nonstop action, The Shallows is a film that you owe it to yourself to see on a big screen.  So get to it!

TS2

 

AGCK! The New Trailer For The Shallows Totally Freaked Me Out!!!!


I loved Gossip Girl but I have to admit that I’ve been skeptical of Blake Lively’s film career.  (Remember Savages?)  But seriously, judging from this latest trailer, The Shallows looks like it’s going to be amazingly intense!  I will be there when the film is released but, considering my morbid fear of both drowning and being attacked by a shark, I will definitely be watching a good deal of the film through my fingers.

Could this film be Blake’s 127 Hours?  We’ll find out on June 29th!

A Quickie With Lisa Marie: Savages (dir. by Oliver Stone)


For the past 5 months,  every time I’ve gone to the movies, I’ve seen the trailer for Oliver Stone’s new film, Savages.  It’s a pretty exciting trailer, featuring sex, violence, and Taylor Kitsch’s abs.  Despite Oliver Stone’s recent track record of making preachy, boring films, that trailer got a lot of people excited about the prospect of seeing Savages

Well, the film has been released, I’ve seen it, and you know what?  Sometimes, trailers lie.

Savages is the story of Chon, Ben, and O.  Chon (Taylor Kitsch) and Ben (Aaron Johnson) sell the greatest weed in the world and O (Blake Lively) is the woman who loves both of them at the same time.  O, by the way, is short for Ophelia and she narrates the film in such a monotonous style that I have to admit that I was shocked to discover that she actually knew she was named after Hamlet’s doomed girlfriend.  Chon is a violent former Navy SEAL while Ben is a laid-back buddhist who wants to get out of the drug business so he can devote his time to environmental activism. (Zzzzzzzzzz….)

Ben’s marijuana becomes so legendary that soon, a Mexican drug cartel led by Salma Hayek decides that both Ben and Chon are going to work exclusively for them.  Ben and Chon refuse so Hayek sends Benicio Del Toro to kidnap O and hold her hostage until Ben and Chon come around.  Ben and Chon, however, have plans of their own…

On the positive side, Hayek, Del Toro, and John Travolta (playing a corrupt DEA agent) all give excellent performances that would seem to indicate that they — as opposed to everyone else involved with Savages — understand that they’re appearing in an expensive B-movie.  They openly devour every piece of scenery in the film and have a fun time wringing every ounce of melodrama out of their pulpy dialogue.  These three actors are fun to watch and it’s a shame that the same can’t be said for the other half of the film’s main cast.

Jennifer Lawrence was originally cast in the role of O but she dropped out of Savages so that she could star in The Hunger Games.  The role was recast with Blake Lively, who looks like she could be Jennifer Lawrence’s older sister but who, as an actress, has never exhibited the type of wounded determination that has become Lawrence’s trademark.  As played by Lively, O is such a passive character that it’s difficult to really care that much about whether she survives or doesn’t.  Instead of being a strong, independent woman who is unashamed of her lifestyle, O just comes across as a spoiled and vapid pawn, a possession who is traded between the film’s various players.  It doesn’t help that Lively delivers her heavy-handed narration in a flat monotone that makes her come across less like a hard-boiled survivor and more like a spoiled rich girl trying to sound jaded.  Every time I heard her refer to Chon and Ben as being “my guys,” I just wanted to scream at the screen, “No, you stupid bitch, you belong to them!  They don’t belong to you!”

As for “her guys,” Taylor Kitsch is believable as a killer but not as a stoner.  (Kitsch’s character comes across as if he’s been snorting cocaine as opposed to smoking weed.)  Aaron Johnson, meanwhile, is a very believable stoner but he’s a lot less believable once his character becomes a killer.  Unfortunately, neither Kitch nor Johnson show much in the way of charisma in this film and that’s a shame because both of them have shown in the past that they are capable of giving good performances.  (Seriously,  just check out Aaron Johnson’s performance in the criminally underrated John Lennon biopic, Nowhere Boy.)  With neither Chon nor Ben being all that interesting, the film ultimately becomes a rather empty display of style.

And there’s no denying it — Savages has got style to burn.  Oliver Stone shows here that — despite such anemic recent films as Wall Street: Money Never Sleeps — he still knows how to film an explosion.  Unfortunately, there’s not much going on beneath all of that style and the end result is a film that mostly succeeds in making both sex and violence boring.

Trailer: Green Lantern (2nd Official Trailer)


The WonderCon 2011 exclusive trailer and footage was a major step in creating major buzz and hype for Warner Brothers’ and DC Entertainment upcoming superhero film Green Lantern. With just a little over a month left before the film premieres the second (most likely the final trailer for the film) trailer has been released and whatever doubts early marketing and ads the film seemed to give rise to have gone away with this final release.

Green Lantern is sort of the Iron Man of the DC Comics pantheon in that he’s one of the more powerful characters in that universe, but he never got to the level of iconic status as Superman and Batman. There’s a reason why the only DC comic characters to have sustained any sort of film franchise have been Superman and Batman. The Green Lantern character was never about fighting evil on Earth. His fight was always on a much more cosmic-scale and this trailer shows that the danger in the Green Lantern is cosmic in scale even. The last superhero to attempt such a concept story-wise was the Fantastic Four sequel with Silver Surfer and Galactus. That didn’t turn out as well as many hoped it would. Here’s to hoping that Green Lantern will succeed where the Fantastic Four sequel failed.

Green Lantern is set for a June 17, 2011 release. It will come out in both 2D and 3D (RealD and IMAX 3D).

Green Lantern: WonderCon Exclusive Footage


I posted just recently that Warner Brothers and DC Entertainment had been dropping the ball when it came to promoting their upcoming superhero action-adventure film slated for this summer blockbuster season. Green Lantern had its first teaser released around November of 2010 and the reception to that trailer was lukewarm at best and dismissal of the film at it’s most vocal.

It’s been almost 4 months since that disastrous attempt at promoting what would be Warner Brothers’ biggest film of the 2011. It looks like Warner Brothers and those in charge of promoting their films may have just learned a valuable lesson in releasing promotion materials when footage needed to spice it up for the target audience is not ready.

WonderCon 2011 at San Francisco has become Green Lantern central as the studios in charge of the film have released not just a kickass official theatrical poster for the film, but a 9-minute sizzle reel for those lucky enough to get a seat in the film’s panel at the Esplanade Ballroom at Moscone Center South. For those who weren’t able to see that 9-min footage the people at Warner Brothers have been gracious enough to release an abridged 4min and 3 second version into the interwebs for everyone to witness.

Even just looking at this abridged version of the WonderCon-exclusive footage has helped in dispelling much of my apprehension towards the success and workability of this film as a live-action blockbuster. The footage goes a long way in setting the tone of the film. Green Lantern has always been part of the cosmic tapestry of the overall DC Universe and the filmmakers seem to have found a way to show that epic cosmic side of the character and do it without making it look cheesy (though some of the CGI effects on the non-human members of the Green Lantern Corps could still use much tuning up).

Except for the part where Jordan is trying to figure out the Green Lantern oath in his living room the footage seems very serious in tone with little comedic beats like the teaser. I would hope that the film does have some comedic beats to it since this is Ryan Reynolds and early Hal Jordan wasn’t always the serious, gloomy gus he turned out later on in his Green Lantern run.

Green Lantern is slated for a June 17, 2011 release.