Guilty Pleasure No. 72: The Canyons (dir by Paul Schrader)


It took me a while to appreciate The Canyons.

In fact, it took me so long to appreciate this film that I’m writing a second review it. I initially reviewed The Canyons way back in 2013, the same year that it was released.  I praised Lindsay Lohan’s performance as Tara, an actress who is living with a sociopathic producer named Christian (adult film actor James Deen, who was a bit of a celebrity when this film came out but whose star has dimmed considerably since).  I complained that the film was too slow and that director Paul Schrader seemed to be trying too hard to find some sort of existential meaning within Bret Easton Ellis’s pulpy script.  Though I didn’t really mention it in my initial review, I also felt that rest of the cast was rather dull.  Lohan was great, playing a character to whom she could probably relate.  Deen was stiff but oozed enough charm to be believable as the manipulative Christian.  The rest of the largely unknown cast came across as being dull and somewhat lost.

Though I was nowhere near as critical of The Canyons as some critics, I still was not initially impressed.  I thought of it as being a showcase for Lohan’s attempted comeback and little else.  But I have to admit that The Canyons has stuck with me.  It’s a film that I’ve rewatched more than a few times.  While all of the flaws are still there, I have come to better appreciate the film’s languid decadence.  I’ve come to see that there was a bit more wit to both Ellis’s script and Schrader’s direction than I initially realized.  James Deen’s performance as Christian has grown on me.  I like that he’s a neurotic sociopath.  He’s evil but he’s needy and, though he’ll never admit it, he knows that he’ll be nothing if Tara ever leaves him.  He’s desperate to be loved but he has no idea how to give that love back.

When I first saw the movie, I thought Nolan Funk, who played Tara’s ex-lover, was a bit dull in the role.  Upon subsequent rewatches, I’ve come to see that his dullness is actually very important to the film.  Ryan is written to be boring.  That’s why Tara is drawn to him.  His dullness provides some relief from Christian’s mood swings.  But, because Ryan is so boring, he can also never truly take Christian’s place.  In the end, Ryan still sells out his integrity, first to get a part and then to obsessively check in on Tara.  Ryan and Christian are ultimately revealed to be two sides of the same coin.  Ryan may be “the good guy,” but — in a typical Ellis and Schrader twist — there’s nothing likable or even that good about him.  One gets the feeling that, if had Christian’s money, he would be just as bad.

You really do find yourself feeling sorry for Tara, who is basically trapped between two men who both want to control her.  Lohan’s performance continues to be the strongest things about The Canyons.  There’s a lot of courage to Lohan’s performance, courage that goes beyond taking part in the film’s sex scenes.  Lohan reveals the vulnerability that’s at the heart of Tara.  She’s someone who knows that she needs to escape but she also knows that she’s a creation of Hollywood.  Hollywood is her home and her world and it’s hard to imagine her surviving anywhere else.  Tara is interesting not because she’s trapped but because, in many ways, she would prefer to be trapped to being free.

The film’s flaws are still there, don’t get me wrong.  The Canyons still has a lot of moments that don’t quite work.  The opening scene, where Christian, Ryan, Tara, and Gina (Amanda Brooks, whose performance also improves on repeat viewing) have an awkward dinner, is almost laughably bad.  (In that opening scene, James Deen delivers his dialogue like Dirk Diggler in Angels Live In my Town.)  That said, this is a trashy and colorful movie that does stick with you.  You might not want it to stick with you but it does!  It’s portrayal of sexual decadence and neurotic Hollywood players is far more entertaining than it has any right to be.  It may not be a great film but it is one that’s a bit more interesting than many originally thought.

Previous Guilty Pleasures

  1. Half-Baked
  2. Save The Last Dance
  3. Every Rose Has Its Thorns
  4. The Jeremy Kyle Show
  5. Invasion USA
  6. The Golden Child
  7. Final Destination 2
  8. Paparazzi
  9. The Principal
  10. The Substitute
  11. Terror In The Family
  12. Pandorum
  13. Lambada
  14. Fear
  15. Cocktail
  16. Keep Off The Grass
  17. Girls, Girls, Girls
  18. Class
  19. Tart
  20. King Kong vs. Godzilla
  21. Hawk the Slayer
  22. Battle Beyond the Stars
  23. Meridian
  24. Walk of Shame
  25. From Justin To Kelly
  26. Project Greenlight
  27. Sex Decoy: Love Stings
  28. Swimfan
  29. On the Line
  30. Wolfen
  31. Hail Caesar!
  32. It’s So Cold In The D
  33. In the Mix
  34. Healed By Grace
  35. Valley of the Dolls
  36. The Legend of Billie Jean
  37. Death Wish
  38. Shipping Wars
  39. Ghost Whisperer
  40. Parking Wars
  41. The Dead Are After Me
  42. Harper’s Island
  43. The Resurrection of Gavin Stone
  44. Paranormal State
  45. Utopia
  46. Bar Rescue
  47. The Powers of Matthew Star
  48. Spiker
  49. Heavenly Bodies
  50. Maid in Manhattan
  51. Rage and Honor
  52. Saved By The Bell 3. 21 “No Hope With Dope”
  53. Happy Gilmore
  54. Solarbabies
  55. The Dawn of Correction
  56. Once You Understand
  57. The Voyeurs 
  58. Robot Jox
  59. Teen Wolf
  60. The Running Man
  61. Double Dragon
  62. Backtrack
  63. Julie and Jack
  64. Karate Warrior
  65. Invaders From Mars
  66. Cloverfield
  67. Aerobicide 
  68. Blood Harvest
  69. Shocking Dark
  70. Face The Truth
  71. Submerged

Here Is The Official Cannes Lineup!


The lineup for the Cannes Film Festival has been announced.  After a rather subdued Sundance, film lovers like me are desperately looking to Cannes to add some excitement to 2024.  Considering that Cannes is going to see the premiere of new films from Francis Ford Coppola, Paul Schrader, Sean Baker, Kevin Costner, Andrea Arnold, George Miller, David Cronenberg, and Yorgos Lanthimos, it might do just that!

In the past, Cannes has always been hit-and-miss when it comes to the Oscars.  But lately, films like The Zone of Interest, Parasite, and The Tree of Life have followed success at Cannes with success with the Academy.

With that in mind, here’s the lineup.  If you’re going to Cannes in May, you’re going to have a good time!

Full lineup of the 2024 Cannes film festival.

The Second Act Quentin Dupieux (Opening Film) (Out of Competition)

Competition

L’Amour Ouf Gilles Lellouche

All We Imagine As Light Payal Kapadia

Anora Sean Baker

The Apprentice Ali Abbasi

Bird Andrea Arnold

Caught by the Tides Jia Zhangke

Emilia Perez Jacques Audiard

The Girl With the Needle Magnus von Horn

Grand Tour Miguel Gomes

Limonov: The Ballad Kirill Serebrennikov

Marcello Mio Christophe Honoré

Megalopolis Francis Ford Coppola

Motel Destino Karim Ainouz

Oh Canada Paul Schrader

Parthenope Paolo Sorrentino

The Shrouds David Cronenberg

The Substance Coralie Fargeat

Wild Diamond Agathe Riedinger

Kinds of Kindness Yorgos Lanthimos

Out of Competition

Furiosa: A Mad Max Saga George Miller

Horizon, an American Saga Kevin Costner

Rumours Evan Johnson, Galen Johnson, Guy Maddin

She’s Got No Name Chan Peter Ho-Sun

Un Certain Regard

Armand Halfdan Ullmann Tondel

Black Dog Guan Hu

The Damned Roberto Minervini

L’Histoire de Souleymane Boris Lojkine

My Sunshine Boku No Ohisama

Norah Tawik Alzaidi

On Becoming a Guinea Fowl Rungano Nyoni

Le Royaume Julien Colonna

Santosh Sandhya Suri

September Says Ariane Labed

The Shameless Konstantin Bojanov

Viet and Nam Truong Minh Quý

The Village Next to Paradise Mo Harawe

Vingt Deux! Louise Courvoisier

Who Let the Dogs Bite? Laetitia Dosch

Midnight Screenings

The Balconettes Noémie Merlant

I, The Executioner Seung Wan Ryoo

The Surfer Lorcan Finnegan

Twilight of the Warrior Walled In Soi Cheang

Cannes Premiere

C’est Pas Moi Leos Carax

Everybody Loves Touda Nabil Ayouch

The Matching Bang Emmanuel Courcol

Misericorde Alain Guiraudie

Rendez-Vous Avec Pol Pot Rithy Panh

Le Roman de Jim Arnaud Larrieu, Jean-Marie Larrieu

Special Screenings

Apprendre Claire Simon

La Belle de Gaza Yolande Zauberman

Ernest Cole, Lost and Found Raoul Peck

Le Fil Daniel Auteuil

The Invasion Sergei Loznitsa

6 Directors Who I Hope Will Win An Oscar In The Next Ten Years


  1. Richard Linklater

How did Richard Linklater not win the Oscar for Boyhood?

Seriously, Boyhood’s loss to Birdman and Linklater’s loss to Alejandro González Iñárritu were two of the biggest mistakes that the Academy has made since the start of the new century.  Linklater spent twelve years filming a movie, with no idea of what the eventual story would be, and he somehow made one of the best and more cohesive films of the 2010s.  And somehow, that was not good enough for the Academy.

And while that may not bother the independent-minded Linklater, it does bother me.  Here’s hoping the Academy will make it up to Linklater soon.  His upcoming film, Hitman, has been critically acclaimed but it doesn’t necessarily sound like Oscar fare.  Well, no matter!  Linklater will hopefully get his Oscar soon.

Here are five other directors who I hope will be honored in the next ten years.

2. Jeff Nichols

Speaking of directors with possible contenders set to be released, Jeff Nichols could be a contender at the next ceremony for his work on The Bikeriders.  Originally, The Bikeriders was set to be released in 2023 but it was delayed by the SAG strike.  Ever since Take Shelter, Nichols has been a consistently interesting and intelligent director.  I can’t wait to see The Bikeriders!

3. Sofia Coppola

Sofia is a perennial on these lists and I’ll keep including her until she finally wins her Oscar.  No one captures the beauty of ennui with quite the skill and visual flair of Sofia Coppola.

4. Celine Song

Past Lives is a film that deserved a lot more love than it received from the Academy.  I can’t wait to see what Song does next!

5. Denis Villeneuve

Villeneuve, as of right now, seems like he’ll definitely be a contender next year for his work on the Dune sequel.  Even if he’s not remembered at next year’s ceremony, he still seems to be one of those directors who is destined to win sooner than later.

6. Paul Schrader

Seriously, can you imagine the speech he’d give?

The Michigan Movie Critics Guild Honors Barbie!


In their inaugural awards, the Michigan Movie Critics Guild have announced their picks for the best of 2023 and they really liked Barbie!

The winners are listed in bold.

Best Picture
American Fiction
Anatomy of a Fall
Barbie
The Holdovers
Past Lives
Poor Things

Best Director
Greta Gerwig – Barbie
Cord Jefferson – American Fiction
Yorgos Lanthimos – Poor Things
Christopher Nolan – Oppenheimer
Martin Scorsese – Killers of the Flower Moon

Best Actress
Lily Gladstone – Killers of the Flower Moon
Sandra Hüller – Anatomy of a Fall
Greta Lee – Past Lives
Carey Mulligan – Maestro
Emma Stone – Poor Things

Best Actor
Bradley Cooper – Maestro
Zac Efron – The Iron Claw
Paul Giamatti – The Holdovers
Cillian Murphy – Oppenheimer
Jeffrey Wright – American Fiction

Best Supporting Actress
America Ferrera – Barbie
Da’Vine Joy Randolph – The Holdovers
Rachel McAdams – Are You There God? It’s Me, Margaret.
Julianne Moore – May December
Rosamund Pike – Saltburn

Best Supporting Actor
Sterling K. Brown – American Fiction
Robert De Niro – Killers of the Flower Moon
Robert Downey Jr. – Oppenheimer
Ryan Gosling – Barbie
Mark Ruffalo – Poor Things

Best Animated Film
The Boy and The Heron
Nimona
Spider-Man: Across The Spider-Verse
The Super Mario Bros. Movie
Teenage Mutant Ninja Turtles: Mutant Mayhem

Best Documentary
Beyond Utopia
Sly
Still: A Michael J. Fox Movie

Best Ensemble
Air
Barbie
The Holdovers
Killers of the Flower Moon
Oppenheimer

Best Screenplay (Adapted or Original)
American Fiction
Anatomy of a Fall
Barbie
The Holdovers
Past Lives

Breakthrough Award
Sandra Hüller – Actress, Anatomy of a Fall
Cord Jefferson – Director, American Fiction
Greta Lee – Actress, Past Lives
Dominic Sessa – Actor, The Holdovers
Celine Song – Director/Writer Past Lives

Stunts
John Wick: Chapter 4
The Killer
Mission: Impossible – Dead Reckoning Part One
Polite Society
Silent Night

The MMCG Award for Film Excellence (presented to a filmmaker, writer, actor, crew member etc. who has Michigan ties or to a film made or set in Michigan)
Keegan-Michael Key – Actor Wonka/The Super Mario Bros. Movie/Migration
Ashley Park – Actress, Joy Ride
Paul Schrader – Director, Master Gardener
Lily Tomlin – Actress, 80 For Brady
J.K. Simmons – Actor, Spider-Man: Across The Spider-Verse
Bruce Campbell – Producer, Evil Dead Rise

Here Are The 2023 Nominations of the Michigan Movie Critics Guild!


Tis the season when I struggle to keep up with all of the groups of regional film critics!  Today, a new group — Michigan Movie Critics Guild — announced their nominees for the best of 2023!  The winners will be announced on December 4th!

Interestingly enough, neither Killers of the Flower Moon nor Oppenheimer, the two acknowledged front runners, received Best Picture nominations from the MMCG.  (The two films did, however, pick up nominations in other categories.)  It appears that this is going to be a bit of a quirky group, which is fine by me.  We need more quirky film critics!

Also, they nominated Bruce Campbell for an award!  I’m going to like this group!

Best Picture
American Fiction
Anatomy of a Fall
Barbie
The Holdovers
Past Lives
Poor Things

Best Director
Greta Gerwig – Barbie
Cord Jefferson – American Fiction
Yorgos Lanthimos – Poor Things
Christopher Nolan – Oppenheimer
Martin Scorsese – Killers of the Flower Moon

Best Actress
Lily Gladstone – Killers of the Flower Moon
Sandra Hüller – Anatomy of a Fall
Greta Lee – Past Lives
Carey Mulligan – Maestro
Emma Stone – Poor Things

Best Actor
Bradley Cooper – Maestro
Zac Efron – The Iron Claw
Paul Giamatti – The Holdovers
Cillian Murphy – Oppenheimer
Jeffrey Wright – American Fiction

Best Supporting Actress
America Ferrera – Barbie
Da’Vine Joy Randolph – The Holdovers
Rachel McAdams – Are You There God? It’s Me, Margaret.
Julianne Moore – May December
Rosamund Pike – Saltburn

Best Supporting Actor
Sterling K. Brown – American Fiction
Robert De Niro – Killers of the Flower Moon
Robert Downey Jr. – Oppenheimer
Ryan Gosling – Barbie
Mark Ruffalo – Poor Things

Best Animated Film
The Boy and The Heron
Nimona
Spider-Man: Across The Spider-Verse
The Super Mario Bros. Movie
Teenage Mutant Ninja Turtles: Mutant Mayhem

Best Documentary
Beyond Utopia
Sly
Still: A Michael J. Fox Movie

Best Ensemble
Air
Barbie
The Holdovers
Killers of the Flower Moon
Oppenheimer

Best Screenplay (Adapted or Original)
American Fiction
Anatomy of a Fall
Barbie
The Holdovers
Past Lives

Breakthrough Award
Sandra Hüller – Actress, Anatomy of a Fall
Cord Jefferson – Director, American Fiction
Greta Lee – Actress, Past Lives
Dominic Sessa – Actor, The Holdovers
Celine Song – Director/Writer Past Lives

Stunts
John Wick: Chapter 4
The Killer
Mission: Impossible – Dead Reckoning Part One
Polite Society
Silent Night

The MMCG Award for Film Excellence (presented to a filmmaker, writer, actor, crew member etc. who has Michigan ties or to a film made or set in Michigan)
Keegan-Michael Key – Actor Wonka/The Super Mario Bros. Movie/Migration
Ashley Park – Actress, Joy Ride
Paul Schrader – Director, Master Gardener
Lily Tomlin – Actress, 80 For Brady
J.K. Simmons – Actor, Spider-Man: Across The Spider-Verse
Bruce Campbell – Producer, Evil Dead Rise

4 Shots From 4 Films: Special Paul Schrader Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today is the birthday of the one and only Paul Schrader!  It’s time for….

4 Shots From 4 Paul Schrader Films

Blue Collar (1978, dir by Paul Schrader, DP: Bobby Byrne)

American Gigolo (1980, dir by Paul Schrader, DP: John Bailey)

Cat People (1982, dir by Paul Schrader, DP: John Bailey)

First Reformed (2018, dir by Paul Schrader, DP: Alexander Dynan)

6 Directors Who I Hope Will Win An Oscar In The Next 10 Years


6. Todd Field

Todd Field has only directed three films over the past 23 years but all three of them have been outstanding.  In The Bedroom is a film that grows in power with each subsequent viewing.  Unfairly overlooked when it was originally released, Little Children is the film that movies like American Beauty and Revolutionary Road can only pretend to be.  And finally, TAR is a film that will probably still be remembered after most of the other best picture nominees have been forgotten.

Todd Field received an Oscar nomination for his work on TAR so, technically, he could be an Oscar winner by the end of tonight.  Realistically, though, it appears that The Daniels have got the award sewn up and Field will have to wait for another opportunity.  I just hope that it doesn’t take Field another 16 years to film a follow-up to TAR.

Here are 5 other directors who I hope win an Oscar over the next ten years!

5. Joseph Kosinski

This year, Kosinski deserved a nomination for his work on Top Gun: Maverick.  He didn’t receive one, largely because Top Gun Maverick was viewed as being more of a Tom Cruise movie than a Joseph Koskinski movie.  While Cruise undoubtedly played a huge role in Maverick’s production, I think it’s a mistake to overlook the fact that Kosinski did a great job directing the film, respectfully paying homage to the visual style of the first film while also adding his own little quirks.  With the wrong director, Maverick could have come across like a vanity project for an aging star.  Under Kosinski’s direction, it was a terrific crowd-pleaser and one of the best of the year.

4. Robert Eggers

Robert Eggers seems destined to someday win an Oscar.  The Witch, The Lighthouse, and The Northman were all films that could have fallen apart with the wrong director at the helm.  Instead, Eggers was able to turn each one into a succes d’estime.  Eggers will undoubtedly get his chance to add Oscar winner to his resume, probably sooner than later.

3. Paul Schrader

The acceptance speech would be legendary.

2. Michael Bay

Ambulance was good!  I’m slowly coming around to Michael Bay.  Movies have become so self-important lately that it’s kind of hard not to appreciate Michael Bay’s refusal to treat them as being anything other than an excuse to blow stuff up and have a good time.  Plus, Michael Bay winning an Oscar would lead to an epic meltdown on the part of Film Twitter and who doesn’t want to witness that?

  1. Debra Granik

Granik is responsible for two of the best films of the last 15 years, Winter’s Bone and Leave No Trace.  Both of these films took a sympathetic look at life on the fringes of conventional society and both of them introduced an exciting new talent to viewers, Jennifer Lawrence in Winter’s Bone and Thomasin McKenzie in Leave No Trace.  Granik is one of those directors who tends to take her time between feature film projects but I still can’t wait to see what she does next!

What Could Have Been: George Hamilton as Travis Bickle?


I was recently reading the IMDb trivia page for Martin Scorsese’s 1976 film, Taxi Driver. 

Taxi Driver is often held up as the being the ultimate New York horror story as well as being the quintessential Martin Scorsese/Robert De Niro collaboration.  In fact, the film is so identified with Scorsese, De Niro, and screenwriter Paul Schrader that it is easy to forget that it actually took a while for Scorsese and De Niro to become involved with the project.  Quite a few different directors showed interest in Schrader’s script before Scorsese signed on.  And, even though the role will always be associated with him, De Niro was not the only actor considered for the role of Travis Bickle.

That’s what brought me to the IMDb trivia page.  I wanted to see who else was considered for the role of Travis.  Here’s the list that I found: Jeff Bridges, Jack Nicholson, Dustin Hoffman, Warren Beatty, Burt Reynolds, Ryan O’Neal, Peter Fonda, Al Pacino, Jon Voight, Robert Blake, David Carradine, Richard Dreyfuss, Christopher Walken, Alain Delon, James Caan, Roy Scheider, Paul Newman, Marlon Brando, Martin Sheen, Elliott Gould, Alan Alda, and George Hamilton.  That’s quite a list!  And. for the most part, I don’t buy it for a second.

Don’t get me wrong.  It is known that Al Pacino was sent the script before Scorsese came on board.  And Scorsese himself has said that he offered the role to Dustin Hoffman.  (Hoffman says he turned down the role because Scorsese’s intensity freaked him out.)  Jeff Bridges was also a possibility and, if you read Schrader’s script and force yourself to forget about De Niro’s performance, you can actually imagine Bridges in the role.  I could also imagine a youngish Martin Sheen in the role.  He had just played Charlie Starkweather in Badlands so one can imagine him being considered for Travis.  Peter Fonda and Robert Blake seem possible as well.  Even David Carradine.

But some of the other names on that list …. Alain Delon?  Paul Newman?  Alan Alda?  GEORGE HAMILTON?

This George Hamilton?

Listen, I like George Hamilton.  He’s a good comedic actor.  And I know that there were a lot of directors who took a look at Paul Schrader’s script and I also know that some of Travis’s most iconic moments — like the whole “You talkin’ to me?” scene — were improvised by De Niro and were not in the original script.  Taxi Driver could have gone in a lot of different directions.  But I’m just going to say right now that there is no way that George Hamilton was ever considered for the role of Travis Bickle.  It’s totally possible that Hamilton was considered for another role in the film.  I could imagine him as the presidential candidate, Charles Palantine.  I could also imagine him in the role of Tom, Palantine’s campaign manager.  Perhaps he was offered one of those roles and someone, reading that George Hamilton had turned down Taxi Driver, got it into their head that he was considered for Travis.

Or maybe …. someone just made the whole thing up.  I enjoy the IMDb trivia pages but I’ve come across a lot of information that simply is not true.  Despite what the page for the original Halloween says, I refuse to believe that John Belushi was considered for the role of Dr. Loomis.  For that matter, I also refuse to believe that Bill Murray was a runner-up for the role of Han Solo in Star Wars.  Sorry, IMDb trivia people.  I just don’t buy it.

Arthur Bremer

Here’s what we do know.  Paul Schrader was originally inspired to create the character of Travis Bickle by Arthur Bremer, a non-descript 21 year-old Midwesterner who, in 1972, shot and nearly killed presidential candidate, George Wallace.  After the shooting, police turned up a diary in which Bremer wrote about his desire to be someone.  According to Bremer, he shot Wallace not as a political act but because he wanted to be famous.  Schrader later said that, while writing the script, the story became less about Bremer and more about Schrader’s own social isolation.

The script was optioned by the production team of Tony Bill and Julia and Michael Phillips.  They had just recently produced the Oscar-winning The Sting.  Originally, Tony Bill wanted to make his directorial debut with the film.  That was when the script was sent to Al Pacino.  Pacino turned down the role, reportedly because he didn’t want to work with a first-time director.  (Tony Bill, a former actor, later directed several films, most of which appeared to be taking place in a totally separate universe from Schrader’s vision of urban Hell.)

The script was eventually read by Brian De Palma, who voiced an interest in directing the film.  DePalma’s choice for the role of Travis Bickle?  Jeff Bridges.

Today, it might be hard to imagine the affable, laid-back Jeff Bridges as Travis Bickle but, if you read the script, it’s easy to see why De Palma considered him for the role.  Travis was written as being someone from the middle of the country, someone who was out-of-place in New York City.  Travis was meant to be lost in New York.  (Though Travis does say that he’s from the midwest in Scorsese’s film, Robert De Niro himself remains the prototypical New Yorker.)  At least initially, Bridges would have been a bit less obviously unstable than De Niro.  As good as Taxi Driver is, it always seems a bit strange that Betsy would agree to go out with De Niro’s Travis but it’s a bit easier to believe that she would take a chance on Jeff Bridges, with his charming smile and likable manner.  Bridges’s descent into madness would have been all the more devastating because he was such an outwardly affable presence.  I’m not saying it would have worked but I can still see what De Palma would have been going for in his version of Taxi Driver.

That said, De Palma did not make Taxi Driver.  He instead decided to do Carrie.  A young Steven Spielberg briefly showed interest in Taxi Driver (the mind boggles) before decided to do Jaws instead.  Eventually, after being introduced to Schrader by De Palma, Martin Scorsese agreed to direct the film.  After getting turned down by Dustin Hoffman, Scorsese offered the role to De Niro.

As for the rest of the cast, Rock Hudson would have been an interesting choice for the role of Sen. Palantine but he turned down the script because he was busy with a television show.  There was also some talk of casting former New York Mayor John Lindsay in the role but, in the end, the role was given to a writer named Leonard Harris.

The role of Tom was originally offered to Harvey Keitel.  Because Keitel wanted to play the pimp, Albert Brooks ended up as Tom.  Because there wasn’t much to Tom in the script, it was felt that, as a comedian, Brooks could bring some sort of life to the character.  Indeed, Brooks reportedly improvised the majority of his lines.

Despite the fact that producer Julia Phillips wanted to cast Farrah Fawcett in the role, Martin Scorsese selected Cybil Shepherd for the role of Betsy.  If you believe the IMDb, Meryl Streep was offered the role but turned it down.  (If I sound skeptical, it’s because Streep hadn’t even made her film debut at the time that Taxi Driver went into production.)  Glenn Close, Jane Seymour, and Susan Sarandon auditioned for the role.  Mia Farrow reportedly wanted the role but was turned down by Scorsese.

As everyone knows, Jodie Foster played the 13 year-old prostitute, Iris, in Taxi Driver.  A man named John Hinckley, Jr. was so obsessed with Foster’s performance that he went the same route as Travis Bickle and attempted to assassinate the president in an effort to impress her.  Foster, however, was only picked after Scorsese saw several up-and-coming actresses.  Reportedly, due to the success of The Exorcist, Linda Blair was seriously considered for the role.  Tatum O’Neal was also considered, after winning her Oscar for Paper Moon.  Scorsese came close to casting Melanie Griffith but then Tippi Hedren read the script and nixed the idea.  Among the others who supposedly read for Iris: Mariel Hemingway, Jennifer Jason Leigh, Heather Locklear, Kristy McNichol, Carrie Fisher, Ellen Barkin, Kim Basinger, Geena Davis, Michelle Pfeiffer, Brooke Shields, Debra Winger, Rosanna Arquette, Bo Derek, and Kim Cattrall.

Finally, actor George Memmoli was injured on the set of another film, which led to Scorsese playing the passenger who talks to Travis about murdering his wife.

In the end, the right director and the right cast were selected and Taxi Driver became a classic of urban paranoia.  Still, it’s always fun to play What If.  On Earth-2, someone is watching Jeff Bridges, Rock Hudson, Jane Seymour, and Melanie Griffith in Brian De Palma’s Taxi Driver.  And, on Earth-3, George Hamilton is polishing his Oscars and thinking about how playing Travis Bickle changed his life.

Here Are The Gotham Winners!


The Gotham Awards were held last night and the big winners were CODA and Maggie Gyllenhaal’s The Lost Daughter.  The Gothams aren’t exactly the biggest or most influential of the Oscar precursors but they were are one of the first so a victory can only help!

The winners are listed in bold:

Best Feature
“The Green Knight”
“The Lost Daughter”
“Passing”
“Pig”
“Test Pattern”

Best Documentary Feature
“Ascension”
“Faya Dayi”
“Flee”
“President”
“Summer Of Soul (…Or, When The Revolution Could Not Be Televised)”

Best International Feature
“Azor”
“Drive My Car”
“The Souvenir Part II”
“Titane”
“What Do We See When We Look at the Sky?”
“The Worst Person In The World”

Bingham Ray Breakthrough Director Award
Maggie Gyllenhaal for “The Lost Daughter”
Edson Oda for “Nine Days”
Rebecca Hall for “Passing”
Emma Seligman for “Shiva Baby”
Shatara Michelle Ford for “Test Pattern”

Best Screenplay
“The Card Counter,” Paul Schrader
“El Planeta,” Amalia Ulman
“The Green Knight,” David Lowery
“The Lost Daughter,” Maggie Gyllenhaal
“Passing,” Rebecca Hall
“Red Rocket,” Sean Baker & Chris Bergoch

Outstanding Lead Performance
Olivia Colman in “The Lost Daughter”
Frankie Faison in “The Killing of Kenneth Chamberlain”
Michael Greyeyes in “Wild Indian”
Brittany S. Hall in “Test Pattern”
Oscar Isaac in “The Card Counter”
Taylour Paige in “Zola”
Joaquin Phoenix in “C’mon C’mon”
Simon Rex in “Red Rocket”
Lili Taylor in “Paper Spiders”
Tessa Thompson in “Passing”

Outstanding Supporting Performance
Reed Birney in “Mass”
Jessie Buckley in “The Lost Daughter”
Colman Domingo in “Zola”
Gaby Hoffmann in “C’mon C’mon”
Troy Kotsur in “CODA”
Marlee Matlin in “CODA”
Ruth Negga in “Passing”

Breakthrough Performer
Emilia Jones in “CODA”
Natalie Morales in “Language Lessons”
Rachel Sennott in Shiva Baby”
Suzanna Son in “Red Rocket”
Amalia Ulman in “El Planeta”

Breakthrough Series – Long Format (over 40 minutes)
“The Good Lord Bird”
“It’s A Sin”
“Small Axe”
“Squid Game”
“The Underground Railroad”
“The White Lotus”

Breakthrough Series – Short Format (under 40 minutes)
“Blindspotting”
“Hacks”
“Reservation Dogs”
“Run the World”
“We Are Lady Parts”

Breakthrough Nonfiction Series
“City So Real”
“Exterminate All the Brutes”
“How To with John Wilson”
“Philly D.A.”
“Pride”

Outstanding Performance in a New Series
Jennifer Coolidge in “The White Lotus”
Michael Greyeyes in “Rutherford Falls”
Ethan Hawke in “The Good Lord Bird”
Devery Jacobs in “Reservation Dogs”
Lee Jung-jae in “Squid Game”
Thuso Mbedu in “The Underground Railroad”
Jean Smart in “Hacks”
Omar Sy in “Lupin”
Anya Taylor-Joy in “The Queen’s Gambit”
Anjana Vasan in “We Are Lady Parts”

(Incidentally, I’m probably the only person not involved with the show to have noticed the victory for Philly D.A.  I’m just going to be honest and say that is one of my least favorite results ever.  Philly D.A. was a pure propaganda, nothing more.)

What If Oscar Season Started And No One Noticed, Part 2: Here Are The Gotham Award Nominations


As a sign of how wrapped up I am in this year’s Horrorthon, consider this: the 2021 Gotham Nominations — the first precursor of Awards Season! — were announced on Thursday and I totally missed them!  This is actually not the first year that this has happened.  October is a busy month for me and sometimes, the Gotham noms get missed.

The Gothams, of course, only honor independent films and they have pretty strict rules as far as what they consider to be independent.  The budget has to come in at a certain relatively low amount, for one thing.  So, as a result, a lot of Oscar nominees are not Gotham eligible.  But, at the same time, those Gotham rules also allow some films that otherwise might get overlooked a chance to get some precursor love.  Being nominated for a Gotham is hardly a guarantee that the Academy will remember you.  But it certainly doesn’t hurt.

Better late than never, here are the 2021 Gotham Nominations!  As you’ll notice, the Gotham’s performance awards are gender neutral.  This is the first year that the Gothams have done this.  They also added categories for supporting performances and best performance in a series.

Anyway, here are the nominees:

Best Feature
“The Green Knight”
“The Lost Daughter”
“Passing”
“Pig”
“Test Pattern”

Best Documentary Feature
“Ascension”
“Faya Dayi”
“Flee”
“President”
“Summer Of Soul (…Or, When The Revolution Could Not Be Televised)”

Best International Feature
“Azor”
“Drive My Car”
“The Souvenir Part II”
“Titane”
“What Do We See When We Look at the Sky?”
“The Worst Person In The World”

Bingham Ray Breakthrough Director Award
Maggie Gyllenhaal for “The Lost Daughter”
Edson Oda for “Nine Days”
Rebecca Hall for “Passing”
Emma Seligman for “Shiva Baby”
Shatara Michelle Ford for “Test Pattern”

Best Screenplay
“The Card Counter,” Paul Schrader
“El Planeta,” Amalia Ulman
“The Green Knight,” David Lowery
“The Lost Daughter,” Maggie Gyllenhaal
“Passing,” Rebecca Hall
“Red Rocket,” Sean Baker & Chris Bergoch

Outstanding Lead Performance
Olivia Colman in “The Lost Daughter”
Frankie Faison in “The Killing of Kenneth Chamberlain”
Michael Greyeyes in “Wild Indian”
Brittany S. Hall in “Test Pattern”
Oscar Isaac in “The Card Counter”
Taylour Paige in “Zola”
Joaquin Phoenix in “C’mon C’mon”
Simon Rex in “Red Rocket”
Lili Taylor in “Paper Spiders”
Tessa Thompson in “Passing”

Outstanding Supporting Performance
Reed Birney in “Mass”
Jessie Buckley in “The Lost Daughter”
Colman Domingo in “Zola”
Gaby Hoffmann in “C’mon C’mon”
Troy Kotsur in “CODA”
Marlee Matlin in “CODA”
Ruth Negga in “Passing”

Breakthrough Performer
Emilia Jones in “CODA”
Natalie Morales in “Language Lessons”
Rachel Sennott in Shiva Baby”
Suzanna Son in “Red Rocket”
Amalia Ulman in “El Planeta”

Breakthrough Series – Long Format (over 40 minutes)
“The Good Lord Bird”
“It’s A Sin”
“Small Axe”
“Squid Game”
“The Underground Railroad”
“The White Lotus”

Breakthrough Series – Short Format (under 40 minutes)
“Blindspotting”
“Hacks”
“Reservation Dogs”
“Run the World”
“We Are Lady Parts”

Breakthrough Nonfiction Series
“City So Real”
“Exterminate All the Brutes”
“How To with John Wilson”
“Philly D.A.”
“Pride”

Outstanding Performance in a New Series
Jennifer Coolidge in “The White Lotus”
Michael Greyeyes in “Rutherford Falls”
Ethan Hawke in “The Good Lord Bird”
Devery Jacobs in “Reservation Dogs”
Lee Jung-jae in “Squid Game”
Thuso Mbedu in “The Underground Railroad”
Jean Smart in “Hacks”
Omar Sy in “Lupin”
Anya Taylor-Joy in “The Queen’s Gambit”
Anjana Vasan in “We Are Lady Parts”