Without further ado, here is the list that we’ve all been waiting for! Here are my picks for the 26 best films of 2021! Why 26? Because Lisa doesn’t do odd numbers!
Well, here we are. Another awards season is wrapping up. Almost all of the regional critic groups have announced their picks for the best of 2021. The Guilds have spoken. The front runners have emerged. Both Don’t Look Up and Being the Ricardos have weathered bad reviews and become probable Oscar nominees. If nothing else, I’ll have something to complain about for the next three or four months. At the same time, Power of the Dog has emerged as the critical favorite. Belfast seems to be the populist favorite. West Side Story is the big production that has to be nominated, even though no one seems to feel particularly strongly about it one way or the other. Dune is the blockbuster that the Academy is hoping will cause people to tune into the ceremony, especially now that it appears that the Spider-Man Oscar campaign has fizzled. Don’t Look Up is the “Let’s piss off the cons” nominee. Being the Ricardos is this year’s “Wow, our industry really is the best” nominee. Personally, I’m going to view tick, tick….Boom! as being the most likely dark horse to pull off an upset.
So, with all that in mind, here’s my last set of 2021 Oscar predictions.
Looking at the list below, I have to say that we certainly have a good race this year. It’s interesting that, this year, only films that were released between March and the end of December were eligible for the Oscars. 2021 was a very good year for movies! Not only do we have the nominees below but we also had films like The Father and Judas and the Black Messiah, both of which are 2021 films as far as I’m concerned.
(Consider this. If the Oscars had kept the eligibility window the same last year instead of extending it to accommodate films delayed by the pandemic, Anthony Hopkins would probably be the Best Actor front runner right now and the Academy probably would have given Chadwick Boseman a posthumous Best Actor award last April. I also imagine that Jesse Plemons would have a better chance of picking up a supporting actor nomination if the members of the Academy were currently screening both The Power of the Dog and Judas and the Black Messiah at the same time.)
The Washington D.C. Area Film Critics have announced their nominees for the best of 2021! The winners will be announced tomorrow so that means you have exactly one day to see all the nominees. GET TO IT!
Best Film
Belfast
The Green Knight
The Power of the Dog
tick, tick…BOOM!
West Side Story
Best Director
Kenneth Branagh – Belfast
Jane Campion – The Power of the Dog
David Lowery – The Green Knight
Steven Spielberg – West Side Story
Denis Villeneuve – Dune
Best Actor
Nicolas Cage – Pig
Benedict Cumberbatch – The Power of the Dog
Andrew Garfield – tick, tick…BOOM!
Will Smith – King Richard
Denzel Washington – The Tragedy of Macbeth
Best Actress
Olivia Colman – The Lost Daughter
Nicole Kidman – Being the Ricardos
Lady Gaga – House of Gucci
Kristen Stewart – Spencer
Tessa Thompson – Passing
Best Supporting Actor
Jamie Dornan – Belfast
Ciarán Hinds – Belfast
Troy Kotsur – CODA
Jesse Plemons – The Power of the Dog
Kodi Smit-McPhee – The Power of the Dog
Best Supporting Actress
Caitríona Balfe – Belfast
Ariana DeBose – West Side Story
Ann Dowd – Mass
Kirsten Dunst – The Power of the Dog
Aunjanue Ellis – King Richard
Best Acting Ensemble
Belfast
The French Dispatch
The Harder They Fall
Mass
The Power of the Dog
Best Youth Performance
Jude Hill – Belfast
Emilia Jones – CODA
Woody Norman – C’mon, C’mon
Saniyya Sidney – King Richard
Rachel Zegler – West Side Story
Best Voice Performance
Awkwafina – Raya and the Last Dragon
Stephanie Beatriz – Encanto
Abbi Jacobson – The Mitchells vs. the Machines
Kelly Marie Tran – Raya and the Last Dragon
Jacob Tremblay – Luca
Best Original Screenplay
Kenneth Branagh – Belfast
Mike Mills – C’mon, C’mon
Zach Baylin – King Richard
Paul Thomas Anderson – Licorice Pizza
Fran Kranz – Mass
Best Adapted Screenplay
Siân Heder – CODA
Jon Spaihts and Denis Villeneuve and Eric Roth – Dune
Jane Campion – The Power of the Dog
Steven Levenson – tick, tick…BOOM!
Tony Kushner – West Side Story
Best Animated Feature
Encanto
Flee
Luca
The Mitchells vs. the Machines
Raya and the Last Dragon
Best Documentary
The First Wave
Flee
The Rescue
Summer of Soul (…Or, When the Revolution Could Not Be Televised)
Val
Best International/Foreign Language Film
Drive My Car
A Hero
Lamb
Titane
The Worst Person in the World
Best Production Design
Jim Clay, Production Designer; Claire Nia Richards, Set Decorator – Belfast
Patrice Vermette, Production Designer; Richard Roberts and Zsuzsanna Sipos, Set Decorators – Dune
Adam Stockhausen, Production Designer; Rena DeAngelo, Set Decorator – The French Dispatch
Tamara Deverell, Production Designer; Shane Vieau, Set Decorator – Nightmare Alley
Adam Stockhausen, Production Designer; Rena DeAngelo, Set Decorator – West Side Story
Best Cinematography
Haris Zambarloukos – Belfast
Greig Fraser – Dune
Andrew Droz Palermo – The Green Knight
Ari Wegner – The Power of the Dog
Bruno Delbonnel – The Tragedy of Macbeth
Best Editing
Úna Ní Dhonghaíle – Belfast
Joe Walker – Dune
Andrew Weisblum – The French Dispatch
Peter Sciberras – The Power of the Dog
Myron Kerstein & Andrew Weisblum – tick, tick…BOOM!
Best Original Score
Bryce Dessner & Aaron Dessner – Cyrano
Hans Zimmer – Dune
Alexandre Desplat – The French Dispatch
Jonny Greenwood – The Power of the Dog
Jonny Greenwood – Spencer
The New York Film Critics Circle announced their picks for the best of 2021 today and there were some surprises. I don’t think anyone was predicting that Drive My Car would win Best Film. But that’s part of the fun of an unpredictable awards season. Occasionally, there’s a surprise or two.
Here are the winners in New York:
Best Film
Drive My Car
Best Director
Jane Campion – The Power Of The Dog
Best Screenplay
Paul Thomas Anderson – Licorice Pizza
Best Actress
Lady Gaga – House Of Gucci
Best Actor
Benedict Cumberbatch – The Power Of The Dog
Best Supporting Actress
Kathryn Hunter – The Tragedy Of Macbeth
Best Supporting Actor
Kodi Smit-McPhee – The Power Of The Dog
Best Cinematography
West Side Story
Best Animated Feature
The Mitchells vs. The Machines
Best Non-Fiction Film
Flee
Best Foreign Language Film
The Worst Person In The World
Best First Film
The Lost Daughter
Special Awards – Maya Cade for the creation of the Black Film Archive
– Diane Weyermann, posthumous award for supporting daring and impactful filmmaking at Sundance and Participant
– Marshall Fine for his years of service as NYFCC’s General Manager and decades on the NY film scene
It’s time for my monthly Oscar predictions! Awards Season is going to begin in just another two days and the Oscar picture has become a lot more clearer.
Last month, I was ready to write off West Side Story as a contender. However, following both the film’s recent screening and the death of Stephen Sondheim, it’s now once again very much a contender. If nothing else, Rita Moreno seems like the clear front runner for Supporting Actress. This would be her first nomination since she won an Oscar for appearing in the original West Side Story. Who can resist that narrative?
I’ve also added Licorice Pizza back to my list of nominees. At first, I thought it sounded too slight to be a contender but the enthusiasm that I’m seeing for the film would seem to indicate that I was incorrect.
As always, keep in mind that I don’t claim to be an expert. The picture is a bit clearer but I don’t claim to have any inside information or anything like that. These are just my guesses, for better or worse. To see how my thinking has evolved, check out my predictions for March and April and May and June and July and August and September and October!
The Gotham Awards were held last night and the big winners were CODA and Maggie Gyllenhaal’s The Lost Daughter. The Gothams aren’t exactly the biggest or most influential of the Oscar precursors but they were are one of the first so a victory can only help!
The winners are listed in bold:
Best Feature
“The Green Knight” “The Lost Daughter”
“Passing”
“Pig”
“Test Pattern”
Best Documentary Feature
“Ascension”
“Faya Dayi”
“Flee”
“President”
“Summer Of Soul (…Or, When The Revolution Could Not Be Televised)”
Best International Feature
“Azor” “Drive My Car”
“The Souvenir Part II”
“Titane”
“What Do We See When We Look at the Sky?”
“The Worst Person In The World”
Bingham Ray Breakthrough Director Award Maggie Gyllenhaal for “The Lost Daughter”
Edson Oda for “Nine Days”
Rebecca Hall for “Passing”
Emma Seligman for “Shiva Baby”
Shatara Michelle Ford for “Test Pattern”
Best Screenplay
“The Card Counter,” Paul Schrader
“El Planeta,” Amalia Ulman
“The Green Knight,” David Lowery “The Lost Daughter,” Maggie Gyllenhaal
“Passing,” Rebecca Hall
“Red Rocket,” Sean Baker & Chris Bergoch
Outstanding Lead Performance Olivia Colman in “The Lost Daughter” Frankie Faison in “The Killing of Kenneth Chamberlain”
Michael Greyeyes in “Wild Indian”
Brittany S. Hall in “Test Pattern”
Oscar Isaac in “The Card Counter”
Taylour Paige in “Zola”
Joaquin Phoenix in “C’mon C’mon”
Simon Rex in “Red Rocket”
Lili Taylor in “Paper Spiders”
Tessa Thompson in “Passing”
Outstanding Supporting Performance
Reed Birney in “Mass”
Jessie Buckley in “The Lost Daughter”
Colman Domingo in “Zola”
Gaby Hoffmann in “C’mon C’mon” Troy Kotsur in “CODA”
Marlee Matlin in “CODA”
Ruth Negga in “Passing”
Breakthrough Performer Emilia Jones in “CODA”
Natalie Morales in “Language Lessons”
Rachel Sennott in Shiva Baby”
Suzanna Son in “Red Rocket”
Amalia Ulman in “El Planeta”
Breakthrough Series – Long Format (over 40 minutes)
“The Good Lord Bird”
“It’s A Sin”
“Small Axe” “Squid Game”
“The Underground Railroad”
“The White Lotus”
Breakthrough Series – Short Format (under 40 minutes)
“Blindspotting”
“Hacks” “Reservation Dogs”
“Run the World”
“We Are Lady Parts”
Breakthrough Nonfiction Series “City So Real”
“Exterminate All the Brutes”
“How To with John Wilson” “Philly D.A.”
“Pride”
Outstanding Performance in a New Series
Jennifer Coolidge in “The White Lotus”
Michael Greyeyes in “Rutherford Falls” Ethan Hawke in “The Good Lord Bird”
Devery Jacobs in “Reservation Dogs”
Lee Jung-jae in “Squid Game” Thuso Mbedu in “The Underground Railroad”
Jean Smart in “Hacks”
Omar Sy in “Lupin”
Anya Taylor-Joy in “The Queen’s Gambit”
Anjana Vasan in “We Are Lady Parts”
(Incidentally, I’m probably the only person not involved with the show to have noticed the victory for Philly D.A. I’m just going to be honest and say that is one of my least favorite results ever. Philly D.A. was a pure propaganda, nothing more.)
It’s time to take a little break from horror so that I may once against do my list of my monthly Oscar predictions! I guess some people would consider predicting the Oscars to be a scary thing. Personally, I have fun doing it, even if my predictions often seem to be for naught. That said, I did manage to predict that Thomas Vinterberg would be nominated for Best Director last year so take that, haters.
Probably the biggest development this month is that I’ve lost all faith in Spielberg’s West Side Story. It’s just not getting the type of hype that I would expect from a Spielberg Oscar movie. In fact, it seems like everyone involved is in kind of a hurry to move on. So, for now, I’m dropping it from my predictions. While West Side Story goes, Dune has definitely established itself as a probable nominee. I think the only problem that Dune will have is the possibility of people saying, “We’ll just nominate the sequel instead.”
I’ve also added C’mon C’mon and Passing to my list of Best Picture nominees. This is almost totally due to their popularity with the Gothams. If the other critics groups don’t duplicate the love, they’ll probably get dropped from my predictions come January.
As always, keep in mind that I don’t claim to be an expert. The picture is a bit clearer but I don’t claim to have any inside information or anything like that. These are just my guesses, for better or worse. To see how my thinking has evolved, check out my predictions for March and April and May and June and July and August and September!
As a sign of how wrapped up I am in this year’s Horrorthon, consider this: the 2021 Gotham Nominations — the first precursor of Awards Season! — were announced on Thursday and I totally missed them! This is actually not the first year that this has happened. October is a busy month for me and sometimes, the Gotham noms get missed.
The Gothams, of course, only honor independent films and they have pretty strict rules as far as what they consider to be independent. The budget has to come in at a certain relatively low amount, for one thing. So, as a result, a lot of Oscar nominees are not Gotham eligible. But, at the same time, those Gotham rules also allow some films that otherwise might get overlooked a chance to get some precursor love. Being nominated for a Gotham is hardly a guarantee that the Academy will remember you. But it certainly doesn’t hurt.
Better late than never, here are the 2021 Gotham Nominations! As you’ll notice, the Gotham’s performance awards are gender neutral. This is the first year that the Gothams have done this. They also added categories for supporting performances and best performance in a series.
Anyway, here are the nominees:
Best Feature
“The Green Knight”
“The Lost Daughter”
“Passing”
“Pig”
“Test Pattern”
Best Documentary Feature
“Ascension”
“Faya Dayi”
“Flee”
“President”
“Summer Of Soul (…Or, When The Revolution Could Not Be Televised)”
Best International Feature
“Azor”
“Drive My Car”
“The Souvenir Part II”
“Titane”
“What Do We See When We Look at the Sky?”
“The Worst Person In The World”
Bingham Ray Breakthrough Director Award
Maggie Gyllenhaal for “The Lost Daughter”
Edson Oda for “Nine Days”
Rebecca Hall for “Passing”
Emma Seligman for “Shiva Baby”
Shatara Michelle Ford for “Test Pattern”
Best Screenplay
“The Card Counter,” Paul Schrader
“El Planeta,” Amalia Ulman
“The Green Knight,” David Lowery
“The Lost Daughter,” Maggie Gyllenhaal
“Passing,” Rebecca Hall
“Red Rocket,” Sean Baker & Chris Bergoch
Outstanding Lead Performance
Olivia Colman in “The Lost Daughter”
Frankie Faison in “The Killing of Kenneth Chamberlain”
Michael Greyeyes in “Wild Indian”
Brittany S. Hall in “Test Pattern”
Oscar Isaac in “The Card Counter”
Taylour Paige in “Zola”
Joaquin Phoenix in “C’mon C’mon”
Simon Rex in “Red Rocket”
Lili Taylor in “Paper Spiders”
Tessa Thompson in “Passing”
Outstanding Supporting Performance
Reed Birney in “Mass”
Jessie Buckley in “The Lost Daughter”
Colman Domingo in “Zola”
Gaby Hoffmann in “C’mon C’mon”
Troy Kotsur in “CODA”
Marlee Matlin in “CODA”
Ruth Negga in “Passing”
Breakthrough Performer
Emilia Jones in “CODA”
Natalie Morales in “Language Lessons”
Rachel Sennott in Shiva Baby”
Suzanna Son in “Red Rocket”
Amalia Ulman in “El Planeta”
Breakthrough Series – Long Format (over 40 minutes)
“The Good Lord Bird”
“It’s A Sin”
“Small Axe”
“Squid Game”
“The Underground Railroad”
“The White Lotus”
Breakthrough Series – Short Format (under 40 minutes)
“Blindspotting”
“Hacks”
“Reservation Dogs”
“Run the World”
“We Are Lady Parts”
Breakthrough Nonfiction Series “City So Real”
“Exterminate All the Brutes”
“How To with John Wilson”
“Philly D.A.”
“Pride”
Outstanding Performance in a New Series
Jennifer Coolidge in “The White Lotus”
Michael Greyeyes in “Rutherford Falls”
Ethan Hawke in “The Good Lord Bird”
Devery Jacobs in “Reservation Dogs”
Lee Jung-jae in “Squid Game”
Thuso Mbedu in “The Underground Railroad”
Jean Smart in “Hacks”
Omar Sy in “Lupin”
Anya Taylor-Joy in “The Queen’s Gambit”
Anjana Vasan in “We Are Lady Parts”
The Lost Daughter, which is the directorial debut of Maggie Gyllenhaal, made quite a splash on the festival circuit and it’s being spoken of as a darkhorse Oscar contender. Olivia Colman, who is quickly becoming an Oscar favorite, could pick up another nomination. The destined-to-be-nominated someday Jessie Buckley could pick up her first.
As for the film itself, it’s about confronting dark secrets from the past, which is always an interesting subject matter. We’ll all get a chance to judge the film for ourselves when it’s released in December.
No, not that time! That time ended two days ago. I’m talking about the fact that it’s time for me to once again share my monthly Oscar predictions. Thanks to the festival circuit, we’ve finally gotten some advance word on the big Oscar contenders that will be coming out over the next few months.
Belfast, as of right now, sounds like the prohibitive favorite to win it all. At first, it seemed like the reaction to The Power of the Dog was a bit mixed but later reactions were almost overwhelmingly positive. It sounds like the type of film that will be nominated even if it won’t necessarily win. Maggie Gyllenhaal’s The Lost Daughter is coming on strong, as is Spencer. For me, the biggest surprise has been the amount of acclaim that Dune has been getting. I was a bit dismissive of its Oscar chances earlier this year but now it definitely sounds like it will be in the hunt.
West Side Story has been seen by no one but I continue to list it because it’s a Spielberg film and, with all the musicals that are being released this year and which have subsequently struggled with either critics or audiences or both, it still seems the most likely to pick up a nomination. I’m a little bit skeptical on whether or not Nightmare Alley is going to be an “Oscar picture” but the trailer was nice to look at so I’m giving it the benefit of the doubt. House of Gucci is three hours long and full of stars so it’s either going to be an Oscar nominee or a complete bomb.
You may notice a lack of predicted nominations for Licorice Pizza. Licorice Pizza is a film that I fully expect to love but the trailer definitely feels a bit more like Inherent Vice than The Phantom Thread. I still think that the actors could get nominated but the rumor right now is that Bradley Cooper’s role is actually very small. That’s why I no longer have him listed as a supporting actor nominee.
Again, keep in mind that I’m not an expert. The picture is a bit clearer but I don’t claim to have any inside information or anything like that. These are just my guesses, for better or worse. To see how my thinking has evolved, check out my predictions for March and April and May and June and July and August!
Through the Shattered Lens 