We Watched The Twilight Saga: Breaking Dawn Part 2 (2012, Dir. by Bill Condon)


Earlier today, Lis and I finished up the Twilight Saga with Breaking Dawn Part 2.

Bella (Kristen Stewart) is now a vampire and a mother to Renesmee (Mackenzie Foy), who is developing quicker than a normal child because she is half-vampire. Before Edward (Robert Pattinson) even lets Bella see her daughter, he takes her hunting, and he has to stop her from attacking a mountain climber who has scratched his arm on a rock. While Bella adjusts to being a vampire, Jacob (Taylor Lautner) adjusts to being Renesmee’s soul mate, and the Volturi prepare to make their move against the Cullens.

I’m going to get in trouble with my sister for saying this, but I was a little disappointed with the second Breaking Dawn movie. It bothered me that the entire movie was about the Cullens bringing together allies for their inevitable battle with Aro (Michael Sheen) and the Volturi, but then, when the big battle finally happens, it turns out that it was just one of Alice’s visions, and they end up deciding not to fight. After two hours of everyone talking about this huge battle and how everyone had to be prepared to fight for the lives, it was anticlimactic not to have a real one. It seemed like the whole movie could have just been 30 minutes long without really losing anything important. I really didn’t see the point of splitting the book into two movies because hardly anything happened during the second one.

Breaking Dawn Part 2 might not work as a standalone movie, but it does work as an end to the saga. After four movies and the longest senior year on record, Bella and Edward are finally together and they’re happy. And Jacob is happy too. At the end of the movie, when they showed everyone who had appeared over the course of the entire saga, I was really touched.

And that’s it for the story of Bella, Edward, and Jacob.

We Watched The Twilight Saga: Breaking Dawn Part One (2011, Dir. by Bill Condon)


Earlier today, Lis and I watched the second-to-last Twilight film, The Twilight Saga: Breaking Dawn: Part One.

The movie starts with Bella (Kristen Stewart) finally marrying Edward (Robert Pattinson). They get married in the woods, and almost everyone from the entire saga is there, including Bella’s mother. Bella’s father (Billy Burke) and Jacob (Taylor Lautner) don’t approve of her marrying Edward, and Jessica (Anna Kendrick) thinks Bella is pregnant—why else would she be getting married at 18? I probably would have thought the same thing if I were at the wedding, but actually, Bella and Edward are virgins when they marry. Even though Jacob warns that a human could die having sex with a vampire because of how strong vampires are, Bella and Edward still consummate their marriage without Edward turning Bella into a vampire. Edward does not want to turn Bella for some reason. Lis and I agreed that Edward probably wants Bella to get old and die so that he can find someone else. There’s also a weird scene when Edward confesses to Bella that he briefly rebelled against his father and drank the blood of men in the 1920s. Bella says that’s fine because all the men were bad. Team Jacob is looking better and better.

Bella ends up getting pregnant with a hybrid baby. The pregnancy progresses at a faster rate than Bella’s body is prepared for. Edward tries to talk Bella into having an abortion, but Bella refuses. Instead, they return to Forks and stay with Edward’s family. Bella starts to drink blood so that the fetus will stop feasting on her. Jacob, meanwhile, tries to keep the wolf pack from killing Bella to prevent her half-vampire baby from harming anyone.

I have to respect that Twilight built an entire movie around one very difficult pregnancy. That’s probably why the acting in Breaking Dawn is considerably better than in the previous Twilight movies—there’s more at stake than just Bella missing her boyfriend or trying to decide between Edward and Jacob. Though I didn’t realize it until I rewatched the movie, Taylor Lautner really poured his heart into Jacob in this film. I also remember that, when I first saw this movie, I wasn’t comfortable with the “imprinting” scene, and watching it again, I still wasn’t comfortable with it. If you’ve seen the movie or read the books, you know what I mean.

After all this time, I don’t know if it’s really a spoiler to say that this movie ends with Bella opening her eyes and revealing that she is now a vampire. She got a husband, a baby, and immortality! Way to go, Bella!

Tomorrow, we’ll be finishing things up with Breaking Dawn: Part Two.

We Watched The Twilight Saga: Eclipse (2010, Dir. by David Slade)


Lis and I have been rewatching the Twilight movies this October. Yesterday, we watched New Moon and then Eclipse.

In Eclipse, Edward (Robert Pattinson) and the Cullens have returned to Forks because Edward was just so depressed not being near Bella (Kristen Stewart), and Bella somehow flew all the way to Italy to be with him without getting in very much trouble with her father. Edward has asked Bella to marry him, but Bella is upset that Edward won’t “change me,” and she’s also wondering if maybe she and Jacob (Taylor Lautner) are meant to be more than just friends. The first time I saw this movie, I was Team Edward all the way, but now I see Jacob as being the better choice because he could provide her with a stable and protective home without having to transform her into a supernatural creature beforehand.

While Bella is trying to choose between Edward and Jacob, vampire Victoria Sutherland (Bryce Dallas Howard) is gathering an army of “newborn” vampires to attack the Cullens and kill Bella to get revenge for the death of her lover, James, in the first Twilight film. Alice (Ashley Greene) is having visions of the newborns attacking. The Cullens enter an alliance with the werewolves to keep Bella safe.

There’s a lot going on in this movie. I feel bad for anyone who watched Eclipse as their first Twilight movie because they probably had no idea why Dakota Fanning showing up with her red eyes was such a big moment. Even while Bella is trying to pick between Edward and Jacob and get ready for the big battle, life goes on in Forks. She goes to her high school graduation, where Jessica (Anna Kendrick) is the valedictorian. She’s living both the life of a teenager and being vampire-stalked at the same time. Her father even tries to have “the talk” with her, but it’s not necessary. Edward doesn’t want to turn her into a vampire and he doesn’t want to have sex before marriage. He’s a 104-year-old virgin. That’s how strongly he believes in waiting for someone you love. That’s one of those things that seems sweet the first time you hear it and then obsessive the second time.

I liked Eclipse, even if parts of it seem pretty dumb now. My sister and I both agreed that it was foolish of Bella to ask Edward to make her a vampire before she even knew if they were sexually compatible. Becoming a vampire is an even bigger commitment than going exclusive. But it’s a fantasy. The big battle at the end is exciting and it actually happens instead of just being Alice having a vision. Edward proves that he can fight just as well as Jacob. I still think Jacob would be the better provider.

Tomorrow, we will move on to Breaking Dawn!

Horror on TV: Fear Itself 1.11 “The Spirit Box” (dir by Rob Schmidt)


In this episode of Fear Itself, a dead teenage girl wants her friends to help her get vengeance on her murderer.  This episode may be called “The Spirit Box” but it’s better known as “The One With Anna Kendrick.”

This episode was meant to air in 2008 but Fear Itself went on hiatus and was cancelled before it happened.  The Spirit Box was later included when Fear Itself was released on DVD.

We Watched The Twilight Saga: New Moon (2009, Dir. by Chris Weitz)


Today, Lis and I continued to rewatch the Twilight movies on Netflix.

New Moon was the second part of the Twilight Saga. Because people in town are starting to notice that he hasn’t aged in ten years, Carlisle (Peter Facinelli) decides that the Cullens need to move to a new location. Edward explains to Bella that the worst thing a vampire can do is allow humans to discover that they exist. Edward also says that Bella can’t come with the Cullens because it would raise suspicion and it would also put Bella in danger, since even the members of his family are tempted to drink her blood. Bella says, “Change me!” and Edward says not unless they’re married.

The Cullens leave and Bella has a breakdown, and even her father wants to send her back to Florida to live with her mother. Finally, Bella starts hanging out with Jacob (Taylor Lautner), a member of the Quileute Tribe who is also revealed to be a werewolf. Werewolves and vampires hate each other, but the Forks werewolves had arranged a truce with the Cullens where they wouldn’t attack them as long as the Cullens didn’t bite any humans. If Edward had changed Bella, the truce would have been canceled and the werewolves would have had to attack Bella.

When Alice (Ashley Greene) misinterprets a vision of the future and thinks that Bella is dead, Edward leaves wherever it is he’s living and goes to Italy to ask the ruling vampire council to destroy him. Even though Jacob’s in love with her, Bella goes to Italy to try to save Edward’s life.

I remember really liking New Moon when I saw it because I was in a long-distance relationship and I could relate to what Bella was going through. When we rewatched it, I had forgotten how long the movie was and how little actually happens until Bella goes to Italy, which doesn’t even happen until the movie’s nearly over. The other thing I forgot about this one was that they really overdid the vampire makeup on Robert Pattinson at the start of the movie. He was so pale and wearing so much lipstick that everyone should have been able to figure out that he was a vampire just by looking at him.

When this movie came out, everyone was either Team Jacob or Team Edward. I was Team Edward because, again, I was in a long-distance relationship. But rewatching it, I realized that I should have been Team Jacob because he really was nicer to Bella and he wasn’t constantly sulking about everything like Edward. Jacob came with a lot less baggage and he was part of that tribe where you’re apparently not allowed to wear a shirt. No one in the tribe wore a shirt and they all looked like models. They probably all were models. This movie knew what we wanted to see.

I still enjoyed rewatching the movie. The men were all sexy and brooding. Anna Kendrick was funny. Dakota Fanning had red eyes and sent psychic pain waves. Bella said, “Change me,” and Edward looked tortured. It wasn’t as good as I remembered and it probably could have been cut down to 30 minutes without really losing much of the plot but it’s Twilight. If you know, you know.

Now, we’re moving on to Eclipse.

We Watched Twilight (2007, Dir. by Catherine Hardwicke)


Oh, Twilight! How we missed you, with your blue-tinted view of the world and your romantic bloodsuckers!

After her mother remarries a minor-league baseball player, 17-year-old Bella (Kristen Stewart) moves from sunny Arizona to gray, wet Washington State. She lives with her father, the police chief (Billy Burke), and starts at a new school. Her friend is played by Anna Kendrick! How cool is that? She has a crush on Edward Cullen (Robert Pattinson), and Edward has a crush on her, but Edward’s also a vampire, and he’s been seventeen since the Spanish flu epidemic. Bella discovers that she loves Edward, Edward loves Bella, and Edward’s family loves Bella, but there’s a group of vampires who want to feast on Bella. Also, Bella’s friend Jacob (Taylor Lautner) doesn’t like Edward, but we won’t find out the full details about all that until the next movie!

Lisa and I watched Twilight on Netflix earlier today, and yeah, it’s bad, but it’s just so addictive that you can’t look away. Even today, it’s hard to know whether to laugh or swoon. I usually end up doing both because the longing and smoldering way that Kristen Stewart and Robert Pattinson look at each other makes up for the fact that it’s a long movie where not much really happens. I was so excited waiting for the baseball scene, but I had forgotten how long it takes before Edward’s adopted family plays vampire baseball in the middle of a storm. Sign them all up for the Rangers, I don’t care if they glow. A sensitive ball player? Go ahead and bite my neck! Edward might seem mopey but when Bella needs to be protected from the other vampires, he and his father (Peter Facinelli) are right there and showing they know what to do. He’s a fighter, that Edward Cullen! And he’s a dream of a prom date too.

Twilight is what it is, and everyone who makes fun of it has a point, but I don’t care. I’ll be watching the second movie tomorrow.

Review: The Accountant (dir. by Gavin O’Connor)


“What I do is not against the law. What I don’t do… is.” — Christian Wolff

The Accountant is a 2016 action thriller that mixes elements of character drama, crime mystery, and family dynamics into a unique storyline. The movie follows Christian Wolff, a man with autism and exceptional math and accounting skills, who works as a freelance accountant for criminal organizations. Raised by a strict military father who pushed him to develop precision and discipline, Christian has a rigid moral code that guides his actions. As Christian unravels financial fraud within a robotics company, he finds himself hunted by a Treasury agent. The film blends intellectual mystery with high-stakes action, presenting a different take on the typical thriller formula.

Ben Affleck leads as Christian Wolff, bringing a quiet intensity that captures the character’s inner complexities and unique worldview. Anna Kendrick plays Dana Cummings, the robotics company accountant whose discovery of financial irregularities kicks off the central conflict, offering a relatable and warm counterpoint. J.K. Simmons portrays Raymond King, the sharp Treasury agent on Christian’s trail, adding layers of tension and moral ambiguity. Jon Bernthal embodies Braxton Wolff, Christian’s estranged brother and a rugged former military operative, whose presence heightens the family drama. The brothers’ strict and demanding father is portrayed by Rob Treveiler, who appears mainly in flashbacks that showcase the rigorous military-style training and discipline shaping Christian’s development. These performances ground the film’s ambitious mix of genres, making the characters feel lived-in and believable.​

Christian Wolff stands out as a well-rounded character whose autism shapes his personality without becoming a mere plot device. The film shows his struggles alongside his strengths, like sensory sensitivities, social awkwardness, and laser focus on details. He relies on strict routines and coping tools to handle his surroundings, mirroring real experiences on the autism spectrum. Affleck’s portrayal draws from this backstory—those intense father-son training montages with Treveiler—to explain Christian’s discipline and guarded emotions, giving audiences a clear window into what drives him.

At the movie’s core sits Christian’s personal moral compass. He might balance the books for shady clients, but he draws a hard line at true ethical breaches, stepping in with his own form of justice. This anti-hero vibe keeps things gray and intriguing. His bond with Dana, played by Kendrick, offers rare moments of connection amid the chaos, though it stays somewhat surface-level and misses chances for deeper emotional pull.

The plot tracks Christian’s dive into massive fraud at the robotics firm, all while dodging Simmons’ relentless agent. The accounting scenes impress with their detail—Christian pores over ledgers, spotting irregularities that expose embezzlement on a grand scale. This cerebral side contrasts sharply with the brutal action, like the raw fights between Affleck’s Christian and Bernthal’s Braxton, which mix physical showdowns with buried family pain. Those brotherly clashes tie back to their shared traumatic past, ramping up the stakes beyond just numbers and guns.

The Accountant handles autism with real care, steering clear of clichés. It spotlights Christian’s sensitivities, routine needs, and social hurdles while celebrating his smarts and toughness. Affleck makes these traits feel authentic, turning what could be quirky into profoundly human. This approach avoids stereotypes, letting viewers connect with Christian on a deeper level and appreciate how his mind works in high-pressure situations.

The film has room for refinement in a few spots. It crams in crime plots, sibling secrets, and shadowy ops, which can jumble the pace as it bounces from fights to feels to financial deep dives. Relationships like Christian and Dana’s, or the Wolff brothers’, might hit harder with extra screen time to build that emotional core and make the risks feel more intimate.

Tonally, The Accountant strikes a balance—serious stakes lightened by Christian’s offbeat interactions and fresh outlook. Autism never turns into a joke; instead, it builds empathy. The ethical murk in his world—cooking books for crooks one day, punishing them the next—flips hero tropes on their head, keeping you guessing.

Overall, The Accountant shines by fusing brainpower and brawn in its lead and narrative, transcending standard shoot-’em-ups as a thoughtful character piece that honors its hero’s nuances. It probes unconventional strengths and ethics in a murky reality while illustrating thriving with distinct abilities and hurdles in a harsh landscape, all while clinging to personal principles—delivering thrills with substance on neurodiversity and payback. Fans of smart action will dig this blend of suspense, puzzles, and character depth, even if the threads tangle at times, making it a solid pick for thriller seekers wanting more than explosions.​

#MondayMuggers presents THE ACCOUNTANT (2016) starring Ben Affleck!


Every Monday night at 9:00 Central Time, my wife Sierra and I host a “Live Movie Tweet” event on X using the hashtag #MondayMuggers. We rotate movie picks each week, and our tastes are quite different. Tonight, Monday April 21st, we celebrate the end of my tax season by watching THE ACCOUNTANT (2016) starring Ben Affleck, Anna Kendrick, J.K. Simmons, Jon Bernthal, Jeffrey Tambor, Cynthia Addai-Robinson, John Lithgow, and Jean Smart. 

Contrary to popular belief, THE ACCOUNTANT is not based on the life of Little Rock-based CPA Bradley Crain, although there are many obvious similarities. Rather, it’s the story of Christian Wolff, a math savant who often plies his trade for some of the world’s most dangerous criminal organizations. When he takes on a legitimate client and discovers discrepancies in the company’s books involving millions of dollars, a group of hitmen try to kill him and the company’s accountant Dana Cummings (Anna Kendrick). Will they live long enough to discover the person behind the embezzlement, or will they just become another set of death statistics? I don’t want to give too much away, but I will go ahead and address the elephant in the room… THE ACCOUNTANT 2 opens on Friday night, April 25th.

So, join us tonight for #MondayMuggers and watch THE ACCOUNTANT! It’s on Amazon Prime. The trailer for THE ACCOUNTANT is included below:

The Films of 2024: Woman Of The Hour (dir by Anna Kendrick)


This morning’s Oscar nominations were dominated by Netflix’s Emilia Perez, which picked up a total of 13 nominations.  Though it has yet to win an Oscar for Best Picture, Netflix has definitely picked up its game over the past few years.  Every year, there’s a major contender that’s produced and released by Netflix.  The Irishman, Marriage Story, Power of the Dog, Maestro, they were all films that were heavily pushed by Netflix.  This year, Netflix actually had many potential contenders but, in the end, it put its full weight behind Emilia Perez and it paid off this morning.  Whether it will pay off on Oscar night had yet to be seen.

Unfortunately, that means there a few Netflix films that got pushed to the side.  As many mentioned this morning, Angelina Jolie’s performance in Netflix’s Maria was ignored, despite having been viewed as an Oscar lock just a few months ago.  The Piano Lesson also failed to pick up a nomination for Danielle Deadwyler.  Myself, I wish that Netflix would have just spent a bit more time pushing a film called Woman Of The Hour.

Woman of the Hour is the directorial debut of Anna Kendrick and it’s about as far from the light-hearted world of Pitch Perfect as one can get.  Based on a true story, the 70s-set film features Kendrick as Sheryl Bradshaw, an aspiring actress who goes on The Dating Game and asks questions to three contestants, not knowing that Bachelor #3 is actually a serial killer named Rodney Alcala (Daniel Zovatto).

The film jumps back and forth in time, mixing Sheryl’s appearance on the tacky game show with the horrific crimes of Rodney Alcala.  On the show, Sheryl grows frustrated with the stupid, pre-written questions that she’s been handed and instead, she starts asking her own questions.  The three “bachelors” are taken by surprise but only Alcala is able to keep up with Sheryl.  Separated from Sheryl and just hearing her questions, Alcala manages to sound like an intelligent and interesting human being.  (As with most serial killers, Alcala is a master manipulator and knows what to say to put people at ease.)  It’s only after Sheryl selects him and they have a face-to-face meeting that Sheryl comes to realize that Alcala is not the man he presented himself as being.

The film’s style might seem disjointed to some.  Woman of the Hour is full of flashbacks and flashforwards.  The empty glitz of the Dating Game and Sheryl’s refusal to play dumb for the approval of the show’s producers is contrasted with the brutality of Alcala’s crimes.  It’s a technique that builds a sense of dread and inevitability.  Sheryl may not know who Bachelor #3 is but we do and it’s hard not to worry when it becomes obvious that he’s the bachelor she’s going to pick.  Even more importantly, the film contrasts the show’s casual misogyny with Alcala’s own hatred of women.  Kendrick uses the film to comment on the everyday fears women navigate, from the casual sexism of the show’s producers to the outright danger of a predator like Rodney Alcala.  There’s a poignant scene where Sheryl encounters a casting director’s crass comments about her body, undoubtedly reflecting the real-life experiences Kendrick herself has faced.  (“I’m sure they look fine,” one smarmy producer says after Sheryl explains that she doesn’t do nude scenes.)  This is a thriller but it’s also a critique wrapped in suspense.

Woman of the Hour is a compelling watch, not just for its thrilling narrative but for its heart-wrenching look at the vulnerability of women in a predatory world.  Kendrick proves herself as a director with a voice, one that’s both fresh and deeply personal.   Woman of the Hour is a film worth 94 minutes of your time.

Dune Part II Wins in St. Louis


Yesterday, the St. Louis Film Critics Association announced their picks for the best of 2024!  It was another victory for Dune Part II!

BEST FILM
Anora
The Brutalist
A Complete Unknown
Conclave
Dune: Part Two
Nickel Boys
The Seed of the Sacred Fig
September 5
Sing Sing
Wicked

BEST DIRECTOR
Edward Berger – “Conclave”
Brady Corbet – “The Brutalist”
Mohammad Rasoulof – “The Seed of the Sacred Fig”
RaMell Ross – “Nickel Boys”
Denis Villeneuve – “Dune: Part Two”

BEST ACTRESS
Pamela Anderson – “The Last Showgirl”
Cynthia Erivo – “Wicked”
Marianne Jean-Baptiste – “Hard Truths”
Mikey Madison – “Anora”
Demi Moore – “The Substance”
Saoirse Ronan – “The Outrun”

BEST ACTOR
Adrien Brody – “The Brutalist”
Timothee Chalamet – “A Complete Unknown
Daniel Craig – “Queer”
Colman Domingo – “Sing Sing”
Ralph Fiennes – “Conclave”
Hugh Grant – “Heretic”

BEST SUPPORTING ACTRESS
Monica Barbaro – “A Complete Unknown”
Danielle Deadwyler – “The Piano Lesson”
Aunjanue Ellis-Taylor – “Nickel Boys”
Ariana Grande – “Wicked”
Zoe Saldana – “Emilia Perez”

BEST SUPPORTING ACTOR
Kieran Culkin – “A Real Pain”
Clarence Maclin “Sing Sing”
Guy Pearce – “The Brutalist”
Stanley Tucci – “Conclave”
Denzel Washington – “Gladiator II”

BEST ADAPTED SCREENPLAY
Conclave
Dune: Part Two
Nickel Boys
Sing Sing
Wicked

BEST ORIGINAL SCREENPLAY
Anora
The Brutalist
Hard Truths
A Real Pain
Saturday Night
The Seed of the Sacred Fig

BEST CINEMATOGRAPHY
The Brutalist
Dune: Part Two
Maria
Nosferatu
Nickel Boy

BEST COSTUME DESIGN
Dune: Part Two
Hundreds of Beavers
Maria
Nosferatu
Wicked

BEST EDITING
The Brutalist
Dune: Part Two
Nickel Boys
Saturday Night
September 5

BEST PRODUCTION DESIGN
The Brutalist
Conclave
Dune: Part Two
Nosferatu
Wicked

BEST ORIGINAL SCORE
The Brutalist
Challengers
Conclave
Dune: Part Two
The Wild Robot

BEST VISUAL EFFECTS
Alien: Romulus
Dune: Part Two
Furiosa: A Mad Max Saga
Kingdom of the Planet of the Apes
Nosferatu

BEST SOUNDTRACK
A Complete Unknown

Deadpool & Wolverine
I Saw the TV Glow
Maria
Wicked

BEST VOCAL PERFORMANCE

Maya Hawke – “Inside Out 2”
Lupita Nyong’o – “The Wild Robot”
Pedro Pascal – “The Wild Robot”
Amy Poehler – “Inside Out 2”
Sarah Snook – “Memoir of a Snail”

BEST ANIMATED FILM
Flow
Inside Out 2
Memoir of a Snail
Wallace & Gromit: Vengeance Most Fowl
The Wild Robot

BEST ENSEMBLE

Conclave
Dune: Part Two
Saturday Night
Sing Sing
Wicked

BEST HORROR FILM
Heretic
I Saw the TV Glow
Late Night with the Devil
Longlegs
Nosferatu
The Substance

BEST STUNTS
Deadpool & Wolverine
The Fall Guy
Furiosa: A Mad Max Saga
Gladiator II
Monkey Man

BEST COMEDY FILM
Deadpool & Wolverine
The Fall Guy
Hundreds of Beavers
A Real Pain
Saturday Night

BEST ACTION FILM
Deadpool & Wolverine
Dune: Part Two
The Fall Guy
Furiosa: A Mad Max Saga
Monkey Man

BEST DOCUMENTARY FEATURE
Daughters
Music by John Williams
No Other Land
Sugarcane
Super/Man: The Christopher Reeve Story
Will & Harper

BEST INTERNATIONAL FEATURE FILM
All We Imagine As Light
Dahomey
Do Not Expect Too Much from the End of the World
Emilia Perez
The Seed of the Sacred Fig

BEST FIRST FEATURE FILM
Annie Baker – “Janet Planet”
Anna Kendrick – “Woman of the Hour”
Josh Margolin – “Thelma”
Dev Patel – “Monkey Man”
RaMell Ross – “Nickel Boys”
Malcolm Washington – “The Piano Lesson”

BEST SCENE
Civil War – “What kind of an American are you?”
Dune: Part Two – Riding the Sandworm
The Substance – New Year’s Eve performance
Furiosa: A Mad Max Saga – War Rig battle
His Three Daughters – Dad’s Chair