Here’s A Complete List Of The Oscar Winners!!!!


 

Spotlight

Best Picture: Spotlight

Best Director: Alejandro G. Inarritu for The Revenant

Best Actor: Leonardo DiCarpio in The Revenant

Best Actress: Brie Larson in Room

Best Supporting Actor: Mark Rylance in Bridge of Spies

Best Supporting Actress: Alicia Vikander in The Danish Girl

Best Original Screenplay: Tom McCarthy and Josh Singer. Spotlight

Best Adapted Screenplay: Adam McKay and Charles Randolph.  The Big Short

Best Animated Film: Inside Out

Best Documentary Feature: Amy

Best Foreign Language Film: Son of Saul

Best Cinematography: Emmanuel Lubezki, The Revenant

Best Costume Design: Jenny Bevan, Mad Max: Fury Road

Best Editing: Margaret Sixel, Mad Mad: Fury Road

Best Make-up and Hairstyling: Mad Max: Fury Road

Best Original Score: Ennio Morricone, The Hateful Eight

Best Original Song: “Writing’s On The Wall” from SPECTRE

Best Production Design: Colin Gibson and Lisa Thompson, Mad Max: Fury Road

Best Sound Editing: Mad Max: Fury Road

Best Sound Mixing: Mad Max: Fury Road

Best Visual Effects: Ex Machina

Best Animated Short Film:Bear Story

Best Documentary Short Film: The Girl In The River: The Price of Forgiveness

Best Live Action Short: Stutterer

MadMaxFuryRoad

Lisa’s Oscar Predictions


2013 oscars

Can you believe that the Oscars are just a few hours away!?  This is actually shaping up to be an exciting year.  Even though I’m fairly certain that I know who and what is going to win, there’s still a strong possibility that we could have a few upsets when the winners are announced on Sunday night!

Well, I guess I better hurry up and post my predictions.  Below, I will list both what I think should win and what actually will win.

(If you want to see which films I would have nominated if I had all the power, please check out my What If Lisa Determined The Oscar Nominations post!)

Okay, here we go!

Best Picture:

Should Win: Brooklyn

Will Win: The Revenant

Best Director:

Should Win: George Miller, Mad Max: Fury Road

Will Win: Alejandro G. Inarritu, The Revenant

Best Actor:

Should and Will Win: Leonardo DiCaprio, The Revenant

Best Actress:

Should and Will Win: Brie Larson, Room

Best Supporting Actor:

Should and Will Win: Sylvester Stallone, Creed

Best Supporting Actress:

Should Win: Rooney Mara, Carol

Will Win: Jennifer Jason Leigh, The Hateful Eight

Best Original Screenplay:

Should Win: Inside Out

Will Win: Spotlight

Best Adapted Screenplay:

Should Win: Carol

Will Win: The Big Short

Best Animated Feature:

Should and Will: Inside Out

Best Art Direction:

Should and Will Win: Mad Max: Fury Road

Best Cinematography:

Should Win: Carol

Will Win: The Revenant

Best Costume Design:

Should Win: Carol

Will Win: The Danish Girl

Best Editing:

Should and Will Win: Mad Max: Fury Road

Best Makeup:

Should Win: Mad Max: Fury Road

Will Win: The Revenant

Best Sound Mixing:

Should and Will Win: The Revenant

Best Sound Editing:

Should and Will Win: The Revenant

Best Visual Effects:

Should Win: Ex Machina

Will Win: The Martian

Best Original Score:

Should Win: Carol

Will Win: The Hateful Eight

Best Original Song:

Should Win: “Earned it” from Fifty Shades of Grey

Will Win: “Til It Happens To You” from The Hunting Ground

Best Documentary Feature:

Should and Will Win: Amy

Best Foreign Language Film:

Should Win: Can’t say because I haven’t see any of the nominated films

Will Win: Son of Saul

Documentary Short:

Should Win: ????

Will Win: The Girl In The River: The Price of Forgiveness

Animated Short:

Should Win: ?????

Will Win: We Can’t Live Without Cosmos

Live Action Short:

Should Win: ??????

Will Win: Stutterer

 

Here’s Who Won At The DGA (or The Unexpected Virtue of Making History)


The_Revenant_2015_film_poster

The Director’s Guild of America handed out their awards tonight and history was made!  (And the Oscar race got a little bit more complicated.)  First off, Alex Garland won the award for Best First-Time Feature Director for Ex Machina.  Then Cartel Land somehow defeated Amy for Best Documentary Direction.

And then Alejandro G. Inarritu was named Best Director for The Revenant!  This makes Inarritu the first film director to ever win back-to-back awards from the Director’s Guild.  As you may remember, he previously won for Birdman and when was the last time anyone thought about that damn movie?  (For the record, I thought the Revenant was far superior to Birdman.)

So, to recap, the Production Guild gave its top award to The Big Short.

The SAG gave its top award for Spotlight.

And now, the DGA — which is traditionally the most reliable of all the precursors — gave its top award to The Revenant!

In other words, for the first time in my lifetime, there are three films that seem to have a legitimate shot at winning best picture when the Oscars are awarded later this month.

Of the 8 films that were nominated, my personal favorite would be Brooklyn, which realistically has no chance of winning the top prize.  (Carol was my favorite film of the year but it was not nominated.)  However, there’s a part of me that still hopes that — despite not winning at the PGA or the DGA — Mad Max: Fury Road will pull off an upset.  Sadly, that probably won’t happen.  Not only would a Mad Max victory be a nice (and popular) surprise but it would completely redefine the stodgy old assumptions about what type of films qualify for Oscar consideration.

If The Big Short wins, it will be the biggest travesty since the victory of Crash.

Here Are The Oscar Nominees!


Oscars

I am so happy that Mad Max, Brooklyn, and Room were nominated but considering how many great films were released in 2015, it’s hard not to be disappointed with the nominees for Best Picture.  No Carol.  No Ex Machina.  No Sicario or Inside Out.  No Straight Out Of Compton, Creed, or Beasts of No Nation.  Is The Martian the only best picture winner to even have more than one African-American prominently featured in the cast?  10 years from now, when people can see past the politics and concentrate on the filmmaking, The Big Short will be recognized as one of the worst best picture nominees of all time.

As for other snubs, I am so sad to see that Kristen Stewart and Benicio Del Toro were not nominated in the supporting races.  For that matter, Rooney was the lead in Carol and that’s where she should have been nominated.  It’s also interesting to note that Mark Ruffalo was nominated for giving the worst performance in Spotlight.

I know that Spotlight is the official front runner but, looking at the nominations, I wouldn’t be surprised to see The Revenant win.  Or maybe even (bleh!)  The Big Short.

Best Picture
“The Big Short”
“Bridge of Spies”
“Brooklyn”
“Mad Max: Fury Road”
“The Martian”
“The Revenant”
“Room”
“Spotlight”

Best Director
Lenny Abrahamson, “Room”
Alejandro Gonzalez Inarritu, “The Revenant”
Tom McCarthy, “Spotlight”
Adam McKay, “The Big Short”
George Miller, “Mad Max: Fury Road”

Best Actor
Bryan Cranston, “Trumbo”
Matt Damon, “The Martian”
Leonardo DiCaprio, “The Revenant”
Michael Fassbender, “Steve Jobs”
Eddie Redmayne, “The Danish Girl”

Best Actress
Cate Blanchett, “Carol”
Brie Larson, “Room”
Jennifer Lawrence, “Joy”
Charlotte Rampling, “45 Years”
Saoirse Ronan, “Brooklyn”

Best Supporting Actor
Christian Bale, “The Big Short”
Tom Hardy, “The Revenant”
Mark Ruffalo, “Spotlight”
Mark Rylance, “Bridge of Spies”
Sylvester Stallone, “Creed”

Best Supporting Actress
Jennifer Jason Leigh, “The Hateful Eight”
Rooney Mara, “Carol”
Rachel McAdams, “Spotlight”
Alicia Vikander, “The Danish Girl”
Kate Winslet, “Steve Jobs”

Best Original Screenplay
“Bridge of Spies”
“Ex Machina”
“Inside Out”
“Spotlight”
“Straight Outta Compton”

Best Adapted Screenplay
“The Big Short”
“Brooklyn”
“Carol”
“The Martian”
“Room”

Best Cinematography
“Carol”
“The Hateful Eight”
“Mad Max: Fury Road”
“The Revenant”
“Sicario”

Best Costume Design
“Carol”
“Cinderella”
“The Danish Girl”
“Mad Max: Fury Road”
“The Revenant”

Best Film Editing
“The Big Short”
“Mad Max: Fury Road”
“The Revenant”
“Spotlight”
“Star Wars: The Force Awakens”

Best Makeup and Hairstyling
“Mad Max: Fury Road”
“The 100-Year-Old Man Who Climbed out the Window and Disappeared”
“The Revenant”

Best Production Design
“Bridge of Spies”
“The Danish Girl”
“Mad Max: Fury Road”
“The Martian”
“The Revenant”

Best Score
“Bridge of Spies”
“Carol”
“The Hateful Eight”
“Sicario”
“Star Wars: The Force Awakens”

Best Song
“Fifty Shades of Grey” – “Earned It”
“The Hunting Ground” – “Til it Happens to You”
“Racing Extinction” – “Manta Ray”
“Spectre” – “Writing’s on the Wall”
“Youth” – “Simple Song #3”

Best Sound Editing
“Mad Max: Fury Road”
“The Martian”
“The Revenant”
“Sicario”
“Star Wars: The Force Awakens”

Best Sound Mixing
“Bridge of Spies”
“Mad Max: Fury Road”
“The Martian”
“The Revenant”
“Star Wars: The Force Awakens”

Best Visual Effects
“Ex Machina”
“Mad Max: Fury Road”
“The Martian”
“The Revenant”
“Star Wars: The Force Awakens”

Best Animated Feature
“Anomalisa”
“Boy and the World”
“Inside Out”
“Shaun the Sheep Movie”
“When Marnie Was There”

Best Documentary Feature
“Amy”
“Cartel Land”
“The Look of Silence”
“What Happened, Miss Simone?”
“Winter on Fire: Ukraine’s Fight for Freedom”

Best Foreign Language Film
“Embrace of the Serpent”
“Mustang”
“Son of Saul”
“Theeb”
“A War”

Best Animated Short
“Bear Story”
“Prologue”
“Sanjay’s Super Team”
“We Can’t Live without Cosmos”
“World of Tomorrow”

Best Documentary Short
“Body Team 12”
“Chau, Beyond the Lines”
“Claude Lanzmann: Spectres of the Shoah”
“A Girl in the River: The Price of Forgiveness”
“Last Day of Freedom”

Best Live Action Short
“Ave Maria”
“Day One”
“Everything Will Be Okay (Alles Wird Gut)”
“Shok”
“Stutterer”

Here Are The Dorian Award Nominees!


Carol_(film)_POSTER

The Dorian Awards are handed out by the Gay and Lesbian Entertainment Film Critics Association.  Here are their film nominations for 2015.

FILM OF THE YEAR
The Big Short / Paramount, Regency
Brooklyn / Fox Searchlight
Carol / The Weinstein Company
Mad Max: Fury Road / Warner Bros., Village Road Show
Spotlight / Open Road, Participant, First Look

DIRECTOR OF THE YEAR
(Film or Television)
Sean Baker, Tangerine / Magnolia Pictures
Todd Haynes, Carol / The Weinstein Company
Alejandro Gonzalez Iñárritu, The Revenant / Fox
Tom McCarthy, Spotlight / Open Road, Participant, First Look
George Miller, Mad Max: Fury Road / Warner Bros., Village Road Show

PERFORMANCE OF THE YEAR — ACTRESS
Cate Blanchett, Carol / The Weinstein Company
Brie Larson, Room / A24
Rooney Mara, Carol / The Weinstein Company
Charlotte Rampling, 45 Years / Sundance Selects
Saoirse Ronan, Brooklyn / Fox Searchlight

PERFORMANCE OF THE YEAR — ACTOR
Matt Damon, The Martian / Fox
Leonardo DiCaprio, The Revenant / Fox
Michael Fassbender, Steve Jobs / Universal
Tom Hardy, Legend / Universal, Cross Creek
Eddie Redmayne, The Danish Girl / Focus, Working Title

LGBTQ FILM OF THE YEAR
Carol / The Weinstein Company
The Danish Girl / Focus, Working Title
Freeheld / Summit
Grandma / Sony Pictures Classics
Tangerine / Magnolia Pictures

FOREIGN LANGUAGE FILM OF THE YEAR
The Assassin / Central Motion Pictures, Well Go USA
Mustang / Cohen Media Group
Phoenix / Sundance Selects
Son of Saul / Sony Pictures Classics
Viva / Magnolia Pictures

SCREENPLAY OF THE YEAR
Emma Donoghue, Room / A24
Phyllis Nagy, Carol / The Weinstein Company
Charles Randolph and Adam McKay, The Big Short / Paramount, Regency
Josh Singer & Tom McCarthy, Spotlight / Open Road, Participant, First Look
Aaron Sorkin, Steve Jobs / Universal

DOCUMENTARY OF THE YEAR
(theatrical release, TV airing or DVD release)
Amy / A24
Best of Enemies / Magnolia Pictures, Magnet
Going Clear: Scientology and the Prison of Belief / HBO
Making a Murderer / Netflix
What Happened, Miss Simone? / Netflix

VISUALLY STRIKING FILM OF THE YEAR
(honoring a production of stunning beauty, from art direction to cinematography)
Carol / The Weinstein Company
The Danish Girl / Focus, Working Title
Mad Max: Fury Road / Warner Bros., Village Road Show
The Martian / Fox
The Revenant / Fox

UNSUNG FILM OF THE YEAR
The Diary of a Teenage Girl / Sony Pictures Classics
Ex Machina / A24
Grandma / Sony Pictures Classics
Me and Earl and the Dying Girl / Fox Searchlight
Tangerine (Magnolia)

CAMPY FLICK OF THE YEAR
The Boy Next Door
Fifty Shades of Grey
Magic Mike XXL
Jupiter Ascending
Stonewall

Here Are The DGA Nominations!


The Directors Guild of America announced their nominees today!  The DGA is usually one of the best of the Oscar precursors.  Getting a DGA nomination usually translates to a Best Picture nomination.

Here are the nominees.  There really aren’t any surprises among them, though, based on its strength with the other guilds, I did think that Steven Spielberg might sneak in there with Bridge of Spies.

Alejandro G. Inarritu for The Revenant

Tom McCarthy for Spotlight

Adam McKay for The Big Short

George Miller for Mad Max: Fury Road

Ridley Scott for The Martian

And here are the nominees for a new award that the DGA is giving out this year!

Outstanding Directorial Achievement for a First-Time Feature Film Director

The nominees are:

Fernando Coimbra, “A Wolf at the Door”
Joel Edgerton, “The Gift”
Alex Garland, “Ex Machina”
Marielle Heller, “The Diary of a Teenage Girl”
Laszlo Nemes, “Son of Saul”
The best thing about this new category?  Knowing that Sasha Stone is probably pissed off that Diary of a Teenage Girl received a nomination.

Playing Catch-Up With The Films of 2015: The Revenant (dir by Alejandro G Inarritu)


The_Revenant_2015_film_poster

Before I continue to catch up with reviewing the films of 2015 by taking a look at The Revenant, I want to ask a question and I request that you give this some serious thought.  Is Jeff Wells just a troll or is he seriously a moron?  Or maybe he’s both, that’s another possibility.  For those of you who stay out of the darker parts of the internet, Jeff Wells is a film blogger who thinks that, because he voted for Obama, he’s earned the right to regularly use his column to disparage women.  (Wells is the one who publicly complained that the lead of Diary of a Teenage Girl wasn’t, in his eyes, fuckable enough to be a compelling 15 year-old protagonist.)  Jeff Wells tweeted the following about The Revenant:

And Jeff Wells hasn’t been alone in claiming that only men can truly appreciate The Revenant.  On Overland, Alexandra Heller-Nicholas has an excellent post about this line of male critical thought.  Now, speaking for myself, I liked The Revenant a lot more than Heller-Nicholas apparently did.  But, at the same time, she hits the nail on the head when it comes to this idea that The Revenant is a film so intense and so full of agony that only men could possibly enjoy it.  Much like her, I felt as if “critics” like Jeff Wells and Rolling Stone‘s Peter Travers were personally challenging me, as a woman, to actually sit through The Revenant without running from the theater in disgust or hiding my eyes in terror.

And, quite frankly, that’s bullshit.  Yes, The Revenant is intense and yes, I did have a bit of a hard time watching that bear maul Leonardo DiCaprio but, at the same time, how would Jeff Wells or Peter Travers handle being mauled by a bear?  For that matter, how would either one of them handle being in a high-speed chase or being shot at?  Would either one of them be able to outrun an explosion or do any of the other stuff that regularly happens in films that supposedly only appeal to men?

(For that matter, how would Jeff Wells or Peter Travers handle monthly menstrual cramps or giving birth or anything else that women have to deal with in the real world?  I imagine they’d probably end up begging the bear to finish them off.)

And really, the whole point of The Revenant is that most human beings (regardless of gender) would not have survived being mauled by a bear or being buried alive or spending months exposed to the harsh wilderness or having pieces of their body start to decay.  These are all things that happen to hunter Hugh Glass (Leonardo DiCaprio) over the course of The Revenant and the film suggests that the only reason he survives is because he’s driven by a desire for revenge.  When Glass’s fellow hunter, the gruff Fitzgerald (Tom Hardy), decided to abandon Glass, he also murdered Glass’s son, Hawk.  Still immobilized by his wounds, Glass could only watch as Hawk was brutally killed.

(Interestingly enough, Fitzgerald is like Glass in that he has also survived a terrible injury.  Fitzgerald regularly wears a skullcap to hide the fact that he was scalped in the past.  In many ways, Fitzgerald is almost a shadow of Glass.  Glass has his son to remind him of what it means to be human but Fitzgerald has no one.  And after Hawk is murdered, neither does Glass.)

Though the film focused on Glass’s struggle to survive until he could again track down the men who abandoned him, I have to admit that my main concern was with the character of Jim Bridger (Will Poulter).  Bridger, after all, agreed to stay behind with Glass and Fitzgerald and to make sure that Glass received a proper burial after succumbing to his wounds.  Bridger was not present when Fitzgeralnd killed Hawk and buried Glass alive and expressed remorse after being falsely told that Glass was dead.  Still, The Revenant is a revenge flick and, as I watched, I found myself wondering if Glass would forgive Bridger or if he would take vengeance even on someone who was merely misguided.  (If you’ve ever seen a 70s revenge flick, you know that even sincere remorse is usually not enough to avoid being punished.)  Since the film continually asks whether or not Glass can survive without sacrificing his humanity, how he handles Bridger is one of the most important scenes in the film.

The Revenant opens with an absolutely terrifying sequence in which a group of hunters is slaughtered by a Native American tribe and it maintains that intensity through the entire film.  DiCaprio, Hardy, and Poulter all give excellent performances and special mention should also be made of Domhnall Gleeson, who plays the upright but ineffectual leader of the hunting party and for whom 2015 was a helluva year.  (Along with appearing in The Revenant, Gleeson also appeared in Brooklyn, Ex Machina, and Star Wars: The Force Awakens. )  It’s not always an easy film to watch (though, for me, the close-up of a wound oozing puss was a lot more unsettling than that bear mauling Glass) and there’s a few scenes where director Alejandro Inarritu gives in to his more pretentious tendencies but, for the most part, The Revenant is never less than watchable.

The Revenant is currently an Oscar front-runner.  Last night, it beat the highly hyped Spotlight at the Golden Globes.  Personally, as good as the film is, I think there are a lot of films that deserve a best picture nomination more than The Revenant.  It’s been a great year for film, after all.  That said, I do think The Revenant is definitely an improvement on Inarritu’s previous Oscar winner, Birdman.

The Revenant is an intense and harrowing film that can be seen and appreciated (or, for that matter, disliked) by anyone.  Don’t let anyone tell you differently!