Brad reviews THE FIRM (1993), starring Tom Cruise!


In honor of Tom Cruise’s 63rd birthday, I decided to watch THE FIRM, which is based on the 1991 novel from author John Grisham. Cruise stars as the brilliant Harvard law graduate Mitch McBride, who convinces his wife Abby (Jeanne Tripplehorn) to move to Memphis, TN, so he can join the prestigious Memphis law firm of Bendini, Lambert & Locke. With the help of his veteran mentor Avery Tolar (Gene Hackman), Mitch seems to be excelling at his job, and everything is just so perfect. Unfortunately, the good times don’t last as Mitch starts to notice some suspicious stuff going on with the firm, beginning with the mysterious deaths of two of his fellow attorneys. He’s soon approached by FBI agents, led by Wayne Tarrance (Ed Harris), who tell him that there are nefarious deeds taking place at the firm, including the laundering of money for the Chicago mob. When Mitch starts questioning the activities of the firm, he finds himself the subject of blackmail and intimidation from the firm’s security officer William Devasher (Wilford Brimley) because the firm will do anything to protect its secrets. Mitch is soon caught between betraying his corrupt employers, who are threatening to kill him, and the FBI, who is pressuring him to expose the firm’s criminal activities. Not wanting to lose his life, go to jail, or get disbarred, Mitch devises an extremely risky plan to outsmart the firm and the FBI, but is even he brilliant enough to pull this one off?!

Back in the early 90’s, it seemed that every other movie being released was adapted from a John Grisham novel, and the very first of those adaptations was THE FIRM in 1993. Extremely successful at the box office, THE FIRM grossed over $270 million worldwide, setting the stage for five new movies based on Grisham novels over the next five years. THE FIRM was not only financially successful, it’s also an extremely effective movie that showcases a 30-year-old Tom Cruise at his very best. Director Sydney Pollack crafted a creepy and paranoid thriller, using a slow-burn buildup that relies on Cruise’s ability to believably go from naïve and starstruck at the beginning, to scared and desperate during the middle portion of the film, and ultimately to resourceful and intelligent at the end, as he navigates the dangerous situations he finds himself in. It’s a dynamic, intense performance, and even with a huge supporting cast of excellent actors around him, Cruise dominates every frame of this film. Other performances that stand out to me are Jeanne Tripplehorn as Mitch’s wife Abby, Wilford Brimley as the firm’s enforcer, Gary Busey and Holly Hunter as a private investigator and his administrative assistant from Little Rock, and David Strathairn as Mitch’s jailbird brother in Arkansas. Gene Hackman is good in his role as Mitch’s corrupted mentor Avery Tolar, but his character is not one of my favorites from the legendary actor. His character has accepted his corruption and learned to cope with it over the years through alcohol and womanizing, just so he can keep making the money. He knows better and that’s the part that ultimately makes him the most pathetic. Ed Harris is also good in the film as the FBI Agent, but his character is kind of an asshole, and it’s fun to see Mitch outsmart him.

I also like the Memphis, Tennessee locations showcased in THE FIRM, locations that I’ve been to many times, such as Beale Street, Mud Island, and The Peabody Hotel. Early in the movie, Cruise’s character flips right along with the “Beale Street flippers,” popular Beale Street entertainers who perform nightly for tips. I’ve given them some of my cash over the years! And the chase sequence that starts at Mud Island and spills over into downtown Memphis is one of the most exciting parts of the movie. My home state of Arkansas even gets in on the action when Mitch meets FBI agent Wayne Tarrance at the Southland Greyhound Park located in West Memphis, Arkansas. The greyhound race track no longer exists at that location, as the final dog race was held on December 31, 2022. The site has now become the Southland Casino, one of three operating casinos in Arkansas, with the other two being the Oaklawn Casino in Hot Springs and The Saracen Casino in Pine Bluff. I also like the fact that the sleazy private investigator, played by Gary Busey, is from Little Rock, Arkansas. I commute to Little Rock daily to work at my accounting and tax firm, and it’s fun imagining that there could be an “Eddie Lomax” somewhere around here.

THE FIRM may not be a perfect film… some fat could have been trimmed out as it runs for over two and a half hours, a lot of time for a “thriller;” and while effective on paper, I also can’t help but wonder if the resolution would have worked quite as well in real life as it’s portrayed in the film. I still love the movie and consider it to be one of Tom Cruise’s best. I revisit it quite often, and I’m glad his birthday gave me another excuse to watch it again today!

At Close Range (1986, directed by James Foley)


Brad Whitewood, Sr. (Christopher Walken) is known as Big Brad, a rural crime lord who rules the backwoods of Pennsylvania.  When his son, Little Brad (Sean Penn, trying too hard to be James Dean), comes to live with him, Big Brad goes out of his way to try to bring the teenager into his criminal lifestyle.  At first, Little Brad loves being a part of the family business but witnessing a murder and falling in love with Terry (Mary Stuart Masterson) caused Little Brad to start to move away from his father.  With the FBI closing in on the Whitewood family, Brad Sr. starts to eliminate everyone who he considers to be a threat, including the members of his own family.

Based on a true story, this neo-noir features a great cast, including Chris Penn, Millie Perkins, Kiefer Sutherland, Crispin Glover, David Strathairn, Tracey Walter, and Mary Stuart Masterson.  Unfortunately, the movie itself moves at a plodding pace.  There are some good and disturbing scenes, like the montage where Big Brad starts to eliminate the members of his gang.  The film does a good job of showing how seductive Big Brad’s criminal lifestyle can be to a bunch of kids who have basically been written-off by society.  But the story itself is so bleak that most people will end up tuning out long before Little Brad finally turns against his father.

Whatever other flaws it may have, At Close Range does feature one of Christopher Walken’s best performances.  Walken is chillingly evil as Big Brad.  He’s got enough charisma to be believable as someone who could bring a gang together but he’s also frightening as he starts killing anyone who he thinks might talk to the police or the FBI.  Big Brad is a remorseless killer and Walken plays him as being a classic sociopath, someone who cannot understand why the members of his gang and family would get upset when he starts killing some of them.  To Big Brad, that just goes with the territory.  It’s a part of doing business.  With his distinct way of speaking and his trademark tics, Walken is someone who has inspired many impersonators and it can be easy to forget that he’s also a damn good actor.  Films like At Close Range remind us of just how talented Walken actually is.

Lisa Marie Reviews An Oscar Winner: Nomadland (dir by Chloe Zhao)


In 2020’s Nomadland, Frances McDormand stars as Fern.

Fern had a job working in an U.S. Gypsum plant in Nevada but, after years of steady employment, she’s laid off.  Recently widowed and struggling to pay the bills, Fern sells almost everything that she owns and moves into a van.  She travels across the country, taking work where she can find it and hanging out at other camps with self-styled “nomads.”  She meets Bob Wells, the real-life guru of the van-dwelling, nomad lifestyle.  She forms cautious friendships with other people who have decided to spend their lives in their vans, traveling from one location to another.  Some of them are people who have fallen on hard times.  Some of them are just people who don’t want to be tied down.  One thing that becomes clear about Fern is that, while she’s a kind and caring soul, she’s also not one to allow people to get too close to her.  She values her independence.

The film becomes a portrait of people who have been largely forgotten by conventional society but who have created a society of their own.  (Fern may occasionally work at an Amazon warehouse but one gets the feeling that she would never order anything from there herself.)  The film centers on Frances McDormand’s performance as Fern but most of the people that she meets are played by actual nomads.  Director Chloe Zhao directs in documentary fashion, emphasizing the natural beauty of America and the lined but strong faces of people who are determined to live life their own way.

Nomadland can seem like a curious best picture winner.  It’s almost plotless and, at time, the film itself can seem a bit heavy-handed in its portrayal of the nomad lifestyle.  (I value my independence but I doubt that I could handle living in a van.  And, even if I could handle it, I wouldn’t want to.)  Even though it’s only been a few years since Nomadland won its Oscar, it sometimes seems as if it’s become one of the forgotten Best Picture winners.  Some of that is because Nomadland won during the COVID pandemic, at a time when the release a lot of the films that were expected to be big Oscar contenders (like West Side Story and Top Gun: Maverick) were moved back so they could be released in theaters.  While Nomadland did get a limited theatrical release, most people who watched it did so on Hulu.  The 2020 Best Picture nominees were films that probably would not have been nominated in a different year and Nomadland, with its cinema verité style, is far more lowkey than the typical dramatic Oscar winner.  Fairly or not, the film’s reputation has also suffered due to the failure of director Chloe Zhao’s The Eternals.  Nomadland is perhaps now best known as being a part of a cautionary tale about what happens when a director makes an acclaimed film and then gets hired to do a Marvel movie.

(You have to feel bad for Chloe Zhao, who was the second woman to win the Oscar for Best Director but who was given the award as a part of perhaps the worst ceremony in the history of the Oscars.  So determined were the producers to end on the triumphant note of Chadwick Boseman receiving a posthumous Oscar that both Zhao and Nomadland‘s victories were treated as distractions.  And then, of course, Boseman didn’t even win the Oscar.  It was an awkward night all around.)

That said, I can understand why Nomadland was embraced when it was released.  It came out at a time when people were not only scared of getting COVID but also having to deal with the government’s heavy-handed approach to dealing with the pandemic.  Living off the grid and away from society was something that looked very attractive to a lot of people back then.  Future film students may be confused as to why Nomadland was so honored but it was definitely a film of its time.  People forget (or willfully choose to ignore) how crazy things felt during the pandemic.  When Fran told the world to leave her alone, she spoke for many.

 

Retro Television Review: Miami Vice 2.4 “Out Where The Buses Don’t Run”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show is currently streaming on Tubi!

This week, we learn the cost of working Vice.

Episode 2.4 “Out Where The Buses Don’t Run”

(Dir by Jim Johnston, originally aired on October 18th, 1985)

This is it.  This is the episode that is regularly cited as being one of the best, if not the best, episodes that Miami Vice ever aired.  Out Where The Buses Don’t Run takes a look at the psychological costs of spending one’s life obsessing on crime and justice.  What starts out as a comedy turns into the bleakest episode of the show so far.

Things get off to a great start, with Crockett and Tubbs pursuing a drug dealer on the beach.  While The Who’s Baba O’Riley plays on the soundtrack, the dealer roller skates down a sidewalk and a preacher (played by Little Richard) sends his young congregation out to collect money.  As Crockett and Tubbs wait for their chance to arrest the dealer, someone watches them from a nearby window and takes pictures.  Crockett asks Tubbs if he ever gets the feeling that he’s being watched.

The man taking the pictures turns out to be Hank Weldon (Bruce McGill), a former Vice cop who quit the force six years prior when a case that he had spent three years making fell apart and a drug lord was set free on a technicality.  The drug lord vanished after the case against him was thrown out and it’s assumed that he was murdered by his associates.  Hank, however, insists that the drug lord is still alive and he’s returned to Miami.  He wants Crockett and Tubbs to help him finally catch the criminal that evaded him all those years before.

A quick check with Weldon’s former partner, Marty Lang (David Strathairn), reveals that Weldon left the force after he had a nervous breakdown and he’s spent the past few years in a mental facility.  The loud and flamboyant Weldon is obviously still unstable but Crockett and Tubbs cannot shake the feeling that he might know what he’s talking about.

And, as is revealed at this end of this episode, they’re right …. kind of.  Weldon does know where the missing drug lord is.  The drug lord is walled up in an abandoned building.  He’s been there since 1979.  At the end of episode, with Tubbs, Crockett, Castillo, and Lang watching, Weldon tears down the wall and reveals the decayed skeleton of the drug lord.  Weldon announces that he murdered him and walled him up.  Lang then reveals that he helped.

“He was my partner,” Lang says, “Understand?”

Crockett understands and the audience understands as well.  When Weldon’s obsession drove him crazy, Lang was the only one to whom he could turn.  And Lang, being his partner, was the only one who understood how he felt.  Lang may have been a cop but his number one loyalty was to his partner, just as Crockett’s number one loyalty will always be to Tubbs.

As played by Bruce McGill, Hank Weldon goes from being a cheerful eccentric to a bitter and paranoid lunatic to, finally, a man who can no longer stand to hide what he’s done.  It’s an excellent performance that keeps the audience guessing.  He may be a murderer and he’s obviously still unstable but your heart can’t help but break for him.  The combination of Jim Johnston’s moody direction, a perfect collection of songs on the soundtrack, and the performances of Bruce McGill and David Strathairn really do come together to make this an excellent episode.  In the end, it’s hard not to feel that Crockett and Tubbs are both one step away from becoming Weldon and Lang themselves.

Lisa Marie Reviews An Oscar Nominee: Nightmare Alley (dir by Guillermo del Toro)


In March, CODA won the Oscar for Best Picture.

By May, I think most people had forgotten about it.

I point this out not to be snarky about CODA (which, for the most part, I found to be a well-made and sweet-natured movie) but to just point out that occasionally, the Oscar for Best Picture Of The Year does not go to the nominee that’s necessarily going to be remembered and watched by future generations.  CODA’s victory is not a travesty, regardless of what some members of Film Twitter insisted.  This isn’t like when Green Book won.  It’s just that CODA seems to be destined to be remembered in much the same way that we remember Argo and Spotlight, i.e. a well-made and well-acted film that gets the job done but don’t necessarily stick around in your mind for long after you watch it.

In fact, looking back at all of the 2021 Best Picture nominees, the one that has really stuck with me is Guillermo del Toro’s Nightmare Alley.

Nightmare Alley tells the story of Stan Carlisle (Bradley Cooper), a drifter who, in 1939, gets a job with a carnival.  Stan is running from his past.  He’s haunted by visions and dreams of a dying old man and a burning farm house.  When we first meet him, he avoids alcohol which is perhaps a good thing as getting drunk at the carnival just makes someone easier to exploit and, ultimately, the carnival is all about exploitation.  The carnival’s owner, Clem (Willem DaFoe), specializes in tricking alcoholics into becoming opium-addicted “geeks,” who bite the heads off of chickens for gawking country audiences.

It’s not a glamorous life but it’s one that allows Stan to hide from his past.  He comes under the tutelage of Madame Zeena (Toni Collette) and her husband, Pete (David Straithairn).  They teach him how to give “cold readings,” and Stan proves to be an eager student.  Pete tells Stan to never pretend to be able to speak to the dead and, from the minute that Pete says it, we can tell that Stan is already thinking about how much money he could make by doing just that.  Stan also appears to fall in love with Molly (Rooney Mara), a performer whose act involves a fake electric chair.  When Stan eventually abandons the carnival, Molly goes with him.  When Stan finds success as a fake medium, Molly is his assistant.

Stan becomes quite a success in Buffalo, trading in his shabby clothes and his unshaven appearance for a tuxedo and suave mustache.  With success comes arrogance and Stan soon ignore what Pete told him about pretending to be able to speak to the dead.  When Stan meets a psychologist named Dr. Lillian Rith (Cate Blanchett), he gets involved in a plot to con a judge who is still mourning for his deceased son.  It also leads to Stan meeting a corrupt and murderous businessman (Richard Jenkins).  Ignoring Pete’s lesson sets off a chain of events that leads Stan right back to where he started.

There’s something wonderfully subversive about taking Bradley Cooper, a legitimate movie star who is probably one of the most personable and likable actors working today, and casting him as such a sleazy character.  This isn’t a case, as in American Hustle or even The Hangover movies, where Cooper is playing a goof who gets in over his head.  Instead, Stan is someone who uses his eager manner and his natural charm to cover up the fact that he’s hollow on the inside.  Watching the film, you’re never quite sure as to whether or not Stan truly cares about any of the people who come into his life.  Does he love Molly or is he just using her?  Does he care about his friends from the carnival or is he just manipulating them into acting as a shield to keep out his former life?  When he goes against Pete’s lessons about pretending to speak to the dead, is he motivated by greed or arrogance?  Or does he truly want to believe that he’s somehow become the all-powerful psychic that he pretends to be?  Stan becomes a success because he knows how to con everyone but eventually, he meets someone who is even emptier than he is.  Ultimately, Stan cons himself.  He tricks himself into believing that he’s more clever than he actually is and he ends up facing the fate that he secretly always knew was waiting for him.  Cooper gives an outstanding performance as Stan.  Both he and del Toro cleverly play with what audiences expect when they see Bradley Cooper onscreen.  In the end, the film suggests that not even charm can ward off karma.

Nightmare Alley is work of what Lucio Fulci called “pure cinema,” one in which the imagery and the emotions generated by that imagery is even more important than the story itself.  The sets, whether it’s the carnival or Dr. Ritter’s office or the Buffalo ballroom where Stan cons the wealthy, are large and ornate.  The cinematography is gorgeous.  The supporting performances are arch and witty.  Cate Blanchett’s and Rooney Mara’s costumes are to die for.  Nearly every shot feels as if it could have been lifted from a particularly vivid dream.  Guillermo del Toro’s love of cinema is evident in every frame of Nightmare Alley.  It’s a film that celebrates the grandeur and the power of imagination and also warns about the destructive power of hubris.  Despite the fact that del Toro has gone on the record saying that there’s nothing supernatural about Nightmare Alley, it’s still a wonderful film for the Halloween season.  The costumes are beautiful and the final third of the movie plays like an homage to the classic German expressionistic horror films, with Blanchett playing her role as a mix of Dr. Caligari and a classic noir feeme fatale.  Nightmare Alley is a big, flamboyant, and unforgettable work of pure cinema and, looking back, it’s my favorite film of 2021.

It’s a film that stays with you.

Nomadland Wins At The Satellite Awards


Here’s what won at the Satellite Awards on the 15th.  I apologize for being a bit late in posting this but the weather conspired to keep me from watching the Satellite Awards.

Actually, did anyone watch the Satellite Awards?  Does anyone even know who is even giving these things out?

Well, regardless, here’s what won in the film categories:

SPECIAL ACHIEVEMENT AWARD RECIPIENTS

Mary Pickford Award: Tilda Swinton
Tesla Award: Dick Pope
Auteur Award: Emerald Fennell – Promising Young Woman
Best First Feature: Channing Godfrey Peoples – Miss Juneteenth
Stunt Performance Award: Gaëlle Cohen
Humanitarian Award: Mark Wahlberg
Ensemble Motion Picture: The Trial of the Chicago 7
Ensemble Television: The Good Lord Bird

Actress in a Motion Picture Drama
Carey Mulligan – Promising Young Woman
Frances McDormand – Nomadland
Vanessa Kirby – Pieces of a Woman
Viola Davis – Ma Rainey’s Black Bottom
Kate Winslet – Ammonite
Sophia Loren – The Life Ahead

Actor in a Motion Picture Drama 
Anthony Hopkins – The Father
Delroy Lindo – Da 5 Bloods
Riz Ahmed – Sound of Metal
Steven Yeun – Minari
Chadwick Boseman – Ma Rainey’s Black Bottom
Gary Oldman – Mank

Actress in Motion Picture, Comedy or Musical 
Meryl Streep – The Prom
Rashida Jones – On the Rocks
Margot Robbie – Birds of Prey
Michelle Pfeiffer – French Exit
Maria Bakalova – Borat Subsequent Moviefilm
Anya Taylor-Joy – Emma

Actor in Motion Picture, Comedy or Musical
Andy Samberg – Palm Springs
Lin-Manuel Miranda – Hamilton
Dev Patel – The Personal History of David Copperfield
Sacha Baron Cohen – Borat Subsequent Moviefilm
Leslie Odom Jr. – Hamilton

Actress in a Supporting Role
Amanda Seyfried – Mank
Olivia Colman – The Father
Yuh-Jung Youn – Minari
Ellen Burstyn – Pieces of a Woman
Nicole Kidman – The Prom
Helena Zengel – News of the World

Actor in a Supporting Role
Brian Dennehy – Driveways
David Strathairn – Nomadland
Sacha Baron Cohen – The Trial of the Chicago 7
Chadwick Boseman – Da 5 Bloods
Kingsley Ben-Adir – One Night in Miami
Bill Murray – On the Rocks

Motion Picture, Drama
Nomadland
The Trial of the Chicago 7
The Father
Promising Young Woman
Minari
Ma Rainey’s Black Bottom
Tenet
Sound of Metal
One Night in Miami
Miss Juneteenth

Motion Picture, Comedy or Musical 
On the Rocks
Hamilton
Borat Subsequent Moviefilm
Palm Springs
The Personal History of David Copperfield
The Forty-Year-Old Version

Motion Picture, International
Another Round
Tove
A Sun
Two of Us
Jallikattu
I’m No Longer Here
Atlantis
My Little Sister
La Llorona

Motion Picture, Animated or Mixed Media
Over the Moon
Soul
Wolfwalkers
Demon Slayer-Kimetsu No Yaiba-The Movie: Mugen Train
Accidental Luxuriance of the Translucent Watery Rebus
No. 7 Cherry Lane

Motion Picture, Documentary
Collective
Crip Camp
MLK / FBI
The Dissident
A Most Beautiful Thing
The Truffle Hunters
Acasa, My Home
Coup 53
Gunda
Circus of Books

Director
Aaron Sorkin – The Trial of the Chicago 7
Chloé Zhao – Nomadland
David Fincher – Mank
Darius Marder – Sound of Metal
Lee Isaac Chung – Minari
Florian Zeller – The Father

Screenplay, Original
Lee Isaac Chung – Minari
Aaron Sorkin – The Trial of the Chicago 7
Jack Fincher – Mank
Pete Docter, Mike Jones & Kemp Powers – Soul
Andy Siara – Palm Springs
Emerald Fennell – Promising Young Woman

Screenplay, Adapted
Ruben Santiago-Hudson – Ma Rainey’s Black Bottom
Christopher Hampton & Florian Zeller – The Father
Jessica Bruder & Chloe Zhao – Nomadland
Kemp Powers – One Night in Miami
Edoardo Ponti – The Life Ahead
Luke Davies & Paul Greengrass – News of the World

Original Score
Ludwig Goransson – Tenet
Trent Reznor & Atticus Ross – Mank
Alexandre Desplat – The Midnight Sky
James Newton Howard – News of the World
Emile Mosseri – Minari
Terence Blanchard – One Night in Miami

Original Song
“Io Si” – The Life Ahead
“Hear My Voice” – The Trial of the Chicago 7
“Rocket to the Moon” – Over the Moon
“Speak Now” – One Night in Miami
“Everybody Cries” – The Outpost
“The Other Side” – Trolls World Tour

Cinematography
The Midnight Sky
Nomadland
Mank 
News of the World
One Night in Miami
Tenet

Film Editing
Nomadland
The Father
The Trial of the Chicago 7
Mank
One Night in Miami
Minari

Sound (Editing and Mixing)
Sound of Metal
Tenet
Mank
The Prom
The Midnight Sky
Nomadland

Visual Effects
The Midnight Sky
Mank
Tenet    
Birds of Prey
Greyhound
Mulan

Art Direction and Production Design
The Personal History of David Copperfield
One Night in Miami
Mank
The Midnight Sky
The Prom
Mulan

Costume Design
Mulan
Emma
Ma Rainey’s Black Bottom
Mank
The Personal History of David Copperfield
One Night in Miami

Here Are the 2020 Satellite Nominations!


If the Golden Globes are the bastard children of the Oscars than the Satellites are the bastard children of the Golden Globes.  And if there’s anything that will always hold true, it’s that bastard children can eventually be accepted but bastard grandchildren are always going to struggle.  That’s my fancy way of saying that the Satellites have been around for 25 years and still, it doesn’t seem like anyone pays them much attention.  It’s also an excuse to use the word bastard 4 times in one paragraph.

Anyway, the Satellites announced their nominees earlier today.  Their film nominees can be found below!  If you want to see what they nominated in the television categories, check it out for yourself at their site!

SPECIAL ACHIEVEMENT AWARD RECIPIENTS

Mary Pickford Award: Tilda Swinton
Tesla Award: Dick Pope
Auteur Award: Emerald Fennell – Promising Young Woman
Best First Feature: Channing Godfrey Peoples – Miss Juneteenth
Stunt Performance Award: Gaëlle Cohen
Humanitarian Award: Mark Wahlberg
Ensemble Motion Picture: The Trial of the Chicago 7
Ensemble Television: The Good Lord Bird

NOMINEES FOR MOTION PICTURE

Actress in a Motion Picture Drama
Carey Mulligan – Promising Young Woman
Frances McDormand – Nomadland
Vanessa Kirby – Pieces of a Woman
Viola Davis – Ma Rainey’s Black Bottom
Kate Winslet – Ammonite
Sophia Loren – The Life Ahead

Actor in a Motion Picture Drama
Anthony Hopkins – The Father
Delroy Lindo – Da 5 Bloods
Riz Ahmed – Sound of Metal
Steven Yeun – Minari
Chadwick Boseman – Ma Rainey’s Black Bottom
Gary Oldman – Mank

Actress in Motion Picture, Comedy or Musical
Meryl Streep – The Prom
Rashida Jones – On the Rocks
Margot Robbie – Birds of Prey
Michelle Pfeiffer – French Exit
Maria Bakalova – Borat Subsequent Moviefilm
Anya Taylor-Joy – Emma

Actor in Motion Picture, Comedy or Musical
Andy Samberg – Palm Springs
Lin-Manuel Miranda – Hamilton
Dev Patel – The Personal History of David Copperfield
Sacha Baron Cohen – Borat Subsequent Moviefilm
Leslie Odom Jr. – Hamilton

Actress in a Supporting Role
Amanda Seyfried – Mank
Olivia Colman – The Father
Yuh-Jung Youn – Minari
Ellen Burstyn – Pieces of a Woman
Nicole Kidman – The Prom
Helena Zengel – News of the World

Actor in a Supporting Role
Brian Dennehy – Driveways
David Strathairn – Nomadland
Sacha Baron Cohen – The Trial of the Chicago 7
Chadwick Boseman – Da 5 Bloods
Kingsley Ben-Adir – One Night in Miami
Bill Murray – On the Rocks

Motion Picture, Drama
Nomadland
The Trial of the Chicago 7
The Father
Promising Young Woman
Minari
Ma Rainey’s Black Bottom
Tenet
Sound of Metal
One Night in Miami
Miss Juneteenth

Motion Picture, Comedy or Musical
On the Rocks
Hamilton
Borat Subsequent Moviefilm
Palm Springs
The Personal History of David Copperfield
The Forty-Year-Old Version

Motion Picture, International
Another Round
Tove
A Sun
Two of Us
Jallikattu
I’m No Longer Here
Atlantis
My Little Sister
La Llorona

Motion Picture, Animated or Mixed Media
Over the Moon
Soul
Wolfwalkers
Demon Slayer-Kimetsu No Yaiba-The Movie: Mugen Train
Accidental Luxuriance of the Translucent Watery Rebus
No. 7 Cherry Lane

Motion Picture, Documentary
Collective
Crip Camp
MLK / FBI
The Dissident
A Most Beautiful Thing
The Truffle Hunters
Acasa, My Home
Coup 53
Gunda
Circus of Books

Director
Aaron Sorkin – The Trial of the Chicago 7
Chloé Zhao – Nomadland
David Fincher – Mank
Darius Marder – Sound of Metal
Lee Isaac Chung – Minari
Florian Zeller – The Father

Screenplay, Original
Lee Isaac Chung – Minari
Aaron Sorkin – The Trial of the Chicago 7
Jack Fincher – Mank
Pete Docter, Mike Jones & Kemp Powers – Soul
Andy Siara – Palm Springs
Emerald Fennell – Promising Young Woman

Screenplay, Adapted
Ruben Santiago-Hudson – Ma Rainey’s Black Bottom
Christopher Hampton & Florian Zeller – The Father
Jessica Bruder & Chloe Zhao – Nomadland
Kemp Powers – One Night in Miami
Edoardo Ponti – The Life Ahead
Luke Davies & Paul Greengrass – News of the World

Original Score
Ludwig Goransson – Tenet
Trent Reznor & Atticus Ross – Mank
Alexandre Desplat – The Midnight Sky
James Newton Howard – News of the World
Emile Mosseri – Minari
Terence Blanchard – One Night in Miami

Original Song
“Io Si” – The Life Ahead
“Hear My Voice” – The Trial of the Chicago 7
“Rocket to the Moon” – Over the Moon
“Speak Now” – One Night in Miami
“Everybody Cries” – The Outpost
“The Other Side” – Trolls World Tour

Cinematography
The Midnight Sky
Nomadland
Mank
News of the World
One Night in Miami
Tenet

Film Editing
Nomadland
The Father
The Trial of the Chicago 7
Mank
One Night in Miami
Minari

Sound (Editing and Mixing)
Sound of Metal
Tenet
Mank
The Prom
The Midnight Sky
Nomadland

Visual Effects
The Midnight Sky
Mank
Tenet
Birds of Prey
Greyhound
Mulan

Art Direction and Production Design
The Personal History of David Copperfield
One Night in Miami
Mank
The Midnight Sky
The Prom
Mulan

Costume Design
Mulan
Emma
Ma Rainey’s Black Bottom
Mank
The Personal History of David Copperfield
One Night in Miami

The Denver Film Critics Society Honors The Trial of The Chicago 7


Somehow, I guess I missed the Denver Film Critics Society announcing their nominations.  Oh well, no worries!  We’ve got both their nominations and their winners listed below!  (The winners are in bold.)

The Denver Film Critics Society decided to buck the trend a little bit by giving their best picture award to Aaron Sorkin’s The Trial of the Chicago 7 as opposed to Nomadland.  However, they still gave their best director award to Chloe Zhao.  For some reason, I wouldn’t be surprised to see the same thing happen at the Oscars.  In fact, if The Trial of The Chicago 7 does somehow win best picture, I’m hoping that Zhao or someone other than Sorkin win Best Director.  There’s only so many Aaron Sorkin speeches that one can take during the course of one night.

Among the other winners in Denver: Carey Mulligan won Best Actress of Promising Young Woman, Chadwick Boseman took Best Actor for Ma Rainey’s Black Bottom, Ellen Burstyn won Best Supporting Actress for Pieces of a Woman while Sacha Baron Cohen won Best Supporting Actor for The Trial of the Chicago 7.

Here’s the full list:

Best Picture
“Minari”
“Nomadland”
“The Trial of the Chicago 7”
“First Cow”
“Soul”

Best Director
Chloe Zhao – “Nomadland”
David Fincher – “Mank”
Aaron Sorkin – “The Trial of the Chicago 7”
Pete Docter – “Soul”
Lee Isaac Chung – “Minari”

Best Actress
Frances McDormand – “Nomadland”
Viola Davis – “Ma Rainey’s Black Bottom”
Carey Mulligan – “Promising Young Woman”
Elisabeth Moss – “The Invisible Man”
Vanessa Kirby – “Pieces of a Woman”

Best Actor
Chadwick Boseman – “Ma Rainey’s Black Bottom”
Gary Oldman – “Mank”
Delroy Lindo – “Da 5 Bloods”
Riz Ahmed – “Sound of Metal”
Steven Yuen – “Minari”

Best Supporting Actress
Olivia Colman – “The Father”
Amanda Seyfried – “Mank”
Ellen Burstyn – “Pieces of a Woman”
Youn Yuh-jung – “Minari”
Maria Bakalova – “Borat Subsequent Moviefilm”

Best Supporting Actor
Bill Murray – “On the Rocks”
Chadwick Boseman – “Da 5 Bloods”
Bo Burnham – “Promising Young Woman”
David Strathairn – “Nomadland”
Sacha Baron Cohen – “The Trial of the Chicago 7”

Best Sci-Fi/Horror
“The Vast of Night”
“Possessor”
“The Invisible Man”
“Tenet”
“Freaky”

Best Animated Feature
“Wolfwalkers”
Soul”
“The Wolf House”
“Onward”
“Over the Moon”

Best Comedy
“The Personal History of David Copperfield”
“The Climb”
“Palm Springs”
“Birds of Prey”
“The Forty-Year-Old Version”

Best Visual Effects
“Tenet”
“The Midnight Sky”
“The Invisible Man”
“Greyhound”
“Birds of Prey”

Best Original Screenplay
Aaron Sorkin – “The Trial of the Chicago 7”
Radha Blank – “The Forty-Year-Old Version”
Pete Docter, Mike Jones & Kemp Powers – “Soul”
Lee Isaac Chung – “Minari”
Emerald Fennell – “Promising Young Woman”

Best Adapted Screenplay
Jonathan Raymond & Kelly Reichardt – “First Cow”
Chloe Zhao – “Nomadland”
Ruben Santiago-Hudson – “Ma Rainey’s Black Bottom”
Kemp Powers – “One Night in Miami”
Charlie Kaufman – “I’m Thinking of Ending Things”

Best Documentary
“Boys State”
“All In: The Fight for Democracy”
“The Social Dilemma”
“The Truffle Hunters”
“Dick Johnson Is Dead”

Best Original Song
“Poverty Porn” – “The Forty-Year-Old Version”
“Speak Now” – “One Night in Miami”
“Wear Your Crown” – “The Prom”
“Rocket to the Moon” – “Over the Moon”
“Hear My Voice” – “The Trial of the Chicago 7”

Best Original Score
Trent Reznor and Atticus Ross – “Soul”
Alexander Desplat – “The Midnight Sky”
Terence Blanchard – “One Night in Miami”
Ludwig Goransson – “Tenet”
Trent Reznor and Atticus Ross – “Mank”

Best Non-English Language Feature
“The Life Ahead”
“Martin Eden”
“Another Round”
“Minari”
“I’m No Longer Here”

The San Francisco Bay Area Film Critics Circle Honors Nomadland


Just three days after announcing their nominations, the San Francisco Bay Area Critics Circle have announced their picks for the best of 2020.  Basically, it all adds up to another victory of Nomadland, Chloe Zhao, and Frances McDormand.  Again, there’s nothing wrong with that so don’t mistake my boredom for criticism.  I haven’t watched Nomadland yet but I like Zhao’s The Rider and McDormand is one of the best actresses around.  It’s just that, from an observer’s point of view, it’s hard not to hope for something unexpected to happen, just to keep things interesting.

Also honored, along with the Nomadland trio, were Chadwick Boseman (Best Actor for Ma Rainey’s Black Bottom), Paul Raci (Best Supporting Actor for Sound of Metal), and Youn Yuh-jung (Best Supporting Actress for Minari).  Best Aniamted film went to Soul and, not surprisingly given how the awards season is shaping up, Trent Renzor and Atticus Ross won Best Original Score for that same film.

Here are all the winners in San Francisco:

Best Picture
“First Cow”
“Minari”
“Never Rarely Sometimes Always”
“Nomadland”
“Promising Young Woman”

Best Director
Chloé Zhao – “Nomadland”
Eliza Hittman – “Never Rarely Sometimes Always”
Emerald Fennell – “Promising Young Woman”
Kelly Reichardt – “First Cow”
Lee Isaac Chung – “Minari”

Best Original Screenplay
Aaron Sorkin – “The Trial of the Chicago 7”
Eliza Hittman – “Never Rarely Sometimes Always”
Emerald Fennell – “Promising Young Woman”
Jack Fincher – “Mank”
Lee Isaac Chung – “Minari”

Best Adapted Screenplay
Charlie Kaufman – “I’m Thinking of Ending Things”
Chloé Zhao – “Nomadland”
Kelly Reichardt & Jon Raymond – “First Cow”
Kemp Powers – “One Night in Miami”
Ruben Santiago-Hudson – “Ma Rainey’s Black Bottom”

Best Actor
Anthony Hopkins -“The Father”
Chadwick Boseman – “Ma Rainey’s Black Bottom”
Delroy Lindo – “Da 5 Bloods”
Riz Ahmed – “Sound of Metal”
Steven Yeun -“Minari”

Best Actress
Carey Mulligan – “Promising Young Woman”
Elisabeth Moss – “The Invisible Man”
Frances McDormand – “Nomadland”
Sidney Flanigan – “Never Rarely Sometimes Always”
Viola Davis – “Ma Rainey’s Black Bottom”

Best Supporting Actor
Chadwick Boseman – “Da 5 Bloods”
David Strathairn – “Nomadland”
Leslie Odom Jr. – “One Night in Miami”
Paul Raci – “Sound of Metal”
Sacha Baron Cohen – “The Trial of the Chicago 7”

Best Supporting Actress
Amanda Seyfried – “Mank”
Maria Bakalova – “Borat Subsequent Moviefilm”
Olivia Colman – “The Father”
Toni Collette – “I’m Thinking of Ending Things”
Youn Yuh-jung – “Minari”

Best Animated Feature
“Marona’s Fantastic Tale”
“Onward”
“Over the Moon”
“Soul”
“Wolfwalkers”

Best Foreign Language Film
“Another Round”
“Bacurau”
“Collective”
“La Llorona”
“Two of Us”

Best Documentary
“Collective”
“Crip Camp”
“Boys State”
“The Truffle Hunters”
“Time”

Best Cinematography
Christopher Blauvelt – “First Cow”
Erik Messerschmidt – “Mank”
Hoyte Van Hoytema – “Tenet”
Joshua James Richards – “Nomadland”
Newton Thomas Sigel – “Da 5 Bloods”

Best Production Design
“First Cow”
“Ma Rainey’s Black Bottom”
“Mank”
“One Night in Miami”
“Tenet”

Best Film Editing
Alan Baumgarten – “The Trial of the Chicago 7”
Chloé Zhao – “Nomadland”
Jennifer Lame – “Tenet”
Kirk Baxter – “Mank”
Yorgos Lamprinos – “The Father”

Best Original Score
Emile Mosseri – “Minari”
Terence Blanchard – “Da 5 Bloods”
Terence Blanchard – “One Night in Miami”
Trent Reznor, Atticus Ross – “Mank”
Trent Reznor, Atticus Ross – “Soul”

Special Citation for Independent Cinema
“La Llorona” (TIE)
“The Last Tree”
“Sh*thouse” (TIE)

Here Are The 2020 Nominations of the San Francisco Bay Area Critics Circle!


The San Francisco Bay Area Critics Circle (SFBACC) have announced their nominations for the best of 2020!  It’s pretty much the usual suspects.  Every critics group that does nominations has nominated Nomadland.  It’s pretty much this year’s sure bet.  Usually, when it comes to the regional critics awards, the only real suspense is to whether or not Minari, First Cow, Trial of the Chicago 7 and I’m Thinking of Ending Things are going to pick up best picture nominations as well.  The SFBACC nominated both Minari and First Cow for best picture but not I’m Thinking of Ending Things and Trial of the Chicago 7 (though both did pick up screenplay nominations).

(Realistically, I’m Thinking of Ending Things is probably going to be judged by the Academy to be too strange.  That’s a shame because the Oscars can always use a little bit of strangness.)

The San Francisco winners will be announced on January 18th …. which is only 2 days away!  I guess they really don’t waste any time in the Bay Area.  Here are the nominees:

Best Picture
“First Cow”
“Minari”
“Never Rarely Sometimes Always”
“Nomadland”
“Promising Young Woman”

Best Director
Chloé Zhao – “Nomadland”
Eliza Hittman – “Never Rarely Sometimes Always”
Emerald Fennell – “Promising Young Woman”
Kelly Reichardt – “First Cow”
Lee Isaac Chung – “Minari”

Best Original Screenplay
Aaron Sorkin – “The Trial of the Chicago 7”
Eliza Hittman – “Never Rarely Sometimes Always”
Emerald Fennell – “Promising Young Woman”
Jack Fincher – “Mank”
Lee Isaac Chung – “Minari”

Best Adapted Screenplay
Charlie Kaufman – “I’m Thinking of Ending Things”
Chloé Zhao – “Nomadland”
Kelly Reichardt & Jon Raymond – “First Cow”
Kemp Powers – “One Night in Miami”
Ruben Santiago-Hudson – “Ma Rainey’s Black Bottom”

Best Actor
Anthony Hopkins -“The Father”
Chadwick Boseman – “Ma Rainey’s Black Bottom”
Delroy Lindo – “Da 5 Bloods”
Riz Ahmed – “Sound of Metal”
Steven Yeun -“Minari”

Best Actress
Carey Mulligan – “Promising Young Woman”
Elisabeth Moss – “The Invisible Man”
Frances McDormand – “Nomadland”
Sidney Flanigan – “Never Rarely Sometimes Always”
Viola Davis – “Ma Rainey’s Black Bottom”

Best Supporting Actor
Chadwick Boseman – “Da 5 Bloods”
David Strathairn – “Nomadland”
Leslie Odom Jr. – “One Night in Miami”
Paul Raci – “Sound of Metal”
Sacha Baron Cohen – “The Trial of the Chicago 7”

Best Supporting Actress
Amanda Seyfried – “Mank”
Maria Bakalova – “Borat Subsequent Moviefilm”
Olivia Colman – “The Father”
Toni Collette – “I’m Thinking of Ending Things”
Youn Yuh-jung – “Minari”

Best Animated Feature
“Marona’s Fantastic Tale”
“Onward”
“Over the Moon”
“Soul”
“Wolfwalkers”

Best Foreign Language Film
“Another Round”
“Bacurau”
“Collective”
“La Llorona”
“Two of Us”

Best Documentary
“Collective”
“Crip Camp”
“Boys State”
“The Truffle Hunters”
“Time”

Best Cinematography
Christopher Blauvelt – “First Cow”
Erik Messerschmidt – “Mank”
Hoyte Van Hoytema – “Tenet”
Joshua James Richards – “Nomadland”
Newton Thomas Sigel – “Da 5 Bloods”

Best Production Design
“First Cow”
“Ma Rainey’s Black Bottom”
“Mank”
“One Night in Miami”
“Tenet”

Best Film Editing
Alan Baumgarten – “The Trial of the Chicago 7”
Chloé Zhao – “Nomadland”
Jennifer Lame – “Tenet”
Kirk Baxter – “Mank”
Yorgos Lamprinos – “The Father”

Best Original Score
Emile Mosseri – “Minari”
Terence Blanchard – “Da 5 Bloods”
Terence Blanchard – “One Night in Miami”
Trent Reznor, Atticus Ross – “Mank”
Trent Reznor, Atticus Ross – “Soul”

Special Citation for Independent Cinema
“La Llorona”
“The Last Tree”
“Sh*thouse”