Here’s The Trailer For Moon Knight


Here’s the trailer Moon Knight!

Oscar Isaac and Ethan Hawke both should have an Oscar by now.  Well, they won’t win any for Moon Knight because it’s a miniseries.  They might get some Emmy love but eventually, everyone wins an Emmy so it’s not as big of a deal.  I mean, I’ve got an Emmy somewhere around here.  It arrived in the mail and I was like, “Cool, I guess I won something.”

My point is, Oscar Issac and Ethan Hawke should both be in a lot of stuff.  Anyway, here’s the trailer:

Here Are The Nominations From The Detroit Film Critics Society


The Detroit Film Critics Society announced their nominations for the best of 2021 earlier today.  It’s an interesting group of nomination, though I would point out that Detroit is usually one of the quirkier of the critics groups.  Every awards season, they nominate something or someone unexpected, there’s a brief flurry of excitement, and then everyone moves on.

I guess that’s one reason why I love them.

Anyway, here’s their nominations:

BEST PICTURE
Belfast
CODA
Cyrano
Don’t Look Up
King Richard

BEST DIRECTOR
Sean Baker – Red Rocket
Kenneth Branagh – Belfast
David Lowery – The Green Knight
Adam McKay – Don’t Look Up
Lan-Manuel Miranda – Tick, Tick…Boom!

BEST ACTOR
Nicolas Cage – Pig
Peter Dinklage – Cyrano
Andrew Garfield – Tick, Tick…Boom!
Oscar Isaac – The Card Counter
Will Smith – King Richard

BEST ACTRESS
Jessica Chastain – The Eyes Of Tammy Faye
Alana Haim – Licorice Pizza
Jennifer Hudson – Respect
Nicole Kidman – Being The Ricardos
​Kristen Stewart – Spencer

BEST SUPPORTING ACTOR
Jon Bernthal – King Richard
Troy Kotsur – CODA
Jared Leto – House Of Gucci
Ray Liotta – The Many Saints Of Newark
Kodi Smit-McPhee – The Power Of The Dog

BEST SUPPORTING ACTRESS
Ariana DeBose – West Side Story
Kirsten Dunst – The Power Of The Dog
Aunjanue Ellis – King Richard
Rita Moreno – West Side Story
Diana Rigg – Last Night In Soho

BEST ENSEMBLE
CODA
Don’t Look Up
The French Dispatch
The Harder They Fall
House Of Gucci

BREAKTHROUGH
Alana Haim – Actress – Licorice Pizza
Emilia Jones – Actress – CODA
Woody Norman – Actor – C’mon C’mon
Agathe Rousselle – Actress – Titane
Emma Seligman – Writer/Director – Shiva Baby

BEST USE OF MUSIC/SOUND
Cyrano
In The Heights
Last Night In Soho
Tick, Tick…Boom!
West Side Story

BEST ORIGINAL SCREENPLAY
Don’t Look Up
The French Dispatch
The Harder They Fall
Licorice Pizza
Parallel Mothers

BEST ADAPTED SCREENPLAY
CODA
The Green Knight
In The Heights
The Power Of The Dog
Tick, Tick…Boom!

BEST ANIMATED FEATURE
Belle
Cryptozoo
Encanto
Flee
Luca
The Mitchells vs. The Machines

BEST DOCUMENTARY
Flee
Roadrunner: A Film About Anthony Bourdain
The Sparks Brothers
Street Gang: How We Got To Sesame Street
Summer Of Soul

Here Are The Gotham Winners!


The Gotham Awards were held last night and the big winners were CODA and Maggie Gyllenhaal’s The Lost Daughter.  The Gothams aren’t exactly the biggest or most influential of the Oscar precursors but they were are one of the first so a victory can only help!

The winners are listed in bold:

Best Feature
“The Green Knight”
“The Lost Daughter”
“Passing”
“Pig”
“Test Pattern”

Best Documentary Feature
“Ascension”
“Faya Dayi”
Flee”
“President”
“Summer Of Soul (…Or, When The Revolution Could Not Be Televised)”

Best International Feature
“Azor”
“Drive My Car”
“The Souvenir Part II”
Titane
“What Do We See When We Look at the Sky?”
“The Worst Person In The World”

Bingham Ray Breakthrough Director Award
Maggie Gyllenhaal for “The Lost Daughter”
Edson Oda for “Nine Days”
Rebecca Hall for “Passing”
Emma Seligman for “Shiva Baby”
Shatara Michelle Ford for “Test Pattern”

Best Screenplay
“The Card Counter,” Paul Schrader
“El Planeta,” Amalia Ulman
“The Green Knight,” David Lowery
“The Lost Daughter,” Maggie Gyllenhaal
“Passing,” Rebecca Hall
“Red Rocket,” Sean Baker & Chris Bergoch

Outstanding Lead Performance
Olivia Colman in “The Lost Daughter”
Frankie Faison in “The Killing of Kenneth Chamberlain”
Michael Greyeyes in “Wild Indian”
Brittany S. Hall in “Test Pattern”
Oscar Isaac in “The Card Counter”
Taylour Paige in “Zola”
Joaquin Phoenix in “C’mon C’mon”
Simon Rex in “Red Rocket”
Lili Taylor in “Paper Spiders”
Tessa Thompson in “Passing”

Outstanding Supporting Performance
Reed Birney in “Mass”
Jessie Buckley in “The Lost Daughter”
Colman Domingo in “Zola”
Gaby Hoffmann in “C’mon C’mon”
Troy Kotsur in “CODA”
Marlee Matlin in “CODA”
Ruth Negga in “Passing”

Breakthrough Performer
Emilia Jones in “CODA”
Natalie Morales in “Language Lessons”
Rachel Sennott in Shiva Baby”
Suzanna Son in “Red Rocket”
Amalia Ulman in “El Planeta”

Breakthrough Series – Long Format (over 40 minutes)
“The Good Lord Bird”
“It’s A Sin”
“Small Axe”
“Squid Game”
“The Underground Railroad”
“The White Lotus”

Breakthrough Series – Short Format (under 40 minutes)
“Blindspotting”
“Hacks”
“Reservation Dogs”
“Run the World”
“We Are Lady Parts”

Breakthrough Nonfiction Series
“City So Real”
“Exterminate All the Brutes”
“How To with John Wilson”
“Philly D.A.”
“Pride”

Outstanding Performance in a New Series
Jennifer Coolidge in “The White Lotus”
Michael Greyeyes in “Rutherford Falls”
Ethan Hawke in “The Good Lord Bird”
Devery Jacobs in “Reservation Dogs”
Lee Jung-jae in “Squid Game”
Thuso Mbedu in “The Underground Railroad”
Jean Smart in “Hacks”
Omar Sy in “Lupin”
Anya Taylor-Joy in “The Queen’s Gambit”
Anjana Vasan in “We Are Lady Parts”

(Incidentally, I’m probably the only person not involved with the show to have noticed the victory for Philly D.A.  I’m just going to be honest and say that is one of my least favorite results ever.  Philly D.A. was a pure propaganda, nothing more.)

What If Oscar Season Started And No One Noticed, Part 2: Here Are The Gotham Award Nominations


As a sign of how wrapped up I am in this year’s Horrorthon, consider this: the 2021 Gotham Nominations — the first precursor of Awards Season! — were announced on Thursday and I totally missed them!  This is actually not the first year that this has happened.  October is a busy month for me and sometimes, the Gotham noms get missed.

The Gothams, of course, only honor independent films and they have pretty strict rules as far as what they consider to be independent.  The budget has to come in at a certain relatively low amount, for one thing.  So, as a result, a lot of Oscar nominees are not Gotham eligible.  But, at the same time, those Gotham rules also allow some films that otherwise might get overlooked a chance to get some precursor love.  Being nominated for a Gotham is hardly a guarantee that the Academy will remember you.  But it certainly doesn’t hurt.

Better late than never, here are the 2021 Gotham Nominations!  As you’ll notice, the Gotham’s performance awards are gender neutral.  This is the first year that the Gothams have done this.  They also added categories for supporting performances and best performance in a series.

Anyway, here are the nominees:

Best Feature
“The Green Knight”
“The Lost Daughter”
“Passing”
“Pig”
“Test Pattern”

Best Documentary Feature
“Ascension”
“Faya Dayi”
“Flee”
“President”
“Summer Of Soul (…Or, When The Revolution Could Not Be Televised)”

Best International Feature
“Azor”
“Drive My Car”
“The Souvenir Part II”
Titane
“What Do We See When We Look at the Sky?”
“The Worst Person In The World”

Bingham Ray Breakthrough Director Award
Maggie Gyllenhaal for “The Lost Daughter”
Edson Oda for “Nine Days”
Rebecca Hall for “Passing”
Emma Seligman for “Shiva Baby”
Shatara Michelle Ford for “Test Pattern”

Best Screenplay
“The Card Counter,” Paul Schrader
“El Planeta,” Amalia Ulman
“The Green Knight,” David Lowery
“The Lost Daughter,” Maggie Gyllenhaal
“Passing,” Rebecca Hall
“Red Rocket,” Sean Baker & Chris Bergoch

Outstanding Lead Performance
Olivia Colman in “The Lost Daughter”
Frankie Faison in “The Killing of Kenneth Chamberlain”
Michael Greyeyes in “Wild Indian”
Brittany S. Hall in “Test Pattern”
Oscar Isaac in “The Card Counter”
Taylour Paige in “Zola”
Joaquin Phoenix in “C’mon C’mon”
Simon Rex in “Red Rocket”
Lili Taylor in “Paper Spiders”
Tessa Thompson in “Passing”

Outstanding Supporting Performance
Reed Birney in “Mass”
Jessie Buckley in “The Lost Daughter”
Colman Domingo in “Zola”
Gaby Hoffmann in “C’mon C’mon”
Troy Kotsur in “CODA”
Marlee Matlin in “CODA”
Ruth Negga in “Passing”

Breakthrough Performer
Emilia Jones in “CODA”
Natalie Morales in “Language Lessons”
Rachel Sennott in Shiva Baby”
Suzanna Son in “Red Rocket”
Amalia Ulman in “El Planeta”

Breakthrough Series – Long Format (over 40 minutes)
“The Good Lord Bird”
“It’s A Sin”
“Small Axe”
“Squid Game”
“The Underground Railroad”
“The White Lotus”

Breakthrough Series – Short Format (under 40 minutes)
“Blindspotting”
“Hacks”
“Reservation Dogs”
“Run the World”
“We Are Lady Parts”

Breakthrough Nonfiction Series
“City So Real”
“Exterminate All the Brutes”
“How To with John Wilson”
“Philly D.A.”
“Pride”

Outstanding Performance in a New Series
Jennifer Coolidge in “The White Lotus”
Michael Greyeyes in “Rutherford Falls”
Ethan Hawke in “The Good Lord Bird”
Devery Jacobs in “Reservation Dogs”
Lee Jung-jae in “Squid Game”
Thuso Mbedu in “The Underground Railroad”
Jean Smart in “Hacks”
Omar Sy in “Lupin”
Anya Taylor-Joy in “The Queen’s Gambit”
Anjana Vasan in “We Are Lady Parts”

6 Actors Who I Hope Win An Oscar In The Next Ten Years: 2021 Edition


We talk a lot about which performers and directors have been snubbed at Oscar time.  For movie lovers, that’s an important subject.  We all know that great actors like Peter O’Toole, Cary Grant, Albert Finney, and others all went to their grave with several nominations but not a single competitive Oscar to their name.  Just last year, Kirk Douglas died at the age of 103 without having ever won a competitive Oscar. And certainly, over the past few months, the pandemic has made us far more aware of the fact that everyone is going to die someday.  We always talk about how certain actors are overdue for their first Oscar but sometimes we forget that being overdue doesn’t always translate into an eventual win.

With that in mind, here are 6 actors who I sincerely hope will have won their first Oscar by the time 2031 rolls around:

  1. Bill Murray

Bill Murray is not only a beloved cultural icon. He has also, in later yeaes, developed into a really good actor. He was previously nominated for Lost In Translation and he probably should have won. (He lost to Sean Penn, who was good in Mystic River but who would also later receive a second Oscar for Milk so it’s not like Penn would have never won an Oscar if Murray had won in 2004.) There was a lot of talk that Murray would be nominated for On The Rocks and, if not for this year’s extended eligibility window (which allowed Judas and the Black Messiah to compete with 2020 films despite being released in 2021), he probably would have been.

Bill Murray probably would be a popular winner and I know everyone would look forward to seeing what type of speech he would give. Standing in Murray’s way is that he tends to be pretty mercurial when it comes to accepting roles and he often seems to be more content to do brief cameos than to play the lead or even a major supporting character. Still, hopefully, either Sofia Coppola or Wes Anderson will write a perfect role for him in the next few years and Murray will get his shot. (They’ve never worked together but I’ve always felt that Murray and Paul Thomas Anderson would be an interesting combination.) Murray is 70 years old and not getting any younger so let’s get this done.

2. Jesse Plemons

It sometimes seems as if Jesse Plemons has come out of nowhere to suddenly become one of the busiest character actors around. Of course, that isn’t quite true. He started out on television, appearing in Friday Night Lights and Breaking Bad. (He was terrifying in Breaking Bad.) He’s gone on to become a very busy character actor, appearing in everything from Game Night to The Irishman. Over the past few months, he’s appeared in Judas and the Black Messiah and i’m thinking ending things, giving shockingly good performances in both. (Interestingly enough, both roles were the type of characters that Philip Seymour Hoffman used to specialize in playing.) It honestly feels like it’s less a case of whether Plemons will win an Oscar as much as it’s simply a case of when.

3. Oscar Isaac

Oscar Isaac is a perennial on this list. Again, he just seems like one of those actors who is destined to win eventually. Someone just needs to give him the right role.

4. Ben Foster

The fact that Ben Foster has not only never won an Oscar but that he hasn’t even been nominated is somewhat amazing, to be honest. He’s been giving good and unpredictable performances for so long that I think there’s probably a danger of people taking him and his talent for granted. He deserved a nomination for his fascinating villain in 2007’s 3:10 to Yuma. He deserved an Oscar for his turn in 2018’s Leave No Trace.

5. John Goodman

Again, this is another actor who I’m always surprised to be reminded that he has never received an Oscar nomination, despite appearing in important supporting roles in several acclaimed films. Goodman, like the before-mentioned Bill Murray, isn’t getting any younger so someone needs to write this actor an award-winning role and they need to do it now.

6. Michael B Jordan

I almost didn’t include Jordan on this list, just because it seems so obvious that the man is destined to win an Oscar someday. He may get his chance next year with his lead role in Denzel Washington’s Journal for Jordan.

Who would you put on the list? Who would you take off? Have an opinion? Let us know in the comments and have a wonderful Oscar Sunday!

The Sleeper Awakens with the new Dune Trailer


Just about everyone’s waiting for Denis Villeneuve’s remake of Frank Herbert’s Dune. Having grown up on the David Lynch version (and making my way through the novel), it has some big shoes to fill. Thankfully, what we’ve seen of it so far seems interesting. Villeneuve should have an easy time with the source material, though the movie has had its share of reshoots and dealing with the pandemic. We’ll see how it goes.

We finally have a trailer and some Wormsign!!. I’m liking the look of it. Chalamet’s Paul Atreides has some attitude to him, and I’m curious to see what Stellan Skarsgard does with the Baron Harkonnen.

Enjoy.

<- Artwork of the Day: A Bloody Business Artist Profile: Stewart Rouse ->

Future Winners: 6 Actors Who I Hope Will Win An Oscar In The Next Ten Years


We talk a lot about which performers and directors have been snubbed at Oscar time.  For movie lovers, that’s an important subject.  We all know that great actors like Peter O’Toole, Cary Grant, Albert Finney, and others all went to their grave with several nominations but not a single competitive Oscar to their name.  Earlier this week, Kirk Douglas died at the age of 103 without having ever won a competitive Oscar.  We always talk about how certain actors are overdue for their first Oscar but sometimes we forget that being overdue doesn’t always translate into an eventual win.

With that in mind, here are 6 actors who I sincerely hope will have won their first Oscar by the time 2040 rolls around:

  1. Bradley Cooper

Bradley Cooper is kind of the obvious choice for a list like this.  It’s still amazing to think that Cooper started the previous decade best known for a supporting role on Alias and for playing the smarmiest of the friends in The Hangover films.  Over the past ten years, he has emerged as not only a excellent actor but an excellent filmmaker as well.  (He may not have received a nomination for Best Director for A Star Is Born but he deserved one.)  Considering how often he’s been nominated over the past few years, Cooper is reaching overdue status and I full expect he’ll win an Oscar sometime during the next decade.

2. Ethan Hawke

Ethan Hawke has hardly been snubbed when it comes to nominations.  He’s been twice supported for Best Supporting Actor and he’s got two nominations for Best Adapted Screenplay.  That Ethan Hawke was not nominated for First Reformed is still a shock to me.  It was one of the best performances of 2018 but it was also a rather subtle and, at times, rather depressing performance as well.  With the exception of his nomination for Training Day, all of Hawke’s nominations have been the result of collaborating with Richard Linklater.  Hopefully, Linklater is currently working on a great script that has a great role for Ethan Hawke because Hawke deserves to win an Oscar before 2040.

3. Steve Carell

When it comes to talking about actors who will someday win an Oscar, Steve Carell seems like an obvious choice.  He’s only received one nomination — for Foxcatcher — but people just seem to love him.  I think the man obstacle standing in Carell’s way is that he has a habit of appearing in movies that sound like they should be good but then turn out to be the total opposite.  (Welcome to Marwen, anybody?)  Still, it’s hard not to feel that Carell will eventually get the right role.

4. Oscar Isaac

Isaac has yet to receive his first nomination but it feels like it’s only a matter of time.  He’s talented, he’s super hot, and I still love the way he delivered the line, “I declare him to be an ….. OUTLAAAAAAAAAAAAAAAAAW!” in Robin Hood.

5. Robert Downey, Jr.

Obviously, Robert Downey, Jr. is not going to win for Dr. Doolittle.  In fact, if he keeps making movies like that, he’s going to make me look really stupid for putting him on this list.  But the fact of the matter is that Downey is an actor who not only made an amazing comeback but who also served as the anchor for one of the most successful film franchises in history.  It’s hard to imagine the MCU becoming what it became without Downey’s involvement.  Downey can also be an excellent actor.  (People tend to forget that he had two nominations to his name before he ever played Iron Man.)  Someone needs to write Downey the perfect role and hope that he’ll accept it, regardless of how much money he’s being offered to star in the latest Disney live action remake.

6. Kurt Russell

Somehow, Kurt Russell does not have a single Oscar nomination to his name!  Despite being one of the most beloved actors out there and being something of a cinematic icon, Russell has never once been nominated.  (One problem is that all of the truly great Kurt Russell roles end up going to Jeff Bridges.  It’s every easy to imagine Russell playing every role ever played by Jeff Bridges and vice versa.)  The thing is, Kurt’s not getting any younger.  So, let’s hope that Quentin Tarantino is currently writing the role of a lifetime for Hollywood’s greatest Libertarian.

Agree?  Disagree?  Have someone else who you have picked over these six?  Let me know in the comments below!

 

 

 

Star Wars: The Rise of Skywalker – Final Trailer


Well, it all comes down to this.

During tonight’s Monday Night Football game between the New England Patriots and New York Jets, ESPN is hosting the final trailer for J.J. Abrams’ Star Wars: The Rise of Skywalker. The last film of the new trilogy, The Rise of Skywalker seems to have Rey (Daisy Ridley) coming into her own as a Jedi. It also looks like her friends are due to face a new threat, could it really be The Emperor? While Rian Johnson’s The Last Jedi may have left some audiences divided, Disney is hoping this will bring everyone in line and in the theatre. It seems to be working as theatres around the country are already selling out in pre-sales for the film.

It looks like we have Rey and Kylo Ren (Adam Driver) fighting against and alongside each other again. Could this also mean some sort of redemption for Kylo? We’ll find out come December 19th, when the film is released.

Enjoy!

Triple Frontier, Review By Case Wright


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The heist movie or treasure hunt movie is always the same and always pretty fun.  It’s not supposed to be Shakespeare; it’s supposed to pull you in and be a thrill ride.  This iteration is all about the down and out Iraq and Afghanistan Veterans who decide to seek their fortune the old fashioned way: ripping off a drug kingpin!  In true heist genre fashion, everything works out great!

The characters came across as real Veterans to me.  After some research, the writer- Mark Boal was embedded with a platoon in Iraq and he also wrote The Hurt Locker.  The characters in Triple Frontier were like the men I knew: strong, divorced, and liked to joke.  Ben Affleck’s character Tom struck me as especially realistic.  He loved his daughter, but there was a distance because he was just not suited for civilian life.  She wanted him home, but he always wanted to be away.  You could see on her face that she knew the moment his buddies came calling that he was already gone.

Oscar Isaac plays Pope who has a gig doing private security/law enforcement in South America.  He is in pursuit of Lorea, a drug boss, who is causing all kinds of problems. Yada Yada Yada.  Pope finds the location of Lorea’s hideout which has hundreds of millions of dollars stashed inside, but he needs a team to kill Lorea, Lorea’s men, get the cash, and get out of the country.  He turns to his former squad to pull off the heist.  They need a little cajoling, but they come around. There isn’t a lot of dialogue after they agree to the heist, which makes sense.  They committed and now transitioned to soldier-mode.  The heist starts off with success in sight, but it’s not long before everything goes wrong and they are in a fight for their lives.

The film is shot really beautifully and has some high-priced songs for a Netflix program. Everything seemed very real.  Even the way the characters carried themselves and flowed through Lorea’s hideout was seamless.   They moved the way we are trained to move through rooms.  I am always looking for that in action films.  Are they not having muzzle-awareness (pointing there weapon accidentally at a friendly)?  Are they holding the rifle close to their face? Are they aiming right?  The answers to those questions were yes.   J.C. Chandor should be really proud of himself for the realism.

What kept pulling me into the story wasn’t the action (which was excellent BTW); it was that these men were like the ones I knew.  The team itself was representative of who does our killing for us: salt of the earth…men.   I like seeing women in action films and I am already excited about Black Widow, but the infantry in real life is male.  They are regular guys who are asked to do terrible terrible things.  When those terrible things are done, we cast the men aside.  The story concludes a lot like the war itself did with a lot of loss and not a lot to show for it.  This film has a political statement between the explosions and it’s worth listening to it. 

* I included Mary Pop Poppins by the True Loves in my review.  The song embodies the heist genre like no other.  Also, they are Seattleites!!!!