The Indiana Film Journalists Have Spoken And They Love A Film About Boston!


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The Indiana Film Journalist Association have announced their picks for the best of 2015 and they went with … Ted 2!

No, just kidding, they went with Spotlight.

Best Film

Winner: “Spotlight”
Runner-up: “Room”

Other Finalists (listed alphabetically):

“Anomalisa”
“The Big Short”
“Carol”
“The End of the Tour”
“Mad Max: Fury Road”
“The Martian”
“Steve Jobs”
“Straight Outta Compton”

Best Animated Feature

Winner: “Anomalisa”
Runner-Up: “Inside Out ”

Best Foreign Language Film

Winner: “Son of Saul”
Runner-Up: “Goodnight Mommy”

Best Documentary

Winner: “Amy”
Runner-Up: “Meru”

Best Original Screenplay

Winner: Tom McCarthy and Josh Singer, “Spotlight”
Runner-up: Matt Charman, Joel & Ethan Coen, “Bridge of Spies”

Best Adapted Screenplay

Winner: Emma Donoghue, “Room”
Runner-up: Adam McKay and Charles Randolph, “The Big Short”

Best Director

Winner: George Miller, “Mad Max: Fury Road
Runner-up: Tom McCarthy, “Spotlight”

Best Actress

Winner: Brie Larson, “Room”
Runner-up: Charlotte Rampling, “45 Years”

Best Supporting Actress

Winner: Greta Gerwig, “Mistress America”
Runner-up: Elizabeth Banks, “Love & Mercy”

Best Actor

Winner: Jacob Tremblay, “Room”
Runner-up: Jason Segel, “The End of the Tour”

Best Supporting Actor

Winner: Mark Ruffalo, “Spotlight”
Runner-up: Idris Elba, “Beasts of No Nation”

Best Vocal/Motion Capture Performance

Winner: Phyllis Smith, “Inside Out”
Runner-up: Tom Noonan, “Anomalisa”

Best Musical Score

Winner: Junkie XL, “Mad Max: Fury Road
Runner-up: Disasterpeace, “It Follows

Original Vision Award

Winner: “Anomalisa”
Runner-up: “Chi-Raq”

The Hoosier Award

Winner: Angelo Pizzo, writer/director/producer

Here Are The Houston Film Critics Nominations!


Another one of my former hometowns has checked in with their nominations for the best of 2015!  The Houston Film Critics gave Ex Machina another nomination for best picture.  Wouldn’t it be kinda neat if Ex Machina snuck into the Oscar race as well?

BEST PICTURE:
The Big Short, Paramount
Ex Machina, A24 Films
Inside Out, Disney/PIXAR
Mad Max: Fury Road, Warner Bros.
The Martian, 20th Century Fox
The Revenant, 20th Century Fox
Room, A24 Films
Sicario, Lionsgate
Spotlight, Open Road Films
Steve Jobs, Universal

BEST DIRECTION OF A MOTION PICTURE:
Alejandro G. Iñárritu, The Revenant
George Miller, Mad Max: Fury Road
Lenny Abrahamson, Room
Ridley Scott, The Martian
Tom McCarthy, Spotlight

BEST PERFORMANCE BY AN ACTOR IN A LEADING ROLE:
Brian Cranston, Trumbo
Leonardo DiCaprio, The Revenant
Matt Damon, The Martian
Michael Fassbender, Steve Jobs
Tom Hardy, Legend

BEST PERFORMANCE BY AN ACTRESS IN A LEADING ROLE:
Brie Larsen, Room
Cate Blanchett, Carol
Charlize Theron, Mad Max: Fury Road
Emily Blunt, Sicario
Saoirse Ronan, Brooklyn

BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE:
Mark Ruffalo, Spotlight
Mark Rylance, Bridge of Spies
Michael Shannon, 99 Homes
Sylvester Stallone, Creed
Tom Hardy, The Revenant

BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE:
Alicia Vikander, The Danish Girl
Alicia Vikander, Ex Machina

Jennifer Jason Leigh, The Hateful Eight
Kate Winslet, Steve Jobs
Rooney Mara, Carol

BEST SCREENPLAY:
Aaron Sorkin, Steve Jobs
Drew Goddard, The Martian
Emma Donaghu, Room
Josh Singer & Tom McCarthy, Spotlight
Quentin Tarantino, The Hateful Eight

BEST ANIMATED FILM:
Anomalisa, Paramount
The Good Dinosaur, Disney/PIXAR
Inside Out, Disney/PIXAR
The Peanuts Movie, 20th Century Fox
Shaun the Sheep, StudioCanal

BEST CINEMATOGRAPHY:
Dariusz Wolski, The Martian
Emmanuel Lubezki, The Revenant
John Seale, Mad Max: Fury Road
Robert Richardson, The Hateful Eight
Roger Deakins, Sicario

BEST DOCUMENTARY FEATURE:
Amy, Altitude Film Distribution
Best of Enemies, Magnolia
Cartel Land, IFC Films
The Look of Silence, Drafthouse Films
Where to Invade Next, IMG Films

BEST FOREIGN LANGUAGE FILM:
The Assassin, Well Go USA
Goodnight Mommy, Radius/TWC
Son of Saul, Sony Pictures Classic
The Tribe, Drafthouse Films
White God, Magnolia

BEST ORIGINAL SCORE:
Ennio Moriccone, The Hateful Eight
Michael Giacchino, Inside Out
Junkie XL, Mad Max: Fury Road

Daniel Pemberton, Steve Jobs
Ryuichi Sakamoto, Alva Noto & Bryce Dessner, The Revenant

BEST ORIGINAL SONG:
“Love Me Like You Do,” music & lyrics by Savan Kotecha, Ilya Salmanzadeh, Tove Lo, Max Martin & Ali Payami, 50 Shades of Grey
“One Kind of Love,” music & lyrics by Brian Wilson & Scott Bennett, Love & Mercy
“See You Again,” music & lyrics by Wiz Khalifa, DJ Frank E, Charlie Puth & Andrew Cedar, Furious 7
“Simple Song #3,” music & lyrics by David Lang, Youth
“Writing’s on the Wall,” music & lyrics by Sam Smith & Jimmy Napes, Spectre

TEXAS INDEPENDENT FILM AWARD:
6 Years
7 Chinese Brothers
Last Man on the Moon
Results
Sir Doug and the Genuine Texas Cosmic Groove

BEST POSTER
Carol – Theatrical Poster
Ex Machina – Theatrical Poster
It Follows – Rear Window Alternate
Mad Max: Fury Road – ‘What A Lovely Day’ Alternate
Sicario – Theatrical Poster
The Walk – IMAX Alternate

WORST FILM OF THE YEAR:
Aloha, Columbia
The Boy Next Door, Universal
Fantastic Four, 20th Century Fox
Mortdecai, Lionsgate
Pixels, Columbia

Tell Them What You Love, St. Louis Film Critics!


Inside_Out_(2015_film)_poster

The St. Louis Film Critics announced their nominations yesterday and they gave a lot of love to one of my favorite films of the year, Inside Out!  Love you, St. Louis!

BEST FILM

Inside Out
Mad Max: Fury Road
The Martian
The Revenant
Room
Spotlight

BEST DIRECTOR

Todd Haynes, “Carol”
Alejandro G. Inarritu, “The Revenant”
Tom McCarthy, “Spotlight”
George Miller, “Mad Max”
Ridley Scott, “The Martian”

BEST ACTOR

Abraham Attah, “Beasts of No Nation”
Matt Damon, “The Martian”
Leonardo DiCaprio, “The Revenant”
Ian McKellen, “Mr. Holmes”
Eddie Redmayne, “The Danish Girl”

BEST ACTRESS

Cate Blanchett, “Carol”
Brie Larson, “Room”
Saoirse Ronan, “Brooklyn”
Charlize Theron, “Mad Max: Fury Road”
Alicia Vikander, “The Danish Girl”

BEST SUPPORTING ACTOR

Paul Dano, “Love and Mercy”
Idris Elba, “Beasts of No Nation”
Mark Ruffalo, “Spotlight”
Mark Rylance, “Bridge of Spies”
Sylvester Stallone, “Creed”

BEST SUPPORTING ACTRESS

Jennifer Jason Leigh, “The Hateful Eight”
Rooney Mara, “Carol”
Kristen Stewart, “Clouds of Sils Maria”
Kate Winslet, “Steve Jobs”
Alicia Vikander, “Ex Machina”

BEST ORIGINAL SCREENPLAY

“Clouds of Sils Maria,” Olivier Assayas
“Ex Machina,” Alex Garland
“The Hateful Eight,” Quentin Tarantino
“Inside Out,” Pete Docter and Ronnie Del Carmen
“Spotlight,” Tom McCarthy and Josh Singer

 

BEST ADAPTED SCREENPLAY

“Brooklyn,” Nick Hornby
“Creed,” Aaron Covington and Ryan Coogler
“The Martian,” Drew Goddard
“Room,” Emma Donoghue
“Steve Jobs,” Aaron Sorkin

BEST EDITING
The Big Short
Max Max: Fury Road
The Martian
The Revenant
Spotlight

BEST CINEMATOGRAPHY

“Beasts of No Nation,” Cary Joji Fukunaga
“Carol,” Edward Lachman
“The Hateful Eight,” Robert Richardson
“Max Max: Fury Road,” John Seale
“The Revenant,” Emmanuel Lubezki

BEST ART DIRECTION

Brooklyn
Carol
Cinderella
The Danish Girl
Max Max: Fury Road

BEST VISUAL EFFECTS

Ex Machina
Mad Max: Fury Road
The Martian
The Revenant
The Walk

BEST MUSIC SCORE

“Carol,” Carter Burwell
“The Hateful Eight,” Ennio Morricone
“Inside Out,” Michael Giacchino
“It Follows,” Rich Vreeland (as Disasterpeace)
“Mad Max: Fury Road,” Junkie XL

BEST SOUNDTRACK

Amy

Dope
Love and Mercy
The Martian
Straight Outta Compton

BEST SONG

“See You Again” Furious 7
“Til It Happens to You” The Hunting Ground
“Feels Like Summer” Shaun the Sheep
“Writing’s on the Wall” Spectre
“Simple Song #3” Youth

BEST ANIMATED FEATURE

Anomalisa
The Good Dinosaur
Inside Out
The Peanuts Movie
Shaun the Sheep

BEST COMEDY

Inside Out
Me and Earl and the Dying Girl
Spy
Trainwreck
What We Do in the Shadows

BEST DOCUMENTARY FEATURE

Amy
Best of Enemies
Cartel Land
The Hunting Ground
The Look of Silence

BEST FOREIGN LANGUAGE FILM

The Assassin
Goodnight Mommy
Phoenix
Son of Saul
Wild Tales

BEST SCENE

Creed’s first fight, “Creed”
Paul Walker farewell, “Furious 7”
Bear attack, “The Revenant”
Jack’s escape and rescue, “Room”
Walk between the Twin Towers, “The Walk”

SPECIAL RECOGNITION: Stunt work in “Mad Max: Fury Road”

Mad Max: Fury Road dominates the 21st Annual Critics Choice Nominations!


MadMaxFuryRoad

It’s been a busy few days as far as the Oscar precursors are concerned.  Let’s see how quickly I can get us caught up.  First off, the 21st Annual Critics Choice nominations were announced yesterday and Mad Max: Fury Road totally dominated them!

And you know what that means — its time to say that the Critics Choice nominations are …. MAD ABOUT MAX!

Anyway, here are the nominations!

BEST PICTURE
The Big Short
Bridge of Spies
Brooklyn

Carol
Mad Max: Fury Road
The Martian
The Revenant
Room
Sicario
Spotlight

BEST ACTOR
Bryan Cranston – Trumbo
Matt Damon – The Martian
Johnny Depp – Black Mass
Leonardo DiCaprio – The Revenant
Michael Fassbender – Steve Jobs
Eddie Redmayne – The Danish Girl

BEST ACTRESS
Cate Blanchett – Carol
Brie Larson – Room
Jennifer Lawrence – Joy
Charlotte Rampling – 45 Years
Saoirse Ronan – Brooklyn
Charlize Theron – Mad Max: Fury Road

BEST SUPPORTING ACTOR
Paul Dano – Love & Mercy
Tom Hardy – The Revenant
Mark Ruffalo – Spotlight

Mark Rylance – Bridge of Spies
Michael Shannon – 99 Homes
Sylvester Stallone – Creed

BEST SUPPORTING ACTRESS
Jennifer Jason Leigh – The Hateful Eight
Rooney Mara – Carol
Rachel McAdams – Spotlight
Helen Mirren – Trumbo
Alicia Vikander – The Danish Girl
Kate Winslet – Steve Jobs

BEST YOUNG ACTOR/ACTRESS
Abraham Attah – Beasts of No Nation
RJ Cyler – Me and Earl and the Dying Girl
Shameik Moore – Dope
Milo Parker – Mr. Holmes
Jacob Tremblay – Room

BEST ACTING ENSEMBLE
The Big Short
The Hateful Eight
Spotlight
Straight Outta Compton
Trumbo

BEST DIRECTOR
Todd Haynes – Carol
Alejandro González Iñárritu – The Revenant
Tom McCarthy – Spotlight
George Miller – Mad Max: Fury Road
Ridley Scott – The Martian
Steven Spielberg – Bridge of Spies

BEST ORIGINAL SCREENPLAY
Matt Charman and Ethan Coen & Joel Coen – Bridge of Spies
Alex Garland – Ex Machina
Quentin Tarantino – The Hateful Eight
Pete Docter, Meg LeFauve, Josh Cooley – Inside Out
Josh Singer and Tom McCarthy – Spotlight

BEST ADAPTED SCREENPLAY
Charles Randolph and Adam McKay – The Big Short
Nick Hornby – Brooklyn
Drew Goddard – The Martian
Emma Donoghue – Room
Aaron Sorkin – Steve Jobs

BEST CINEMATOGRAPHY
Carol – Ed Lachman
The Hateful Eight – Robert Richardson
Mad Max: Fury Road – John Seale
The Martian – Dariusz Wolski
The Revenant – Emmanuel Lubezki
Sicario – Roger Deakins

BEST PRODUCTION DESIGN
Bridge of Spies – Adam Stockhausen, Rena DeAngelo
Brooklyn – François Séguin, Jennifer Oman and Louise Tremblay
Carol – Judy Becker, Heather Loeffler
The Danish Girl – Eve Stewart, Michael Standish
Mad Max: Fury Road – Colin Gibson
The Martian – Arthur Max, Celia Bobak

BEST EDITING
The Big Short – Hank Corwin
Mad Max: Fury Road – Margaret Sixel
The Martian – Pietro Scalia
The Revenant – Stephen Mirrione
Spotlight – Tom McArdle

BEST COSTUME DESIGN
Brooklyn – Odile Dicks-Mireaux
Carol – Sandy Powell
Cinderella – Sandy Powell
The Danish Girl – Paco Delgado
Mad Max: Fury Road – Jenny Beavan

BEST HAIR & MAKEUP
Black Mass
Carol
The Danish Girl
The Hateful Eight
Mad Max: Fury Road
The Revenant

BEST VISUAL EFFECTS
Ex Machina
Jurassic World
Mad Max: Fury Road
The Martian
The Revenant
The Walk

BEST ANIMATED FEATURE
Anomalisa
The Good Dinosaur
Inside Out
The Peanuts Movie
Shaun the Sheep Movie

BEST ACTION MOVIE
Furious 7
Jurassic World
Mad Max: Fury Road
Mission Impossible: Rogue Nation
Sicario

BEST ACTOR IN AN ACTION MOVIE
Daniel Craig – Spectre
Tom Cruise – Mission Impossible: Rogue Nation
Tom Hardy – Mad Max: Fury Road
Chris Pratt – Jurassic World
Paul Rudd – Ant-Man

BEST ACTRESS IN AN ACTION MOVIE
Emily Blunt – Sicario
Rebecca Ferguson – Mission Impossible: Rogue Nation
Bryce Dallas Howard – Jurassic World
Jennifer Lawrence – The Hunger Games: Mockingjay – Part 2
Charlize Theron – Mad Max: Fury Road

BEST COMEDY
The Big Short
Inside Out
Joy
Sisters
Spy
Trainwreck

BEST ACTOR IN A COMEDY
Christian Bale – The Big Short
Steve Carell – The Big Short
Robert De Niro – The Intern
Bill Hader – Trainwreck
Jason Statham – Spy

BEST ACTRESS IN A COMEDY
Tina Fey – Sisters
Jennifer Lawrence – Joy
Melissa McCarthy – Spy
Amy Schumer – Trainwreck
Lily Tomlin – Grandma

BEST SCI-FI/HORROR MOVIE
Ex Machina
It Follows
Jurassic World
Mad Max: Fury Road
The Martian

BEST FOREIGN LANGUAGE FILM
The Assassin
Goodnight Mommy
Mustang
The Second Mother
Son of Saul

BEST DOCUMENTARY FEATURE
Amy
Cartel Land
Going Clear: Scientology and the Prison of Belief
He Named Me Malala
The Look of Silence
Where to Invade Next

BEST SONG
Fifty Shades of Grey – Love Me Like You Do
Furious 7 – See You Again
The Hunting Ground – Til It Happens To You
Love & Mercy – One Kind of Love
Spectre – Writing’s on the Wall
Youth – Simple Song #3

BEST SCORE
Carol – Carter Burwell
The Hateful Eight – Ennio Morricone
The Revenant – Ryuichi Sakamoto and Alva Noto
Sicario – Johann Johannsson
Spotlight – Howard Shore

Here Are The Golden Globe Nominations And Did You Know The Martian’s A Comedy?


The_Martian_film_poster

Did you know that The Martian was a comedy?

Well, no, actually it’s not.  It’s a very serious film that has a few comedic moments.  Matt Damon makes a few jokes but that’s largely because he’s trying not to lose his mind and commit suicide.  However, The Martian was submitted to the Golden Globes as a comedy.  Why?  Probably because the producers realized that it would be easier for them to win if their film was the only big-budget drama nominated in the comedy category.  It’s dishonest, it’s unethical, and it totally worked.  This morning, when the Golden Globe nominations were announced, The Martian was nominated for Best Picture, Comedy or Musical.

I was not a particularly huge fan of The Martian to begin with.  The fact that it has now been nominated for Best Comedy while Inside Out was not does not help matters.

Anyway, as for the rest of the Golden Globe nominations … actually, I like a lot of them.  Mad Max: Fury Road was nominated for Best Picture, Drama and that should help it regain whatever momentum it may have lost after not being nominated by the SAG.  The Big Short was also nominated for Best Picture, Comedy so I guess I really will have to see it, despite having no desire to do so.  Trumbo was not nominated for Best Picture but it did pick up nominations for Bryan Cranston and Helen Mirren.  Spotlight was naturally nominated for best picture but received no acting nominations, which means that either all the actors are splitting the votes among themselves or maybe Spotlight, while remaining the front-runner, is not as universally loved as some are thinking.  It’s impossible for me to say because I haven’t seen Spotlight yet but I have noticed that a lot of critics seem to be more respectful than enthusiastic about it.

(At the same time, my friend, the sportswriter Jason Tarwater, was quite enthusiastic after seeing Spotlight and I usually trust his opinion on these things.)

Anyway, here are the Golden Globe Film nominations!

Best Picture (Drama)

Best Picture (Musical or Comedy)

Best Director – Motion Picture

Best Actor (Drama)

  • Bryan Cranston – Trumbo
  • Leonardo DiCaprio – The Revenant
  • Michael Fassbender – Steve Jobs
  • Eddie Redmayne – The Danish Girl
  • Will Smith – Concussion

Best Actress (Drama)

  • Cate Blanchett – Carol
  • Brie Larson – Room
  • Rooney Mara – Carol
  • Saoirse Ronan – Brooklyn
  • Alicia Vikander – The Danish Girl

Best Actor (Musical or Comedy)

Best Actress (Musical or Comedy)

  • Jennifer Lawrence – Joy
  • Amy Schumer – Trainwreck
  • Melissa McCarthy – Spy
  • Maggie Smith – The Lady in the Van
  • Lily Tomlin – Grandma

Best Supporting Actor in a Motion Picture

Best Supporting Actress in a Motion Picture

Best Screenplay

Best Original Score

 

Best Original Song

Best Foreign Language Film

  • The Brand New Testament (Belgium)
  • The Club (Chile)
  • The Fencer (Finland)
  • Mustang (France)
  • Son of Saul (Hungary)

Best Animated Feature

Here Are The Online Film Critics Society Nominations and They’re Great!


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I love the Online Film Critics Society, I really do.  Every year, when they announce the nominees for their end-of-the-year awards, they always seem to honor the films that truly deserve to be honored.  For instance, this year, they found room to not only nominate the Academy front runners — like Spotlight, The Martian, Carol, Brooklyn, and Mad Max — but they also gave nominations to Ex Machina, Sicario, and Inside Out.  Ex Machina, Sicario, and Inside Out all deserve to be in the Oscar conversation and hopefully, these nominations will help them stay there.

Here are the nominations from the Online Film Critics Society!

Best Picture:
Brooklyn
Carol
Ex Machina
Inside Out
Mad Max: Fury Road
The Martian
The Revenant

Room
Sicario
Spotlight

Best Animated Feature:
Anomalisa
The Good Dinosaur
Inside Out
The Peanuts Movie
Shaun the Sheep Movie

Best Film Not in the English Language:
The Assassin (Taiwan)
Goodnight Mommy (Austria)
Mustang (France)
Phoenix (Germany)
Son of Saul (Hungary)

Best Documentary:
Amy
Best of Enemies
Cartel Land
Going Clear: Scientology and the Prison of Belief
The Look of Silence

Best Director:
Todd Haynes (Carol)
Tom McCarthy (Spotlight)
George Miller (Mad Max: Fury Road)
Ridley Scott (The Martian)
Denis Villeneuve (Sicario)

Best Actor:
Matt Damon (The Martian)
Leonardo DiCaprio (The Revenant)
Michael Fassbender (Steve Jobs)
Michael B. Jordan (Creed)
Ian McKellen (Mr. Holmes)

Best Actress:
Cate Blanchett (Carol)
Brie Larson (Room)
Charlotte Rampling (45 Years)
Saoirse Ronan (Brooklyn)
Charlize Theron (Mad Max: Fury Road)

Best Supporting Actor:
Benicio Del Toro (Sicario)
Oscar Isaac (Ex Machina)
Mark Ruffalo (Spotlight)
Mark Rylance (Bridge of Spies)
Sylvester Stallone (Creed)

Best Supporting Actress:
Rooney Mara (Carol)
Cynthia Nixon (James White)
Kristen Stewart (Clouds of Sils Maria)
Alicia Vikander (The Danish Girl)
Kate Winslet (Steve Jobs)

Best Original Screenplay:
Ex Machina (Alex Garland)
Inside Out (Pete Docter, Ronnie Del Carmen, Meg LeFauve, Josh Cooley)
Mistress America (Greta Gerwig, Noah Baumbach)
Sicario (Taylor Sheridan)
Spotlight (Josh Singer, Tom McCarthy)

Best Adapted Screenplay:
Brooklyn (Nick Hornby)
Carol (Phyllis Nagy)
The Martian (Drew Goddard)
Room (Emma Donoghue)
Steve Jobs (Aaron Sorkin)

Best Editing:
Mad Max: Fury Road (Margaret Sixel)
The Martian (Pietro Scalia)
The Revenant (Stephen Mirrione)
Sicario (Joe Walker)
Steve Jobs (Elliot Graham)

Best Cinematography:
The Assassin (Ping Bin Lee)
Carol (Edward Lachman)
Mad Max: Fury Road (John Seale)
The Revenant (Emmanuel Lubezki)
Sicario (Roger Deakins)

For Whatever They’re Worth, Here are The Satellite Awards Nominees!


Sicario_poster

The International Press Academy has announced the nominees for the Satellite Awards!  Who are the International Press Academy?  They’re kind of like an even less credible version of the Golden Globes.  They’re also the same people who, last year, nominated The Wolf of Wall Street for five awards, despite having not seen the film.  I would suggest viewing these nominations more as a guide to conventional wisdom than anything else.

Motion Picture
Spotlight, Open Road
Sicario, Lionsgate
Room, A24
The Revenant, 20th Century Fox
The Martian, 20th Century Fox
Carol, The Weinstein Co.
Brooklyn, Fox Searchlight
Bridge of Spies, DreamWorks
Black Mass, Warner Bros.
The Big Short, Paramount

Director
Tom Hooper, The Danish Girl
Thomas McCarthy, Spotlight
Steven Spielberg, Bridge of Spies
Ridley Scott, The Martian
Lenny Abrahamson, Room
Alejandro González Iñárritu, The Revenant

Actress in a Motion Picture
Saoirse Ronan, Brooklyn
Charlotte Rampling, 45 Years
Cate Blanchett, Carol
Carey Mulligan, Suffragette
Brie Larson, Room
Blythe Danner, I’ll See You in My Dreams

Actor in a Motion Picture
Will Smith, Concussion
Tom Hardy, Legend
Michael Fassbender, Steve Jobs
Matt Damon, The Martian
Leonardo DiCaprio, The Revenant
Johnny Depp, Black Mass
Eddie Redmayne, The Danish Girl

Actress in a Supporting Role
Rachel McAdams, Spotlight
Rooney Mara, Carol
Kate Winslet, Steve Jobs
Jane Fonda, Youth
Elizabeth Banks, Love & Mercy
Alicia Vikander, The Danish Girl

Actor in a Supporting Role
Sylvester Stallone, Creed
Paul Dano, Love & Mercy
Michael Keaton, Spotlight
Mark Ruffalo, Spotlight
Christian Bale, The Big Short
Benicio Del Toro, Sicario

Motion Picture, International Film
South Korea, The Throne
Brazil, The Second Mother
Croatia, The High Sun
Belgium, The Brand New Testament
Taiwan, The Assassin
Hungary, Son of Saul
France, Mustang
Germany, Labyrinth of Lies
Austria, Goodnight Mommy
Sweden, A Pigeon Sat on a Branch Reflecting on Existence

Motion Picture, Animated or Mixed Media
The Prophet
The Peanuts Movie
The Good Dinosaur
Shaun The Sheep Movie
Inside Out
Anomalisa

Motion Picture, Documentary
Where to Invade Next
The Look of Silence
The Hunting Ground
He Named Me Malala
Going Clear: Scientology and the Prison of Belief
Drunk Stoned Brilliant Dead:The Story of the National Lampoon
Cartel Land
Best of Enemies
Becoming Bulletproof
Amy

Screenplay, Original
Josh Singer, Thomas McCarthy, Spotlight
Michael A. Lerner, Oren Moverman, Love & Mercy
Josh Cooley, Meg LeFauve, Pete Docter, Inside Out
Andrea Berloff, Jonathan Herman, Straight Outta Compton
Ethan Coen, Joel Coen, Matt Charman, Bridge of Spies
Abi Morgan, Suffragette

Screenplay, Adapted
Jez Butterworth, Mark Mallouk, Black Mass
Lucinda Coxon, The Danish Girl
Emma Donoghue, Room
Drew Goddard, The Martian
Alejandro González Iñárritu, Mark L. Smith, The Revenant
Aaron Sorkin, Steve Jobs

Original Score
Thomas Newman, Spectre
Michael Giacchino, Inside Out
Howard Shore, Spotlight
Harry Gregson-Williams, The Martian
Carter Burwell, Carol
Alexander Desplat, The Danish Girl

Original Song
“Writing’s On The Wall”, Spectre
“Till It Happens To You”, The Hunting Ground
“See You Again”, Furious 7
“One Kind Of Love”, Love & Mercy
“Love Me Like You Do”, Fifty Shades of Grey
“Cold One”, Ricki and the Flash

Cinematography
Roger Deakins, Sicario
John Seale, Mad Max: Fury Road
Hoyte Van Hoytema, Spectre
Dariuz Wolski, The Martian
Emmanuel Lubezki, The Revenant

Visual Effects
Spectre
The Walk
The Martian
Mad Max: Fury Road
Jurassic World
Everest

Film Editing
Pietro Scalia, The Martian
Joe Walker, Sicario
Michael Kahn, Bridge of Spies
Lee Smith, Spectre
Elliot Graham, Steve Jobs
Affonso Goncalves, Carol

Sound (Editing and Mixing)
The Martian
Spectre
Sicario
Inside Out
Mad Max: Fury Road
Jurassic World

Art Direction and Production Design
Fiona Crombie, Macbeth
Eve Stewart, The Danish Girl
Dennis Gassner, Spectre
Dante Ferretti, Cinderella
Colin Gibson, Mad Max: Fury Road,
Adam Stockhausen, Bridge of Spies

Costume Design
Wen-Ying Huang, The Assassin
Shim Hyun-seob, The Throne
Sandy Powell, Cinderella
Paco Delgado, The Danish Girl
Janet Patterson, Far From the Madding Crowd
Jacqueline Durran, Macbeth

Ensemble: Motion Picture
Spotlight

Sicario

At least these nominations gave me an excuse to drag out some Sicaro-related media.

Here Are The Winners of The 2015 Hollywood Film Awards, Whatever The Hell Those Are.


The_Martian_film_poster

Oh my God, y’all — the Hollywood Film Awards were held on Sunday and a bunch of potential Oscar contenders were honored!  Which all leads to one very important question:

What the Hell are the Hollywood Film Awards?

As I pondered that question, I realized that I had vague memories of sitting through the Hollywood Film Awards last year.  The ceremony was broadcast on CBS and it was distinguished from other awards shows in that there were no nominees.  Instead, only the winners were announced.  It was so amazingly dull and I can remember watching it and thinking, “Awards season has finally jumped the shark.”

(And this was even before Sasha Stone and Jeff Wells had their annual breakdowns…)

Anyway, the Hollywood Film Awards for 2015 were given out on Sunday and I’m assuming they weren’t televised.  (I was busy watching A Student’s Obsession anyway…)  You can find the winners below.  For the most part, it’s a pretty boring list (and why give out awards in November?) but it does allow us an early glimpse into some of the films and performers that are contending for Oscar gold.

Here’s the list.  Along with a gif of a kitty showing just how excited he is over Awards Season…

YAY! AWARDS! I'M SO EXCITED..I'M SO EXCITING...I'M SO ... SCARED!"

“YAY! AWARDS! I’M SO EXCITED..I’M SO EXCITED… I’M SO … SCARED!”

Career Achievement Award presented to Robert De Niro by David O. Russell.

Producer Award presented to Ridley Scott (“The Martian) by Russell Crowe.

Director Award presented to Tom Hooper (“The Danish Girl”) by Amber Heard.

Actor Award presented to Will Smith (“Concussion”) by Jamie Foxx.

Actress Award presented to Carey Mulligan (“Suffragette”) by Jake Gyllenhaal.

Supporting Actor Award presented to Benicio Del Toro (“Sicario”) by Reese Witherspoon.

Supporting Actress Award presented to Jane Fonda (“Youth”) by Laura Dern.

Breakout Actor Award presented to Joel Edgerton (“Black Mass”) by Johnny Depp, Dakota Johnson.

Breakout Actress Award presented to Alicia Vikander (“The Danish Girl”) by Armie Hammer.

New Hollywood Award presented to Saoirse Ronan (“Brooklyn”) by Ryan Gosling.

Ensemble Award presented to “The Hateful Eight” by Quentin Tarantino.

Breakout Ensemble Award presented to “Straight Outta Compton” by Ice Cube.

Comedy Award presented to Amy Schumer (“Trainwreck”) by Selena Gomez.

Breakthrough Director Award presented to Adam McKay (“The Big Short”) by Steve Carell.

Screenwriter Award presented to Tom McCarthy, Josh Singer (“Spotlight”) by Mark Ruffalo.

Blockbuster Award presented to “Furious 7” by Kurt Russell.

Song Award presented to “Furious 7” (“See You Again”) by Vin Diesel.

Animation Award presented to Pete Docter (“Inside Out”) by Amy Poehler.

Cinematography Award presented to Janusz Kaminski (“Bridge of Spies”).

Composer Award presented to Alexandre Desplat (“The Danish Girl,” “Suffragette”).

Documentary Award presented to Asif Kapadia (“Amy”).

Editor Award presented to David Rosenbloom (“Black Mass”).

Visual Effects Award presented to Tim Alexander (“Jurassic World”).

Sound Award presented to Gary Rydstrom (“Bridge of Spies”).

Costume Design Award presented to Sandy Powell (“Cinderella”).

Make-Up and Hair Styling Award presented to Lesley Vanderwalt (“Mad Max: Fury Road”).

Production Design Award presented to Colin Gibson (“Mad Max: Fury Road“).

"Yawn. These awards are boring..."

“Yawn. These awards are predictable and boring.  You disappoint me…”

Embracing the Melodrama Part II #119: Shutter Island (dir by Martin Scorsese)


Shutter IslandThe 2010 film Shutter Island finds the great director Martin Scorsese at his most playful.

Taking place in 1954, Shutter Island tells the story of two detectives, Teddy Daniels (Leonardo DiCaprio, giving an excellent performance that, in many ways, feels like a test run for his role in Inception) and Chuck Aule (Mark Ruffalo, also excellent), who take a boat out to the Ashecliffe Hospital for The Criminal Insane, which is located on Shutter Island in Boston Harbor.  They are investigating the disappearance of inmate Rachel Solando, who has been incarcerated for drowning her three children.

Ashecliffe is one of those permanently gray locations, the type of place where the lights always seem to be burned out and the inmates move about like ghostly visions of sins brought to life.  It’s the type of place that, had this movie been made in the 50s or 60s, would have been run by either Vincent Price or Peter Cushing.  In this case, the Cushing role of the cold and imperious lead psychiatrist is taken by Ben Kingsley.  Max Von Sydow, meanwhile, plays a more flamboyantly sinister doctor, the role that would have been played by Vincent Price.

When a storm strands Teddy and Chuck on the island, they quickly discover that neither the staff nor the patients are willing to be of any help when it comes to tracking down Rachel.  As Teddy continues to investigate, he finds himself stricken by migraines and haunted by disturbing images.  He continually sees a mysterious little girl.  He has visions of his dead wife (Michelle Williams).  A horribly scarred patient in solitary confinement (Jackie Earle Haley) tells him that patients are regularly taken to a lighthouse where they are lobotomized.  When Teddy explores more of the island, he comes across a mysterious woman living in a cave and she tells him of even more sinister activity at Ashecliffe.  Meanwhile, Chuck alternates between pragmatic skepticism and flights of paranoia.

And I’m not going to share anymore of the plot because it would be a crime to spoil Shutter Island.  This is a film that you must see and experience for yourself.

This is one of Martin Scorsese’s most entertaining films, an unapologetic celebration of B-movie history. He knows that he’s telling a faintly ludicrous story here and, wisely, he embraces the melodrama.  Too many directors would try to bring some sort of credibility to Shutter Island by downplaying the film’s more melodramatic moments.  Scorsese, however, shows no fear of going over the top.  He understands that this is not the time to be subtle.  This is the time to go a little crazy and that’s what he does.

Good for him.

Embracing the Melodrama Part II #118: The Kids Are All Right (dir by Lisa Cholodenko)


Kids_are_all_right_poster

Dare I admit to thinking that the 2010 best picture nominee The Kids Are All Right is overrated?

The Kids Are All Right tells the story of Nic (Annette Bening) and Jules (Julianne Moore), married lesbians in Los Angeles.  The pragmatic Nic is an obstetrician while the more flighty Jules has a landscaping business.  They also have two children, Laser (Josh Hutcherson) and Joni (Mia Wasikowska).  When Laser and Joni decide to track down their anonymous sperm donor father, the trail leads to Paul (Mark Ruffalo), who owns an organic restaurant.  (Of course, he does…)  After Paul meets Nic and Jules, he eventually ends up having an affair with Jules, which threatens the family’s stability.

It’s been five years since the film first came out and, as a result, I think it’s easy to forgot what a big deal The Kids Are All Right was back in 2010.  It got a lot of attention for being both a film about a lesbian couple and a box office success.  To a certain extent, every LGBT-themed film to come out since owes a debt of gratitude to The Kids Are All Right for proving that audiences are willing to see films with LGBT characters.  As well, the film’s box office success was an early sign of the growing support for the legalization of gay marriage.  The Kids Are All Right can make a very valid claim to being a landmark film.

But, once you look past the film’s historic importance, it doesn’t hold up as well as you might hope.  The performers are all good, especially Annette Bening.  The film’s script also has a lot of good lines.  However, it also has a lot of lines that feel just a little bit too glib and obvious.  It’s not surprising that HBO considered turning The Kids Are All Right into a TV series because the entire movie really does feel like an above average episode of an hourly drama.  Lisa Cholodenko’s visually flat direction also feels more appropriate for television than for the big screen.

As much as I hate to admit it, I’d probably be more into The Kids Are All Right if the characters were a little less wealthy.  If you can look past the fact that this is a movie about a happy lesbian marriage being threatened by a clueless straight guy, you discover that The Kids Are All Right is essentially just another movie about rich white people with problems.

I guess my problem with The Kids Are All Right can be summed up by the scene where Jules fires her Mexican gardener because she suspects that he’s seen her with Paul.  The scene is largely played for laughs and, after the gardener has lost his job, he’s never seen again.  At one point, Jules does say that she feels guilty for firing him but again, the scene is played for laughs.  The film asks us to laugh with the rich white characters and to laugh at the one non-rich non-white.

The Kids Are All Right is a historically important film but that’s not necessarily the same thing as being a great film.