Today’s song of the day comes from David Bowie and it’s about Bowie’s fascination with Andy Warhol. Warhol himself apparently didn’t care for this song but Bowie meant it as a tribute.
This song came out in 1971. 25 years later, Bowie would play Andy Warhol in Basquiat.
Still don’t know what I was waiting for And my time was running wild, a million dead-end streets and Every time I thought I’d got it made It seemed the taste was not so sweet
So I turned myself to face me But I’ve never caught a glimpse Of how the others must see the faker I’m much too fast to take that test
Ch-ch-changes (Turn and face the strain) Ch-ch-changes (Don’t want to be a richer man)
Ch-ch-changes (Turn and face the strain) Ch-ch-changes (Just gonna have to be a different man)
Time may change me But I can’t trace time
I watch the ripples change their size But never leave the stream of warm impermanence and So the days float through my eyes But still the days seem the same
And these children that you spit on As they try to change their worlds Are immune to your consultations They’re quite aware of what they’re going through
Ch-ch-changes (Turn and face the strain) Ch-ch-changes (Don’t tell them to grow up and out of it)
Ch-ch-changes (Turn and face the strain) Ch-ch-changes (Where’s your shame, you’ve left us up to our necks in it)
Time may change me But you can’t trace time
Strange fascination, fascinating me Ah changes are taking the pace I’m going through
Ch-ch-changes (Turn and face the strain) Ch-ch-changes (Oh, look out you rock ‘n rollers)
Ch-ch-changes (Turn and face the strain) Ch-ch-changes (Pretty soon now you’re gonna get older)
Time may change me But I can’t trace time
I said that time may change me But I can’t trace time
Today’s song of the day comes from David Bowie and it’s about Bowie’s fascination with Andy Warhol. Warhol himself apparently didn’t care for this song but Bowie meant it as a tribute.
This song came out in 1971. 25 years later, Bowie would play Andy Warhol in Basquiat.
This is, without a doubt, one of the best sequences that Quentin Tarantino has ever directed. Along with the perfect visuals of Shoshanna getting ready for the premiere, Tarantino makes perfect use of Theme From Cat People, reinventing the song from a somewhat silly horror theme to an anthem of revolution and revenge.
It’s Ash Wednesday! Sharing this song by David Bowie is a bit of an Ash Wednesday tradition and I’m going to keep it going this year. (Yes, I understand the song isn’t actually about Ash Wednesday but, for me, it is.)
In this scene from Bing Crosby’s Merrie Olde Christmas, David Bowie stops by the home of his old friend, Sir Percival Crosby, and meets Sir Percy’s long-lost American relative, Bing Crosby! A discussion of modern music and parenting techniques leads to them performing a duet of Peace On Earth/Little Drummer Boy.
This was Bing’s final Christmas special and he died just five weeks after filming completed. This scene is a holiday classic and has been described. by the Washington Post, as “one of the most successful duets in Christmas music history.”
When asked about David Bowie, Bing said he was “clean-cut kid and a real fine asset to the show. He sings well, has a great voice and reads lines well.”
Still don’t know what I was waiting for And my time was running wild, a million dead-end streets and Every time I thought I’d got it made It seemed the taste was not so sweet
So I turned myself to face me But I’ve never caught a glimpse Of how the others must see the faker I’m much too fast to take that test
Ch-ch-changes (Turn and face the strain) Ch-ch-changes (Don’t want to be a richer man)
Ch-ch-changes (Turn and face the strain) Ch-ch-changes (Just gonna have to be a different man)
Time may change me But I can’t trace time
I watch the ripples change their size But never leave the stream of warm impermanence and So the days float through my eyes But still the days seem the same
And these children that you spit on As they try to change their worlds Are immune to your consultations They’re quite aware of what they’re going through
Ch-ch-changes (Turn and face the strain) Ch-ch-changes (Don’t tell them to grow up and out of it)
Ch-ch-changes (Turn and face the strain) Ch-ch-changes (Where’s your shame, you’ve left us up to our necks in it)
Time may change me But you can’t trace time
Strange fascination, fascinating me Ah changes are taking the pace I’m going through
Ch-ch-changes (Turn and face the strain) Ch-ch-changes (Oh, look out you rock ‘n rollers)
Ch-ch-changes (Turn and face the strain) Ch-ch-changes (Pretty soon now you’re gonna get older)
Time may change me But I can’t trace time
I said that time may change me But I can’t trace time
Today’s horror song comes the hypnotic soundtrack of Paul Schrader’s Cat People. This song was so good that it later showed up and was used to equally strong effect in Quentin Tarantino’s Inglourious Basterds.