Weekly Trailer Round-Up: Dumbo, The Grinch, Unfriended: Dark Web, The Little Stranger, The Nun, The Devil’s Doorway


Lisa asked me to do a round-up of all the trailer that were released this week and the first rule of working at Through the Shattered Lens is that when Lisa asks you to do something, you do it.

To start things off, here’s the trailer that everyone was talking about this week.  Tim Burton’s live action version of Dumbo looks like it could be something special.  I’ve seen a horse fly.  I’ve seen a dragon fly.  I’ve seen a house fly.  And now, on March 29th, 2019, I’ll finally see an elephant fly!

In this next trailer, Benedict Cumberbatch is The Grinch!  On November 9th, The Grinch’s heart will grow by three sizes.  Hopefully, a cardiologist will be on duty.

Unfriended: Dark Web is either a horror sequel or an extended LifeLock commercial.  Unfriended: Dark Web will be infecting a screen near you on July 20th.

Based on the novel by Sarah Waters and directed by Lenny (Room) Abrahamson, The Little Stranger will be visiting theaters on August 31st.

The Nun is being advertised as “the darkest chapter in The Conjuring Universe,” which is apparently now a thing just like the MCU and the DCEU.  Say a prayer for us all because The Nun will be hitting screens on September 7th.

If you liked the trailer for The Nun, you might want to go through The Devil’s Doorway with IFC Midnight on July 13th.

If you survive stepping through The Devil’s Doorway, consider pledging to The Row on July 27th.

And finally, coming to DVD soon, It Came From The Desert!

And that concludes this weekly trailer round-up!

 

Here Are The Oscar Nominees!


Oscars

I am so happy that Mad Max, Brooklyn, and Room were nominated but considering how many great films were released in 2015, it’s hard not to be disappointed with the nominees for Best Picture.  No Carol.  No Ex Machina.  No Sicario or Inside Out.  No Straight Out Of Compton, Creed, or Beasts of No Nation.  Is The Martian the only best picture winner to even have more than one African-American prominently featured in the cast?  10 years from now, when people can see past the politics and concentrate on the filmmaking, The Big Short will be recognized as one of the worst best picture nominees of all time.

As for other snubs, I am so sad to see that Kristen Stewart and Benicio Del Toro were not nominated in the supporting races.  For that matter, Rooney was the lead in Carol and that’s where she should have been nominated.  It’s also interesting to note that Mark Ruffalo was nominated for giving the worst performance in Spotlight.

I know that Spotlight is the official front runner but, looking at the nominations, I wouldn’t be surprised to see The Revenant win.  Or maybe even (bleh!)  The Big Short.

Best Picture
“The Big Short”
“Bridge of Spies”
“Brooklyn”
“Mad Max: Fury Road”
“The Martian”
“The Revenant”
“Room”
“Spotlight”

Best Director
Lenny Abrahamson, “Room”
Alejandro Gonzalez Inarritu, “The Revenant”
Tom McCarthy, “Spotlight”
Adam McKay, “The Big Short”
George Miller, “Mad Max: Fury Road”

Best Actor
Bryan Cranston, “Trumbo”
Matt Damon, “The Martian”
Leonardo DiCaprio, “The Revenant”
Michael Fassbender, “Steve Jobs”
Eddie Redmayne, “The Danish Girl”

Best Actress
Cate Blanchett, “Carol”
Brie Larson, “Room”
Jennifer Lawrence, “Joy”
Charlotte Rampling, “45 Years”
Saoirse Ronan, “Brooklyn”

Best Supporting Actor
Christian Bale, “The Big Short”
Tom Hardy, “The Revenant”
Mark Ruffalo, “Spotlight”
Mark Rylance, “Bridge of Spies”
Sylvester Stallone, “Creed”

Best Supporting Actress
Jennifer Jason Leigh, “The Hateful Eight”
Rooney Mara, “Carol”
Rachel McAdams, “Spotlight”
Alicia Vikander, “The Danish Girl”
Kate Winslet, “Steve Jobs”

Best Original Screenplay
“Bridge of Spies”
“Ex Machina”
“Inside Out”
“Spotlight”
“Straight Outta Compton”

Best Adapted Screenplay
“The Big Short”
“Brooklyn”
“Carol”
“The Martian”
“Room”

Best Cinematography
“Carol”
“The Hateful Eight”
“Mad Max: Fury Road”
“The Revenant”
“Sicario”

Best Costume Design
“Carol”
“Cinderella”
“The Danish Girl”
“Mad Max: Fury Road”
“The Revenant”

Best Film Editing
“The Big Short”
“Mad Max: Fury Road”
“The Revenant”
“Spotlight”
“Star Wars: The Force Awakens”

Best Makeup and Hairstyling
“Mad Max: Fury Road”
“The 100-Year-Old Man Who Climbed out the Window and Disappeared”
“The Revenant”

Best Production Design
“Bridge of Spies”
“The Danish Girl”
“Mad Max: Fury Road”
“The Martian”
“The Revenant”

Best Score
“Bridge of Spies”
“Carol”
“The Hateful Eight”
“Sicario”
“Star Wars: The Force Awakens”

Best Song
“Fifty Shades of Grey” – “Earned It”
“The Hunting Ground” – “Til it Happens to You”
“Racing Extinction” – “Manta Ray”
“Spectre” – “Writing’s on the Wall”
“Youth” – “Simple Song #3”

Best Sound Editing
“Mad Max: Fury Road”
“The Martian”
“The Revenant”
“Sicario”
“Star Wars: The Force Awakens”

Best Sound Mixing
“Bridge of Spies”
“Mad Max: Fury Road”
“The Martian”
“The Revenant”
“Star Wars: The Force Awakens”

Best Visual Effects
“Ex Machina”
“Mad Max: Fury Road”
“The Martian”
“The Revenant”
“Star Wars: The Force Awakens”

Best Animated Feature
“Anomalisa”
“Boy and the World”
“Inside Out”
“Shaun the Sheep Movie”
“When Marnie Was There”

Best Documentary Feature
“Amy”
“Cartel Land”
“The Look of Silence”
“What Happened, Miss Simone?”
“Winter on Fire: Ukraine’s Fight for Freedom”

Best Foreign Language Film
“Embrace of the Serpent”
“Mustang”
“Son of Saul”
“Theeb”
“A War”

Best Animated Short
“Bear Story”
“Prologue”
“Sanjay’s Super Team”
“We Can’t Live without Cosmos”
“World of Tomorrow”

Best Documentary Short
“Body Team 12”
“Chau, Beyond the Lines”
“Claude Lanzmann: Spectres of the Shoah”
“A Girl in the River: The Price of Forgiveness”
“Last Day of Freedom”

Best Live Action Short
“Ave Maria”
“Day One”
“Everything Will Be Okay (Alles Wird Gut)”
“Shok”
“Stutterer”

Playing Catch-Up: Room (dir by Lenny Abrahamson)


Room_Poster

Have you seen Room yet?

I ask because I’m debating how much information I should share in this review.  Room came out a few months ago and I’ve been late in reviewing it because watching the film was such an emotionally overwhelmingly experience that I wasn’t sure where to begin.  Now, all of this time has passed and I’m in a hurry to review this film because it’s obviously going to be nominated for some Oscars on Thursday morning and I’m wondering how much I can reveal without spoiling the movie.

It’s always tempting to say “Spoilers be damned!” but I’m not going to do that this time.  Room is a great film and it’s one that deserves to be discovered with a fresh mind.  I imagine that many people who missed the film the first time will see it once Brie Larson has been nominated for Best Actress.  Out of respect for those people, I am going to hold off from going into too much detail about the film’s plot.

Of course, this means that, if you haven’t seen the film, you’re going to have to have a little bit of faith in me.  You’re going to have to trust me.  When I tell you that this is an amazing film that will take you by surprise, you’re just going to believe me.  Because if I ruin those surprises … well, then they won’t be surprises anymore, will they?

When I first heard all the Oscar talk swirling around Room, my initial instinct was to make a joke about Tommy Wiseau finally getting the credit he deserves.  But then I saw Room and, within a few minutes of the film, I was in tears.  It’s hard for me to think of any other film this year that made me cry as much as Room.

Room is narrated by Jack (Jacob Tremblay), a 5 year-old boy whose hair is so long that he is frequently mistaken for being a girl.  Jack lives in a filthy room with Ma (Brie Larson).  The tiny room has only a toilet, a sink, a bed, a small kitchen area, and a cheap television.  There’s also the small closet where Jack sleeps and a skylight in the ceiling.  As quickly becomes apparent from his narration, Jack has never been outside of the room.  All he knows about the outside world comes from TV and the stories told to him by Ma.

Occasionally, a nervous man named Old Nick (Sean Bridgers) enters the room.  Whenever Old Nick shows up, Ma orders Jack to hide in the closet.  However, even in the closet, Jack listens to Ma and Nick talking in the room.  Ma talks about how Nick kidnapped her when she was 17.  Nick talks about how he has recently lost his job and may not be able to continue to take care of his two prisoners.  Fearful for her life, Ma humors the self-pitying Nick.  Nick, meanwhile, plays the victim and complains about how difficult it is to keep her and Jack prisoner.  It quickly becomes apparent that Jack is Nick’s child.

Now that Jack is five, Ma knows that he’s old enough that she can tell him about her plan to escape from Nick.  However, escaping means exposing Jack to a world that he’s never experienced and that Ma fears she no longer remembers.

Meanwhile, Ma’s parents wonder what has happened to their missing daughter.  (It’s from her parents that we learn that, much like a character played by fellow Oscar contender Jennifer Lawrence, Ma’s name is Joy.)  Ma’s mother, Nancy (Joan Allen), is now divorced from Joy’s emotionally repressed father (William H. Macy).  Nancy is now married to the kind and appealingly disheveled Leo (Tom McCamus).  However, still hoping that her daughter will someday return, Nancy hasn’t even touched Joy’s old bedroom.

Finally, the opportunity comes for Ma and Jack to escape and…

…and that’s all I can tell you without spoiling the film.  Room is an emotionally exhausting film, one that will make you cry but which will also leave feeling strangely hopeful for the future.  Brie Larson gives a courageously vulnerable and emotionally raw performance as Joy while Jacob Tremblay is perfectly cast as Jack.  Since Larson and Tremblay are both getting a lot of attention as possible Oscar nominees, I want to take a few minute to single out one member of the cast who, so far, has been overshadowed.  Tom McCamus doesn’t have a lot of screen time but he makes the most of every second he gets, turning Leo into the ideal father figure.

Room made me cry and cry and I can’t wait to see it again.

The North Carolina Film Critics Association Have Announced Their Nominees For The Best of 2015


Here are the nominees from the North Carolina Film Critics Association!

BEST NARRATIVE FILM
Carol
Inside Out
Mad Max: Fury Road
The Martian
Spotlight

BEST DOCUMENTARY FILM
Amy
Finders Keepers
Kurt Cobain: Montage of Heck
Listen to Me Marlon
The Look of Silence

BEST ANIMATED FILM
Anomalisa
The Good Dinosaur
Inside Out
The Peanuts Movie
Shaun the Sheep Movie

BEST FOREIGN LANGUAGE FILM
The Assassin
Mustang
Phoenix
A Pigeon Sat on a Branch Reflecting on Existence
Son of Saul

BEST DIRECTOR
Lenny Abrahamson (Room)
Todd Haynes (Carol)
Tom McCarthy (Spotlight)
George Miller (Mad Max: Fury Road)
Ridley Scott (The Martian)

BEST ACTOR
Bryan Cranston (Trumbo)
Matt Damon (The Martian)
Leonardo DiCaprio (The Revenant)
Michael Fassbender (Steve Jobs)
Ian McKellen (Mr. Holmes)

BEST SUPPORTING ACTOR
Paul Dano (Love & Mercy)
Benicio del Toro (Sicario)
Mark Ruffalo (Spotlight)
Mark Rylance (Bridge of Spies)
Sylvester Stallone (Creed)

BEST ACTRESS
Elizabeth Banks (Love & Mercy)
Cate Blanchett (Carol)
Brie Larson (Room)
Charlotte Rampling (45 Years)
Saoirse Ronan (Brooklyn)

BEST SUPPORTING ACTRESS
Jennifer Jason Leigh (The Hateful Eight)
Rooney Mara (Carol)
Rachel McAdams (Spotlight)
Helen Mirren (Trumbo)
Alicia Vikander (Ex Machina)

BEST ORIGINAL SCREENPLAY
Matt Charman, Ethan Coen, and Joel Coen (Bridge of Spies)
Pete Docter, Meg LeFauve, and Josh Cooley (Inside Out)
Alex Garland (Ex Machina)
Josh Singer, Tom McCarthy (Spotlight)
Quentin Tarantino (The Hateful Eight)

BEST ADAPTED SCREENPLAY
Emma Donoghue (Room)
Drew Goddard (The Martian)
Phyllis Nagy (Carol)
Nick Hornby (Brooklyn)
Charles Randolph and Adam McKay (The Big Short)
Aaron Sorkin (Steve Jobs)

TAR HEEL AWARD
(To an artist or film with a special connection to North Carolina.)
Ramin Bahrani (99 Homes)
Finders Keepers
Peyton Reed (Ant-Man)

Here Are The Houston Film Critics Nominations!


Another one of my former hometowns has checked in with their nominations for the best of 2015!  The Houston Film Critics gave Ex Machina another nomination for best picture.  Wouldn’t it be kinda neat if Ex Machina snuck into the Oscar race as well?

BEST PICTURE:
The Big Short, Paramount
Ex Machina, A24 Films
Inside Out, Disney/PIXAR
Mad Max: Fury Road, Warner Bros.
The Martian, 20th Century Fox
The Revenant, 20th Century Fox
Room, A24 Films
Sicario, Lionsgate
Spotlight, Open Road Films
Steve Jobs, Universal

BEST DIRECTION OF A MOTION PICTURE:
Alejandro G. Iñárritu, The Revenant
George Miller, Mad Max: Fury Road
Lenny Abrahamson, Room
Ridley Scott, The Martian
Tom McCarthy, Spotlight

BEST PERFORMANCE BY AN ACTOR IN A LEADING ROLE:
Brian Cranston, Trumbo
Leonardo DiCaprio, The Revenant
Matt Damon, The Martian
Michael Fassbender, Steve Jobs
Tom Hardy, Legend

BEST PERFORMANCE BY AN ACTRESS IN A LEADING ROLE:
Brie Larsen, Room
Cate Blanchett, Carol
Charlize Theron, Mad Max: Fury Road
Emily Blunt, Sicario
Saoirse Ronan, Brooklyn

BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE:
Mark Ruffalo, Spotlight
Mark Rylance, Bridge of Spies
Michael Shannon, 99 Homes
Sylvester Stallone, Creed
Tom Hardy, The Revenant

BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE:
Alicia Vikander, The Danish Girl
Alicia Vikander, Ex Machina

Jennifer Jason Leigh, The Hateful Eight
Kate Winslet, Steve Jobs
Rooney Mara, Carol

BEST SCREENPLAY:
Aaron Sorkin, Steve Jobs
Drew Goddard, The Martian
Emma Donaghu, Room
Josh Singer & Tom McCarthy, Spotlight
Quentin Tarantino, The Hateful Eight

BEST ANIMATED FILM:
Anomalisa, Paramount
The Good Dinosaur, Disney/PIXAR
Inside Out, Disney/PIXAR
The Peanuts Movie, 20th Century Fox
Shaun the Sheep, StudioCanal

BEST CINEMATOGRAPHY:
Dariusz Wolski, The Martian
Emmanuel Lubezki, The Revenant
John Seale, Mad Max: Fury Road
Robert Richardson, The Hateful Eight
Roger Deakins, Sicario

BEST DOCUMENTARY FEATURE:
Amy, Altitude Film Distribution
Best of Enemies, Magnolia
Cartel Land, IFC Films
The Look of Silence, Drafthouse Films
Where to Invade Next, IMG Films

BEST FOREIGN LANGUAGE FILM:
The Assassin, Well Go USA
Goodnight Mommy, Radius/TWC
Son of Saul, Sony Pictures Classic
The Tribe, Drafthouse Films
White God, Magnolia

BEST ORIGINAL SCORE:
Ennio Moriccone, The Hateful Eight
Michael Giacchino, Inside Out
Junkie XL, Mad Max: Fury Road

Daniel Pemberton, Steve Jobs
Ryuichi Sakamoto, Alva Noto & Bryce Dessner, The Revenant

BEST ORIGINAL SONG:
“Love Me Like You Do,” music & lyrics by Savan Kotecha, Ilya Salmanzadeh, Tove Lo, Max Martin & Ali Payami, 50 Shades of Grey
“One Kind of Love,” music & lyrics by Brian Wilson & Scott Bennett, Love & Mercy
“See You Again,” music & lyrics by Wiz Khalifa, DJ Frank E, Charlie Puth & Andrew Cedar, Furious 7
“Simple Song #3,” music & lyrics by David Lang, Youth
“Writing’s on the Wall,” music & lyrics by Sam Smith & Jimmy Napes, Spectre

TEXAS INDEPENDENT FILM AWARD:
6 Years
7 Chinese Brothers
Last Man on the Moon
Results
Sir Doug and the Genuine Texas Cosmic Groove

BEST POSTER
Carol – Theatrical Poster
Ex Machina – Theatrical Poster
It Follows – Rear Window Alternate
Mad Max: Fury Road – ‘What A Lovely Day’ Alternate
Sicario – Theatrical Poster
The Walk – IMAX Alternate

WORST FILM OF THE YEAR:
Aloha, Columbia
The Boy Next Door, Universal
Fantastic Four, 20th Century Fox
Mortdecai, Lionsgate
Pixels, Columbia

Here Are The Confusing San Diego Film Critics Society Nominations!


The San Diego Film Critics Society announced their nominees for the best of 2015 and … well, there’s a little bit of confusion.  As Paddy Mulholland of Screen on Screen points out, the San Diego film critics did not list their nominees alphabetically.  But, at the same time, the SFDC hasn’t acknowledged that the nominees were listed as a ranked slate either.  So, when they list Ex Machina as their first nominee for Best Picture and Brooklyn as their second, were they announcing that Ex Machina was their pick for best picture and Brooklyn was the runner up?  Or did they just decided to randomly list the nominees?

The official winners will be announced on December 14th, at which point we will have clarity!

Anyway, here are the San Diego nominees.  And again, h/t on this goes to Screen on Screen:

Best Picture
1. Ex Machina
2. Brooklyn
3. Mad Max: Fury Road
4. Room
5. Spotlight

Best Director
1. George Miller (Mad Max: Fury Road)
2. John Crowley (Brooklyn)
3. Lenny Abrahamson (Room)
4. Tom McCarthy (Spotlight)
5. Alejandro Gonzalez Inarritu (The Revenant)

Best Actor, Male
1. Leonardo DiCaprio (The Revenant)
2. Jason Segel (The End of the Tour)
3. Matt Damon (The Martian)
4. Bryan Cranston (Trumbo)
5. Jacob Tremblay (Room)

Best Actor, Female
1. Saoirse Ronan (Brooklyn)
2. Brie Larson (Room)
3. Charlotte Rampling (45 Years)
4. Charlize Theron (Mad Max: Fury Road)
5. Alicia Vikander (Ex Machina)

Best Supporting Actor, Male
1. Mark Rylance (Bridge of Spies)
2. Tom Noonan (Anomalisa)
3. Oscar Isaac (Ex Machina)
4. Paul Dano (Love & Mercy)
5. R. J. Cyler (Me and Earl and the Dying Girl)

Best Supporting Actor, Female
1. Alicia Vikander (The Danish Girl)
2. Jennifer Jason Leigh (The Hateful Eight)
3. Helen Mirren (Trumbo)
4. Kristen Stewart (Clouds of Sils Maria)
5. Olivia Cooke (Me and Earl and the Dying Girl)

Best Original Screenplay
1. Noah Baumbach and Greta Gerwig (Mistress America)
2. Alex Garland (Ex Machina)
3. Jemaine Clement and Taika Waititi (What We Do in the Shadows)
4. Quentin Tarantino (The Hateful Eight)
5. Tom McCarthy and Josh Singer (Spotlight)

Best Adapted Screenplay
1. Nick Hornby (Brooklyn)
2. Emma Donoghue (Room)
3. Charlie Kaufman (Anomalisa)
4. Donald Margulies (The End of the Tour)
5. Drew Goddard and Andy Weir (The Martian)

Best Cinematography
1. Roger Deakins (Sicario)
2. Yves Belanger (Brooklyn)
3. Dariusz Wolski (The Martian)
4. John Seale (Mad Max: Fury Road)
5. Emmanuel Lubezki (The Revenant)

Best Editing
1. Margaret Sixel (Mad Max: Fury Road)
2. Joe Walker (Sicario)
3. Pietro Scalia (The Martian)
4. Michael Kahn (Bridge of Spies)
5. Nathan Nugent (Room)
6. Stephen Mirrione (The Revenant

Best Production Design
1. Colin Gibson (Mad Max: Fury Road)
2. Mark Digby (Ex Machina)
3. Arthur Max (The Martian)
4. Francois Seguin (Brooklyn)
5. Adam Stockhausen (Bridge of Spies)

Best Sound Design
1. The Martian
2. Mad Max: Fury Road
3. Ex Machina
4. Sicario
5. Love & Mercy

Best Visual Effects
1. The Martian
2. Ex Machina
3. Mad Max: Fury Road
4. The Walk
5. Jurassic World

Best Use of Music in a Film
1. The Hateful Eight
2. Love & Mercy
3. Mad Max: Fury Road
4. Sicario
5. Straight Outta Compton

Best Ensemble
1. Spotlight
2. The Hateful Eight
3. Straight Outta Compton
4. Inside Out
5. The Big Short
6. What We Do in the Shadows

Best Animated Film
1. Inside Out
2. Anomalisa
3. Shaun the Sheep Movie
4. The Good Dinosaur
5. The Peanuts Movie

Best Documentary
1. Amy
2. He Named Me Malala
3. Cartel Land
4. Meru
5. The Wrecking Crew

Best Foreign Language Film
1. Phoenix
2. Taxi
3. White God
4. A Pigeon Sat on a Branch Reflecting on Existence
5. Goodnight Mommy

Best Breakthrough Artist
1. Alicia Vikander (The Danish Girl / Ex Machina)
2. Jacob Tremblay (Room)
3. Emory Cohen (Brooklyn)
4. Abraham Attah (Beasts of No Nation)
5. Sean Baker (Tangerine)

 

For Whatever They’re Worth, Here are The Satellite Awards Nominees!


Sicario_poster

The International Press Academy has announced the nominees for the Satellite Awards!  Who are the International Press Academy?  They’re kind of like an even less credible version of the Golden Globes.  They’re also the same people who, last year, nominated The Wolf of Wall Street for five awards, despite having not seen the film.  I would suggest viewing these nominations more as a guide to conventional wisdom than anything else.

Motion Picture
Spotlight, Open Road
Sicario, Lionsgate
Room, A24
The Revenant, 20th Century Fox
The Martian, 20th Century Fox
Carol, The Weinstein Co.
Brooklyn, Fox Searchlight
Bridge of Spies, DreamWorks
Black Mass, Warner Bros.
The Big Short, Paramount

Director
Tom Hooper, The Danish Girl
Thomas McCarthy, Spotlight
Steven Spielberg, Bridge of Spies
Ridley Scott, The Martian
Lenny Abrahamson, Room
Alejandro González Iñárritu, The Revenant

Actress in a Motion Picture
Saoirse Ronan, Brooklyn
Charlotte Rampling, 45 Years
Cate Blanchett, Carol
Carey Mulligan, Suffragette
Brie Larson, Room
Blythe Danner, I’ll See You in My Dreams

Actor in a Motion Picture
Will Smith, Concussion
Tom Hardy, Legend
Michael Fassbender, Steve Jobs
Matt Damon, The Martian
Leonardo DiCaprio, The Revenant
Johnny Depp, Black Mass
Eddie Redmayne, The Danish Girl

Actress in a Supporting Role
Rachel McAdams, Spotlight
Rooney Mara, Carol
Kate Winslet, Steve Jobs
Jane Fonda, Youth
Elizabeth Banks, Love & Mercy
Alicia Vikander, The Danish Girl

Actor in a Supporting Role
Sylvester Stallone, Creed
Paul Dano, Love & Mercy
Michael Keaton, Spotlight
Mark Ruffalo, Spotlight
Christian Bale, The Big Short
Benicio Del Toro, Sicario

Motion Picture, International Film
South Korea, The Throne
Brazil, The Second Mother
Croatia, The High Sun
Belgium, The Brand New Testament
Taiwan, The Assassin
Hungary, Son of Saul
France, Mustang
Germany, Labyrinth of Lies
Austria, Goodnight Mommy
Sweden, A Pigeon Sat on a Branch Reflecting on Existence

Motion Picture, Animated or Mixed Media
The Prophet
The Peanuts Movie
The Good Dinosaur
Shaun The Sheep Movie
Inside Out
Anomalisa

Motion Picture, Documentary
Where to Invade Next
The Look of Silence
The Hunting Ground
He Named Me Malala
Going Clear: Scientology and the Prison of Belief
Drunk Stoned Brilliant Dead:The Story of the National Lampoon
Cartel Land
Best of Enemies
Becoming Bulletproof
Amy

Screenplay, Original
Josh Singer, Thomas McCarthy, Spotlight
Michael A. Lerner, Oren Moverman, Love & Mercy
Josh Cooley, Meg LeFauve, Pete Docter, Inside Out
Andrea Berloff, Jonathan Herman, Straight Outta Compton
Ethan Coen, Joel Coen, Matt Charman, Bridge of Spies
Abi Morgan, Suffragette

Screenplay, Adapted
Jez Butterworth, Mark Mallouk, Black Mass
Lucinda Coxon, The Danish Girl
Emma Donoghue, Room
Drew Goddard, The Martian
Alejandro González Iñárritu, Mark L. Smith, The Revenant
Aaron Sorkin, Steve Jobs

Original Score
Thomas Newman, Spectre
Michael Giacchino, Inside Out
Howard Shore, Spotlight
Harry Gregson-Williams, The Martian
Carter Burwell, Carol
Alexander Desplat, The Danish Girl

Original Song
“Writing’s On The Wall”, Spectre
“Till It Happens To You”, The Hunting Ground
“See You Again”, Furious 7
“One Kind Of Love”, Love & Mercy
“Love Me Like You Do”, Fifty Shades of Grey
“Cold One”, Ricki and the Flash

Cinematography
Roger Deakins, Sicario
John Seale, Mad Max: Fury Road
Hoyte Van Hoytema, Spectre
Dariuz Wolski, The Martian
Emmanuel Lubezki, The Revenant

Visual Effects
Spectre
The Walk
The Martian
Mad Max: Fury Road
Jurassic World
Everest

Film Editing
Pietro Scalia, The Martian
Joe Walker, Sicario
Michael Kahn, Bridge of Spies
Lee Smith, Spectre
Elliot Graham, Steve Jobs
Affonso Goncalves, Carol

Sound (Editing and Mixing)
The Martian
Spectre
Sicario
Inside Out
Mad Max: Fury Road
Jurassic World

Art Direction and Production Design
Fiona Crombie, Macbeth
Eve Stewart, The Danish Girl
Dennis Gassner, Spectre
Dante Ferretti, Cinderella
Colin Gibson, Mad Max: Fury Road,
Adam Stockhausen, Bridge of Spies

Costume Design
Wen-Ying Huang, The Assassin
Shim Hyun-seob, The Throne
Sandy Powell, Cinderella
Paco Delgado, The Danish Girl
Janet Patterson, Far From the Madding Crowd
Jacqueline Durran, Macbeth

Ensemble: Motion Picture
Spotlight

Sicario

At least these nominations gave me an excuse to drag out some Sicaro-related media.